Thomas Chatterton's art :: experiments in imagined history /
Thomas Chatterton's fabrications-or "forgeries"-of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century. Nevertheless, his works have never bef...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, New Jersey :
Princeton University Press,
1978.
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Schriftenreihe: | Princeton legacy library.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Thomas Chatterton's fabrications-or "forgeries"-of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century. Nevertheless, his works have never before been the subject of a sustained serious and critical investigation that focused on his artistic achievement rather than on the legend and myth surrounding his melodramatic life. Donald Taylor's study provides a thorough analysis of Chatterton's poems and to place them in the context of the poetic and literary traditions that influenced him. Setting his analyses within the contexts of "historic," heroic, satiric, pastoral, and descriptive modes, the author considers each of Chatterton's major works as solutions to the literary problems the poet set for himself, thus tracing the literary history of Chatterton's artistic development as a sequence of subjects and literary modes explored. As Professor Taylor amply demonstrates, Thomas Chatterton's brief career embodies important features of the literary transition from the Augustans to the Romantics and, contrary to traditional assumptions, shows that the historical worlds Chatterton imagined have close ties to the century and sensibility against which he is assumed to have rebelled.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
Beschreibung: | Includes index. |
Beschreibung: | 1 online resource (356 pages) |
ISBN: | 9781400871384 1400871387 |
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505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Acknowledgments -- |t Introduction -- |t I. Seven Early Pieces: 1763-1764 -- |t II. The Imaginative Matrix: The Rowley World and its Documents, 1768-1769 -- |t III. The Rowleyan Works: Explorations in Heroic Modes, 1768-1769 -- |t IV. Satiric Worlds and Modes: 1769-1770 -- |t V. Imagined Places and Poetries: 1768-1770 -- |t Notes -- |t Index -- |t Backmatter |
520 | |a Thomas Chatterton's fabrications-or "forgeries"-of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century. Nevertheless, his works have never before been the subject of a sustained serious and critical investigation that focused on his artistic achievement rather than on the legend and myth surrounding his melodramatic life. Donald Taylor's study provides a thorough analysis of Chatterton's poems and to place them in the context of the poetic and literary traditions that influenced him. Setting his analyses within the contexts of "historic," heroic, satiric, pastoral, and descriptive modes, the author considers each of Chatterton's major works as solutions to the literary problems the poet set for himself, thus tracing the literary history of Chatterton's artistic development as a sequence of subjects and literary modes explored. As Professor Taylor amply demonstrates, Thomas Chatterton's brief career embodies important features of the literary transition from the Augustans to the Romantics and, contrary to traditional assumptions, shows that the historical worlds Chatterton imagined have close ties to the century and sensibility against which he is assumed to have rebelled.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
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contents | Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- I. Seven Early Pieces: 1763-1764 -- II. The Imaginative Matrix: The Rowley World and its Documents, 1768-1769 -- III. The Rowleyan Works: Explorations in Heroic Modes, 1768-1769 -- IV. Satiric Worlds and Modes: 1769-1770 -- V. Imagined Places and Poetries: 1768-1770 -- Notes -- Index -- Backmatter |
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dewey-search | 821/.6 |
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dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
era | 1700-1799 fast |
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series | Princeton legacy library. |
series2 | Princeton Legacy Library |
spelling | Taylor, Donald S., author. Thomas Chatterton's art : experiments in imagined history / Donald S. Taylor. Princeton, New Jersey : Princeton University Press, 1978. ©1978 1 online resource (356 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Princeton Legacy Library Includes index. Print version record. Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- I. Seven Early Pieces: 1763-1764 -- II. The Imaginative Matrix: The Rowley World and its Documents, 1768-1769 -- III. The Rowleyan Works: Explorations in Heroic Modes, 1768-1769 -- IV. Satiric Worlds and Modes: 1769-1770 -- V. Imagined Places and Poetries: 1768-1770 -- Notes -- Index -- Backmatter Thomas Chatterton's fabrications-or "forgeries"-of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century. Nevertheless, his works have never before been the subject of a sustained serious and critical investigation that focused on his artistic achievement rather than on the legend and myth surrounding his melodramatic life. Donald Taylor's study provides a thorough analysis of Chatterton's poems and to place them in the context of the poetic and literary traditions that influenced him. Setting his analyses within the contexts of "historic," heroic, satiric, pastoral, and descriptive modes, the author considers each of Chatterton's major works as solutions to the literary problems the poet set for himself, thus tracing the literary history of Chatterton's artistic development as a sequence of subjects and literary modes explored. As Professor Taylor amply demonstrates, Thomas Chatterton's brief career embodies important features of the literary transition from the Augustans to the Romantics and, contrary to traditional assumptions, shows that the historical worlds Chatterton imagined have close ties to the century and sensibility against which he is assumed to have rebelled.