Ancient scripts & modern experience on the English stage, 1500-1700 /:
Unlike the contrast between the sacred and the taboo, the opposition of "comic" and "tragic" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton :
Princeton University Press,
1988.
|
| Schriftenreihe: | Princeton legacy library.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Unlike the contrast between the sacred and the taboo, the opposition of "comic" and "tragic" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished stories with happy endings from stories with unhappy endings, it was not until the sixteenth and seventeenth centuries--fifteen hundred years after Sophocles, Euripides, Plautus, and Terence had last been performed in the theaters of the Roman Empire--that tragedy and comedy regained their ancient importance as ways of giving dramatic coherence to human events. Ancient Scripts and Modern Experience on the English Stage charts that rediscovery, not in the pages of scholars' books, but on the stages of England's schools, colleges, inns of court, and royal court, and finally in the public theaters of sixteenth-and seventeenth-century London. In bringing to imaginative life the scripts, eyewitness accounts, and financial records of these productions, Bruce Smith turns to the structuralist models that anthropologists have used to explain how human beings as social creatures organize and systematize experience. He sets in place the critical, physical, and social structures in which sixteenth-and seventeenth-century Englishmen watched productions of classical comedy and classical tragedy. Seen in these three contexts, these productions play out a conflict between classical and medieval ways of understanding and experiencing comedy's interplay between satiric and romantic impulses and tragedy's clash between individuals and society. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 online resource (303 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781400859399 1400859395 |
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t LIST OF ILLUSTRATIONS -- |t ACKNOWLEDGMENTS -- |t PROLOGUE -- |t I. Critical Contexts -- |t II. Spatial Contexts -- |t III. Social Contexts -- |t IV. Comedy -- |t V. Tragedy -- |t EPILOGUE -- |t INDEX. |
| 520 | |a Unlike the contrast between the sacred and the taboo, the opposition of "comic" and "tragic" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished stories with happy endings from stories with unhappy endings, it was not until the sixteenth and seventeenth centuries--fifteen hundred years after Sophocles, Euripides, Plautus, and Terence had last been performed in the theaters of the Roman Empire--that tragedy and comedy regained their ancient importance as ways of giving dramatic coherence to human events. Ancient Scripts and Modern Experience on the English Stage charts that rediscovery, not in the pages of scholars' books, but on the stages of England's schools, colleges, inns of court, and royal court, and finally in the public theaters of sixteenth-and seventeenth-century London. In bringing to imaginative life the scripts, eyewitness accounts, and financial records of these productions, Bruce Smith turns to the structuralist models that anthropologists have used to explain how human beings as social creatures organize and systematize experience. He sets in place the critical, physical, and social structures in which sixteenth-and seventeenth-century Englishmen watched productions of classical comedy and classical tragedy. Seen in these three contexts, these productions play out a conflict between classical and medieval ways of understanding and experiencing comedy's interplay between satiric and romantic impulses and tragedy's clash between individuals and society. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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| 776 | 0 | 8 | |i Print version: |a Smith, Bruce R. |t Ancient scripts & modern experience on the English stage, 1500-1700. |d Princeton : Princeton University Press, 1988 |h xii, 289 pages ; 23 cm |k Princeton legacy library |z 9780691606064 |w (DLC) 10900218 |
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| author | Smith, Bruce R., 1946- |
| author_GND | http://id.loc.gov/authorities/names/n87929738 |
| author_facet | Smith, Bruce R., 1946- |
| author_role | aut |
| author_sort | Smith, Bruce R., 1946- |
