Machiavelli goes to the movies :: understanding The prince through television and film /
" ... Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson's War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli's critical principles, including the need to caress or annihilate, learning "how not to be good," why it i...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lanham :
Lexington Books,
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | " ... Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson's War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli's critical principles, including the need to caress or annihilate, learning "how not to be good," why it is better to be feared than loved, and how to act as both the lion and the fox. Examples from contemporary mass media media are used in this book to exemplify the tactics Machiavelli advocated and to comprehensively demonstrate that Machiavelli intended for government actors and those exercising power to fight for a greater good."--Page 4 of cover |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780739195956 0739195956 |
Internformat
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| 100 | 1 | |a Kasper, Eric T., |e author. | |
| 245 | 1 | 0 | |a Machiavelli goes to the movies : |b understanding The prince through television and film / |c by Eric T. Kasper and Troy A. Kozma. |
| 264 | 1 | |a Lanham : |b Lexington Books, |c [2015] | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Vendor-supplied metadata. | |
| 505 | 0 | |a Introduction: "The ends justify the means" or "One must consider the final result"? -- Studying and using history: Charlie Wilson's war -- Caress or annihilate when taking power: The godfather and Breaking bad -- Nip political problems in the bud: Charlie Wilson's war, Primary colors, and A Bronx tale -- People accustomed to freedom will seek it again: Braveheart and Red dawn -- The difficulties of being a reformer and the importance of having arms: The Untouchables and Charlie Wilson's war -- Bribery and dirty work: Lincoln, Richard III, and Wag the dog -- The problems of being in charge without prior experience: Dave and Orphan Black -- The use of cruelty: Hoffa, Wag the dog, and The Untouchables -- Reliance on the people: All the king's men and O brother, where art thou? -- ^Rally 'round the flag: Wag the dog, Braveheart, and The patriot -- ^Power can be exercised in any institution: The Da Vinci code and The Manchurian candidate -- ^Keep your own army and prepare it for war: Braveheart, Heat, Alexander, and Independence Day -- Vices versus virtues and learning not to be good: Scarface, The godfather, The departed, and Richard III -- Miserliness is better than liberality: Ghostbusters and The patriot -- It is better to be feared than loved: Band of brothers, A few good men, and A Bronx tale -- Deception: The godfather, Primary colors, The walking dead, and Bob Roberts -- The lion and the fox: The godfather, Breaking bad, Charlie Wilson's war, The usual suspects, and Argo -- Pick a side and stick to your decisions in politics: The contender, Harry Potter, and House of cards -- The need for both military and popular support: Lincoln, O brother, where art thou?, and Red dawn -- ^Honor those with talent and hold festivals: Gladiator, The hunger games, and House of cards -- ^Have few trusted advisors and give them wealth to remain loyal: House of cards, Breaking bad, The departed, and Lord of the rings -- ^Virtue versus fortune: Election and Mad men -- Conclusions: Seeking greater glory. | |
| 520 | |a " ... Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson's War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli's critical principles, including the need to caress or annihilate, learning "how not to be good," why it is better to be feared than loved, and how to act as both the lion and the fox. Examples from contemporary mass media media are used in this book to exemplify the tactics Machiavelli advocated and to comprehensively demonstrate that Machiavelli intended for government actors and those exercising power to fight for a greater good."--Page 4 of cover | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Machiavelli, Niccolò, |d 1469-1527. |t Principe |x Criticism and interpretation. |
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| 650 | 0 | |a Motion pictures and literature. |0 http://id.loc.gov/authorities/subjects/sh85088132 | |
| 650 | 0 | |a Philosophy in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh92003501 | |
| 650 | 6 | |a Cinéma et littérature. | |
| 650 | 6 | |a Philosophie au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures and literature |2 fast | |
| 650 | 7 | |a Philosophy in motion pictures |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Kozma, Troy A., |e author. | |
| 758 | |i has work: |a Machiavelli goes to the movies (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFMqy8qdFCgmdJGD8rqQhd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Kasper, Eric T. |t Machiavelli goes to the movies : understanding the prince through television and film. |d Lanham, Maryland : Lexington Books, ©2015 |h x, 207 pages |z 9780739195949 |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816882307262316544 |
| adam_text | |
| any_adam_object | |
| author | Kasper, Eric T. Kozma, Troy A. |
| author_facet | Kasper, Eric T. Kozma, Troy A. |
| author_role | aut aut |
| author_sort | Kasper, Eric T. |
| author_variant | e t k et etk t a k ta tak |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.3 |
