Seam /:
The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Carbondale :
Crab Orchard Review & Southern Illinois University Press,
[2014]
|
| Schriftenreihe: | Crab Orchard award series in poetry.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. |
| Beschreibung: | 1 online resource |
| ISBN: | 0809333260 9780809333264 1306452481 9781306452489 |
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| 505 | 0 | |a Cover; Title Page; Copyright; Contents; Acknowledgments; 1971; En Route to Bangladesh, Another Crisis of Faith; Reading Willa Cather in Bangladesh; [I place one foot then the other . . .]; Dhaka Aubade; Elegy with Her Red-Tipped Fingers; Reading Tranströmer in Bangladesh; Instructions for the Interviewer; [Tell her what happened to you . . .]; Interview with a Birangona: 1. What were you doing when they came for you?; Interview with a Birangona: 2. Where did the Pakistani military take you, and were there others there?; Interviewer's Note: i. [You walk past white high-rises]. | |
| 505 | 8 | |a Interview with a Birangona: 3. Would you consider yourself a survivor or a victim?Interviewer's Note: ii. [You listen to the percussion]; Interview with a Birangona: 4. Were there other women there? Did you get along with them?; The Interviewer Acknowledges Desire; Interview with a Birangona: 5. Who was in charge at this camp? What were your days like?; Reading Willa Cather in Bangladesh; Interviewer's Note: iii. [If burnt, she said, I' ll turn to ash,]; Interview with a Birangona: 6. Many of the birangona had children by Pakistani soldiers. Did you have a child as well? | |
| 505 | 8 | |a Interviewer's Note: iv. [Today there is no drinking]The Interviewer Acknowledges Shame; Interview with a Birangona: 7. Do you have siblings? Where were they?; Interviewer's Note: v. [But wasn't it the neat narrative]; The Interviewer Acknowledges Grief; Interview with a Birangona: 8. After the war was over, what did you do? Did you go back home?; Reading Celan at the Liberation War Museum; [Many corpses are stacked, . . .]; Aubade Ending with the Death of a Mosquito; Dhaka Nocturne; Reading Willa Cather in Bangladesh; En Route to Bangladesh, Another Crisis of Faith. | |
| 505 | 8 | |a [I struggled my way . . .]Other books in the Crab Orchard Series in Poetry; Back Cover. | |
| 520 | |a The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. | ||
| 650 | 0 | |a Poetry. | |
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| adam_text | |
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| author | Faizullah, Tarfia |
| author_facet | Faizullah, Tarfia |
| author_role | |
| author_sort | Faizullah, Tarfia |
| author_variant | t f tf |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PS3606 |
| callnumber-raw | PS3606.A39 A6 2013eb |
| callnumber-search | PS3606.A39 A6 2013eb |
| callnumber-sort | PS 43606 A39 A6 42013EB |
| callnumber-subject | PS - American Literature |
| collection | ZDB-4-EBA |
| contents | Cover; Title Page; Copyright; Contents; Acknowledgments; 1971; En Route to Bangladesh, Another Crisis of Faith; Reading Willa Cather in Bangladesh; [I place one foot then the other . . .]; Dhaka Aubade; Elegy with Her Red-Tipped Fingers; Reading Tranströmer in Bangladesh; Instructions for the Interviewer; [Tell her what happened to you . . .]; Interview with a Birangona: 1. What were you doing when they came for you?; Interview with a Birangona: 2. Where did the Pakistani military take you, and were there others there?; Interviewer's Note: i. [You walk past white high-rises]. Interview with a Birangona: 3. Would you consider yourself a survivor or a victim?Interviewer's Note: ii. [You listen to the percussion]; Interview with a Birangona: 4. Were there other women there? Did you get along with them?; The Interviewer Acknowledges Desire; Interview with a Birangona: 5. Who was in charge at this camp? What were your days like?; Reading Willa Cather in Bangladesh; Interviewer's Note: iii. [If burnt, she said, I' ll turn to ash,]; Interview with a Birangona: 6. Many of the birangona had children by Pakistani soldiers. Did you have a child as well? Interviewer's Note: iv. [Today there is no drinking]The Interviewer Acknowledges Shame; Interview with a Birangona: 7. Do you have siblings? Where were they?; Interviewer's Note: v. [But wasn't it the neat narrative]; The Interviewer Acknowledges Grief; Interview with a Birangona: 8. After the war was over, what did you do? Did you go back home?; Reading Celan at the Liberation War Museum; [Many corpses are stacked, . . .]; Aubade Ending with the Death of a Mosquito; Dhaka Nocturne; Reading Willa Cather in Bangladesh; En Route to Bangladesh, Another Crisis of Faith. [I struggled my way . . .]Other books in the Crab Orchard Series in Poetry; Back Cover. |
| ctrlnum | (OCoLC)870869398 |
| dewey-full | 811/.6 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.6 |
| dewey-search | 811/.6 |
| dewey-sort | 3811 16 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| genre | Electronic book. |
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| id | ZDB-4-EBA-ocn870869398 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:48Z |
| institution | BVB |
| isbn | 0809333260 9780809333264 1306452481 9781306452489 |
| language | English |
| oclc_num | 870869398 |
| open_access_boolean | |
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| physical | 1 online resource |
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| publishDate | 2014 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Crab Orchard Review & Southern Illinois University Press, |
