Dance and British literature :: an intermedial encounter : (Theory - Typology - Case Studies) /
What happens, when dance and literature meet; when movement is integrated into the literary world or even replaces verbal communication? This study explores dance in British literature from Shakespeare to Yeats, and illustrates the many ways in which these two forms of artistic expression can enter...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden, Netherlands ; Boston [Massachusetts] :
Brill Rodopi,
2015.
|
| Schriftenreihe: | Studies in intermediality ;
Volume 8. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | What happens, when dance and literature meet; when movement is integrated into the literary world or even replaces verbal communication? This study explores dance in British literature from Shakespeare to Yeats, and illustrates the many ways in which these two forms of artistic expression can enter into various kinds of intermedial encounters and cultural alliances. |
| Beschreibung: | 1 online resource (306 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9004292586 9789004292581 |
| ISSN: | 1871-8787 ; 1871-8787 |
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| 245 | 1 | 0 | |a Dance and British literature : |b an intermedial encounter : (Theory - Typology - Case Studies) / |c by Maria Marcsek-Fuchs. |
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| 505 | 0 | |a Dance and British Literature: An Intermedial Encounter; Copyright; Contents; Acknowledgements; 1. Introduction; 2. THEORY: Mediality and Literalised Dance; 2.1. Definition of Medium; 2.2. Literature as Medium; 2.2.1. A Semiotic Perspective on Literature; 2.2.2. From a Semiotic to a Cultural Perspective on Literature; 2.3. Dance as Medium; 2.3.1. General Statements; 2.3.2. A Semiotic Perspective on Dance; 2.3.2.1. Movement; 2.3.2.2. Time; 2.3.2.3. Space; 2.3.3. From a Semiotic through a Cultural to an Intermedial Perspective on Dance. | |
| 505 | 8 | |a 2.3.3.1. Dance Genres as Markers of Class, National Identity, and Gender2.3.3.2. The Body and Signification; 3. TYPOLOGY: Literalised Dance as Intermedial Encounter; 3.1. Intermediality as a Concept; 3.2. Toward a Typology of Literalised Dance; 3.2.1. A Semiotic Approach; 3.2.1.1. Extra-compositional Intermediality; 3.2.1.2. Intra-compositional Intermediality; 3.2.2. A Cultural Approach; 3.2.2.1. Literalised Dance as a Platform for Cultural Discourse; 3.2.2.2. Representations of Dance Culture in Poetry and Caricature; 4. CASE STUDIES: Literalised Dance in British Drama. | |
| 505 | 8 | |a 4.1. Dance in British Drama from the Renaissance to the 18th Century4.1.1. Plurimediality in Renaissance Masques-Dance as Allegory of Order: Jonson's Hymenaei and Shakespeare's The Tempest, Jonson's Pleasure Reconciled to Virtue, Milton's Comus; 4.1.2. Intermedial Reference and Cultural Ridicule in Restoration and 18th Century Comedy: Wycherley's The Gentleman Dancing Master, Sheridan's The Rivals; 4.2. Dance in British Drama of the 19th Century; 4.2.1. Popular Literature and the Waltz; 4.2.1.1. The Waltz: A Public Scandal and its Poetic Representations. | |
| 505 | 8 | |a 4.2.1.2. The Waltz in 19th Century 'Illegitimate' Drama4.2.2. Elitist Drama and Modern Dance; 4.2.2.1. Presence through Absence: Oscar Wilde's Salome; 4.2.2.2. The Revolution of Modernism: Yeats and Modern Dance; 5. Conclusion; Works Cited; List of Illustrations; Index. | |
| 520 | |a What happens, when dance and literature meet; when movement is integrated into the literary world or even replaces verbal communication? This study explores dance in British literature from Shakespeare to Yeats, and illustrates the many ways in which these two forms of artistic expression can enter into various kinds of intermedial encounters and cultural alliances. | ||
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| contents | Dance and British Literature: An Intermedial Encounter; Copyright; Contents; Acknowledgements; 1. Introduction; 2. THEORY: Mediality and Literalised Dance; 2.1. Definition of Medium; 2.2. Literature as Medium; 2.2.1. A Semiotic Perspective on Literature; 2.2.2. From a Semiotic to a Cultural Perspective on Literature; 2.3. Dance as Medium; 2.3.1. General Statements; 2.3.2. A Semiotic Perspective on Dance; 2.3.2.1. Movement; 2.3.2.2. Time; 2.3.2.3. Space; 2.3.3. From a Semiotic through a Cultural to an Intermedial Perspective on Dance. 