| callnumber-search | PN1995.3 |
| callnumber-sort | PN 41995.3 |
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| collection | ZDB-4-EBA |
| contents | Introduction: "The ends justify the means" or "One must consider the final result"? -- Studying and using history: Charlie Wilson's war -- Caress or annihilate when taking power: The godfather and Breaking bad -- Nip political problems in the bud: Charlie Wilson's war, Primary colors, and A Bronx tale -- People accustomed to freedom will seek it again: Braveheart and Red dawn -- The difficulties of being a reformer and the importance of having arms: The Untouchables and Charlie Wilson's war -- Bribery and dirty work: Lincoln, Richard III, and Wag the dog -- The problems of being in charge without prior experience: Dave and Orphan Black -- The use of cruelty: Hoffa, Wag the dog, and The Untouchables -- Reliance on the people: All the king's men and O brother, where art thou? -- ^Rally 'round the flag: Wag the dog, Braveheart, and The patriot -- ^Power can be exercised in any institution: The Da Vinci code and The Manchurian candidate -- ^Keep your own army and prepare it for war: Braveheart, Heat, Alexander, and Independence Day -- Vices versus virtues and learning not to be good: Scarface, The godfather, The departed, and Richard III -- Miserliness is better than liberality: Ghostbusters and The patriot -- It is better to be feared than loved: Band of brothers, A few good men, and A Bronx tale -- Deception: The godfather, Primary colors, The walking dead, and Bob Roberts -- The lion and the fox: The godfather, Breaking bad, Charlie Wilson's war, The usual suspects, and Argo -- Pick a side and stick to your decisions in politics: The contender, Harry Potter, and House of cards -- The need for both military and popular support: Lincoln, O brother, where art thou?, and Red dawn -- ^Honor those with talent and hold festivals: Gladiator, The hunger games, and House of cards -- ^Have few trusted advisors and give them wealth to remain loyal: House of cards, Breaking bad, The departed, and Lord of the rings -- ^Virtue versus fortune: Election and Mad men -- Conclusions: Seeking greater glory. |
| ctrlnum | (OCoLC)905853986 |
| dewey-full | 791.43/684 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/684 |
| dewey-search | 791.43/684 |
| dewey-sort | 3791.43 3684 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:26:32Z |
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| language | English |
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| publisher | Lexington Books, |
| record_format | marc |
| spelling | Kasper, Eric T., author. Machiavelli goes to the movies : understanding The prince through television and film / by Eric T. Kasper and Troy A. Kozma. Lanham : Lexington Books, [2015] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Vendor-supplied metadata. Introduction: "The ends justify the means" or "One must consider the final result"? -- Studying and using history: Charlie Wilson's war -- Caress or annihilate when taking power: The godfather and Breaking bad -- Nip political problems in the bud: Charlie Wilson's war, Primary colors, and A Bronx tale -- People accustomed to freedom will seek it again: Braveheart and Red dawn -- The difficulties of being a reformer and the importance of having arms: The Untouchables and Charlie Wilson's war -- Bribery and dirty work: Lincoln, Richard III, and Wag the dog -- The problems of being in charge without prior experience: Dave and Orphan Black -- The use of cruelty: Hoffa, Wag the dog, and The Untouchables -- Reliance on the people: All the king's men and O brother, where art thou? -- ^Rally 'round the flag: Wag the dog, Braveheart, and The patriot -- ^Power can be exercised in any institution: The Da Vinci code and The Manchurian candidate -- ^Keep your own army and prepare it for war: Braveheart, Heat, Alexander, and Independence Day -- Vices versus virtues and learning not to be good: Scarface, The godfather, The departed, and Richard III -- Miserliness is better than liberality: Ghostbusters and The patriot -- It is better to be feared than loved: Band of brothers, A few good men, and A Bronx tale -- Deception: The godfather, Primary colors, The walking dead, and Bob Roberts -- The lion and the fox: The godfather, Breaking bad, Charlie Wilson's war, The usual suspects, and Argo -- Pick a side and stick to your decisions in politics: The contender, Harry Potter, and House of cards -- The need for both military and popular support: Lincoln, O brother, where art thou?, and Red dawn -- ^Honor those with talent and hold festivals: Gladiator, The hunger games, and House of cards -- ^Have few trusted advisors and give them wealth to remain loyal: House of cards, Breaking bad, The departed, and Lord of the rings -- ^Virtue versus fortune: Election and Mad men -- Conclusions: Seeking greater glory. " ... Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson's War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli's critical principles, including the need to caress or annihilate, learning "how not to be good," why it is better to be feared than loved, and how to act as both the lion and the fox. Examples from contemporary mass media media are used in this book to exemplify the tactics Machiavelli advocated and to comprehensively demonstrate that Machiavelli intended for government actors and those exercising power to fight for a greater good."