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| callnumber-first | P - Language and Literature |
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| callnumber-raw | PA3238 .S55 1988eb |
| callnumber-search | PA3238 .S55 1988eb |
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| contents | Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGMENTS -- PROLOGUE -- I. Critical Contexts -- II. Spatial Contexts -- III. Social Contexts -- IV. Comedy -- V. Tragedy -- EPILOGUE -- INDEX. |
| ctrlnum | (OCoLC)889253523 |
| dewey-full | 792/.0941 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792/.0941 |
| dewey-search | 792/.0941 |
| dewey-sort | 3792 3941 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1500-1699 fast |
| era_facet | 1500-1699 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Great Britain Civilization Greek influences. http://id.loc.gov/authorities/subjects/sh85056628 Great Britain Civilization Roman influences. http://id.loc.gov/authorities/subjects/sh85056630 England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
| geographic_facet | Great Britain Civilization Greek influences. Great Britain Civilization Roman influences. England Great Britain |
| id | ZDB-4-EBA-ocn889253523 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:10Z |
| institution | BVB |
| isbn | 9781400859399 1400859395 |
| language | English |
| oclc_num | 889253523 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (303 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1988 |
| publishDateSearch | 1988 |
| publishDateSort | 1988 |
| publisher | Princeton University Press, |
| record_format | marc |
| series | Princeton legacy library. |
| series2 | Princeton Legacy Library |
| spelling | Smith, Bruce R., 1946- author. https://id.oclc.org/worldcat/entity/E39PBJr3wHDChWRcgt99xJK8G3 http://id.loc.gov/authorities/names/n87929738 Ancient scripts & modern experience on the English stage, 1500-1700 / by Bruce R. Smith. Ancient scripts and modern experience on the English stage, 1500-1700 Princeton : Princeton University Press, 1988. 1 online resource (303 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Princeton Legacy Library Includes bibliographical references and index. Print version record. Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGMENTS -- PROLOGUE -- I. Critical Contexts -- II. Spatial Contexts -- III. Social Contexts -- IV. Comedy -- V. Tragedy -- EPILOGUE -- INDEX. Unlike the contrast between the sacred and the taboo, the opposition of "comic" and "tragic" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished stories with happy endings from stories with unhappy endings, it was not until the sixteenth and seventeenth centuries--fifteen hundred years after Sophocles, Euripides, Plautus, and Terence had last been performed in the theaters of the Roman Empire--that tragedy and comedy regained their ancient importance as ways of giving dramatic coherence to human events. Ancient Scripts and Modern Experience on the English Stage charts that rediscovery, not in the pages of scholars' books, but on the stages of England's schools, colleges, inns of court, and royal court, and finally in the public theaters of sixteenth-and seventeenth-century London. In bringing to imaginative life the scripts, eyewitness accounts, and financial records of these productions, Bruce Smith turns to the structuralist models that anthropologists have used to explain how human beings as social creatures organize and systematize experience. He sets in place the critical, physical, and social structures in which sixteenth-and seventeenth-century Englishmen watched productions of classical comedy and classical tragedy. Seen in these three contexts, these productions play out a conflict between classical and medieval ways of understanding and experiencing comedy's interplay between satiric and romantic impulses and tragedy's clash between individuals and society. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English. Classical drama Appreciation England. Theater England History 16th century. Theater England History 17th century. Tragedy. http://id.loc.gov/authorities/subjects/sh85136785 Comedy. http://id.loc.gov/authorities/subjects/sh85028845 Great Britain Civilization Greek influences. http://id.loc.gov/authorities/subjects/sh85056628 Great Britain Civilization Roman influences. http://id.loc.gov/authorities/subjects/sh85056630 Théâtre ancien Appréciation Angleterre. Théâtre Angleterre Histoire 16e siècle. Théâtre Angleterre Histoire 17e siècle. Tragédie. Comédie. tragedies. aat tragedy (general genre) aat POETRY General. bisacsh PERFORMING ARTS Theater General. bisacsh Civilization Greek influences fast Civilization Roman influences fast Classical drama Appreciation fast Comedy fast Theater fast Tragedy fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP 1500-1699 fast History fast has work: Ancient Scripts and Modern Experience on the English Stage (Text) https://id.oclc.org/worldcat/entity/E39PD379p4Kf6FbWFWMxbv6KYd https://id.oclc.org/worldcat/ontology/hasWork Print version: Smith, Bruce R. Ancient scripts & modern experience on the English stage, 1500-1700. Princeton : Princeton University Press, 1988 xii, 289 pages ; 23 cm Princeton legacy library 9780691606064 (DLC) 10900218 Princeton legacy library. http://id.loc.gov/authorities/names/no2014116408 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=791662 Volltext |
| spellingShingle | Smith, Bruce R., 1946- Ancient scripts & modern experience on the English stage, 1500-1700 / Princeton legacy library. Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGMENTS -- PROLOGUE -- I. Critical Contexts -- II. Spatial Contexts -- III. Social Contexts -- IV. Comedy -- V. Tragedy -- EPILOGUE -- INDEX. Classical drama Appreciation England. Theater England History 16th century. Theater England History 17th century. Tragedy. http://id.loc.gov/authorities/subjects/sh85136785 Comedy. http://id.loc.gov/authorities/subjects/sh85028845 Théâtre ancien Appréciation Angleterre. Théâtre Angleterre Histoire 16e siècle. Théâtre Angleterre Histoire 17e siècle. Tragédie. Comédie. tragedies. aat tragedy (general genre) aat POETRY General. bisacsh PERFORMING ARTS Theater General. bisacsh Civilization Greek influences fast Civilization Roman influences fast Classical drama Appreciation fast Comedy fast Theater fast Tragedy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85136785 http://id.loc.gov/authorities/subjects/sh85028845 http://id.loc.gov/authorities/subjects/sh85056628 http://id.loc.gov/authorities/subjects/sh85056630 |
| title | Ancient scripts & modern experience on the English stage, 1500-1700 / |
| title_alt | Ancient scripts and modern experience on the English stage, 1500-1700 Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGMENTS -- PROLOGUE -- I. Critical Contexts -- II. Spatial Contexts -- III. Social Contexts -- IV. Comedy -- V. Tragedy -- EPILOGUE -- INDEX. |
| title_auth | Ancient scripts & modern experience on the English stage, 1500-1700 / |
| title_exact_search | Ancient scripts & modern experience on the English stage, 1500-1700 / |
| title_full | Ancient scripts & modern experience on the English stage, 1500-1700 / by Bruce R. Smith. |
| title_fullStr | Ancient scripts & modern experience on the English stage, 1500-1700 / by Bruce R. Smith. |
| title_full_unstemmed | Ancient scripts & modern experience on the English stage, 1500-1700 / by Bruce R. Smith. |
| title_short | Ancient scripts & modern experience on the English stage, 1500-1700 / |
| title_sort | ancient scripts modern experience on the english stage 1500 1700 |
| topic | Classical drama Appreciation England. Theater England History 16th century. Theater England History 17th century. Tragedy. http://id.loc.gov/authorities/subjects/sh85136785 Comedy. http://id.loc.gov/authorities/subjects/sh85028845 Théâtre ancien Appréciation Angleterre. Théâtre Angleterre Histoire 16e siècle. Théâtre Angleterre Histoire 17e siècle. Tragédie. Comédie. tragedies. aat tragedy (general genre) aat POETRY General. bisacsh PERFORMING ARTS Theater General. bisacsh Civilization Greek influences fast Civilization Roman influences fast Classical drama Appreciation fast Comedy fast Theater fast Tragedy fast |
| topic_facet | Classical drama Appreciation England. Theater England History 16th century. Theater England History 17th century. Tragedy. Comedy. Great Britain Civilization Greek influences. Great Britain Civilization Roman influences. Théâtre ancien Appréciation Angleterre. Théâtre Angleterre Histoire 16e siècle. Théâtre Angleterre Histoire 17e siècle. Tragédie. Comédie. tragedies. tragedy (general genre) POETRY General. PERFORMING ARTS Theater General. Civilization Greek influences Civilization Roman influences Classical drama Appreciation Comedy Theater Tragedy England Great Britain History |
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