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Chatterton, Thomas, 1752-1770 Criticism and interpretation. Chatterton, Thomas, 1752-1770 fast https://id.oclc.org/worldcat/entity/E39PBJpDVtCtvtftF4rgHr8KVC Literary forgeries and mystifications History 18th century. Literature and history England History 18th century. Medievalism England History 18th century. Middle Ages in literature. http://id.loc.gov/authorities/subjects/sh85085006 Imaginary histories. http://id.loc.gov/authorities/subjects/sh85064459 Faux et supercheries littéraires Histoire 18e siècle. Littérature et histoire Angleterre Histoire 18e siècle. Médiévisme Angleterre Histoire 18e siècle. Moyen Âge dans la littérature. Histoire-fiction. LITERARY CRITICISM Poetry. bisacsh POETRY English, Irish, Scottish, Welsh. bisacsh Imaginary histories fast Literary forgeries and mystifications fast Literature and history fast Medievalism fast Middle Ages in literature fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C 1700-1799 fast Criticism, interpretation, etc. fast History fast has work: Thomas Chatterton's art (Text) https://id.oclc.org/worldcat/entity/E39PCFMWTG4BHJdYJ3c4WWB4HK https://id.oclc.org/worldcat/ontology/hasWork Print version: Taylor, Donald S. Thomas Chatterton's art : experiments in imagined history. Princeton, New Jersey : Princeton University Press, ©1978 x, 343 pages Princeton legacy library. 9780691614489 Princeton legacy library. http://id.loc.gov/authorities/names/no2014116408 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=947006 Volltext |
spellingShingle | Taylor, Donald S. Thomas Chatterton's art : experiments in imagined history / Princeton legacy library. Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- I. Seven Early Pieces: 1763-1764 -- II. The Imaginative Matrix: The Rowley World and its Documents, 1768-1769 -- III. The Rowleyan Works: Explorations in Heroic Modes, 1768-1769 -- IV. Satiric Worlds and Modes: 1769-1770 -- V. Imagined Places and Poetries: 1768-1770 -- Notes -- Index -- Backmatter Chatterton, Thomas, 1752-1770 Criticism and interpretation. Chatterton, Thomas, 1752-1770 fast https://id.oclc.org/worldcat/entity/E39PBJpDVtCtvtftF4rgHr8KVC Literary forgeries and mystifications History 18th century. Literature and history England History 18th century. Medievalism England History 18th century. Middle Ages in literature. http://id.loc.gov/authorities/subjects/sh85085006 Imaginary histories. http://id.loc.gov/authorities/subjects/sh85064459 Faux et supercheries littéraires Histoire 18e siècle. Littérature et histoire Angleterre Histoire 18e siècle. Médiévisme Angleterre Histoire 18e siècle. Moyen Âge dans la littérature. Histoire-fiction. LITERARY CRITICISM Poetry. bisacsh POETRY English, Irish, Scottish, Welsh. bisacsh Imaginary histories fast Literary forgeries and mystifications fast Literature and history fast Medievalism fast Middle Ages in literature fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85085006 http://id.loc.gov/authorities/subjects/sh85064459 |
title | Thomas Chatterton's art : experiments in imagined history / |
title_alt | Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- I. Seven Early Pieces: 1763-1764 -- II. The Imaginative Matrix: The Rowley World and its Documents, 1768-1769 -- III. The Rowleyan Works: Explorations in Heroic Modes, 1768-1769 -- IV. Satiric Worlds and Modes: 1769-1770 -- V. Imagined Places and Poetries: 1768-1770 -- Notes -- Index -- Backmatter |
title_auth | Thomas Chatterton's art : experiments in imagined history / |
title_exact_search | Thomas Chatterton's art : experiments in imagined history / |
title_full | Thomas Chatterton's art : experiments in imagined history / Donald S. Taylor. |
title_fullStr | Thomas Chatterton's art : experiments in imagined history / Donald S. Taylor. |
title_full_unstemmed | Thomas Chatterton's art : experiments in imagined history / Donald S. Taylor. |
title_short | Thomas Chatterton's art : |
title_sort | thomas chatterton s art experiments in imagined history |
title_sub | experiments in imagined history / |
topic | Chatterton, Thomas, 1752-1770 Criticism and interpretation. Chatterton, Thomas, 1752-1770 fast https://id.oclc.org/worldcat/entity/E39PBJpDVtCtvtftF4rgHr8KVC Literary forgeries and mystifications History 18th century. Literature and history England History 18th century. Medievalism England History 18th century. Middle Ages in literature. http://id.loc.gov/authorities/subjects/sh85085006 Imaginary histories. http://id.loc.gov/authorities/subjects/sh85064459 Faux et supercheries littéraires Histoire 18e siècle. Littérature et histoire Angleterre Histoire 18e siècle. Médiévisme Angleterre Histoire 18e siècle. Moyen Âge dans la littérature. Histoire-fiction. LITERARY CRITICISM Poetry. bisacsh POETRY English, Irish, Scottish, Welsh. bisacsh Imaginary histories fast Literary forgeries and mystifications fast Literature and history fast Medievalism fast Middle Ages in literature fast |
topic_facet | Chatterton, Thomas, 1752-1770 Criticism and interpretation. Chatterton, Thomas, 1752-1770 Literary forgeries and mystifications History 18th century. Literature and history England History 18th century. Medievalism England History 18th century. Middle Ages in literature. Imaginary histories. Faux et supercheries littéraires Histoire 18e siècle. Littérature et histoire Angleterre Histoire 18e siècle. Médiévisme Angleterre Histoire 18e siècle. Moyen Âge dans la littérature. Histoire-fiction. LITERARY CRITICISM Poetry. POETRY English, Irish, Scottish, Welsh. Imaginary histories Literary forgeries and mystifications Literature and history Medievalism Middle Ages in literature England Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=947006 |
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