--Page 4 of cover English. Machiavelli, Niccolò, 1469-1527. Principe Criticism and interpretation. Principe (Machiavelli, Niccolò) fast Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Philosophy in motion pictures. http://id.loc.gov/authorities/subjects/sh92003501 Cinéma et littérature. Philosophie au cinéma. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures and literature fast Philosophy in motion pictures fast Criticism, interpretation, etc. fast Kozma, Troy A., author. has work: Machiavelli goes to the movies (Text) https://id.oclc.org/worldcat/entity/E39PCFMqy8qdFCgmdJGD8rqQhd https://id.oclc.org/worldcat/ontology/hasWork Print version: Kasper, Eric T. Machiavelli goes to the movies : understanding the prince through television and film. Lanham, Maryland : Lexington Books, ©2015 x, 207 pages 9780739195949 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=971901 Volltext |
| spellingShingle | Kasper, Eric T. Kozma, Troy A. Machiavelli goes to the movies : understanding The prince through television and film / Introduction: "The ends justify the means" or "One must consider the final result"? -- Studying and using history: Charlie Wilson's war -- Caress or annihilate when taking power: The godfather and Breaking bad -- Nip political problems in the bud: Charlie Wilson's war, Primary colors, and A Bronx tale -- People accustomed to freedom will seek it again: Braveheart and Red dawn -- The difficulties of being a reformer and the importance of having arms: The Untouchables and Charlie Wilson's war -- Bribery and dirty work: Lincoln, Richard III, and Wag the dog -- The problems of being in charge without prior experience: Dave and Orphan Black -- The use of cruelty: Hoffa, Wag the dog, and The Untouchables -- Reliance on the people: All the king's men and O brother, where art thou? -- ^Rally 'round the flag: Wag the dog, Braveheart, and The patriot -- ^Power can be exercised in any institution: The Da Vinci code and The Manchurian candidate -- ^Keep your own army and prepare it for war: Braveheart, Heat, Alexander, and Independence Day -- Vices versus virtues and learning not to be good: Scarface, The godfather, The departed, and Richard III -- Miserliness is better than liberality: Ghostbusters and The patriot -- It is better to be feared than loved: Band of brothers, A few good men, and A Bronx tale -- Deception: The godfather, Primary colors, The walking dead, and Bob Roberts -- The lion and the fox: The godfather, Breaking bad, Charlie Wilson's war, The usual suspects, and Argo -- Pick a side and stick to your decisions in politics: The contender, Harry Potter, and House of cards -- The need for both military and popular support: Lincoln, O brother, where art thou?, and Red dawn -- ^Honor those with talent and hold festivals: Gladiator, The hunger games, and House of cards -- ^Have few trusted advisors and give them wealth to remain loyal: House of cards, Breaking bad, The departed, and Lord of the rings -- ^Virtue versus fortune: Election and Mad men -- Conclusions: Seeking greater glory. Machiavelli, Niccolò, 1469-1527. Principe Criticism and interpretation. Principe (Machiavelli, Niccolò) fast Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Philosophy in motion pictures. http://id.loc.gov/authorities/subjects/sh92003501 Cinéma et littérature. Philosophie au cinéma. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures and literature fast Philosophy in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088132 http://id.loc.gov/authorities/subjects/sh92003501 |
| title | Machiavelli goes to the movies : understanding The prince through television and film / |
| title_auth | Machiavelli goes to the movies : understanding The prince through television and film / |
| title_exact_search | Machiavelli goes to the movies : understanding The prince through television and film / |
| title_full | Machiavelli goes to the movies : understanding The prince through television and film / by Eric T. Kasper and Troy A. Kozma. |
| title_fullStr | Machiavelli goes to the movies : understanding The prince through television and film / by Eric T. Kasper and Troy A. Kozma. |
| title_full_unstemmed | Machiavelli goes to the movies : understanding The prince through television and film / by Eric T. Kasper and Troy A. Kozma. |
| title_short | Machiavelli goes to the movies : |
| title_sort | machiavelli goes to the movies understanding the prince through television and film |
| title_sub | understanding The prince through television and film / |
| topic | Machiavelli, Niccolò, 1469-1527. Principe Criticism and interpretation. Principe (Machiavelli, Niccolò) fast Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Philosophy in motion pictures. http://id.loc.gov/authorities/subjects/sh92003501 Cinéma et littérature. Philosophie au cinéma. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures and literature fast Philosophy in motion pictures fast |
| topic_facet | Machiavelli, Niccolò, 1469-1527. Principe Criticism and interpretation. Principe (Machiavelli, Niccolò) Motion pictures and literature. Philosophy in motion pictures. Cinéma et littérature. Philosophie au cinéma. PERFORMING ARTS Film & Video History & Criticism. Motion pictures and literature Philosophy in motion pictures Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=971901 |
| work_keys_str_mv | AT kaspererict machiavelligoestothemoviesunderstandingtheprincethroughtelevisionandfilm AT kozmatroya machiavelligoestothemoviesunderstandingtheprincethroughtelevisionandfilm |