Resonances of the Raj :: India in the English musical imagination, 1897-1947 /
This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Oxford University Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780199314904 019931490X |
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| 520 | 8 | |a This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity. | |
| 505 | 0 | |a 1. A subtle and exquisite spirit: Maud MacCarthy and Indian music in Britain. True practice -- Real proof -- Fusty bookology -- An equal music. -- 2. Elephants and Mughals, contraltos and G-strings: How Elgar got his Englishness. Vandalism rectified (The Delhi Darbar) -- Masking the Darbar -- The composer's burden -- East is East and West is West -- The Jewel in The Crown of India -- East is West (or, Angular Saxon) -- Can the Mughals march? -- Elgar the Barbarian. -- 3. From India to the Planet Mars: Gustav Holst. Why not learn Sanskrit? -- As if improvising -- A little more context -- Between life and death -- A complicated rhythmical figure -- Archaic avant-garde -- But a passing phase -- From India to the Planet Mars -- To another world -- Figure of our time. -- 4. Songs that moved the world: Amy Woodforde-Finden's Indian love lyrics. Women hold their own -- A taste for the forbidden -- Orientalities -- Paradise on Earth -- Sincerity rather than poetry -- Myths and manifestations -- Sapphic stories -- A map of longings. -- 5. Persian composer-pianist baffles: Kaikhosru Sorabji. Marginal exotic -- Himalayan Hermitage -- Colour matters -- Modernist -- Scheherazade-Kaikhosru -- Raga, Jangal, and Chakra -- Melancholy moth. -- 6. Modes, mantras, and Gandharvas: John Foulds's Passage to India. No little Englander -- Oh! The poor conductor! -- Orpheus Abroad: A controversial subject -- The travesty of translation -- A sordid story -- Voices from the beyond -- Breathtaking and new. | |
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| contents | 1. A subtle and exquisite spirit: Maud MacCarthy and Indian music in Britain. True practice -- Real proof -- Fusty bookology -- An equal music. -- 2. Elephants and Mughals, contraltos and G-strings: How Elgar got his Englishness. Vandalism rectified (The Delhi Darbar) -- Masking the Darbar -- The composer's burden -- East is East and West is West -- The Jewel in The Crown of India -- East is West (or, Angular Saxon) -- Can the Mughals march? -- Elgar the Barbarian. -- 3. From India to the Planet Mars: Gustav Holst. Why not learn Sanskrit? -- As if improvising -- A little more context -- Between life and death -- A complicated rhythmical figure -- Archaic avant-garde -- But a passing phase -- From India to the Planet Mars -- To another world -- Figure of our time. -- 4. Songs that moved the world: Amy Woodforde-Finden's Indian love lyrics. Women hold their own -- A taste for the forbidden -- Orientalities -- Paradise on Earth -- Sincerity rather than poetry -- Myths and manifestations -- Sapphic stories -- A map of longings. -- 5. Persian composer-pianist baffles: Kaikhosru Sorabji. Marginal exotic -- Himalayan Hermitage -- Colour matters -- Modernist -- Scheherazade-Kaikhosru -- Raga, Jangal, and Chakra -- Melancholy moth. -- 6. Modes, mantras, and Gandharvas: John Foulds's Passage to India. No little Englander -- Oh! The poor conductor! -- Orpheus Abroad: A controversial subject -- The travesty of translation -- A sordid story -- Voices from the beyond -- Breathtaking and new. |
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| spelling | Ghuman, Nalini. Resonances of the Raj : India in the English musical imagination, 1897-1947 / Nalini Ghuman. New York : Oxford University Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity. 1. A subtle and exquisite spirit: Maud MacCarthy and Indian music in Britain. True practice -- Real proof -- Fusty bookology -- An equal music. -- 2. Elephants and Mughals, contraltos and G-strings: How Elgar got his Englishness. Vandalism rectified (The Delhi Darbar) -- Masking the Darbar -- The composer's burden -- East is East and West is West -- The Jewel in The Crown of India -- East is West (or, Angular Saxon) -- Can the Mughals march? -- Elgar the Barbarian. -- 3. From India to the Planet Mars: Gustav Holst. Why not learn Sanskrit? -- As if improvising -- A little more context -- Between life and death -- A complicated rhythmical figure -- Archaic avant-garde -- But a passing phase -- From India to the Planet Mars -- To another world -- Figure of our time. -- 4. Songs that moved the world: Amy Woodforde-Finden's Indian love lyrics. Women hold their own -- A taste for the forbidden -- Orientalities -- Paradise on Earth -- Sincerity rather than poetry -- Myths and manifestations -- Sapphic stories -- A map of longings. -- 5. Persian composer-pianist baffles: Kaikhosru Sorabji. Marginal exotic -- Himalayan Hermitage -- Colour matters -- Modernist -- Scheherazade-Kaikhosru -- Raga, Jangal, and Chakra -- Melancholy moth. -- 6. Modes, mantras, and Gandharvas: John Foulds's Passage to India. No little Englander -- Oh! The poor conductor! -- Orpheus Abroad: A controversial subject -- The travesty of translation -- A sordid story -- Voices from the beyond -- Breathtaking and new. Music Great Britain 20th century History and criticism. Music India 20th century History and criticism. Music Great Britain Indic influences. Musique Grande-Bretagne Influence de l'Inde. