An Introduction to the Music of Milton Babbitt.:
In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has help...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Princeton :
Princeton University Press,
2014.
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| Schriftenreihe: | Princeton legacy library.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, ""truly music to be heard."" With Mead as a gu |
| Beschreibung: | Cover. |
| Beschreibung: | 1 online resource (335 pages) |
| ISBN: | 9781400863334 1400863333 |
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| 245 | 1 | 3 | |a An Introduction to the Music of Milton Babbitt. |
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| 520 | |a In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, ""truly music to be heard."" With Mead as a gu | ||
| 505 | 0 | |a Acknowledgments ; Prologue; ONE ; Milton Babbitt's Compositional World; Introduction; The Twelve-Tone System; Babbitt's Pitch Structures; Babbitt's Rhythmic Structures; TWO ; Mapping Trichordal Pathways (1947-1960); A Wellspring of Possibilities: The Composition for Four Instruments; Realizing the Implications of the Composition for Four Instruments; Additional Compositional Strategies; THREE; Expansion and Consolidation (1961-1980); Effects of All-Partition Arrays; A Brief Venture into Comparative Anatomy; Two (Short) Analyses; FOUR ; The Grand Synthesis (1981- ). | |
| 505 | 8 | |a Superarray Structure and ProjectionSuperarray Compositions; Concerted Superarray Compositions; Trichordal Arrays and Superarrays; Miniatures, Pieces D'Occasion; New Departures; Epilogue; CATALOG OF COMPOSITIONS BY MILTON BABBITT; ALL-PARTITION ARRAYS; NOTES; BIBLIOGRAPHY; DISCOGRAPHY; INDEX. | |
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| 600 | 1 | 0 | |a Babbitt, Milton, |d 1916-2011 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Babbitt, Milton, |d 1916-2011 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdcy7HRDmBbqV3Wfykbh3 |
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| author | Mead, Andrew Washburn |
| author_GND | http://id.loc.gov/authorities/names/n85294107 |
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| contents | Acknowledgments ; Prologue; ONE ; Milton Babbitt's Compositional World; Introduction; The Twelve-Tone System; Babbitt's Pitch Structures; Babbitt's Rhythmic Structures; TWO ; Mapping Trichordal Pathways (1947-1960); A Wellspring of Possibilities: The Composition for Four Instruments; Realizing the Implications of the Composition for Four Instruments; Additional Compositional Strategies; THREE; Expansion and Consolidation (1961-1980); Effects of All-Partition Arrays; A Brief Venture into Comparative Anatomy; Two (Short) Analyses; FOUR ; The Grand Synthesis (1981- ). Superarray Structure and ProjectionSuperarray Compositions; Concerted Superarray Compositions; Trichordal Arrays and Superarrays; Miniatures, Pieces D'Occasion; New Departures; Epilogue; CATALOG OF COMPOSITIONS BY MILTON BABBITT; ALL-PARTITION ARRAYS; NOTES; BIBLIOGRAPHY; DISCOGRAPHY; INDEX. |
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| dewey-raw | 789 |
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| discipline | Musikwissenschaft |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn884013210 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:05Z |
| institution | BVB |
| isbn | 9781400863334 1400863333 |
| language | English |
| oclc_num | 884013210 |
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| physical | 1 online resource (335 pages) |
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| publishDate | 2014 |
| publishDateSearch | 2014 |
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| publisher | Princeton University Press, |
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| series | Princeton legacy library. |
