After the Rite :: Stravinsky's path to neoclassicism (1914-1925) /
This title traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Oxford University Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This title traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780199367986 0199367981 9780199367993 019936799X |
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| 100 | 1 | |a Carr, Maureen A., |e author. |0 http://id.loc.gov/authorities/names/n92025016 | |
| 245 | 1 | 0 | |a After the Rite : |b Stravinsky's path to neoclassicism (1914-1925) / |c Maureen A. Carr. |
| 264 | 1 | |a New York : |b Oxford University Press, |c 2014. | |
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a The emergence of Stravinsky's neoclassicism : the aesthetic underpinnings of the idea in the other arts and in recent social/political history. 1914 : Literature, art, music, and dance ; 1917 : Revolution in the arts : Burliuk's neomorphism and Stravinsky's neoclassicism ; 1920-25 : style and technique ; Commentaries by Stravinsky and others that help to define his neoclassical aesthetic ; Postlude : the classicism of models -- Stravinsky at the crossroads after the Rite. Jeu de rossignol mécanique (Performance of the Mechanical Nightingale) (1 August 1913) ; Trois pièces pour quatour à cordes, II (Three pieces for string quartet, II) ; Trois pièces faciles (Kl 4 hdg) (Three easy pieces) (4 hands), "Marche" (December 19, 1914) ; Postlude -- Stravinsky at the crossroads between primitivism and neoclassicism : Renard (Bajka) (1915-1916) and Histoire du soldat (1917-18). Original French text of Renard ; Original French text of Histoire du soldat -- Stravinsky's improvisatory style. The predictive qualities of the Étude pour pianola (1917) ; Stravinsky's appropriation of the "rag idiom" (1917) ; Stravinsky completes three works that were inspired by elements of ragtime (1918) ; The order in which the works of 1918 were completed ; The reception of these works in 1919 ; The two faces of Stravinsky's Piano-rag-music (1919) : portrait or collage? ; Stravinsky's path to abstraction : an interruption on his journey to neoclassicism -- Stravinsky's compositional process for two works completed in 1920 : Concertino and Symphonies d'instruments à vent. Order and chaos in Stravinsky's Concertino for string quartet (1920) ; Symphonies d'instruments à vent (191?-20) -- Pulcinella (1919-20), Les cinq doigts "Larghetto" (1921), and Mavra (1921-22). Pulcinella (1919-20) ; Les cinq doigts (1921) : "Larghetto" (January 31, 1921) ; Mavra (1921-22) -- Octet (1919-23), Cinq pieces monométriques (frags. 192?), Concerto for piano and winds (1923-24). Introduction ; Concerto pour piano suivi d'orchestra d'harmonie (Concerto for piano and winds) (1923-24) ; Conclusion -- Piano sonata (1924) and Serenade in A (1925). Piano sonata (1924) : vestiges of Classical sonata form are evident, even though Stravinsky claims to have avoided such restrictions ; Serenade in A for piano (1925) ; Conclusion -- Epilogue. The evolution of Stravinsky's creative genius. | |
| 520 | 8 | |a This title traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work. | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Stravinsky, Igor, |d 1882-1971 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Stravinsky, Igor, |d 1882-1971 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |2 gnd |
| 650 | 0 | |a Neoclassicism (Music) |0 http://id.loc.gov/authorities/subjects/sh87005669 | |
| 650 | 0 | |a Music |y 20th century |x Analysis, appreciation. | |
| 650 | 6 | |a Néoclassicisme (Musique) | |
| 650 | 6 | |a Musique |y 20e siècle |x Analyse et appréciation. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Neoclassicism (Music) |2 fast | |
| 650 | 7 | |a Neuklassizismus |2 gnd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a After the rite (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG67r6cVHBV6FJKYXhM4G3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Carr, Maureen A. |t After the Rite. |d New York : Oxford University Press, 2014 |z 9780199742936 |w (DLC) 2013033212 |w (OCoLC)857141299 |
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Datensatz im Suchindex
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| author | Carr, Maureen A. |
| author_GND | http://id.loc.gov/authorities/names/n92025016 |
| author_facet | Carr, Maureen A. |
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| author_sort | Carr, Maureen A. |
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| bvnumber | localFWS |
| callnumber-first | M - Music |
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| callnumber-raw | MT92.S85 C37 2014eb |
