Critical approaches to ancient Near Eastern art /:
Critical Approaches to Ancient Near Eastern Art concentrates on the visual, material, and built aspects of the Ancient Near East from the fourth millennium BCE to the Hellenistic period. Presenting innovative theoretical approaches to Ancient Near Eastern art history, this volume will be of value to...
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| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Boston :
De Gruyter,
©2014.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Critical Approaches to Ancient Near Eastern Art concentrates on the visual, material, and built aspects of the Ancient Near East from the fourth millennium BCE to the Hellenistic period. Presenting innovative theoretical approaches to Ancient Near Eastern art history, this volume will be of value to scholars of the Ancient Near East, as well as to those interested in contemporary art historical and anthropological approaches to visual culture. |
| Physical Description: | 1 online resource (xxvi, 812 pages) : illustrations |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781614510352 1614510350 |
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| 245 | 0 | 0 | |a Critical approaches to ancient Near Eastern art / |c edited by Brian A. Brown and Marian H. Feldman. |
| 260 | |a Boston : |b De Gruyter, |c ©2014. | ||
| 300 | |a 1 online resource (xxvi, 812 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Introduction / |r Marian H. Feldman -- |t I. Defining the Field: Archaeology and Politics in Iraq / |r Lamia al-Gailani Werr -- |t Forgeries of Ancient Near Eastern Artifacts and Cultures / |r Oscar White Muscarella -- |t Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings / |r Constance von Rüden -- |t Orientalism and Orientalization in the Iron Age Mediterranean / |r Ann C. Gunter -- |t II. Technologies and Practices of Artistic Production: The Historiography of the Concept of "Workshop" in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) / |r Silvana Di Paolo -- |t The Impact of the "Portable": Integrating "Minor Arts" into the Ancient Near Eastern Canon / |r Allison Karmel Thomason -- |t The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the "Phoenician" Bowls / |r Francesca Onnis -- |t Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period / |r Yelena Rakic -- |t Histories of Cypriot Art through Seal Carving / |r Joanna S. Smith -- |t III. Text and Image: Relating Image and Word in Ancient Mesopotamia / |r Cory D. Crawford -- |t -- |t Pictorial Mythology and Narrative in the Ancient Near East / |r Karen Sonik -- |t Art's Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts / |r Jennifer C. Ross -- |t Posthumous Images and the Memory of the Akkadian Kings / |r Melissa Eppihimer -- |t Styles of Pictorial Narratives in Assurbanipal's Reliefs / |r Chikako E. Watanabe -- |t IV. Social Identities: Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE / |r Sarah B. Graff -- |t Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c.883 -- 627 BCE / |r Amy Rebecca Gansell -- |t Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion / |r Aubrey Baadsgaard -- |t Terracotta Figurines and Social Identities in Hellenistic Babylonia / |r Stephanie M. Langin-Hooper -- |t The Impressed Image: Glyptic Studies as Art and Social History / |r Mark B. Garrison -- |t Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State / |r Brian A. Brown -- |t V. Religion, Ritual and Politics: Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts / |r Claudia E. Suter -- |t A Silent Message: Godlike Kings in Mesopotamian Art / |r Tallay Ornan -- |t When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin / |r Anne Porter -- |t Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art / |r Paul Collins -- |t The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture / |r Jean M. Evans -- |t VI. Making and Defining Space: A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla / |r Alice A. Petty -- |t The Art of Building a Late Assyrian Royal Palace / |r David Kertai -- |t The Assyrian Landscape as Ritual / |r Ann Shafer -- |t Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun / |r Javier Álvarez-Mon -- |t Art of the Achaemenid Empire, and Art in the Achaemenid Empire / |r Henry P. Colburn. |
| 520 | |a Critical Approaches to Ancient Near Eastern Art concentrates on the visual, material, and built aspects of the Ancient Near East from the fourth millennium BCE to the Hellenistic period. Presenting innovative theoretical approaches to Ancient Near Eastern art history, this volume will be of value to scholars of the Ancient Near East, as well as to those interested in contemporary art historical and anthropological approaches to visual culture. | ||
| 650 | 0 | |a Art, Middle Eastern. |0 http://id.loc.gov/authorities/subjects/sh2001008727 | |
| 650 | 0 | |a Art, Ancient |z Middle East. | |
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| DE-BY-FWS_katkey | ZDB-4-EBA-ocn868029524 |
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| adam_text | |
| any_adam_object | |
| author2 | Brown, Brian A. (Brian Ashley) Feldman, Marian H. |
| author2_role | edt edt |
| author2_variant | b a b ba bab m h f mh mhf |
| author_GND | http://id.loc.gov/authorities/names/n2013058014 |
| author_additional | Marian H. Feldman -- Lamia al-Gailani Werr -- Oscar White Muscarella -- Constance von Rüden -- Ann C. Gunter -- Silvana Di Paolo -- Allison Karmel Thomason -- Francesca Onnis -- Yelena Rakic -- Joanna S. Smith -- Cory D. Crawford -- Karen Sonik -- Jennifer C. Ross -- Melissa Eppihimer -- Chikako E. Watanabe -- Sarah B. Graff -- Amy Rebecca Gansell -- Aubrey Baadsgaard -- Stephanie M. Langin-Hooper -- Mark B. Garrison -- Brian A. Brown -- Claudia E. Suter -- Tallay Ornan -- Anne Porter -- Paul Collins -- Jean M. Evans -- Alice A. Petty -- David Kertai -- Ann Shafer -- Javier Álvarez-Mon -- Henry P. Colburn. |
