Courtly Visions :: the Ise Stories and the Politics of Cultural Appropriation.
Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces-through the visual and literary record-the reception and use of the tenth-century literary romance through the seventeenth century.
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English Japanese |
| Veröffentlicht: |
Leiden :
BRILL,
2014.
|
| Schriftenreihe: | Japanese visual culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces-through the visual and literary record-the reception and use of the tenth-century literary romance through the seventeenth century. |
| Beschreibung: | Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki). |
| Beschreibung: | 1 online resource (364 pages) |
| Bibliographie: | Includes bibliographical references (pages 324-337) and indexes. |
| ISBN: | 9789004249431 9004249435 1322127832 9781322127835 |
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| 245 | 1 | 0 | |a Courtly Visions : |b the Ise Stories and the Politics of Cultural Appropriation. |
| 260 | |a Leiden : |b BRILL, |c 2014. | ||
| 300 | |a 1 online resource (364 pages) | ||
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| 505 | 0 | |a Courtly Visions: The Ise Stories and the Politicsof Cultural Appropriation; Copyright; Dedication; Contents; Acknowledgments; INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS; 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI; Narihira and Prince Koretaka's Salon; The Ise and Screen-Poems (byobu-uta); Ise Screens; 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS; The Texts of the Ise monogatari; Hakubyo Painting and Women''s Autobiographical Writing in the Heian Period; The Hakubyo Pictures. | |
| 505 | 8 | |a Hakubyo PaintingIdentifying the Hakubyo Ise monogatari Scenes; The Hakubyo Ise monogatari emaki and Female Readers; The "Feminine Re-Guard"; Conclusion; 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA; Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika; Narihira as Model Courtier; The Love Song of Lord Takafusa; The Love Song as Medieval Enlightenment Tale; The Love Song and Lèse Majesté; 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL; Identifying the Episodes; The Kubo Ise and Kyogoku Poetry; The Kubo Ise and Lady Nijo. | |
| 505 | 8 | |a 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLLFrom the Takafusa shu to the Tsuya-kotoba emaki; Emperor Fushimi and the Ise monogatari; The Love Song of Lord Takafusa Illustrated Scroll; The Political Function of the Takafusa-kyo tsuya-kotoba emaki; 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS; The Introduction of the Ihon Ise monogatari emaki; Representations of Sumiyoshi Daimyojin; Ise monogatari and the Noh Theater; Wit and Humor in the Ihon Illustrated Scrolls; Kacho Fugetsu; 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES. | |
| 505 | 8 | |a The Creation of the Saga-bon Ise monogatari: Part IOgi no soshi and Ise iconography; The "British Library Line" of Texts; The Creation of the Saga-bon Ise monogatari: Part II; Reprise as Conclusion: The Saga-bon "Lineage"; A. The Honokuni Bunko-bon Ise monogatari emaki; B. The Tosa-ha and the Suntory Ise monogatari Screens; C. The Mitsumochi-bon; D. The Saga-bon Ise monogatari and Saigyo monogatari emaki; 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER; The Sotatsu Ise monogatari Album Leaves (shikishi). | |
| 505 | 8 | |a Sotatsu Screens of the Ise monogatariThe British Museum Ise monogatari screen; The Ise Stories' Two Iconographies; EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS; Other Developments in the Seventeenth Century; Ise on Stage; Further Eighteenth-Century Developments; Narihira and Genji in the Nineteenth Century; Mitate Series; Chiryu, and Ise in the Geographic Imagination; Ise monogatari in the Meiji Period; Ise monogatari to the Beginning of the Twenty-First Century; Endnotes. | |
| 500 | |a Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki). | ||
| 520 | |a Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces-through the visual and literary record-the reception and use of the tenth-century literary romance through the seventeenth century. | ||
| 504 | |a Includes bibliographical references (pages 324-337) and indexes. | ||
| 546 | |a English. | ||