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| callnumber-subject | MT - Instruction and Study |
| collection | ZDB-4-EBA |
| contents | The emergence of Stravinsky's neoclassicism : the aesthetic underpinnings of the idea in the other arts and in recent social/political history. 1914 : Literature, art, music, and dance ; 1917 : Revolution in the arts : Burliuk's neomorphism and Stravinsky's neoclassicism ; 1920-25 : style and technique ; Commentaries by Stravinsky and others that help to define his neoclassical aesthetic ; Postlude : the classicism of models -- Stravinsky at the crossroads after the Rite. Jeu de rossignol mécanique (Performance of the Mechanical Nightingale) (1 August 1913) ; Trois pièces pour quatour à cordes, II (Three pieces for string quartet, II) ; Trois pièces faciles (Kl 4 hdg) (Three easy pieces) (4 hands), "Marche" (December 19, 1914) ; Postlude -- Stravinsky at the crossroads between primitivism and neoclassicism : Renard (Bajka) (1915-1916) and Histoire du soldat (1917-18). Original French text of Renard ; Original French text of Histoire du soldat -- Stravinsky's improvisatory style. The predictive qualities of the Étude pour pianola (1917) ; Stravinsky's appropriation of the "rag idiom" (1917) ; Stravinsky completes three works that were inspired by elements of ragtime (1918) ; The order in which the works of 1918 were completed ; The reception of these works in 1919 ; The two faces of Stravinsky's Piano-rag-music (1919) : portrait or collage? ; Stravinsky's path to abstraction : an interruption on his journey to neoclassicism -- Stravinsky's compositional process for two works completed in 1920 : Concertino and Symphonies d'instruments à vent. Order and chaos in Stravinsky's Concertino for string quartet (1920) ; Symphonies d'instruments à vent (191?-20) -- Pulcinella (1919-20), Les cinq doigts "Larghetto" (1921), and Mavra (1921-22). Pulcinella (1919-20) ; Les cinq doigts (1921) : "Larghetto" (January 31, 1921) ; Mavra (1921-22) -- Octet (1919-23), Cinq pieces monométriques (frags. 192?), Concerto for piano and winds (1923-24). Introduction ; Concerto pour piano suivi d'orchestra d'harmonie (Concerto for piano and winds) (1923-24) ; Conclusion -- Piano sonata (1924) and Serenade in A (1925). Piano sonata (1924) : vestiges of Classical sonata form are evident, even though Stravinsky claims to have avoided such restrictions ; Serenade in A for piano (1925) ; Conclusion -- Epilogue. The evolution of Stravinsky's creative genius. |
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| dewey-search | 780.92 |
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| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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Carr.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Oxford University Press,</subfield><subfield code="c">2014.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="2">rdaft</subfield><subfield code="0">http://rdaregistry.info/termList/fileType/1002.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">The emergence of Stravinsky's neoclassicism : the aesthetic underpinnings of the idea in the other arts and in recent social/political history. 1914 : Literature, art, music, and dance ; 1917 : Revolution in the arts : Burliuk's neomorphism and Stravinsky's neoclassicism ; 1920-25 : style and technique ; Commentaries by Stravinsky and others that help to define his neoclassical aesthetic ; Postlude : the classicism of models -- Stravinsky at the crossroads after the Rite. Jeu de rossignol mécanique (Performance of the Mechanical Nightingale) (1 August 1913) ; Trois pièces pour quatour à cordes, II (Three pieces for string quartet, II) ; Trois pièces faciles (Kl 4 hdg) (Three easy pieces) (4 hands), "Marche" (December 19, 1914) ; Postlude -- Stravinsky at the crossroads between primitivism and neoclassicism : Renard (Bajka) (1915-1916) and Histoire du soldat (1917-18). Original French text of Renard ; Original French text of Histoire du soldat -- Stravinsky's improvisatory style. The predictive qualities of the Étude pour pianola (1917) ; Stravinsky's appropriation of the "rag idiom" (1917) ; Stravinsky completes three works that were inspired by elements of ragtime (1918) ; The order in which the works of 1918 were completed ; The reception of these works in 1919 ; The two faces of Stravinsky's Piano-rag-music (1919) : portrait or collage? ; Stravinsky's path to abstraction : an interruption on his journey to neoclassicism -- Stravinsky's compositional process for two works completed in 1920 : Concertino and Symphonies d'instruments à vent. Order and chaos in Stravinsky's Concertino for string quartet (1920) ; Symphonies d'instruments à vent (191?