| record_format | marc |
| series | Crab Orchard award series in poetry. |
| series2 | Crab Orchard Series in Poetry |
| spelling | Faizullah, Tarfia. Poems. Selections Seam / Tarfia Faizullah. Carbondale : Crab Orchard Review & Southern Illinois University Press, [2014] ©2014 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Crab Orchard Series in Poetry Print version record. Cover; Title Page; Copyright; Contents; Acknowledgments; 1971; En Route to Bangladesh, Another Crisis of Faith; Reading Willa Cather in Bangladesh; [I place one foot then the other . . .]; Dhaka Aubade; Elegy with Her Red-Tipped Fingers; Reading Tranströmer in Bangladesh; Instructions for the Interviewer; [Tell her what happened to you . . .]; Interview with a Birangona: 1. What were you doing when they came for you?; Interview with a Birangona: 2. Where did the Pakistani military take you, and were there others there?; Interviewer's Note: i. [You walk past white high-rises]. Interview with a Birangona: 3. Would you consider yourself a survivor or a victim?Interviewer's Note: ii. [You listen to the percussion]; Interview with a Birangona: 4. Were there other women there? Did you get along with them?; The Interviewer Acknowledges Desire; Interview with a Birangona: 5. Who was in charge at this camp? What were your days like?; Reading Willa Cather in Bangladesh; Interviewer's Note: iii. [If burnt, she said, I' ll turn to ash,]; Interview with a Birangona: 6. Many of the birangona had children by Pakistani soldiers. Did you have a child as well? Interviewer's Note: iv. [Today there is no drinking]The Interviewer Acknowledges Shame; Interview with a Birangona: 7. Do you have siblings? Where were they?; Interviewer's Note: v. [But wasn't it the neat narrative]; The Interviewer Acknowledges Grief; Interview with a Birangona: 8. After the war was over, what did you do? Did you go back home?; Reading Celan at the Liberation War Museum; [Many corpses are stacked, . . .]; Aubade Ending with the Death of a Mosquito; Dhaka Nocturne; Reading Willa Cather in Bangladesh; En Route to Bangladesh, Another Crisis of Faith. [I struggled my way . . .]Other books in the Crab Orchard Series in Poetry; Back Cover. The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. Poetry. Poetry as Topic https://id.nlm.nih.gov/mesh/D011037 Poésie. poetry. aat LITERARY CRITICISM Poetry. bisacsh Poetry fast Electronic book. has work: Selections Poems (Text) https://id.oclc.org/worldcat/entity/E39PCGHJym79TTXMqyxXGrH7VC https://id.oclc.org/worldcat/ontology/hasWork Print version: Faizullah, Tarfia. Poems. Selections. Seam 9780809333257 (DLC) 2013028019 (OCoLC)852745800 Crab Orchard award series in poetry. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=699882 Volltext |
| spellingShingle | Faizullah, Tarfia Seam / Crab Orchard award series in poetry. Cover; Title Page; Copyright; Contents; Acknowledgments; 1971; En Route to Bangladesh, Another Crisis of Faith; Reading Willa Cather in Bangladesh; [I place one foot then the other . . .]; Dhaka Aubade; Elegy with Her Red-Tipped Fingers; Reading Tranströmer in Bangladesh; Instructions for the Interviewer; [Tell her what happened to you . . .]; Interview with a Birangona: 1. What were you doing when they came for you?; Interview with a Birangona: 2. Where did the Pakistani military take you, and were there others there?; Interviewer's Note: i. [You walk past white high-rises]. Interview with a Birangona: 3. Would you consider yourself a survivor or a victim?Interviewer's Note: ii. [You listen to the percussion]; Interview with a Birangona: 4. Were there other women there? Did you get along with them?; The Interviewer Acknowledges Desire; Interview with a Birangona: 5. Who was in charge at this camp? What were your days like?; Reading Willa Cather in Bangladesh; Interviewer's Note: iii. [If burnt, she said, I' ll turn to ash,]; Interview with a Birangona: 6. Many of the birangona had children by Pakistani soldiers. Did you have a child as well? Interviewer's Note: iv. [Today there is no drinking]The Interviewer Acknowledges Shame; Interview with a Birangona: 7. Do you have siblings? Where were they?; Interviewer's Note: v. [But wasn't it the neat narrative]; The Interviewer Acknowledges Grief; Interview with a Birangona: 8. After the war was over, what did you do? Did you go back home?; Reading Celan at the Liberation War Museum; [Many corpses are stacked, . . .]; Aubade Ending with the Death of a Mosquito; Dhaka Nocturne; Reading Willa Cather in Bangladesh; En Route to Bangladesh, Another Crisis of Faith. [I struggled my way . . .]Other books in the Crab Orchard Series in Poetry; Back Cover. Poetry. Poetry as Topic https://id.nlm.nih.gov/mesh/D011037 Poésie. poetry. aat LITERARY CRITICISM Poetry. bisacsh Poetry fast |
| subject_GND | https://id.nlm.nih.gov/mesh/D011037 |
| title | Seam / |
| title_alt | Poems. |
| title_auth | Seam / |
| title_exact_search | Seam / |
| title_full | Seam / Tarfia Faizullah. |
| title_fullStr | Seam / Tarfia Faizullah. |
| title_full_unstemmed | Seam / Tarfia Faizullah. |
| title_short | Seam / |
| title_sort | seam |
| topic | Poetry. Poetry as Topic https://id.nlm.nih.gov/mesh/D011037 Poésie. poetry. aat LITERARY CRITICISM Poetry. bisacsh Poetry fast |
| topic_facet | Poetry. Poetry as Topic Poésie. poetry. LITERARY CRITICISM Poetry. Poetry Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=699882 |
| work_keys_str_mv | AT faizullahtarfia poems AT faizullahtarfia seam |