| 630 | 0 | 0 | |a Ise monogatari |x Appreciation. |
| 630 | 0 | 0 | |a Ise monogatari |x Illustrations. |
| 630 | 0 | 7 | |a Ise monogatari |2 fast |
| 650 | 0 | |a Japanese poetry |y Heian period, 794-1185 |x History and criticism. | |
| 650 | 0 | |a Japanese poetry |y Heian period, 794-1185 |x History and criticism |x Political aspects. | |
| 650 | 0 | |a Waka |x History and criticism. | |
| 650 | 0 | |a Art, Japanese. |0 http://id.loc.gov/authorities/subjects/sh85007726 | |
| 650 | 6 | |a Poésie japonaise |y 794-1185 (Époque de Heian) |x Histoire et critique. | |
| 650 | 6 | |a Poésie japonaise |y 794-1185 (Époque de Heian) |x Histoire et critique |x Aspect politique. | |
| 650 | 6 | |a Art japonais. | |
| 650 | 7 | |a LITERARY CRITICISM |x Asian |x General. |2 bisacsh | |
| 650 | 7 | |a Art appreciation |2 fast | |
| 650 | 7 | |a Art, Japanese |2 fast | |
| 650 | 7 | |a Japanese poetry |x Heian period |2 fast | |
| 650 | 7 | |a Waka |2 fast | |
| 648 | 7 | |a 794-1185 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Illustrated works |2 fast | |
| 758 | |i has work: |a Courtly visions (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGTFfCWQMx6VbPCM34cQMP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Mostow, Joshua S. |t Courtly Visions : The Ise Stories and the Politics of Cultural Appropriation. |d Leiden : BRILL, ©2014 |z 9789004244856 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn890982326 |
|---|---|
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| adam_text | |
| any_adam_object | |
| author | Mostow, Joshua S. |
| author_facet | Mostow, Joshua S. |
| author_role | |
| author_sort | Mostow, Joshua S. |
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| callnumber-label | PL787 |
| callnumber-raw | PL787.I83 M67 2014 |
| callnumber-search | PL787.I83 M67 2014 |
| callnumber-sort | PL 3787 I83 M67 42014 |
| callnumber-subject | PL - Eastern Asia, Africa, Oceania |
| collection | ZDB-4-EBA |
| contents | Courtly Visions: The Ise Stories and the Politicsof Cultural Appropriation; Copyright; Dedication; Contents; Acknowledgments; INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS; 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI; Narihira and Prince Koretaka's Salon; The Ise and Screen-Poems (byobu-uta); Ise Screens; 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS; The Texts of the Ise monogatari; Hakubyo Painting and Women''s Autobiographical Writing in the Heian Period; The Hakubyo Pictures. Hakubyo PaintingIdentifying the Hakubyo Ise monogatari Scenes; The Hakubyo Ise monogatari emaki and Female Readers; The "Feminine Re-Guard"; Conclusion; 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA; Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika; Narihira as Model Courtier; The Love Song of Lord Takafusa; The Love Song as Medieval Enlightenment Tale; The Love Song and Lèse Majesté; 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL; Identifying the Episodes; The Kubo Ise and Kyogoku Poetry; The Kubo Ise and Lady Nijo. 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLLFrom the Takafusa shu to the Tsuya-kotoba emaki; Emperor Fushimi and the Ise monogatari; The Love Song of Lord Takafusa Illustrated Scroll; The Political Function of the Takafusa-kyo tsuya-kotoba emaki; 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS; The Introduction of the Ihon Ise monogatari emaki; Representations of Sumiyoshi Daimyojin; Ise monogatari and the Noh Theater; Wit and Humor in the Ihon Illustrated Scrolls; Kacho Fugetsu; 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES. The Creation of the Saga-bon Ise monogatari: Part IOgi no soshi and Ise iconography; The "British Library Line" of Texts; The Creation of the Saga-bon Ise monogatari: Part II; Reprise as Conclusion: The Saga-bon "Lineage"; A. The Honokuni Bunko-bon Ise monogatari emaki; B. The Tosa-ha and the Suntory Ise monogatari Screens; C. The Mitsumochi-bon; D. The Saga-bon Ise monogatari and Saigyo monogatari emaki; 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER; The Sotatsu Ise monogatari Album Leaves (shikishi). Sotatsu Screens of the Ise monogatariThe British Museum Ise monogatari screen; The Ise Stories' Two Iconographies; EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS; Other Developments in the Seventeenth Century; Ise on Stage; Further Eighteenth-Century Developments; Narihira and Genji in the Nineteenth Century; Mitate Series; Chiryu, and Ise in the Geographic Imagination; Ise monogatari in the Meiji Period; Ise monogatari to the Beginning of the Twenty-First Century; Endnotes. |
