"I am because you are" :: relationality in the works of Siri Hustvedt /
"I am because you are" is a key passage in 'What I Loved' (2003), contemporary American writer Siri Hustvedt's third novel, and a recurring motif throughout both her fictional and nonfictional work. This volume examines relational identity formation in her writing, especiall...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg, Germany :
Universitätsverlag Winter,
2013.
|
| Schriftenreihe: | American Studies - A Monograph Series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "I am because you are" is a key passage in 'What I Loved' (2003), contemporary American writer Siri Hustvedt's third novel, and a recurring motif throughout both her fictional and nonfictional work. This volume examines relational identity formation in her writing, especially the relationship between self and other in photography and painting, the transgression of corporeal boundaries in hysteria and anorexia, and the effects of losing attachment figures on personal identity. Hustvedt reveals identity as a complex product of conscious and unconscious interconnections within the social and biol. |
| Beschreibung: | 1 online resource (247 pages) |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 3825374254 9783825374259 |
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| 245 | 1 | 0 | |a "I am because you are" : |b relationality in the works of Siri Hustvedt / |c Christine Marks. |
| 264 | 1 | |a Heidelberg, Germany : |b Universitätsverlag Winter, |c 2013. | |
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| 504 | |a Includes bibliographical references. | ||
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| 505 | 0 | |a Table of Contents; 1. Introduction; 2. Encountering the Other: Philosophies of Intersubjectivity ; 2.1 Desire, Recognition, and the Master-Slave Stage: Siri Hustvedt and G.W.F.; 2.2 Dialogism: The Other as Complementation of the Self; 2.2.1 The Between, I-It, and I-You Relations: Martin Buber's Philosophy of of Dialogue; 2.2.2 Discourse and the Other: M.M. Bakhtin's Dialogical Principle; 2.3 Intersubjective Phenomenology: Embodiment as the Basis for Self-Other Relations; 2.3.1 Monadic Selves, Proprioception, and Intersubjective Community: Edmund Husserl's Fifth Cartesian Meditation. | |
| 505 | 8 | |a 2.3.2 Co-Existence and Reciprocity: Maurice Merleau-Ponty's Concept of Embodied Intersubjectivity2.4 The Face-to-Face Encounter and the Mystery of the Other: Emmanuel Levinas's Ethical Subjectivity; 3 Seeing on the Threshold: Self-Other Relations, Vision, and Visual Art in Siri Hustvedt's Works; 3.1 The Self as a Hole in Vision: Subjectivity and the Gaze of the Other; 3.1.1 Jacques Lacan: The Specular Subject; 3.1.2 Jean-Paul Sartre's Theory of Vision and Subjectivity; 3.1.3 M.M. Bakhtin: Vision and Consummation. | |
| 505 | 8 | |a 3.1.4 Alienation and Photographic Misrepresentation in Siri Hustvedt's The Blindfold and Other Works3.2 Moving toward the Other: Intersubjective Modes of Vision; 3.2.1 Voyeuristic Tendencies in Siri Hustvedt's Writing: The Pleasure of the Look; 3.2.2 Painting as a Medium of Dialogue in Siri Hustvedt's Intersubjective Vision of Art; 4 Identity and the Boundaries of the Body: Hysteria and Anorexia Nervosa in Siri Hustvedt's Writing; 4.1 Boundaries of the Body; 4.2 The Self as a Reflection of the Other's Desire: Hysteria; 4.3 Closing the Self Down: The Anorexic Struggle against the Open Body. | |
| 505 | 8 | |a 5 When the Other Goes Missing: Attachment, Loss, and Grief in Siri Hustvedt's Writing5.1 Relational Psychoanalysis: Attachment and Loss; 5.1.1 Mother-Child Relations and Intersubjective Psychoanalysis; 5.1.2 D.W. Winnicott: Holding, Mirroring, Playing, and the False Self ; 5.1.3 John Bowlby's Attachment Theory; 5.1.4 Hustvedt's Application of Relational Psychoanalysis; 5.2 Loss and Grief in What I Loved and The Sorrows of an American; 5.2.1 What I Loved: When Death Parts Self and Other; 5.2.2 The Sorrows of an American: Talking to Ghosts; 6. Conclusion; 7. Works Cited. | |
