Beyond the score :: music as performance /
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Oxford University Press,
[2013]
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars--including musicologists, music theorists, and music cognition scholars--everywhere [Publisher description] |
Beschreibung: | 1 online resource (xiv, 458 pages) : illustrations |
Bibliographie: | Includes bibliographical references (pages 415-444) and index. |
ISBN: | 9780199357420 0199357420 9780199357437 0199357439 |
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245 | 1 | 0 | |a Beyond the score : |b music as performance / |c Nicholas Cook. |
264 | 1 | |a New York : |b Oxford University Press, |c [2013] | |
264 | 4 | |c ©2013 | |
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338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 415-444) and index. | ||
505 | 0 | |a Introduction -- Plato's curse. Sounded writing ; Performative turns? -- Page and stage. Theorist's analysis ; Performer's analysis ; Performance analysis -- What the theorist heard. Affecting the sentiment ; Spoken melody, or sung speech ; Schenker vs. Schenker -- Beyond structure. Structure in context ; Mozart's miniature theatre ; Rhetoric old and new ; In time and of time -- Close and distant listening. Reinventing style analysis ; Forensics vs. musicology ; Performing Poland ; The savour of the Slav -- Objective expression. Nature's nuance ; Phrase arching in history ; Phrase arching in culture -- Playing somethin'. Referents and reference ; The work as performance -- Social scripts. An ethnographic turn ; Sociality in sound ; Performing complexity -- The signifying body. 31 August 1970, 3.30 AM ; The white man's black man -- Everything counts. Pleasures of the body ; Bodies in sound ; Building bridges -- The ghost in the machine. Music everywhere ; Original and copy ; Signifying sound -- Beyond reproduction . The best seat in the hall ; Acoustic choreography ; Rethinking the concert ; Making music together. | |
588 | 0 | |a Online resource; title from PDF title page (Oxford scholarship online, viewed October 27, 2016). | |
520 | |a In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars--including musicologists, music theorists, and music cognition scholars--everywhere [Publisher description] | ||
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adam_text | |
any_adam_object | |
author | Cook, Nicholas, 1950- |
author_GND | http://id.loc.gov/authorities/names/n86050714 |
author_facet | Cook, Nicholas, 1950- |
author_role | aut |
author_sort | Cook, Nicholas, 1950- |
author_variant | n c nc |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML457 |
callnumber-raw | ML457 .C75 2013eb |
callnumber-search | ML457 .C75 2013eb |
callnumber-sort | ML 3457 C75 42013EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Introduction -- Plato's curse. Sounded writing ; Performative turns? -- Page and stage. Theorist's analysis ; Performer's analysis ; Performance analysis -- What the theorist heard. Affecting the sentiment ; Spoken melody, or sung speech ; Schenker vs. Schenker -- Beyond structure. Structure in context ; Mozart's miniature theatre ; Rhetoric old and new ; In time and of time -- Close and distant listening. Reinventing style analysis ; Forensics vs. musicology ; Performing Poland ; The savour of the Slav -- Objective expression. Nature's nuance ; Phrase arching in history ; Phrase arching in culture -- Playing somethin'. Referents and reference ; The work as performance -- Social scripts. An ethnographic turn ; Sociality in sound ; Performing complexity -- The signifying body. 31 August 1970, 3.30 AM ; The white man's black man -- Everything counts. Pleasures of the body ; Bodies in sound ; Building bridges -- The ghost in the machine. Music everywhere ; Original and copy ; Signifying sound -- Beyond reproduction . The best seat in the hall ; Acoustic choreography ; Rethinking the concert ; Making music together. |
ctrlnum | (OCoLC)864898712 |
dewey-full | 781.1/7 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.1/7 |
dewey-search | 781.1/7 |
