Using images in late antiquity /:
Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period's visual practices within their political, religious, and social contexts. The contributors present a diverse range of evid...
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| Other Authors: | , , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English Italian |
| Published: |
Oxford :
Oxbow Books,
2014.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period's visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine's expropriation and symbolic re-use of earlier monum. |
| Physical Description: | 1 online resource |
| Bibliography: | Includes bibliographical references. |
| ISBN: | 9781782972624 1782972625 9781782972648 1782972641 1322027153 9781322027159 |
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| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; List of contributors; List of plates; Chapter 1: Introduction; Chapter 2: Chi parla a chi? Epigrafia monumentale e immagine pubblica in epoca tardoantica; Chapter 3: Using Images for Self-Representation on Roman Sarcophagi; Chapter 4: Maxentius, Constantine, and Hadrian: Images and the Expropriation of Imperial Identity; Chapter 5: Late Antique Honorific Sculpture in Constantinople; Chapter 6: Collections, Canons, and Context: The Afterlife of Greek Masterpieces in Late Antiquity. | |
| 505 | 8 | |a Chapter 7: Late Antique Sculpture in Augusta Emerita and its Territory (Hispania): Officinae, Patterns and CircuitsChapter 8: Temples and Civic Representation in the Theodosian Period; Chapter 9: Triumphal Arches and Gates of Piety at Constantinople, Ravenna, and Rome; Chapter 10: Urban Armatures, Urban Vignettes: The Interpermeation of the Reality and the Ideal of the Late Antique Metropolis; Chapter 11: City Personifications in Late Antiquity; Chapter 12: Mythology and Theatre in the Mosaics of the Graeco-Roman East. | |
| 505 | 8 | |a Chapter 13: Alla ricerca di un'identità. Tradizioni classiche nella prima iconografia CristianaChapter 14: Using and Abusing Images in Late Antiquity (and Beyond): Column Monuments as Topoi of Idolatry; Chapter 15: The Encyclopaedic Illustration of a New Empire: Graeco-Roman-Byzantine and Sasanian Models on the Façade of Qasr al-Mshatta; Index; Geographical; Names (biblical, historical, mythological); Sources; Colour plates. | |
| 520 | |a Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period's visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine's expropriation and symbolic re-use of earlier monum. | ||
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| author2 | Birk, Stine Kristensen, Troels Myrup Poulsen, Birte Liverani, Paolo |
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| author_facet | Birk, Stine Kristensen, Troels Myrup Poulsen, Birte Liverani, Paolo |
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| contents | Cover; Title Page; Copyright Page; Contents; List of contributors; List of plates; Chapter 1: Introduction; Chapter 2: Chi parla a chi? Epigrafia monumentale e immagine pubblica in epoca tardoantica; Chapter 3: Using Images for Self-Representation on Roman Sarcophagi; Chapter 4: Maxentius, Constantine, and Hadrian: Images and the Expropriation of Imperial Identity; Chapter 5: Late Antique Honorific Sculpture in Constantinople; Chapter 6: Collections, Canons, and Context: The Afterlife of Greek Masterpieces in Late Antiquity. Chapter 7: Late Antique Sculpture in Augusta Emerita and its Territory (Hispania): Officinae, Patterns and CircuitsChapter 8: Temples and Civic Representation in the Theodosian Period; Chapter 9: Triumphal Arches and Gates of Piety at Constantinople, Ravenna, and Rome; Chapter 10: Urban Armatures, Urban Vignettes: The Interpermeation of the Reality and the Ideal of the Late Antique Metropolis; Chapter 11: City Personifications in Late Antiquity; Chapter 12: Mythology and Theatre in the Mosaics of the Graeco-Roman East. Chapter 13: Alla ricerca di un'identità. Tradizioni classiche nella prima iconografia CristianaChapter 14: Using and Abusing Images in Late Antiquity (and Beyond): Column Monuments as Topoi of Idolatry; Chapter 15: The Encyclopaedic Illustration of a New Empire: Graeco-Roman-Byzantine and Sasanian Models on the Façade of Qasr al-Mshatta; Index; Geographical; Names (biblical, historical, mythological); Sources; Colour plates. |
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| dewey-ones | 709 - History, geographic treatment, biography |
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| dewey-search | 709.01/5 |
| dewey-sort | 3709.01 15 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| geographic | Mediterranean Region fast |
| geographic_facet | Mediterranean Region |
| id | ZDB-4-EBA-ocn875675277 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:41:54Z |
| institution | BVB |
| isbn | 9781782972624 1782972625 9781782972648 1782972641 1322027153 9781322027159 |
| language | English Italian |
| lccn | 2014013437 |
| oclc_num | 875675277 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Oxbow Books, |
| record_format | marc |
