Music for the Melodramatic Theatre in Nineteenth-Century London and New York.:
Throughout the nineteenth century, people heard more music in the theatre-accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller-than th...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Iowa City :
University of Iowa Press,
2014.
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Schriftenreihe: | Studies Theatre Hist & Culture.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Throughout the nineteenth century, people heard more music in the theatre-accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller-than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sound. |
Beschreibung: | 1 online resource (415 pages) |
ISBN: | 9781609382650 160938265X |
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245 | 1 | 0 | |a Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
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505 | 0 | |a Acknowledgments; Introduction; Part One: Forging a New Musico-Dramatic Genre; 1. The Eighteenth-Century Roots of Melos; 2. The Rise of Melodrama in the Age of Revolution; 3. The Early Popular Drama in the Public Theatres; Part Two: Propagating the Popular Drama; 4. The Anglo-American Melodrama and Its Music; 5. Victorian Theatre Bands and Their Leaders; 6. The Craft of Melos in Rehearsal and Performance; 7. Music, Suspense, and the Sensation Drama; Part Three: Transforming the Popular Drama; 8. Melos in Crisis; 9. Nationalism, "Prestige Music," and Irving's Lyceum. | |
505 | 8 | |a 10. Melodrama and Glamour at Century's EndConclusion. The Legacy of Melos; Notes; Index. | |
520 | |a Throughout the nineteenth century, people heard more music in the theatre-accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller-than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sound. | ||
650 | 0 | |a Dramatic music |z England |z London |x History and criticism. | |
650 | 6 | |a Musique de scène |z Angleterre |z Londres |x Histoire et critique. | |
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655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
776 | 0 | 8 | |i Print version: |a Pisani, Michael V. |t Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |d Iowa City : University of Iowa Press, ©2014 |z 9781609382308 |
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adam_text | |
any_adam_object | |
author | Pisani, Michael V. |
author_facet | Pisani, Michael V. |
author_role | |
author_sort | Pisani, Michael V. |
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contents | Acknowledgments; Introduction; Part One: Forging a New Musico-Dramatic Genre; 1. The Eighteenth-Century Roots of Melos; 2. The Rise of Melodrama in the Age of Revolution; 3. The Early Popular Drama in the Public Theatres; Part Two: Propagating the Popular Drama; 4. The Anglo-American Melodrama and Its Music; 5. Victorian Theatre Bands and Their Leaders; 6. The Craft of Melos in Rehearsal and Performance; 7. Music, Suspense, and the Sensation Drama; Part Three: Transforming the Popular Drama; 8. Melos in Crisis; 9. Nationalism, "Prestige Music," and Irving's Lyceum. 10. Melodrama and Glamour at Century's EndConclusion. The Legacy of Melos; Notes; Index. |
ctrlnum | (OCoLC)880827278 |
dewey-full | 792/.0973/09034 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792/.0973/09034 |
dewey-search | 792/.0973/09034 |
dewey-sort | 3792 3973 49034 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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spelling | Pisani, Michael V. Music for the Melodramatic Theatre in Nineteenth-Century London and New York. Iowa City : University of Iowa Press, 2014. 1 online resource (415 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies Theatre Hist & Culture Print version record. Acknowledgments; Introduction; Part One: Forging a New Musico-Dramatic Genre; 1. The Eighteenth-Century Roots of Melos; 2. The Rise of Melodrama in the Age of Revolution; 3. The Early Popular Drama in the Public Theatres; Part Two: Propagating the Popular Drama; 4. The Anglo-American Melodrama and Its Music; 5. Victorian Theatre Bands and Their Leaders; 6. The Craft of Melos in Rehearsal and Performance; 7. Music, Suspense, and the Sensation Drama; Part Three: Transforming the Popular Drama; 8. Melos in Crisis; 9. Nationalism, "Prestige Music," and Irving's Lyceum. 10. Melodrama and Glamour at Century's EndConclusion. The Legacy of Melos; Notes; Index. Throughout the nineteenth century, people heard more music in the theatre-accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller-than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sound. Dramatic music England London History and criticism. Musique de scène Angleterre Londres Histoire et critique. PERFORMING ARTS Theater General. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Dramatic music fast England London fast https://id.oclc.org/worldcat/entity/E39PBJp68ckpMtKGHPFWQrwDMP Criticism, interpretation, etc. fast Print version: Pisani, Michael V. Music for the Melodramatic Theatre in Nineteenth-Century London and New York. Iowa City : University of Iowa Press, ©2014 9781609382308 Studies Theatre Hist & Culture. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=781818 Volltext |
spellingShingle | Pisani, Michael V. Music for the Melodramatic Theatre in Nineteenth-Century London and New York. Studies Theatre Hist & Culture. Acknowledgments; Introduction; Part One: Forging a New Musico-Dramatic Genre; 1. The Eighteenth-Century Roots of Melos; 2. The Rise of Melodrama in the Age of Revolution; 3. The Early Popular Drama in the Public Theatres; Part Two: Propagating the Popular Drama; 4. The Anglo-American Melodrama and Its Music; 5. Victorian Theatre Bands and Their Leaders; 6. The Craft of Melos in Rehearsal and Performance; 7. Music, Suspense, and the Sensation Drama; Part Three: Transforming the Popular Drama; 8. Melos in Crisis; 9. Nationalism, "Prestige Music," and Irving's Lyceum. 10. Melodrama and Glamour at Century's EndConclusion. The Legacy of Melos; Notes; Index. Dramatic music England London History and criticism. Musique de scène Angleterre Londres Histoire et critique. PERFORMING ARTS Theater General. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Dramatic music fast |
title | Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
title_auth | Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
title_exact_search | Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
title_full | Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
title_fullStr | Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
title_full_unstemmed | Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
title_short | Music for the Melodramatic Theatre in Nineteenth-Century London and New York. |
title_sort | music for the melodramatic theatre in nineteenth century london and new york |
topic | Dramatic music England London History and criticism. Musique de scène Angleterre Londres Histoire et critique. PERFORMING ARTS Theater General. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Dramatic music fast |
topic_facet | Dramatic music England London History and criticism. Musique de scène Angleterre Londres Histoire et critique. PERFORMING ARTS Theater General. PERFORMING ARTS Theater History & Criticism. Dramatic music England London Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=781818 |
work_keys_str_mv | AT pisanimichaelv musicforthemelodramatictheatreinnineteenthcenturylondonandnewyork |