Subjective realist cinema :: from expressionism to inception /
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind....
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Berghahn Books,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking. |
| Beschreibung: | 1 online resource (160 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781782382799 1782382798 1306690447 9781306690447 |
Internformat
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| 100 | 1 | |a Campora, Matthew, |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjGgGH8T3CH7V7fQmCyx8P |0 http://id.loc.gov/authorities/names/n2013033837 | |
| 245 | 1 | 0 | |a Subjective realist cinema : |b from expressionism to inception / |c Matthew Campora. |
| 260 | |a New York, NY : |b Berghahn Books, |c 2014. | ||
| 300 | |a 1 online resource (160 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films -- 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization -- 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive; Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion -- 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism --6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real -- Conclusion -- Filmography -- Bibliography -- Index. | |
| 520 | |a Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Subjectivity in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2001005702 | |
| 650 | 0 | |a Realism in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85111771 | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 6 | |a Subjectivité au cinéma. | |
| 650 | 6 | |a Réalisme au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 650 | 7 | |a Realism in motion pictures |2 fast | |
| 650 | 7 | |a Subjectivity in motion pictures |2 fast | |
| 758 | |i has work: |a Subjective realist cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdF6Pc9f6jKBFJgRCXhMd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Campora, Matthew. |t Subjective realist cinema. |d New York : Berghahn Books, 2014 |z 9781782382782 |w (DLC) 2013023314 |w (OCoLC)848268013 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=638341 |3 Volltext |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn870946159 |
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| _version_ | 1816882261543354368 |
| adam_text | |
| any_adam_object | |
| author | Campora, Matthew |
| author_GND | http://id.loc.gov/authorities/names/n2013033837 |
| author_facet | Campora, Matthew |
| author_role | aut |
| author_sort | Campora, Matthew |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 .C341 2014 |
| callnumber-search | PN1995 .C341 2014 |
| callnumber-sort | PN 41995 C341 42014 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films -- 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization -- 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive; Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion -- 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism --6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real -- Conclusion -- Filmography -- Bibliography -- Index. |
| ctrlnum | (OCoLC)870946159 |
| dewey-full | 791.43612 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43612 |
| dewey-search | 791.43612 |
| dewey-sort | 3791.43612 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn870946159 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:48Z |
| institution | BVB |
| isbn | 9781782382799 1782382798 1306690447 9781306690447 |
| language | English |
| oclc_num | 870946159 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (160 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Berghahn Books, |
| record_format | marc |
| spelling | Campora, Matthew, author. https://id.oclc.org/worldcat/entity/E39PCjGgGH8T3CH7V7fQmCyx8P http://id.loc.gov/authorities/names/n2013033837 Subjective realist cinema : from expressionism to inception / Matthew Campora. New York, NY : Berghahn Books, 2014. 1 online resource (160 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films -- 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization -- 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive; Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion -- 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism --6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real -- Conclusion -- Filmography -- Bibliography -- Index. Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking. Print version record. Includes bibliographical references and index. English. Motion pictures Philosophy. Subjectivity in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005702 Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Cinéma Philosophie. Subjectivité au cinéma. Réalisme au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast Realism in motion pictures fast Subjectivity in motion pictures fast has work: Subjective realist cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGdF6Pc9f6jKBFJgRCXhMd https://id.oclc.org/worldcat/ontology/hasWork Print version: Campora, Matthew. Subjective realist cinema. New York : Berghahn Books, 2014 9781782382782 (DLC) 2013023314 (OCoLC)848268013 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=638341 Volltext |
| spellingShingle | Campora, Matthew Subjective realist cinema : from expressionism to inception / 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films -- 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization -- 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive; Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion -- 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism --6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real -- Conclusion -- Filmography -- Bibliography -- Index. Motion pictures Philosophy. Subjectivity in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005702 Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Cinéma Philosophie. Subjectivité au cinéma. Réalisme au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast Realism in motion pictures fast Subjectivity in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001005702 http://id.loc.gov/authorities/subjects/sh85111771 |
| title | Subjective realist cinema : from expressionism to inception / |
| title_auth | Subjective realist cinema : from expressionism to inception / |
| title_exact_search | Subjective realist cinema : from expressionism to inception / |
| title_full | Subjective realist cinema : from expressionism to inception / Matthew Campora. |
| title_fullStr | Subjective realist cinema : from expressionism to inception / Matthew Campora. |
| title_full_unstemmed | Subjective realist cinema : from expressionism to inception / Matthew Campora. |
| title_short | Subjective realist cinema : |
| title_sort | subjective realist cinema from expressionism to inception |
| title_sub | from expressionism to inception / |
| topic | Motion pictures Philosophy. Subjectivity in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005702 Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Cinéma Philosophie. Subjectivité au cinéma. Réalisme au cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast Realism in motion pictures fast Subjectivity in motion pictures fast |
| topic_facet | Motion pictures Philosophy. Subjectivity in motion pictures. Realism in motion pictures. Cinéma Philosophie. Subjectivité au cinéma. Réalisme au cinéma. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Motion pictures Philosophy Realism in motion pictures Subjectivity in motion pictures |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=638341 |
| work_keys_str_mv | AT camporamatthew subjectiverealistcinemafromexpressionismtoinception |