-20) -- Pulcinella (1919-20), Les cinq doigts "Larghetto" (1921), and Mavra (1921-22). Pulcinella (1919-20) ; Les cinq doigts (1921) : "Larghetto" (January 31, 1921) ; Mavra (1921-22) -- Octet (1919-23), Cinq pieces monométriques (frags. 192?), Concerto for piano and winds (1923-24). Introduction ; Concerto pour piano suivi d'orchestra d'harmonie (Concerto for piano and winds) (1923-24) ; Conclusion -- Piano sonata (1924) and Serenade in A (1925). Piano sonata (1924) : vestiges of Classical sonata form are evident, even though Stravinsky claims to have avoided such restrictions ; Serenade in A for piano (1925) ; Conclusion -- Epilogue. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn880147762 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:59Z |
| institution | BVB |
| isbn | 9780199367986 0199367981 9780199367993 019936799X |
| language | English |
| oclc_num | 880147762 |
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| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
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| publisher | Oxford University Press, |
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| spelling | Carr, Maureen A., author. http://id.loc.gov/authorities/names/n92025016 After the Rite : Stravinsky's path to neoclassicism (1914-1925) / Maureen A. Carr. New York : Oxford University Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rdaft http://rdaregistry.info/termList/fileType/1002. Includes bibliographical references and index. Print version record. The emergence of Stravinsky's neoclassicism : the aesthetic underpinnings of the idea in the other arts and in recent social/political history. 1914 : Literature, art, music, and dance ; 1917 : Revolution in the arts : Burliuk's neomorphism and Stravinsky's neoclassicism ; 1920-25 : style and technique ; Commentaries by Stravinsky and others that help to define his neoclassical aesthetic ; Postlude : the classicism of models -- Stravinsky at the crossroads after the Rite. Jeu de rossignol mécanique (Performance of the Mechanical Nightingale) (1 August 1913) ; Trois pièces pour quatour à cordes, II (Three pieces for string quartet, II) ; Trois pièces faciles (Kl 4 hdg) (Three easy pieces) (4 hands), "Marche" (December 19, 1914) ; Postlude -- Stravinsky at the crossroads between primitivism and neoclassicism : Renard (Bajka) (1915-1916) and Histoire du soldat (1917-18). Original French text of Renard ; Original French text of Histoire du soldat -- Stravinsky's improvisatory style. The predictive qualities of the Étude pour pianola (1917) ; Stravinsky's appropriation of the "rag idiom" (1917) ; Stravinsky completes three works that were inspired by elements of ragtime (1918) ; The order in which the works of 1918 were completed ; The reception of these works in 1919 ; The two faces of Stravinsky's Piano-rag-music (1919) : portrait or collage? ; Stravinsky's path to abstraction : an interruption on his journey to neoclassicism -- Stravinsky's compositional process for two works completed in 1920 : Concertino and Symphonies d'instruments à vent. Order and chaos in Stravinsky's Concertino for string quartet (1920) ; Symphonies d'instruments à vent (191?-20) -- Pulcinella (1919-20), Les cinq doigts "Larghetto" (1921), and Mavra (1921-22). Pulcinella (1919-20) ; Les cinq doigts (1921) : "Larghetto" (January 31, 1921) ; Mavra (1921-22) -- Octet (1919-23), Cinq pieces monométriques (frags. 192?), Concerto for piano and winds (1923-24). Introduction ; Concerto pour piano suivi d'orchestra d'harmonie (Concerto for piano and winds) (1923-24) ; Conclusion -- Piano sonata (1924) and Serenade in A (1925). Piano sonata (1924) : vestiges of Classical sonata form are evident, even though Stravinsky claims to have avoided such restrictions ; Serenade in A for piano (1925) ; Conclusion -- Epilogue. The evolution of Stravinsky's creative genius. This title traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work. English. Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 fast https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq Stravinsky, Igor 1882-1971 gnd Neoclassicism (Music) http://id.loc.gov/authorities/subjects/sh87005669 Music 20th century Analysis, appreciation. Néoclassicisme (Musique) Musique 20e siècle Analyse et appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Neoclassicism (Music) fast Neuklassizismus gnd 1900-1999 fast Criticism, interpretation, etc. fast has work: After the rite (Text) https://id.oclc.org/worldcat/entity/E39PCG67r6cVHBV6FJKYXhM4G3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Carr, Maureen A. After the Rite. New York : Oxford University Press, 2014 9780199742936 (DLC) 2013033212 (OCoLC)857141299 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=780243 Volltext |