| author_facet | Brown, Brian A. (Brian Ashley) Feldman, Marian H. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N5345 |
| callnumber-raw | N5345 .C76 2014 |
| callnumber-search | N5345 .C76 2014 |
| callnumber-sort | N 45345 C76 42014 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Introduction / I. Defining the Field: Archaeology and Politics in Iraq / Forgeries of Ancient Near Eastern Artifacts and Cultures / Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings / Orientalism and Orientalization in the Iron Age Mediterranean / II. Technologies and Practices of Artistic Production: The Historiography of the Concept of "Workshop" in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) / The Impact of the "Portable": Integrating "Minor Arts" into the Ancient Near Eastern Canon / The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the "Phoenician" Bowls / Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period / Histories of Cypriot Art through Seal Carving / III. Text and Image: Relating Image and Word in Ancient Mesopotamia / -- Pictorial Mythology and Narrative in the Ancient Near East / Art's Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts / Posthumous Images and the Memory of the Akkadian Kings / Styles of Pictorial Narratives in Assurbanipal's Reliefs / IV. Social Identities: Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE / Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c.883 -- 627 BCE / Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion / Terracotta Figurines and Social Identities in Hellenistic Babylonia / The Impressed Image: Glyptic Studies as Art and Social History / Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State / V. Religion, Ritual and Politics: Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts / A Silent Message: Godlike Kings in Mesopotamian Art / When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin / Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art / The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture / VI. Making and Defining Space: A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla / The Art of Building a Late Assyrian Royal Palace / The Assyrian Landscape as Ritual / Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun / Art of the Achaemenid Empire, and Art in the Achaemenid Empire / |
| ctrlnum | (OCoLC)868029524 |
| dewey-full | 709.394 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.394 |
| dewey-search | 709.394 |
| dewey-sort | 3709.394 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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Feldman --</subfield><subfield code="t">I. Defining the Field: Archaeology and Politics in Iraq /</subfield><subfield code="r">Lamia al-Gailani Werr --</subfield><subfield code="t">Forgeries of Ancient Near Eastern Artifacts and Cultures /</subfield><subfield code="r">Oscar White Muscarella --</subfield><subfield code="t">Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings /</subfield><subfield code="r">Constance von Rüden --</subfield><subfield code="t">Orientalism and Orientalization in the Iron Age Mediterranean /</subfield><subfield code="r">Ann C. Gunter --</subfield><subfield code="t">II. Technologies and Practices of Artistic Production: The Historiography of the Concept of "Workshop" in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) /</subfield><subfield code="r">Silvana Di Paolo --</subfield><subfield code="t">The Impact of the "Portable": Integrating "Minor Arts" into the Ancient Near Eastern Canon /</subfield><subfield code="r">Allison Karmel Thomason --</subfield><subfield code="t">The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the "Phoenician" Bowls /</subfield><subfield code="r">Francesca Onnis --</subfield><subfield code="t">Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period /</subfield><subfield code="r">Yelena Rakic --</subfield><subfield code="t">Histories of Cypriot Art through Seal Carving /</subfield><subfield code="r">Joanna S. Smith --</subfield><subfield code="t">III. Text and Image: Relating Image and Word in Ancient Mesopotamia /</subfield><subfield code="r">Cory D. Crawford --</subfield><subfield code="t">--</subfield><subfield code="t">Pictorial Mythology and Narrative in the Ancient Near East /</subfield><subfield code="r">Karen Sonik --</subfield><subfield code="t">Art's Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts /</subfield><subfield code="r">Jennifer C. Ross --</subfield><subfield code="t">Posthumous Images and the Memory of the Akkadian Kings /</subfield><subfield code="r">Melissa Eppihimer --</subfield><subfield code="t">Styles of Pictorial Narratives in Assurbanipal's Reliefs /</subfield><subfield code="r">Chikako E. Watanabe --</subfield><subfield code="t">IV. Social Identities: Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE /</subfield><subfield code="r">Sarah B. Graff --</subfield><subfield code="t">Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c.883 -- 627 BCE /</subfield><subfield code="r">Amy Rebecca Gansell --</subfield><subfield code="t">Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion /</subfield><subfield code="r">Aubrey Baadsgaard --</subfield><subfield code="t">Terracotta Figurines and Social Identities in Hellenistic Babylonia /</subfield><subfield code="r">Stephanie M. Langin-Hooper --</subfield><subfield code="t">The Impressed Image: Glyptic Studies as Art and Social History /</subfield><subfield code="r">Mark B. Garrison --</subfield><subfield code="t">Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State /</subfield><subfield code="r">Brian A. Brown --</subfield><subfield code="t">V. Religion, Ritual and Politics: Human, Divine or Both? 