| ctrlnum | (OCoLC)890982326 |
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version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Courtly Visions: The Ise Stories and the Politicsof Cultural Appropriation; Copyright; Dedication; Contents; Acknowledgments; INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS; 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI; Narihira and Prince Koretaka's Salon; The Ise and Screen-Poems (byobu-uta); Ise Screens; 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS; The Texts of the Ise monogatari; Hakubyo Painting and Women''s Autobiographical Writing in the Heian Period; The Hakubyo Pictures.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Hakubyo PaintingIdentifying the Hakubyo Ise monogatari Scenes; The Hakubyo Ise monogatari emaki and Female Readers; The "Feminine Re-Guard"; Conclusion; 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA; Reception of 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THE SAGA EDITION ISE STORIES.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Creation of the Saga-bon Ise monogatari: Part IOgi no soshi and Ise iconography; The "British Library Line" of Texts; The Creation of the Saga-bon Ise monogatari: Part II; Reprise as Conclusion: The Saga-bon "Lineage"; A. The Honokuni Bunko-bon Ise monogatari emaki; B. The Tosa-ha and the Suntory Ise monogatari Screens; C. The Mitsumochi-bon; D. The Saga-bon Ise monogatari and Saigyo monogatari emaki; 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER; The Sotatsu Ise monogatari Album Leaves (shikishi).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Sotatsu Screens of the Ise monogatariThe British Museum Ise monogatari screen; The Ise Stories' Two Iconographies; EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS; Other Developments in the Seventeenth Century; Ise on Stage; Further Eighteenth-Century Developments; Narihira and Genji in the Nineteenth Century; Mitate Series; Chiryu, and Ise in the Geographic Imagination; Ise monogatari in the Meiji Period; Ise monogatari to the Beginning of the Twenty-First Century; Endnotes.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Appendix A. 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| genre | Criticism, interpretation, etc. fast Illustrated works fast |
| genre_facet | Criticism, interpretation, etc. Illustrated works |
| id | ZDB-4-EBA-ocn890982326 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:13Z |
| institution | BVB |
| isbn | 9789004249431 9004249435 1322127832 9781322127835 |
| language | English Japanese |
| oclc_num | 890982326 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (364 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | BRILL, |
| record_format | marc |
| series | Japanese visual culture. |
| series2 | Japanese Visual Culture |
| spelling | Mostow, Joshua S. Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. Leiden : BRILL, 2014. 1 online resource (364 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Japanese Visual Culture Print version record. Courtly Visions: The Ise Stories and the Politicsof Cultural Appropriation; Copyright; Dedication; Contents; Acknowledgments; INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS; 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI; Narihira and Prince Koretaka's Salon; The Ise and Screen-Poems (byobu-uta); Ise Screens; 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS; The Texts of the Ise monogatari; Hakubyo Painting and Women''s Autobiographical Writing in the Heian Period; The Hakubyo Pictures. Hakubyo PaintingIdentifying the Hakubyo Ise monogatari Scenes; The Hakubyo Ise monogatari emaki and Female Readers; The "Feminine Re-Guard"; Conclusion; 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA; Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika; Narihira as Model Courtier; The Love Song of Lord Takafusa; The Love Song as Medieval Enlightenment Tale; The Love Song and Lèse Majesté; 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL; Identifying the Episodes; The Kubo Ise and Kyogoku Poetry; The Kubo Ise and Lady Nijo. 