| 520 | |a "I am because you are" is a key passage in 'What I Loved' (2003), contemporary American writer Siri Hustvedt's third novel, and a recurring motif throughout both her fictional and nonfictional work. This volume examines relational identity formation in her writing, especially the relationship between self and other in photography and painting, the transgression of corporeal boundaries in hysteria and anorexia, and the effects of losing attachment figures on personal identity. Hustvedt reveals identity as a complex product of conscious and unconscious interconnections within the social and biol. | ||
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| 776 | 0 | 8 | |i Print version: |a Marks, Christine. |t "I am because you are" : relationality in the works of Siri Hustvedt. |d Heidelberg, Germany : Universitätsverlag Winter, ©2013 |h xi, 247 pages |k American Studies : A Monograph Series ; Volume 244 |z 9783825362836 |
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| contents | Table of Contents; 1. Introduction; 2. Encountering the Other: Philosophies of Intersubjectivity ; 2.1 Desire, Recognition, and the Master-Slave Stage: Siri Hustvedt and G.W.F.; 2.2 Dialogism: The Other as Complementation of the Self; 2.2.1 The Between, I-It, and I-You Relations: Martin Buber's Philosophy of of Dialogue; 2.2.2 Discourse and the Other: M.M. Bakhtin's Dialogical Principle; 2.3 Intersubjective Phenomenology: Embodiment as the Basis for Self-Other Relations; 2.3.1 Monadic Selves, Proprioception, and Intersubjective Community: Edmund Husserl's Fifth Cartesian Meditation. 2.3.2 Co-Existence and Reciprocity: Maurice Merleau-Ponty's Concept of Embodied Intersubjectivity2.4 The Face-to-Face Encounter and the Mystery of the Other: Emmanuel Levinas's Ethical Subjectivity; 3 Seeing on the Threshold: Self-Other Relations, Vision, and Visual Art in Siri Hustvedt's Works; 3.1 The Self as a Hole in Vision: Subjectivity and the Gaze of the Other; 3.1.1 Jacques Lacan: The Specular Subject; 3.1.2 Jean-Paul Sartre's Theory of Vision and Subjectivity; 3.1.3 M.M. Bakhtin: Vision and Consummation. 3.1.4 Alienation and Photographic Misrepresentation in Siri Hustvedt's The Blindfold and Other Works3.2 Moving toward the Other: Intersubjective Modes of Vision; 3.2.1 Voyeuristic Tendencies in Siri Hustvedt's Writing: The Pleasure of the Look; 3.2.2 Painting as a Medium of Dialogue in Siri Hustvedt's Intersubjective Vision of Art; 4 Identity and the Boundaries of the Body: Hysteria and Anorexia Nervosa in Siri Hustvedt's Writing; 4.1 Boundaries of the Body; 4.2 The Self as a Reflection of the Other's Desire: Hysteria; 4.3 Closing the Self Down: The Anorexic Struggle against the Open Body. 5 When the Other Goes Missing: Attachment, Loss, and Grief in Siri Hustvedt's Writing5.1 Relational Psychoanalysis: Attachment and Loss; 5.1.1 Mother-Child Relations and Intersubjective Psychoanalysis; 5.1.2 D.W. Winnicott: Holding, Mirroring, Playing, and the False Self ; 5.1.3 John Bowlby's Attachment Theory; 5.1.4 Hustvedt's Application of Relational Psychoanalysis; 5.2 Loss and Grief in What I Loved and The Sorrows of an American; 5.2.1 What I Loved: When Death Parts Self and Other; 5.2.2 The Sorrows of an American: Talking to Ghosts; 6. Conclusion; 7. Works Cited. |
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| discipline | Psychologie |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:57Z |
| institution | BVB |
| isbn | 3825374254 9783825374259 |
| language | English |
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| series | American Studies - A Monograph Series. |
| series2 | American Studies - A Monograph Series ; |