| spelling | Using images in late antiquity / edited by Stine Birk, Troels Myrup Kristensen and Birte Poulsen. Oxford : Oxbow Books, 2014. 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier English with 2 contributions in Italian. Includes bibliographical references. Online resource; title from digital title page (viewed on Aug. 22, 2014). Cover; Title Page; Copyright Page; Contents; List of contributors; List of plates; Chapter 1: Introduction; Chapter 2: Chi parla a chi? Epigrafia monumentale e immagine pubblica in epoca tardoantica; Chapter 3: Using Images for Self-Representation on Roman Sarcophagi; Chapter 4: Maxentius, Constantine, and Hadrian: Images and the Expropriation of Imperial Identity; Chapter 5: Late Antique Honorific Sculpture in Constantinople; Chapter 6: Collections, Canons, and Context: The Afterlife of Greek Masterpieces in Late Antiquity. Chapter 7: Late Antique Sculpture in Augusta Emerita and its Territory (Hispania): Officinae, Patterns and CircuitsChapter 8: Temples and Civic Representation in the Theodosian Period; Chapter 9: Triumphal Arches and Gates of Piety at Constantinople, Ravenna, and Rome; Chapter 10: Urban Armatures, Urban Vignettes: The Interpermeation of the Reality and the Ideal of the Late Antique Metropolis; Chapter 11: City Personifications in Late Antiquity; Chapter 12: Mythology and Theatre in the Mosaics of the Graeco-Roman East. Chapter 13: Alla ricerca di un'identità. Tradizioni classiche nella prima iconografia CristianaChapter 14: Using and Abusing Images in Late Antiquity (and Beyond): Column Monuments as Topoi of Idolatry; Chapter 15: The Encyclopaedic Illustration of a New Empire: Graeco-Roman-Byzantine and Sasanian Models on the Façade of Qasr al-Mshatta; Index; Geographical; Names (biblical, historical, mythological); Sources; Colour plates. Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period's visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine's expropriation and symbolic re-use of earlier monum. Art and society Mediterranean Region. Visual communication Mediterranean Region. Art, Classical Mediterranean Region. Art, Medieval Mediterranean Region. ART History General. bisacsh HISTORY / General bisacsh Art and society fast Art, Classical fast Art, Medieval fast Visual communication fast Mediterranean Region fast Birk, Stine, editor. Kristensen, Troels Myrup, editor. Poulsen, Birte, editor. Liverani, Paolo. Chi parla a chi? has work: Using images in late antiquity (Text) https://id.oclc.org/worldcat/entity/E39PCGxmdpJjcy8CgFWYxQXkwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Using images in late antiquity. Philadelphia : Oxbow Books, 2014 9781782972617 (DLC) 2014006313 |
| spellingShingle | Using images in late antiquity / Cover; Title Page; Copyright Page; Contents; List of contributors; List of plates; Chapter 1: Introduction; Chapter 2: Chi parla a chi? Epigrafia monumentale e immagine pubblica in epoca tardoantica; Chapter 3: Using Images for Self-Representation on Roman Sarcophagi; Chapter 4: Maxentius, Constantine, and Hadrian: Images and the Expropriation of Imperial Identity; Chapter 5: Late Antique Honorific Sculpture in Constantinople; Chapter 6: Collections, Canons, and Context: The Afterlife of Greek Masterpieces in Late Antiquity. Chapter 7: Late Antique Sculpture in Augusta Emerita and its Territory (Hispania): Officinae, Patterns and CircuitsChapter 8: Temples and Civic Representation in the Theodosian Period; Chapter 9: Triumphal Arches and Gates of Piety at Constantinople, Ravenna, and Rome; Chapter 10: Urban Armatures, Urban Vignettes: The Interpermeation of the Reality and the Ideal of the Late Antique Metropolis; Chapter 11: City Personifications in Late Antiquity; Chapter 12: Mythology and Theatre in the Mosaics of the Graeco-Roman East. Chapter 13: Alla ricerca di un'identità. Tradizioni classiche nella prima iconografia CristianaChapter 14: Using and Abusing Images in Late Antiquity (and Beyond): Column Monuments as Topoi of Idolatry; Chapter 15: The Encyclopaedic Illustration of a New Empire: Graeco-Roman-Byzantine and Sasanian Models on the Façade of Qasr al-Mshatta; Index; Geographical; Names (biblical, historical, mythological); Sources; Colour plates. Art and society Mediterranean Region. Visual communication Mediterranean Region. Art, Classical Mediterranean Region. Art, Medieval Mediterranean Region. ART History General. bisacsh HISTORY / General bisacsh Art and society fast Art, Classical fast Art, Medieval fast Visual communication fast |
| title | Using images in late antiquity / |
| title_alt | Chi parla a chi? |
| title_auth | Using images in late antiquity / |
| title_exact_search | Using images in late antiquity / |
| title_full | Using images in late antiquity / edited by Stine Birk, Troels Myrup Kristensen and Birte Poulsen. |
| title_fullStr | Using images in late antiquity / edited by Stine Birk, Troels Myrup Kristensen and Birte Poulsen. |
| title_full_unstemmed | Using images in late antiquity / edited by Stine Birk, Troels Myrup Kristensen and Birte Poulsen. |
| title_short | Using images in late antiquity / |
| title_sort | using images in late antiquity |
| topic | Art and society Mediterranean Region. Visual communication Mediterranean Region. Art, Classical Mediterranean Region. Art, Medieval Mediterranean Region. ART History General. bisacsh HISTORY / General bisacsh Art and society fast Art, Classical fast Art, Medieval fast Visual communication fast |
| topic_facet | Art and society Mediterranean Region. Visual communication Mediterranean Region. Art, Classical Mediterranean Region. Art, Medieval Mediterranean Region. ART History General. HISTORY / General Art and society Art, Classical Art, Medieval Visual communication Mediterranean Region |
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