| spellingShingle | Carr, Maureen A. After the Rite : Stravinsky's path to neoclassicism (1914-1925) / The emergence of Stravinsky's neoclassicism : the aesthetic underpinnings of the idea in the other arts and in recent social/political history. 1914 : Literature, art, music, and dance ; 1917 : Revolution in the arts : Burliuk's neomorphism and Stravinsky's neoclassicism ; 1920-25 : style and technique ; Commentaries by Stravinsky and others that help to define his neoclassical aesthetic ; Postlude : the classicism of models -- Stravinsky at the crossroads after the Rite. Jeu de rossignol mécanique (Performance of the Mechanical Nightingale) (1 August 1913) ; Trois pièces pour quatour à cordes, II (Three pieces for string quartet, II) ; Trois pièces faciles (Kl 4 hdg) (Three easy pieces) (4 hands), "Marche" (December 19, 1914) ; Postlude -- Stravinsky at the crossroads between primitivism and neoclassicism : Renard (Bajka) (1915-1916) and Histoire du soldat (1917-18). Original French text of Renard ; Original French text of Histoire du soldat -- Stravinsky's improvisatory style. The predictive qualities of the Étude pour pianola (1917) ; Stravinsky's appropriation of the "rag idiom" (1917) ; Stravinsky completes three works that were inspired by elements of ragtime (1918) ; The order in which the works of 1918 were completed ; The reception of these works in 1919 ; The two faces of Stravinsky's Piano-rag-music (1919) : portrait or collage? ; Stravinsky's path to abstraction : an interruption on his journey to neoclassicism -- Stravinsky's compositional process for two works completed in 1920 : Concertino and Symphonies d'instruments à vent. Order and chaos in Stravinsky's Concertino for string quartet (1920) ; Symphonies d'instruments à vent (191?-20) -- Pulcinella (1919-20), Les cinq doigts "Larghetto" (1921), and Mavra (1921-22). Pulcinella (1919-20) ; Les cinq doigts (1921) : "Larghetto" (January 31, 1921) ; Mavra (1921-22) -- Octet (1919-23), Cinq pieces monométriques (frags. 192?), Concerto for piano and winds (1923-24). Introduction ; Concerto pour piano suivi d'orchestra d'harmonie (Concerto for piano and winds) (1923-24) ; Conclusion -- Piano sonata (1924) and Serenade in A (1925). Piano sonata (1924) : vestiges of Classical sonata form are evident, even though Stravinsky claims to have avoided such restrictions ; Serenade in A for piano (1925) ; Conclusion -- Epilogue. The evolution of Stravinsky's creative genius. Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 fast https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq Stravinsky, Igor 1882-1971 gnd Neoclassicism (Music) http://id.loc.gov/authorities/subjects/sh87005669 Music 20th century Analysis, appreciation. Néoclassicisme (Musique) Musique 20e siècle Analyse et appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Neoclassicism (Music) fast Neuklassizismus gnd |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87005669 |
| title | After the Rite : Stravinsky's path to neoclassicism (1914-1925) / |
| title_auth | After the Rite : Stravinsky's path to neoclassicism (1914-1925) / |
| title_exact_search | After the Rite : Stravinsky's path to neoclassicism (1914-1925) / |
| title_full | After the Rite : Stravinsky's path to neoclassicism (1914-1925) / Maureen A. Carr. |
| title_fullStr | After the Rite : Stravinsky's path to neoclassicism (1914-1925) / Maureen A. Carr. |
| title_full_unstemmed | After the Rite : Stravinsky's path to neoclassicism (1914-1925) / Maureen A. Carr. |
| title_short | After the Rite : |
| title_sort | after the rite stravinsky s path to neoclassicism 1914 1925 |
| title_sub | Stravinsky's path to neoclassicism (1914-1925) / |
| topic | Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 fast https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq Stravinsky, Igor 1882-1971 gnd Neoclassicism (Music) http://id.loc.gov/authorities/subjects/sh87005669 Music 20th century Analysis, appreciation. Néoclassicisme (Musique) Musique 20e siècle Analyse et appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Neoclassicism (Music) fast Neuklassizismus gnd |
| topic_facet | Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 Stravinsky, Igor 1882-1971 Neoclassicism (Music) Music 20th century Analysis, appreciation. Néoclassicisme (Musique) Musique 20e siècle Analyse et appréciation. MUSIC Genres & Styles Classical. MUSIC Reference. Neuklassizismus Criticism, interpretation, etc. |
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