Wicked cinema :: sex and religion on screen /
<P>From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Christianity, culture wars play a prominent role in the twenty-first century. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms...
Gespeichert in:
1. Verfasser: | |
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Format: | Regierungsdokument Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Austin :
University of Texas Press,
2014.
|
Ausgabe: | First edition. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | <P>From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Christianity, culture wars play a prominent role in the twenty-first century. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms, as well as showing what violates those norms. In this pathfinding book, Daniel S. Cutrara employs queer theory, cultural studies, theological studies, and film studies to investigate how cinema represents and often denigrates religion and religious believers?an issue that has received little attention in film studies, despite the fact that faith in its varied manifestations is at the heart of so many cultural conflicts today.</p><p><i>Wicked Cinema</i> examines films from the United States, Europe, and the Middle East, including <i>Crimes and Misdemeanors</i>, <i>The Circle</i>, <i>Breaking the Waves</i>, <i>Closed Doors</i>, <i>Agnes of God</i>, <i>Priest</i>, <i>The Last Temptation of Christ</i>, and <i>Dogma</i>. Central to all of the films is their protagonists? struggles with sexual transgression and traditional belief systems within Christianity, Judaism, or Islam?a struggle, Cutrara argues, that positions believers as the Other and magnifies the abuses of religion while ignoring its positive aspects. Uncovering a hazardous web of ideological assumptions informed by patriarchy, the spirit/flesh dichotomy, and heteronormativity, Cutrara demonstrates that ultimately these films emphasize the "Otherness" of the faithful through a variety of strategies commonly used to denigrate the queer, from erasing their existence, to using feminization to make them appear weak, to presenting them as dangerous fanatics.</p> |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780292754737 0292754736 |
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245 | 1 | 0 | |a Wicked cinema : |b sex and religion on screen / |c by Daniel S. Cutrara. |
250 | |a First edition. | ||
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505 | 0 | |a Introduction -- Sex and religion: at ground zero of the culture wars -- Faith: transgressing gender and the possibility of God -- The faithful: freedom and fanaticism -- Sacred servants: desiring the forbidden -- Transgressing divinity: gospels of envy -- The believer in bondage. | |
588 | 0 | |a Print version record. | |
520 | |a <P>From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Christianity, culture wars play a prominent role in the twenty-first century. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms, as well as showing what violates those norms. In this pathfinding book, Daniel S. Cutrara employs queer theory, cultural studies, theological studies, and film studies to investigate how cinema represents and often denigrates religion and religious believers?an issue that has received little attention in film studies, despite the fact that faith in its varied manifestations is at the heart of so many cultural conflicts today.</p><p><i>Wicked Cinema</i> examines films from the United States, Europe, and the Middle East, including <i>Crimes and Misdemeanors</i>, <i>The Circle</i>, <i>Breaking the Waves</i>, <i>Closed Doors</i>, <i>Agnes of God</i>, <i>Priest</i>, <i>The Last Temptation of Christ</i>, and <i>Dogma</i>. Central to all of the films is their protagonists? struggles with sexual transgression and traditional belief systems within Christianity, Judaism, or Islam?a struggle, Cutrara argues, that positions believers as the Other and magnifies the abuses of religion while ignoring its positive aspects. Uncovering a hazardous web of ideological assumptions informed by patriarchy, the spirit/flesh dichotomy, and heteronormativity, Cutrara demonstrates that ultimately these films emphasize the "Otherness" of the faithful through a variety of strategies commonly used to denigrate the queer, from erasing their existence, to using feminization to make them appear weak, to presenting them as dangerous fanatics.</p> | ||
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650 | 7 | |a Sex in motion pictures |2 fast | |
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any_adam_object | |
author | Cutrara, Daniel S., 1957- |
author_GND | http://id.loc.gov/authorities/names/n2013061344 |
author_facet | Cutrara, Daniel S., 1957- |
author_role | aut |
author_sort | Cutrara, Daniel S., 1957- |
author_variant | d s c ds dsc |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.S45 C86 2014eb |
callnumber-search | PN1995.9.S45 C86 2014eb |
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callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction -- Sex and religion: at ground zero of the culture wars -- Faith: transgressing gender and the possibility of God -- The faithful: freedom and fanaticism -- Sacred servants: desiring the forbidden -- Transgressing divinity: gospels of envy -- The believer in bondage. |
ctrlnum | (OCoLC)867630703 |
dewey-full | 175 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 175 - Ethics of recreation & leisure |
dewey-raw | 175 |
dewey-search | 175 |
dewey-sort | 3175 |
dewey-tens | 170 - Ethics (Moral philosophy) |
discipline | Philosophie |