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music Indic influences fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP India fast https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC 1900-1999 fast Criticism, interpretation, etc. fast has work: Resonances of the Raj (Text) https://id.oclc.org/worldcat/entity/E39PCFBfTr4CGwMpFbqgcxQtTd https://id.oclc.org/worldcat/ontology/hasWork Print version: Ghuman, Nalini. Resonances of the Raj 9780199314898 (DLC) 2013037305 (OCoLC)858975566 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=759690 Volltext |
| spellingShingle | Ghuman, Nalini Resonances of the Raj : India in the English musical imagination, 1897-1947 / 1. A subtle and exquisite spirit: Maud MacCarthy and Indian music in Britain. True practice -- Real proof -- Fusty bookology -- An equal music. -- 2. Elephants and Mughals, contraltos and G-strings: How Elgar got his Englishness. Vandalism rectified (The Delhi Darbar) -- Masking the Darbar -- The composer's burden -- East is East and West is West -- The Jewel in The Crown of India -- East is West (or, Angular Saxon) -- Can the Mughals march? -- Elgar the Barbarian. -- 3. From India to the Planet Mars: Gustav Holst. Why not learn Sanskrit? -- As if improvising -- A little more context -- Between life and death -- A complicated rhythmical figure -- Archaic avant-garde -- But a passing phase -- From India to the Planet Mars -- To another world -- Figure of our time. -- 4. Songs that moved the world: Amy Woodforde-Finden's Indian love lyrics. Women hold their own -- A taste for the forbidden -- Orientalities -- Paradise on Earth -- Sincerity rather than poetry -- Myths and manifestations -- Sapphic stories -- A map of longings. -- 5. Persian composer-pianist baffles: Kaikhosru Sorabji. Marginal exotic -- Himalayan Hermitage -- Colour matters -- Modernist -- Scheherazade-Kaikhosru -- Raga, Jangal, and Chakra -- Melancholy moth. -- 6. Modes, mantras, and Gandharvas: John Foulds's Passage to India. No little Englander -- Oh! The poor conductor! -- Orpheus Abroad: A controversial subject -- The travesty of translation -- A sordid story -- Voices from the beyond -- Breathtaking and new. Music Great Britain 20th century History and criticism. Music India 20th century History and criticism. Music Great Britain Indic influences. Musique Grande-Bretagne Influence de l'Inde. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music Indic influences fast |
| title | Resonances of the Raj : India in the English musical imagination, 1897-1947 / |
| title_auth | Resonances of the Raj : India in the English musical imagination, 1897-1947 / |
| title_exact_search | Resonances of the Raj : India in the English musical imagination, 1897-1947 / |
| title_full | Resonances of the Raj : India in the English musical imagination, 1897-1947 / Nalini Ghuman. |
| title_fullStr | Resonances of the Raj : India in the English musical imagination, 1897-1947 / Nalini Ghuman. |
| title_full_unstemmed | Resonances of the Raj : India in the English musical imagination, 1897-1947 / Nalini Ghuman. |
| title_short | Resonances of the Raj : |
| title_sort | resonances of the raj india in the english musical imagination 1897 1947 |
| title_sub | India in the English musical imagination, 1897-1947 / |
| topic | Music Great Britain 20th century History and criticism. Music India 20th century History and criticism. Music Great Britain Indic influences. Musique Grande-Bretagne Influence de l'Inde. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music Indic influences fast |
| topic_facet | Music Great Britain 20th century History and criticism. Music India 20th century History and criticism. Music Great Britain Indic influences. Musique Grande-Bretagne Influence de l'Inde. MUSIC Genres & Styles Classical. MUSIC Reference. Music Music Indic influences Great Britain India Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=759690 |
| work_keys_str_mv | AT ghumannalini resonancesoftherajindiaintheenglishmusicalimagination18971947 |