| spelling | Marks, Christine, author. "I am because you are" : relationality in the works of Siri Hustvedt / Christine Marks. Heidelberg, Germany : Universitätsverlag Winter, 2013. ©2013 1 online resource (247 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier American Studies - A Monograph Series ; v. 244 Includes bibliographical references. Online resource; title from PDF title page (ebrary, viewed April 12, 2014). Table of Contents; 1. Introduction; 2. Encountering the Other: Philosophies of Intersubjectivity ; 2.1 Desire, Recognition, and the Master-Slave Stage: Siri Hustvedt and G.W.F.; 2.2 Dialogism: The Other as Complementation of the Self; 2.2.1 The Between, I-It, and I-You Relations: Martin Buber's Philosophy of of Dialogue; 2.2.2 Discourse and the Other: M.M. Bakhtin's Dialogical Principle; 2.3 Intersubjective Phenomenology: Embodiment as the Basis for Self-Other Relations; 2.3.1 Monadic Selves, Proprioception, and Intersubjective Community: Edmund Husserl's Fifth Cartesian Meditation. 2.3.2 Co-Existence and Reciprocity: Maurice Merleau-Ponty's Concept of Embodied Intersubjectivity2.4 The Face-to-Face Encounter and the Mystery of the Other: Emmanuel Levinas's Ethical Subjectivity; 3 Seeing on the Threshold: Self-Other Relations, Vision, and Visual Art in Siri Hustvedt's Works; 3.1 The Self as a Hole in Vision: Subjectivity and the Gaze of the Other; 3.1.1 Jacques Lacan: The Specular Subject; 3.1.2 Jean-Paul Sartre's Theory of Vision and Subjectivity; 3.1.3 M.M. Bakhtin: Vision and Consummation. 3.1.4 Alienation and Photographic Misrepresentation in Siri Hustvedt's The Blindfold and Other Works3.2 Moving toward the Other: Intersubjective Modes of Vision; 3.2.1 Voyeuristic Tendencies in Siri Hustvedt's Writing: The Pleasure of the Look; 3.2.2 Painting as a Medium of Dialogue in Siri Hustvedt's Intersubjective Vision of Art; 4 Identity and the Boundaries of the Body: Hysteria and Anorexia Nervosa in Siri Hustvedt's Writing; 4.1 Boundaries of the Body; 4.2 The Self as a Reflection of the Other's Desire: Hysteria; 4.3 Closing the Self Down: The Anorexic Struggle against the Open Body. 5 When the Other Goes Missing: Attachment, Loss, and Grief in Siri Hustvedt's Writing5.1 Relational Psychoanalysis: Attachment and Loss; 5.1.1 Mother-Child Relations and Intersubjective Psychoanalysis; 5.1.2 D.W. Winnicott: Holding, Mirroring, Playing, and the False Self ; 5.1.3 John Bowlby's Attachment Theory; 5.1.4 Hustvedt's Application of Relational Psychoanalysis; 5.2 Loss and Grief in What I Loved and The Sorrows of an American; 5.2.1 What I Loved: When Death Parts Self and Other; 5.2.2 The Sorrows of an American: Talking to Ghosts; 6. Conclusion; 7. Works Cited. "I am because you are" is a key passage in 'What I Loved' (2003), contemporary American writer Siri Hustvedt's third novel, and a recurring motif throughout both her fictional and nonfictional work. This volume examines relational identity formation in her writing, especially the relationship between self and other in photography and painting, the transgression of corporeal boundaries in hysteria and anorexia, and the effects of losing attachment figures on personal identity. Hustvedt reveals identity as a complex product of conscious and unconscious interconnections within the social and biol. Emotions. http://id.loc.gov/authorities/subjects/sh85042818 Human beings. http://id.loc.gov/authorities/subjects/sh85080292 Relations. Êtres humains. Homo sapiens (species) aat Emotions fast Human beings fast Relations fast has work: "I am because you are" (Text) https://id.oclc.org/worldcat/entity/E39PCGpyvGqPF3Fv9vRtMTRCXq https://id.oclc.org/worldcat/ontology/hasWork Print version: Marks, Christine. "I am because you are" : relationality in the works of Siri Hustvedt. Heidelberg, Germany : Universitätsverlag Winter, ©2013 xi, 247 pages American Studies : A Monograph Series ; Volume 244 9783825362836 American Studies - A Monograph Series. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2041112 Volltext |