2.3.3.1. Dance Genres as Markers of Class, National Identity, and Gender2.3.3.2. The Body and Signification; 3. TYPOLOGY: Literalised Dance as Intermedial Encounter; 3.1. Intermediality as a Concept; 3.2. Toward a Typology of Literalised Dance; 3.2.1. A Semiotic Approach; 3.2.1.1. Extra-compositional Intermediality; 3.2.1.2. Intra-compositional Intermediality; 3.2.2. A Cultural Approach; 3.2.2.1. Literalised Dance as a Platform for Cultural Discourse; 3.2.2.2. Representations of Dance Culture in Poetry and Caricature; 4. CASE STUDIES: Literalised Dance in British Drama. 4.1. Dance in British Drama from the Renaissance to the 18th Century4.1.1. Plurimediality in Renaissance Masques-Dance as Allegory of Order: Jonson's Hymenaei and Shakespeare's The Tempest, Jonson's Pleasure Reconciled to Virtue, Milton's Comus; 4.1.2. Intermedial Reference and Cultural Ridicule in Restoration and 18th Century Comedy: Wycherley's The Gentleman Dancing Master, Sheridan's The Rivals; 4.2. Dance in British Drama of the 19th Century; 4.2.1. Popular Literature and the Waltz; 4.2.1.1. The Waltz: A Public Scandal and its Poetic Representations. 4.2.1.2. The Waltz in 19th Century 'Illegitimate' Drama4.2.2. Elitist Drama and Modern Dance; 4.2.2.1. Presence through Absence: Oscar Wilde's Salome; 4.2.2.2. The Revolution of Modernism: Yeats and Modern Dance; 5. Conclusion; Works Cited; List of Illustrations; Index. |
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| series | Studies in intermediality ; |
| series2 | Studies in Intermediality, |
| spelling | Marcsek-Fuchs, Maria, author. Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / by Maria Marcsek-Fuchs. Leiden, Netherlands ; Boston [Massachusetts] : Brill Rodopi, 2015. ©2015 1 online resource (306 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in Intermediality, 1871-8787 ; Volume 8 Includes bibliographical references and index. Print version record. Dance and British Literature: An Intermedial Encounter; Copyright; Contents; Acknowledgements; 1. Introduction; 2. THEORY: Mediality and Literalised Dance; 2.1. Definition of Medium; 2.2. Literature as Medium; 2.2.1. A Semiotic Perspective on Literature; 2.2.2. From a Semiotic to a Cultural Perspective on Literature; 2.3. Dance as Medium; 2.3.1. General Statements; 2.3.2. A Semiotic Perspective on Dance; 2.3.2.1. Movement; 2.3.2.2. Time; 2.3.2.3. Space; 2.3.3. From a Semiotic through a Cultural to an Intermedial Perspective on Dance. 2.3.3.1. Dance Genres as Markers of Class, National Identity, and Gender2.3.3.2. The Body and Signification; 3. TYPOLOGY: Literalised Dance as Intermedial Encounter; 3.1. Intermediality as a Concept; 3.2. Toward a Typology of Literalised Dance; 3.2.1. A Semiotic Approach; 3.2.1.1. Extra-compositional Intermediality; 3.2.1.2. Intra-compositional Intermediality; 3.2.2. A Cultural Approach; 3.2.2.1. Literalised Dance as a Platform for Cultural Discourse; 3.2.2.2. Representations of Dance Culture in Poetry and Caricature; 4. CASE STUDIES: Literalised Dance in British Drama. 4.1. Dance in British Drama from the Renaissance to the 18th Century4.1.1. Plurimediality in Renaissance Masques-Dance as Allegory of Order: Jonson's Hymenaei and Shakespeare's The Tempest, Jonson's Pleasure Reconciled to Virtue, Milton's Comus; 4.1.2. Intermedial Reference and Cultural Ridicule in Restoration and 18th Century Comedy: Wycherley's The Gentleman Dancing Master, Sheridan's The Rivals; 4.2. Dance in British Drama of the 19th Century; 4.2.1. Popular Literature and the Waltz; 4.2.1.1. The Waltz: A Public Scandal and its Poetic Representations. 4.2.1.2. The Waltz in 19th Century 'Illegitimate' Drama4.2.2. Elitist Drama and Modern Dance; 4.2.2.1. Presence through Absence: Oscar Wilde's Salome; 4.2.2.2. The Revolution of Modernism: Yeats and Modern Dance; 5. Conclusion; Works Cited; List of Illustrations; Index. What happens, when dance and literature meet; when movement is integrated into the literary world or even replaces verbal communication? This study explores dance in British literature from Shakespeare to Yeats, and illustrates the many ways in which these two forms of artistic expression can enter into various kinds of intermedial encounters and cultural alliances. Typology (Linguistics) http://id.loc.gov/authorities/subjects/sh85139174 Linguistic universals. http://id.loc.gov/authorities/subjects/sh85141082 Typologie (Linguistique) Universaux (Linguistique) LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Linguistic universals fast Typology (Linguistics) fast Electronic book. has work: Dance and British literature: an intermedial encounter (theory - typology - case studies) (Text) https://id.oclc.org/worldcat/entity/E39PCFY4JTMfMwdH7GTb8jKgYX https://id.oclc.org/worldcat/ontology/hasWork Print version: Marcsek-Fuchs, Maria. Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies). Leiden, Netherlands ; Boston, [Massachusetts] : Brill Rodopi, ©2015 viii, 298 pages Studies in intermediality ; Volume 8 1871-8787 9789004292567 Studies in intermediality ; Volume 8. http://id.loc.gov/authorities/names/no2007000869 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1940350 Volltext |