edition | First edition. |
format | Government Document Electronic eBook |
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publisher | University of Texas Press, |
record_format | marc |
spelling | Cutrara, Daniel S., 1957- author. https://id.oclc.org/worldcat/entity/E39PCjK49DgvV6hTfkkMxp8FXd http://id.loc.gov/authorities/names/n2013061344 Wicked cinema : sex and religion on screen / by Daniel S. Cutrara. First edition. Austin : University of Texas Press, 2014. ©2014 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction -- Sex and religion: at ground zero of the culture wars -- Faith: transgressing gender and the possibility of God -- The faithful: freedom and fanaticism -- Sacred servants: desiring the forbidden -- Transgressing divinity: gospels of envy -- The believer in bondage. Print version record. <P>From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Christianity, culture wars play a prominent role in the twenty-first century. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms, as well as showing what violates those norms. In this pathfinding book, Daniel S. Cutrara employs queer theory, cultural studies, theological studies, and film studies to investigate how cinema represents and often denigrates religion and religious believers?an issue that has received little attention in film studies, despite the fact that faith in its varied manifestations is at the heart of so many cultural conflicts today.</p><p><i>Wicked Cinema</i> examines films from the United States, Europe, and the Middle East, including <i>Crimes and Misdemeanors</i>, <i>The Circle</i>, <i>Breaking the Waves</i>, <i>Closed Doors</i>, <i>Agnes of God</i>, <i>Priest</i>, <i>The Last Temptation of Christ</i>, and <i>Dogma</i>. Central to all of the films is their protagonists? struggles with sexual transgression and traditional belief systems within Christianity, Judaism, or Islam?a struggle, Cutrara argues, that positions believers as the Other and magnifies the abuses of religion while ignoring its positive aspects. Uncovering a hazardous web of ideological assumptions informed by patriarchy, the spirit/flesh dichotomy, and heteronormativity, Cutrara demonstrates that ultimately these films emphasize the "Otherness" of the faithful through a variety of strategies commonly used to denigrate the queer, from erasing their existence, to using feminization to make them appear weak, to presenting them as dangerous fanatics.</p> Sex in motion pictures. http://id.loc.gov/authorities/subjects/sh85120622 Religion in motion pictures. http://id.loc.gov/authorities/subjects/sh85112594 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Sexualité au cinéma. Religion au cinéma. Cinéma Aspect moral. PHILOSOPHY Ethics & Moral Philosophy. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Moral and ethical aspects fast Religion in motion pictures fast Sex in motion pictures fast Print version: Cutrara, Daniel S., 1957- Wicked cinema. First edition. Austin : University of Texas Press, 2014 9780292754720 (DLC) 2013036250 (OCoLC)861119973 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=683056 Volltext |
spellingShingle | Cutrara, Daniel S., 1957- Wicked cinema : sex and religion on screen / Introduction -- Sex and religion: at ground zero of the culture wars -- Faith: transgressing gender and the possibility of God -- The faithful: freedom and fanaticism -- Sacred servants: desiring the forbidden -- Transgressing divinity: gospels of envy -- The believer in bondage. Sex in motion pictures. http://id.loc.gov/authorities/subjects/sh85120622 Religion in motion pictures. http://id.loc.gov/authorities/subjects/sh85112594 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Sexualité au cinéma. Religion au cinéma. Cinéma Aspect moral. PHILOSOPHY Ethics & Moral Philosophy. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Moral and ethical aspects fast Religion in motion pictures fast Sex in motion pictures fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85120622 http://id.loc.gov/authorities/subjects/sh85112594 http://id.loc.gov/authorities/subjects/sh85088101 |
title | Wicked cinema : sex and religion on screen / |
title_auth | Wicked cinema : sex and religion on screen / |
title_exact_search | Wicked cinema : sex and religion on screen / |
title_full | Wicked cinema : sex and religion on screen / by Daniel S. Cutrara. |
title_fullStr | Wicked cinema : sex and religion on screen / by Daniel S. Cutrara. |
title_full_unstemmed | Wicked cinema : sex and religion on screen / by Daniel S. Cutrara. |
title_short | Wicked cinema : |
title_sort | wicked cinema sex and religion on screen |
title_sub | sex and religion on screen / |
topic | Sex in motion pictures. http://id.loc.gov/authorities/subjects/sh85120622 Religion in motion pictures. http://id.loc.gov/authorities/subjects/sh85112594 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Sexualité au cinéma. Religion au cinéma. Cinéma Aspect moral. PHILOSOPHY Ethics & Moral Philosophy. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Moral and ethical aspects fast Religion in motion pictures fast Sex in motion pictures fast |
topic_facet | Sex in motion pictures. Religion in motion pictures. Motion pictures Moral and ethical aspects. Sexualité au cinéma. Religion au cinéma. Cinéma Aspect moral. PHILOSOPHY Ethics & Moral Philosophy. PERFORMING ARTS Film & Video History & Criticism. Motion pictures Moral and ethical aspects Religion in motion pictures Sex in motion pictures |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=683056 |
work_keys_str_mv | AT cutraradaniels wickedcinemasexandreligiononscreen |