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLLFrom the Takafusa shu to the Tsuya-kotoba emaki; Emperor Fushimi and the Ise monogatari; The Love Song of Lord Takafusa Illustrated Scroll; The Political Function of the Takafusa-kyo tsuya-kotoba emaki; 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS; The Introduction of the Ihon Ise monogatari emaki; Representations of Sumiyoshi Daimyojin; Ise monogatari and the Noh Theater; Wit and Humor in the Ihon Illustrated Scrolls; Kacho Fugetsu; 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES. The Creation of the Saga-bon Ise monogatari: Part IOgi no soshi and Ise iconography; The "British Library Line" of Texts; The Creation of the Saga-bon Ise monogatari: Part II; Reprise as Conclusion: The Saga-bon "Lineage"; A. The Honokuni Bunko-bon Ise monogatari emaki; B. The Tosa-ha and the Suntory Ise monogatari Screens; C. The Mitsumochi-bon; D. The Saga-bon Ise monogatari and Saigyo monogatari emaki; 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER; The Sotatsu Ise monogatari Album Leaves (shikishi). Sotatsu Screens of the Ise monogatariThe British Museum Ise monogatari screen; The Ise Stories' Two Iconographies; EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS; Other Developments in the Seventeenth Century; Ise on Stage; Further Eighteenth-Century Developments; Narihira and Genji in the Nineteenth Century; Mitate Series; Chiryu, and Ise in the Geographic Imagination; Ise monogatari in the Meiji Period; Ise monogatari to the Beginning of the Twenty-First Century; Endnotes. Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki). Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces-through the visual and literary record-the reception and use of the tenth-century literary romance through the seventeenth century. Includes bibliographical references (pages 324-337) and indexes. English. Ise monogatari Appreciation. Ise monogatari Illustrations. Ise monogatari fast Japanese poetry Heian period, 794-1185 History and criticism. Japanese poetry Heian period, 794-1185 History and criticism Political aspects. Waka History and criticism. Art, Japanese. http://id.loc.gov/authorities/subjects/sh85007726 Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique. Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique Aspect politique. Art japonais. LITERARY CRITICISM Asian General. bisacsh Art appreciation fast Art, Japanese fast Japanese poetry Heian period fast Waka fast 794-1185 fast Criticism, interpretation, etc. fast Illustrated works fast has work: Courtly visions (Text) https://id.oclc.org/worldcat/entity/E39PCGTFfCWQMx6VbPCM34cQMP https://id.oclc.org/worldcat/ontology/hasWork Print version: Mostow, Joshua S. Courtly Visions : The Ise Stories and the Politics of Cultural Appropriation. Leiden : BRILL, ©2014 9789004244856 Japanese visual culture. http://id.loc.gov/authorities/names/no2011020393 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=846962 Volltext |
| spellingShingle | Mostow, Joshua S. Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. Japanese visual culture. Courtly Visions: The Ise Stories and the Politicsof Cultural Appropriation; Copyright; Dedication; Contents; Acknowledgments; INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS; 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI; Narihira and Prince Koretaka's Salon; The Ise and Screen-Poems (byobu-uta); Ise Screens; 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS; The Texts of the Ise monogatari; Hakubyo Painting and Women''s Autobiographical Writing in the Heian Period; The Hakubyo Pictures. Hakubyo PaintingIdentifying the Hakubyo Ise monogatari Scenes; The Hakubyo Ise monogatari emaki and Female Readers; The "Feminine Re-Guard"; Conclusion; 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA; Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika; Narihira as Model Courtier; The Love Song of Lord Takafusa; The Love Song as Medieval Enlightenment Tale; The Love Song and Lèse Majesté; 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL; Identifying the Episodes; The Kubo Ise and Kyogoku Poetry; The Kubo Ise and Lady Nijo. 