dewey-sort | 3781.1 17 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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spelling | Cook, Nicholas, 1950- author. https://id.oclc.org/worldcat/entity/E39PBJrcp3JhhtdQTHqtjWPbBP http://id.loc.gov/authorities/names/n86050714 Beyond the score : music as performance / Nicholas Cook. New York : Oxford University Press, [2013] ©2013 1 online resource (xiv, 458 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 415-444) and index. Introduction -- Plato's curse. Sounded writing ; Performative turns? -- Page and stage. Theorist's analysis ; Performer's analysis ; Performance analysis -- What the theorist heard. Affecting the sentiment ; Spoken melody, or sung speech ; Schenker vs. Schenker -- Beyond structure. Structure in context ; Mozart's miniature theatre ; Rhetoric old and new ; In time and of time -- Close and distant listening. Reinventing style analysis ; Forensics vs. musicology ; Performing Poland ; The savour of the Slav -- Objective expression. Nature's nuance ; Phrase arching in history ; Phrase arching in culture -- Playing somethin'. Referents and reference ; The work as performance -- Social scripts. An ethnographic turn ; Sociality in sound ; Performing complexity -- The signifying body. 31 August 1970, 3.30 AM ; The white man's black man -- Everything counts. Pleasures of the body ; Bodies in sound ; Building bridges -- The ghost in the machine. Music everywhere ; Original and copy ; Signifying sound -- Beyond reproduction . The best seat in the hall ; Acoustic choreography ; Rethinking the concert ; Making music together. Online resource; title from PDF title page (Oxford scholarship online, viewed October 27, 2016). In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars--including musicologists, music theorists, and music cognition scholars--everywhere [Publisher description] Music Performance. http://id.loc.gov/authorities/subjects/sh85088806 Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Musique Exécution. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. bisacsh Music Performance fast Music Philosophy and aesthetics fast Musical analysis fast Electronic book. has work: Beyond the score (Text) https://id.oclc.org/worldcat/entity/E39PCGTxxr3pX6pq3hjjX7VxcK https://id.oclc.org/worldcat/ontology/hasWork Print version: Cook, Nicholas, 1950- Beyond the score. New York : Oxford University Press, [2013] 9780199357406 (DLC) 2013027060 (OCoLC)854541644 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=669952 Volltext |
spellingShingle | Cook, Nicholas, 1950- Beyond the score : music as performance / Introduction -- Plato's curse. Sounded writing ; Performative turns? -- Page and stage. Theorist's analysis ; Performer's analysis ; Performance analysis -- What the theorist heard. Affecting the sentiment ; Spoken melody, or sung speech ; Schenker vs. Schenker -- Beyond structure. Structure in context ; Mozart's miniature theatre ; Rhetoric old and new ; In time and of time -- Close and distant listening. Reinventing style analysis ; Forensics vs. musicology ; Performing Poland ; The savour of the Slav -- Objective expression. Nature's nuance ; Phrase arching in history ; Phrase arching in culture -- Playing somethin'. Referents and reference ; The work as performance -- Social scripts. An ethnographic turn ; Sociality in sound ; Performing complexity -- The signifying body. 31 August 1970, 3.30 AM ; The white man's black man -- Everything counts. Pleasures of the body ; Bodies in sound ; Building bridges -- The ghost in the machine. Music everywhere ; Original and copy ; Signifying sound -- Beyond reproduction . The best seat in the hall ; Acoustic choreography ; Rethinking the concert ; Making music together. Music Performance. http://id.loc.gov/authorities/subjects/sh85088806 Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Musique Exécution. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. bisacsh Music Performance fast Music Philosophy and aesthetics fast Musical analysis fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088806 http://id.loc.gov/authorities/subjects/sh85088808 http://id.loc.gov/authorities/subjects/sh85088952 |
title | Beyond the score : music as performance / |
title_auth | Beyond the score : music as performance / |
title_exact_search | Beyond the score : music as performance / |
title_full | Beyond the score : music as performance / Nicholas Cook. |
title_fullStr | Beyond the score : music as performance / Nicholas Cook. |
title_full_unstemmed | Beyond the score : music as performance / Nicholas Cook. |
title_short | Beyond the score : |
title_sort | beyond the score music as performance |
title_sub | music as performance / |
topic | Music Performance. http://id.loc.gov/authorities/subjects/sh85088806 Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Musique Exécution. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. bisacsh Music Performance fast Music Philosophy and aesthetics fast Musical analysis fast |
topic_facet | Music Performance. Music Philosophy and aesthetics. Musical analysis. Musique Exécution. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. Music Performance Music Philosophy and aesthetics Musical analysis Electronic book. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=669952 |
work_keys_str_mv | AT cooknicholas beyondthescoremusicasperformance |