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Petty --</subfield><subfield code="t">The Art of Building a Late Assyrian Royal Palace /</subfield><subfield code="r">David Kertai --</subfield><subfield code="t">The Assyrian Landscape as Ritual /</subfield><subfield code="r">Ann Shafer --</subfield><subfield code="t">Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun /</subfield><subfield code="r">Javier Álvarez-Mon --</subfield><subfield code="t">Art of the Achaemenid Empire, and Art in the Achaemenid Empire /</subfield><subfield code="r">Henry P. Colburn.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Critical Approaches to Ancient Near Eastern Art concentrates on the visual, material, and built aspects of the Ancient Near East from the fourth millennium BCE to the Hellenistic period. 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| genre | Electronic book. |
| genre_facet | Electronic book. |
| geographic | Middle East fast |
| geographic_facet | Middle East |
| id | ZDB-4-EBA-ocn868029524 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:41:45Z |
| institution | BVB |
| isbn | 9781614510352 1614510350 |
| language | English |
| oclc_num | 868029524 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xxvi, 812 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | De Gruyter, |
| record_format | marc |
| spelling | Critical approaches to ancient Near Eastern art / edited by Brian A. Brown and Marian H. Feldman. Boston : De Gruyter, ©2014. 1 online resource (xxvi, 812 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction / Marian H. Feldman -- I. Defining the Field: Archaeology and Politics in Iraq / Lamia al-Gailani Werr -- Forgeries of Ancient Near Eastern Artifacts and Cultures / Oscar White Muscarella -- Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings / Constance von Rüden -- Orientalism and Orientalization in the Iron Age Mediterranean / Ann C. Gunter -- II. Technologies and Practices of Artistic Production: The Historiography of the Concept of "Workshop" in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) / Silvana Di Paolo -- The Impact of the "Portable": Integrating "Minor Arts" into the Ancient Near Eastern Canon / Allison Karmel Thomason -- The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the "Phoenician" Bowls / Francesca Onnis -- Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period / Yelena Rakic -- Histories of Cypriot Art through Seal Carving / Joanna S. Smith -- III. Text and Image: Relating Image and Word in Ancient Mesopotamia / Cory D. Crawford -- -- Pictorial Mythology and Narrative in the Ancient Near East / Karen Sonik -- Art's Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts / Jennifer C. Ross -- Posthumous Images and the Memory of the Akkadian Kings / Melissa Eppihimer -- Styles of Pictorial Narratives in Assurbanipal's Reliefs / Chikako E. Watanabe -- IV. Social Identities: Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE / Sarah B. Graff -- Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c.883 -- 627 BCE / Amy Rebecca Gansell -- Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion / Aubrey Baadsgaard -- Terracotta Figurines and Social Identities in Hellenistic Babylonia / Stephanie M. Langin-Hooper -- The Impressed Image: Glyptic Studies as Art and Social History / Mark B. Garrison -- Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State / Brian A. Brown -- V. Religion, Ritual and Politics: Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts / Claudia E. Suter -- A Silent Message: Godlike Kings in Mesopotamian Art / Tallay Ornan -- When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin / Anne Porter -- Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art / Paul Collins -- The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture / Jean M. Evans -- VI. Making and Defining Space: A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla / Alice A. Petty -- The Art of Building a Late Assyrian Royal Palace / David Kertai -- The Assyrian Landscape as Ritual / Ann Shafer -- Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun / Javier Álvarez-Mon -- Art of the Achaemenid Empire, and Art in the Achaemenid Empire / Henry P. Colburn. Critical Approaches to Ancient Near Eastern Art concentrates on the visual, material, and built aspects of the Ancient Near East from the fourth millennium BCE to the Hellenistic period. Presenting innovative theoretical approaches to Ancient Near Eastern art history, this volume will be of value to scholars of the Ancient Near East, as well as to those interested in contemporary art historical and anthropological approaches to visual culture. Art, Middle Eastern. http://id.loc.gov/authorities/subjects/sh2001008727 Art, Ancient Middle East. Art moyen-oriental. ART History General. bisacsh Art, Ancient fast Art, Middle Eastern fast Middle East fast Electronic book. Brown, Brian A. (Brian Ashley), editor. https://id.oclc.org/worldcat/entity/E39PCjKvBvjQhCPXWrx3gMvwT3 http://id.loc.gov/authorities/names/n2013058014 Feldman, Marian H., editor. has work: Critical approaches to ancient Near Eastern art (Text) https://id.oclc.org/worldcat/entity/E39PCFQdyRfxr8FXdTwTkCJqwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Critical approaches to ancient Near Eastern art. Boston : De Gruyter, ©2014 9781614510291 (DLC) 2013037581 (OCoLC)858975556 |