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLLFrom the Takafusa shu to the Tsuya-kotoba emaki; Emperor Fushimi and the Ise monogatari; The Love Song of Lord Takafusa Illustrated Scroll; The Political Function of the Takafusa-kyo tsuya-kotoba emaki; 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS; The Introduction of the Ihon Ise monogatari emaki; Representations of Sumiyoshi Daimyojin; Ise monogatari and the Noh Theater; Wit and Humor in the Ihon Illustrated Scrolls; Kacho Fugetsu; 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES. The Creation of the Saga-bon Ise monogatari: Part IOgi no soshi and Ise iconography; The "British Library Line" of Texts; The Creation of the Saga-bon Ise monogatari: Part II; Reprise as Conclusion: The Saga-bon "Lineage"; A. The Honokuni Bunko-bon Ise monogatari emaki; B. The Tosa-ha and the Suntory Ise monogatari Screens; C. The Mitsumochi-bon; D. The Saga-bon Ise monogatari and Saigyo monogatari emaki; 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER; The Sotatsu Ise monogatari Album Leaves (shikishi). Sotatsu Screens of the Ise monogatariThe British Museum Ise monogatari screen; The Ise Stories' Two Iconographies; EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS; Other Developments in the Seventeenth Century; Ise on Stage; Further Eighteenth-Century Developments; Narihira and Genji in the Nineteenth Century; Mitate Series; Chiryu, and Ise in the Geographic Imagination; Ise monogatari in the Meiji Period; Ise monogatari to the Beginning of the Twenty-First Century; Endnotes. Ise monogatari Appreciation. Ise monogatari Illustrations. Ise monogatari fast Japanese poetry Heian period, 794-1185 History and criticism. Japanese poetry Heian period, 794-1185 History and criticism Political aspects. Waka History and criticism. Art, Japanese. http://id.loc.gov/authorities/subjects/sh85007726 Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique. Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique Aspect politique. Art japonais. LITERARY CRITICISM Asian General. bisacsh Art appreciation fast Art, Japanese fast Japanese poetry Heian period fast Waka fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007726 |
| title | Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. |
| title_auth | Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. |
| title_exact_search | Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. |
| title_full | Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. |
| title_fullStr | Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. |
| title_full_unstemmed | Courtly Visions : the Ise Stories and the Politics of Cultural Appropriation. |
| title_short | Courtly Visions : |
| title_sort | courtly visions the ise stories and the politics of cultural appropriation |
| title_sub | the Ise Stories and the Politics of Cultural Appropriation. |
| topic | Ise monogatari Appreciation. Ise monogatari Illustrations. Ise monogatari fast Japanese poetry Heian period, 794-1185 History and criticism. Japanese poetry Heian period, 794-1185 History and criticism Political aspects. Waka History and criticism. Art, Japanese. http://id.loc.gov/authorities/subjects/sh85007726 Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique. Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique Aspect politique. Art japonais. LITERARY CRITICISM Asian General. bisacsh Art appreciation fast Art, Japanese fast Japanese poetry Heian period fast Waka fast |
| topic_facet | Ise monogatari Appreciation. Ise monogatari Illustrations. Ise monogatari Japanese poetry Heian period, 794-1185 History and criticism. Japanese poetry Heian period, 794-1185 History and criticism Political aspects. Waka History and criticism. Art, Japanese. Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique. Poésie japonaise 794-1185 (Époque de Heian) Histoire et critique Aspect politique. Art japonais. LITERARY CRITICISM Asian General. Art appreciation Art, Japanese Japanese poetry Heian period Waka Criticism, interpretation, etc. Illustrated works |
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| work_keys_str_mv | AT mostowjoshuas courtlyvisionstheisestoriesandthepoliticsofculturalappropriation |