Marronnage and arts :: revolts in bodies and voices /
Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial so...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Pub.,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial societies and conditioned by the interracial and phenotypical-social interactions have developed. Those musics and dances are cosmogonies with their particular codes. New spheres where the enslaved ... |
| Beschreibung: | Originating from a conference organized for the Africaphonie Festival in Paris, on May 10, 2011, "Marronage: Music, Dance and Politics." |
| Beschreibung: | 1 online resource (xiii, 210 pages) : illustrations |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 1443844063 9781443844062 9781299658615 129965861X |
Internformat
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| 245 | 0 | 0 | |a Marronnage and arts : |b revolts in bodies and voices / |c edited by Stéphanie Melyon-Reinette. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars Pub., |c 2012. | ||
| 300 | |a 1 online resource (xiii, 210 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Originating from a conference organized for the Africaphonie Festival in Paris, on May 10, 2011, "Marronage: Music, Dance and Politics." | ||
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. | |
| 505 | 8 | |a WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. | |
| 520 | |a Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial societies and conditioned by the interracial and phenotypical-social interactions have developed. Those musics and dances are cosmogonies with their particular codes. New spheres where the enslaved ... | ||
| 650 | 0 | |a Folk music |x History and criticism |v Congresses. | |
| 650 | 0 | |a Black people |x Music |x History and criticism |v Congresses. | |
| 650 | 0 | |a Dance, Black |x History and criticism |v Congresses. | |
| 650 | 0 | |a Slavery |x History |v Congresses. | |
| 650 | 6 | |a Personnes noires |x Musique |x Histoire et critique |v Congrès. | |
| 650 | 6 | |a Danses noires |x Histoire et critique |v Congrès. | |
| 650 | 7 | |a Popular culture. |2 bicssc | |
| 650 | 7 | |a Ethnic studies. |2 bicssc | |
| 650 | 7 | |a Political activism. |2 bicssc | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Black people |x Music |2 fast | |
| 650 | 7 | |a Dance, Black |2 fast | |
| 650 | 7 | |a Folk music |2 fast | |
| 650 | 7 | |a Slavery |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Conference papers and proceedings |2 fast | |
| 700 | 1 | |a Melyon-Reinette, Stéphanie. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn902948489 |
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| _version_ | 1816882302817402880 |
| adam_text | |
| any_adam_object | |
| author2 | Melyon-Reinette, Stéphanie |
| author2_role | |
| author2_variant | s m r smr |
| author_facet | Melyon-Reinette, Stéphanie |
| author_sort | Melyon-Reinette, Stéphanie |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3545 |
| callnumber-raw | ML3545 .M37 2012 |
| callnumber-search | ML3545 .M37 2012 |
| callnumber-sort | ML 43545 M37 42012 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. |
| ctrlnum | (OCoLC)902948489 |
| dewey-full | 780.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9 |
| dewey-search | 780.9 |
| dewey-sort | 3780.9 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast Conference papers and proceedings fast |
| genre_facet | Criticism, interpretation, etc. History Conference papers and proceedings |
| id | ZDB-4-EBA-ocn902948489 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:28Z |
| institution | BVB |
| isbn | 1443844063 9781443844062 9781299658615 129965861X |
| language | English |
| oclc_num | 902948489 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 210 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Cambridge Scholars Pub., |
| record_format | marc |
| spelling | Marronnage and arts : revolts in bodies and voices / edited by Stéphanie Melyon-Reinette. Newcastle upon Tyne : Cambridge Scholars Pub., 2012. 1 online resource (xiii, 210 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Originating from a conference organized for the Africaphonie Festival in Paris, on May 10, 2011, "Marronage: Music, Dance and Politics." Includes bibliographical references. Print version record. TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial societies and conditioned by the interracial and phenotypical-social interactions have developed. Those musics and dances are cosmogonies with their particular codes. New spheres where the enslaved ... Folk music History and criticism Congresses. Black people Music History and criticism Congresses. Dance, Black History and criticism Congresses. Slavery History Congresses. Personnes noires Musique Histoire et critique Congrès. Danses noires Histoire et critique Congrès. Popular culture. bicssc Ethnic studies. bicssc Political activism. bicssc MUSIC History & Criticism. bisacsh Black people Music fast Dance, Black fast Folk music fast Slavery fast Criticism, interpretation, etc. fast History fast Conference papers and proceedings fast Melyon-Reinette, Stéphanie. has work: Marronnage and arts (Text) https://id.oclc.org/worldcat/entity/E39PCGCGqFVXtqWkTtvPK7bY8C https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781443841429 1443841420 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=523894 Volltext |
| spellingShingle | Marronnage and arts : revolts in bodies and voices / TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. Folk music History and criticism Congresses. Black people Music History and criticism Congresses. Dance, Black History and criticism Congresses. Slavery History Congresses. Personnes noires Musique Histoire et critique Congrès. Danses noires Histoire et critique Congrès. Popular culture. bicssc Ethnic studies. bicssc Political activism. bicssc MUSIC History & Criticism. bisacsh Black people Music fast Dance, Black fast Folk music fast Slavery fast |
| title | Marronnage and arts : revolts in bodies and voices / |
| title_auth | Marronnage and arts : revolts in bodies and voices / |
| title_exact_search | Marronnage and arts : revolts in bodies and voices / |
| title_full | Marronnage and arts : revolts in bodies and voices / edited by Stéphanie Melyon-Reinette. |
| title_fullStr | Marronnage and arts : revolts in bodies and voices / edited by Stéphanie Melyon-Reinette. |
| title_full_unstemmed | Marronnage and arts : revolts in bodies and voices / edited by Stéphanie Melyon-Reinette. |
| title_short | Marronnage and arts : |
| title_sort | marronnage and arts revolts in bodies and voices |
| title_sub | revolts in bodies and voices / |
| topic | Folk music History and criticism Congresses. Black people Music History and criticism Congresses. Dance, Black History and criticism Congresses. Slavery History Congresses. Personnes noires Musique Histoire et critique Congrès. Danses noires Histoire et critique Congrès. Popular culture. bicssc Ethnic studies. bicssc Political activism. bicssc MUSIC History & Criticism. bisacsh Black people Music fast Dance, Black fast Folk music fast Slavery fast |
| topic_facet | Folk music History and criticism Congresses. Black people Music History and criticism Congresses. Dance, Black History and criticism Congresses. Slavery History Congresses. Personnes noires Musique Histoire et critique Congrès. Danses noires Histoire et critique Congrès. Popular culture. Ethnic studies. Political activism. MUSIC History & Criticism. Black people Music Dance, Black Folk music Slavery Criticism, interpretation, etc. History Conference papers and proceedings |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=523894 |
| work_keys_str_mv | AT melyonreinettestephanie marronnageandartsrevoltsinbodiesandvoices |