"The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In 'The Rhythmic Event', Eleni Ikoniadou explores traces and potentialities...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Ikoniadou, Eleni (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge, Massachusetts : MIT Press, [2014]
Schriftenreihe:	Technologies of lived abstraction.
Schlagworte:	Electronic music > History and criticism. Avant-garde (Music) Musique expérimentale. MUSIC > Musical Instruments > Piano & Keyboard. MUSIC > Printed Music > Percussion. ART > Criticism & Theory. Electronic music Elektronische Musik Avantgarde Rhythmus Rytm. Musik > estetiska aspekter. DIGITAL HUMANITIES & NEW MEDIA/New Media Theory COMPUTER SCIENCE/Computer Music ARTS/Music & Sound Studies Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	"The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In 'The Rhythmic Event', Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception, temporality, and experience. Ikoniadou draws on media theory, digital art, and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective. 'The Rhythmic Event' seeks to define the digital media artwork as an assemblage of sensations that outlive the space, time, and bodies that constitute and experience it. Ikoniadou proposes that the notion of rhythm - detached, however, from the idea of counting and regularity - can unlock the imperceptible, aesthetic potential enveloping the artwork. She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions (e.g., human/sonic/digital) and false dichotomies (e.g., virtual/real). Operating at the margins of perception, the rhythmic artwork summons an obscure zone of sonic thought, which considers the event according to its power to become."--Publisher's description
Beschreibung:	1 online resource (xii, 117 pages)
Bibliographie:	Includes bibliographical references and index.
ISBN:	9780262320948 0262320940