| spellingShingle | Critical approaches to ancient Near Eastern art / Introduction / I. Defining the Field: Archaeology and Politics in Iraq / Forgeries of Ancient Near Eastern Artifacts and Cultures / Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings / Orientalism and Orientalization in the Iron Age Mediterranean / II. Technologies and Practices of Artistic Production: The Historiography of the Concept of "Workshop" in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) / The Impact of the "Portable": Integrating "Minor Arts" into the Ancient Near Eastern Canon / The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the "Phoenician" Bowls / Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period / Histories of Cypriot Art through Seal Carving / III. Text and Image: Relating Image and Word in Ancient Mesopotamia / -- Pictorial Mythology and Narrative in the Ancient Near East / Art's Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts / Posthumous Images and the Memory of the Akkadian Kings / Styles of Pictorial Narratives in Assurbanipal's Reliefs / IV. Social Identities: Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE / Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c.883 -- 627 BCE / Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion / Terracotta Figurines and Social Identities in Hellenistic Babylonia / The Impressed Image: Glyptic Studies as Art and Social History / Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State / V. Religion, Ritual and Politics: Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts / A Silent Message: Godlike Kings in Mesopotamian Art / When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin / Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art / The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture / VI. Making and Defining Space: A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla / The Art of Building a Late Assyrian Royal Palace / The Assyrian Landscape as Ritual / Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun / Art of the Achaemenid Empire, and Art in the Achaemenid Empire / Art, Middle Eastern. http://id.loc.gov/authorities/subjects/sh2001008727 Art, Ancient Middle East. Art moyen-oriental. ART History General. bisacsh Art, Ancient fast Art, Middle Eastern fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001008727 |
| title | Critical approaches to ancient Near Eastern art / |
| title_alt | Introduction / I. Defining the Field: Archaeology and Politics in Iraq / Forgeries of Ancient Near Eastern Artifacts and Cultures / Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings / Orientalism and Orientalization in the Iron Age Mediterranean / II. Technologies and Practices of Artistic Production: The Historiography of the Concept of "Workshop" in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) / The Impact of the "Portable": Integrating "Minor Arts" into the Ancient Near Eastern Canon / The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the "Phoenician" Bowls / Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period / Histories of Cypriot Art through Seal Carving / III. Text and Image: Relating Image and Word in Ancient Mesopotamia / -- Pictorial Mythology and Narrative in the Ancient Near East / Art's Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts / Posthumous Images and the Memory of the Akkadian Kings / Styles of Pictorial Narratives in Assurbanipal's Reliefs / IV. Social Identities: Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE / Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c.883 -- 627 BCE / Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion / Terracotta Figurines and Social Identities in Hellenistic Babylonia / The Impressed Image: Glyptic Studies as Art and Social History / Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State / V. Religion, Ritual and Politics: Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts / A Silent Message: Godlike Kings in Mesopotamian Art / When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin / Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art / The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture / VI. Making and Defining Space: A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla / The Art of Building a Late Assyrian Royal Palace / The Assyrian Landscape as Ritual / Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun / Art of the Achaemenid Empire, and Art in the Achaemenid Empire / |
| title_auth | Critical approaches to ancient Near Eastern art / |
| title_exact_search | Critical approaches to ancient Near Eastern art / |
| title_full | Critical approaches to ancient Near Eastern art / edited by Brian A. Brown and Marian H. Feldman. |
| title_fullStr | Critical approaches to ancient Near Eastern art / edited by Brian A. Brown and Marian H. Feldman. |
| title_full_unstemmed | Critical approaches to ancient Near Eastern art / edited by Brian A. Brown and Marian H. Feldman. |
| title_short | Critical approaches to ancient Near Eastern art / |
| title_sort | critical approaches to ancient near eastern art |
| topic | Art, Middle Eastern. http://id.loc.gov/authorities/subjects/sh2001008727 Art, Ancient Middle East. Art moyen-oriental. ART History General. bisacsh Art, Ancient fast Art, Middle Eastern fast |
| topic_facet | Art, Middle Eastern. Art, Ancient Middle East. Art moyen-oriental. ART History General. Art, Ancient Art, Middle Eastern Middle East Electronic book. |
| work_keys_str_mv | AT brownbriana criticalapproachestoancientneareasternart AT feldmanmarianh criticalapproachestoancientneareasternart |