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| spelling | Mead, Andrew Washburn, author. http://id.loc.gov/authorities/names/n85294107 An Introduction to the Music of Milton Babbitt. Princeton : Princeton University Press, 2014. 1 online resource (335 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Princeton Legacy Library Print version record. Cover. In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, ""truly music to be heard."" With Mead as a gu Acknowledgments ; Prologue; ONE ; Milton Babbitt's Compositional World; Introduction; The Twelve-Tone System; Babbitt's Pitch Structures; Babbitt's Rhythmic Structures; TWO ; Mapping Trichordal Pathways (1947-1960); A Wellspring of Possibilities: The Composition for Four Instruments; Realizing the Implications of the Composition for Four Instruments; Additional Compositional Strategies; THREE; Expansion and Consolidation (1961-1980); Effects of All-Partition Arrays; A Brief Venture into Comparative Anatomy; Two (Short) Analyses; FOUR ; The Grand Synthesis (1981- ). Superarray Structure and ProjectionSuperarray Compositions; Concerted Superarray Compositions; Trichordal Arrays and Superarrays; Miniatures, Pieces D'Occasion; New Departures; Epilogue; CATALOG OF COMPOSITIONS BY MILTON BABBITT; ALL-PARTITION ARRAYS; NOTES; BIBLIOGRAPHY; DISCOGRAPHY; INDEX. English. Babbitt, Milton, 1916-2011 Criticism and interpretation. Babbitt, Milton, 1916-2011 fast https://id.oclc.org/worldcat/entity/E39PBJdcy7HRDmBbqV3Wfykbh3 Twelve-tone system. http://id.loc.gov/authorities/subjects/sh85139017 Dodécaphonisme. MUSIC History & Criticism. bisacsh Twelve-tone system fast Criticism, interpretation, etc. fast Print version: Mead, Andrew. An Introduction to the Music of Milton Babbitt. Princeton : Princeton University Press, ©2014 Princeton legacy library. http://id.loc.gov/authorities/names/no2014116408 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790937 Volltext |
| spellingShingle | Mead, Andrew Washburn An Introduction to the Music of Milton Babbitt. Princeton legacy library. Acknowledgments ; Prologue; ONE ; Milton Babbitt's Compositional World; Introduction; The Twelve-Tone System; Babbitt's Pitch Structures; Babbitt's Rhythmic Structures; TWO ; Mapping Trichordal Pathways (1947-1960); A Wellspring of Possibilities: The Composition for Four Instruments; Realizing the Implications of the Composition for Four Instruments; Additional Compositional Strategies; THREE; Expansion and Consolidation (1961-1980); Effects of All-Partition Arrays; A Brief Venture into Comparative Anatomy; Two (Short) Analyses; FOUR ; The Grand Synthesis (1981- ). Superarray Structure and ProjectionSuperarray Compositions; Concerted Superarray Compositions; Trichordal Arrays and Superarrays; Miniatures, Pieces D'Occasion; New Departures; Epilogue; CATALOG OF COMPOSITIONS BY MILTON BABBITT; ALL-PARTITION ARRAYS; NOTES; BIBLIOGRAPHY; DISCOGRAPHY; INDEX. Babbitt, Milton, 1916-2011 Criticism and interpretation. Babbitt, Milton, 1916-2011 fast https://id.oclc.org/worldcat/entity/E39PBJdcy7HRDmBbqV3Wfykbh3 Twelve-tone system. http://id.loc.gov/authorities/subjects/sh85139017 Dodécaphonisme. MUSIC History & Criticism. bisacsh Twelve-tone system fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85139017 |
| title | An Introduction to the Music of Milton Babbitt. |
| title_auth | An Introduction to the Music of Milton Babbitt. |
| title_exact_search | An Introduction to the Music of Milton Babbitt. |
| title_full | An Introduction to the Music of Milton Babbitt. |
| title_fullStr | An Introduction to the Music of Milton Babbitt. |
| title_full_unstemmed | An Introduction to the Music of Milton Babbitt. |
| title_short | An Introduction to the Music of Milton Babbitt. |
| title_sort | introduction to the music of milton babbitt |
| topic | Babbitt, Milton, 1916-2011 Criticism and interpretation. Babbitt, Milton, 1916-2011 fast https://id.oclc.org/worldcat/entity/E39PBJdcy7HRDmBbqV3Wfykbh3 Twelve-tone system. http://id.loc.gov/authorities/subjects/sh85139017 Dodécaphonisme. MUSIC History & Criticism. bisacsh Twelve-tone system fast |
| topic_facet | Babbitt, Milton, 1916-2011 Criticism and interpretation. Babbitt, Milton, 1916-2011 Twelve-tone system. Dodécaphonisme. MUSIC History & Criticism. Twelve-tone system Criticism, interpretation, etc. |
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