| spellingShingle | Marks, Christine "I am because you are" : relationality in the works of Siri Hustvedt / American Studies - A Monograph Series. Table of Contents; 1. Introduction; 2. Encountering the Other: Philosophies of Intersubjectivity ; 2.1 Desire, Recognition, and the Master-Slave Stage: Siri Hustvedt and G.W.F.; 2.2 Dialogism: The Other as Complementation of the Self; 2.2.1 The Between, I-It, and I-You Relations: Martin Buber's Philosophy of of Dialogue; 2.2.2 Discourse and the Other: M.M. Bakhtin's Dialogical Principle; 2.3 Intersubjective Phenomenology: Embodiment as the Basis for Self-Other Relations; 2.3.1 Monadic Selves, Proprioception, and Intersubjective Community: Edmund Husserl's Fifth Cartesian Meditation. 2.3.2 Co-Existence and Reciprocity: Maurice Merleau-Ponty's Concept of Embodied Intersubjectivity2.4 The Face-to-Face Encounter and the Mystery of the Other: Emmanuel Levinas's Ethical Subjectivity; 3 Seeing on the Threshold: Self-Other Relations, Vision, and Visual Art in Siri Hustvedt's Works; 3.1 The Self as a Hole in Vision: Subjectivity and the Gaze of the Other; 3.1.1 Jacques Lacan: The Specular Subject; 3.1.2 Jean-Paul Sartre's Theory of Vision and Subjectivity; 3.1.3 M.M. Bakhtin: Vision and Consummation. 3.1.4 Alienation and Photographic Misrepresentation in Siri Hustvedt's The Blindfold and Other Works3.2 Moving toward the Other: Intersubjective Modes of Vision; 3.2.1 Voyeuristic Tendencies in Siri Hustvedt's Writing: The Pleasure of the Look; 3.2.2 Painting as a Medium of Dialogue in Siri Hustvedt's Intersubjective Vision of Art; 4 Identity and the Boundaries of the Body: Hysteria and Anorexia Nervosa in Siri Hustvedt's Writing; 4.1 Boundaries of the Body; 4.2 The Self as a Reflection of the Other's Desire: Hysteria; 4.3 Closing the Self Down: The Anorexic Struggle against the Open Body. 5 When the Other Goes Missing: Attachment, Loss, and Grief in Siri Hustvedt's Writing5.1 Relational Psychoanalysis: Attachment and Loss; 5.1.1 Mother-Child Relations and Intersubjective Psychoanalysis; 5.1.2 D.W. Winnicott: Holding, Mirroring, Playing, and the False Self ; 5.1.3 John Bowlby's Attachment Theory; 5.1.4 Hustvedt's Application of Relational Psychoanalysis; 5.2 Loss and Grief in What I Loved and The Sorrows of an American; 5.2.1 What I Loved: When Death Parts Self and Other; 5.2.2 The Sorrows of an American: Talking to Ghosts; 6. Conclusion; 7. Works Cited. Emotions. http://id.loc.gov/authorities/subjects/sh85042818 Human beings. http://id.loc.gov/authorities/subjects/sh85080292 Relations. Êtres humains. Homo sapiens (species) aat Emotions fast Human beings fast Relations fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85042818 http://id.loc.gov/authorities/subjects/sh85080292 |
| title | "I am because you are" : relationality in the works of Siri Hustvedt / |
| title_auth | "I am because you are" : relationality in the works of Siri Hustvedt / |
| title_exact_search | "I am because you are" : relationality in the works of Siri Hustvedt / |
| title_full | "I am because you are" : relationality in the works of Siri Hustvedt / Christine Marks. |
| title_fullStr | "I am because you are" : relationality in the works of Siri Hustvedt / Christine Marks. |
| title_full_unstemmed | "I am because you are" : relationality in the works of Siri Hustvedt / Christine Marks. |
| title_short | "I am because you are" : |
| title_sort | i am because you are relationality in the works of siri hustvedt |
| title_sub | relationality in the works of Siri Hustvedt / |
| topic | Emotions. http://id.loc.gov/authorities/subjects/sh85042818 Human beings. http://id.loc.gov/authorities/subjects/sh85080292 Relations. Êtres humains. Homo sapiens (species) aat Emotions fast Human beings fast Relations fast |
| topic_facet | Emotions. Human beings. Relations. Êtres humains. Homo sapiens (species) Emotions Human beings Relations |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2041112 |
| work_keys_str_mv | AT markschristine iambecauseyouarerelationalityintheworksofsirihustvedt |