| spellingShingle | Marcsek-Fuchs, Maria Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / Studies in intermediality ; Dance and British Literature: An Intermedial Encounter; Copyright; Contents; Acknowledgements; 1. Introduction; 2. THEORY: Mediality and Literalised Dance; 2.1. Definition of Medium; 2.2. Literature as Medium; 2.2.1. A Semiotic Perspective on Literature; 2.2.2. From a Semiotic to a Cultural Perspective on Literature; 2.3. Dance as Medium; 2.3.1. General Statements; 2.3.2. A Semiotic Perspective on Dance; 2.3.2.1. Movement; 2.3.2.2. Time; 2.3.2.3. Space; 2.3.3. From a Semiotic through a Cultural to an Intermedial Perspective on Dance. 2.3.3.1. Dance Genres as Markers of Class, National Identity, and Gender2.3.3.2. The Body and Signification; 3. TYPOLOGY: Literalised Dance as Intermedial Encounter; 3.1. Intermediality as a Concept; 3.2. Toward a Typology of Literalised Dance; 3.2.1. A Semiotic Approach; 3.2.1.1. Extra-compositional Intermediality; 3.2.1.2. Intra-compositional Intermediality; 3.2.2. A Cultural Approach; 3.2.2.1. Literalised Dance as a Platform for Cultural Discourse; 3.2.2.2. Representations of Dance Culture in Poetry and Caricature; 4. CASE STUDIES: Literalised Dance in British Drama. 4.1. Dance in British Drama from the Renaissance to the 18th Century4.1.1. Plurimediality in Renaissance Masques-Dance as Allegory of Order: Jonson's Hymenaei and Shakespeare's The Tempest, Jonson's Pleasure Reconciled to Virtue, Milton's Comus; 4.1.2. Intermedial Reference and Cultural Ridicule in Restoration and 18th Century Comedy: Wycherley's The Gentleman Dancing Master, Sheridan's The Rivals; 4.2. Dance in British Drama of the 19th Century; 4.2.1. Popular Literature and the Waltz; 4.2.1.1. The Waltz: A Public Scandal and its Poetic Representations. 4.2.1.2. The Waltz in 19th Century 'Illegitimate' Drama4.2.2. Elitist Drama and Modern Dance; 4.2.2.1. Presence through Absence: Oscar Wilde's Salome; 4.2.2.2. The Revolution of Modernism: Yeats and Modern Dance; 5. Conclusion; Works Cited; List of Illustrations; Index. Typology (Linguistics) http://id.loc.gov/authorities/subjects/sh85139174 Linguistic universals. http://id.loc.gov/authorities/subjects/sh85141082 Typologie (Linguistique) Universaux (Linguistique) LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Linguistic universals fast Typology (Linguistics) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85139174 http://id.loc.gov/authorities/subjects/sh85141082 |
| title | Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / |
| title_auth | Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / |
| title_exact_search | Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / |
| title_full | Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / by Maria Marcsek-Fuchs. |
| title_fullStr | Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / by Maria Marcsek-Fuchs. |
| title_full_unstemmed | Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies) / by Maria Marcsek-Fuchs. |
| title_short | Dance and British literature : |
| title_sort | dance and british literature an intermedial encounter theory typology case studies |
| title_sub | an intermedial encounter : (Theory - Typology - Case Studies) / |
| topic | Typology (Linguistics) http://id.loc.gov/authorities/subjects/sh85139174 Linguistic universals. http://id.loc.gov/authorities/subjects/sh85141082 Typologie (Linguistique) Universaux (Linguistique) LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Linguistic universals fast Typology (Linguistics) fast |
| topic_facet | Typology (Linguistics) Linguistic universals. Typologie (Linguistique) Universaux (Linguistique) LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. Linguistic universals Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1940350 |
| work_keys_str_mv | AT marcsekfuchsmaria danceandbritishliteratureanintermedialencountertheorytypologycasestudies |