Adrian Frutiger - typefaces :: the complete works /
Das internationale Schriftschaffen nach 1950 wurde massgeblich geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualit...
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| Format: | Elektronisch E-Book |
| Sprache: | English German |
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Basel : Springer [distributor],
London : Birkhũser ;
©2009.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Das internationale Schriftschaffen nach 1950 wurde massgeblich geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie jenen der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora.Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. For the first time, all of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. |
| Beschreibung: | At head of title: Swiss Foundation Type and Typography. |
| Beschreibung: | 1 online resource (456 pages (4 folded)) : illustrations (some color), portraits |
| Bibliographie: | Includes bibliographical references (pages 444-447) and index. Filmography: (page 445). |
| ISBN: | 3034609906 9783034609906 |
Internformat
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| 100 | 1 | |a Frutiger, Adrian, |d 1928-2015. |1 https://id.oclc.org/worldcat/entity/E39PBJjhD9fJm69kQVcHpKDXh3 | |
| 245 | 1 | 0 | |a Adrian Frutiger - typefaces : |b the complete works / |c edited by Heidrun Osterer and Philipp Stamm. |
| 260 | |a Basel : |b London : |b Birkhũser ; |a Springer [distributor], |c ©2009. | ||
| 300 | |a 1 online resource (456 pages (4 folded)) : |b illustrations (some color), portraits | ||
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| 500 | |a At head of title: Swiss Foundation Type and Typography. | ||
| 504 | |a Includes bibliographical references (pages 444-447) and index. | ||
| 504 | |a Filmography: (page 445). | ||
| 546 | |a Translated from the German. | ||
| 505 | 0 | |a Adrian Frutiger: the standard-setter / Kurt Weidemann -- A typeface is a tool / Adrian Frutiger -- How we made this book -- How to use this book -- Adrian's teachers and mentors -- [Typefaces] : Président ; Delta ; Phoebus ; Element-Grotesk ; Federduktus ; Ondine ; Méridian ; Caractères Lumitype -- Univers : About Univers ; Historical background ; Univers diagrams ; Static grotesque Antique Presse and Univad ; Non-latin typefaces ; Univers extensions ; Linotype Univers ; Univers original versus digital ; Univers adaptations ; Frutiger's thoughts on the new Linotype Univers ; Typeface comparison -- Egyptienne F ; Opéra ; Alphabet Orly ; Apollo ; Alphabet Entreprise Francis Bouygues ; Concorde ; Serifen-Grotesk/Gespannte Grotesk ; Alphabet Algol ; OCR-8 -- Univers-IBM Composer ; Alphabet EDF-GDF ; Katalog ; Devanagari/Tamil ; Alpha BP ; Documents ; Alphabet Roissy ; Alphabet Brancher ; Iridium ; Alphabet Métro ; Alphabet Centre Georges Pompidou -- Frutiger : A signage type becomes a text type ; Frutiger for phototypesetting ; Comparison between Concorde, Roissy, Frutiger ; Frutiger LT PostScript ; Frutiger for form and the Post Office ; A true cursive in addition to the grotesque ; Is Frutiger Next really a Frutiger? ; The digital versions ; Imitations of Frutiger ; The colour of a typeface ; Typeface comparison ; Back to signage type: Astra Frutiger -- Glypha ; Icone ; Breughel ; Dolmen ; Tiemann ; Versailles ; Linotype Centennial ; Avenir ; Westside ; Vectora ; Linotype Didot ; Herculanum ; Shiseido ; Frutiger capitals ; Rusticana ; Frutiger stones / Frutiger symbols ; Frutiger neonscript ; Nami -- Synopsis of Frutiger-typefaces ; Production of type: Handsetting ; Lumitype photosetting ; Machine setting: single-letter casting ; Monophoto photosetting ; Machine setting: line-casting ; OCR technology ; Strike-on composition ; Transfer type ; Linofilm photosetting ; CRT setting ; Lasersetting ; Digital typesetting -- Logos and wordmarks. | |
| 520 | |a Das internationale Schriftschaffen nach 1950 wurde massgeblich geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie jenen der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. | ||
| 520 | |a The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora.Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. For the first time, all of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. | ||
| 600 | 1 | 0 | |a Frutiger, Adrian, |d 1928-2015. |
| 600 | 1 | 7 | |a Frutiger, Adrian, |d 1928-2015 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjhD9fJm69kQVcHpKDXh3 |
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| 650 | 7 | |a DESIGN |x Graphic Arts |x Typography. |2 bisacsh | |
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| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Specimens |2 fast | |
| 700 | 1 | |a Osterer, Heidrun. | |
| 700 | 1 | |a Stamm, Philipp. | |
| 710 | 2 | |a Schweizerische Stiftung Schrift und Typographie. |0 http://id.loc.gov/authorities/names/no2009129380 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn860586274 |
|---|---|
| _version_ | 1816882247213514753 |
| adam_text | |
| any_adam_object | |
| author | Frutiger, Adrian, 1928-2015 |
| author2 | Osterer, Heidrun Stamm, Philipp |
| author2_role | |
| author2_variant | h o ho p s ps |
| author_corporate | Schweizerische Stiftung Schrift und Typographie |
| author_corporate_role | |
| author_facet | Frutiger, Adrian, 1928-2015 Osterer, Heidrun Stamm, Philipp Schweizerische Stiftung Schrift und Typographie |
| author_role | |
| author_sort | Frutiger, Adrian, 1928-2015 |
| author_variant | a f af |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | Z - Library Science |
| callnumber-label | Z250 |
| callnumber-raw | Z250.A2 |
| callnumber-search | Z250.A2 |
| callnumber-sort | Z 3250 A2 |
| callnumber-subject | Z - Books and Writing |
| collection | ZDB-4-EBA |
| contents | Adrian Frutiger: the standard-setter / Kurt Weidemann -- A typeface is a tool / Adrian Frutiger -- How we made this book -- How to use this book -- Adrian's teachers and mentors -- [Typefaces] : Président ; Delta ; Phoebus ; Element-Grotesk ; Federduktus ; Ondine ; Méridian ; Caractères Lumitype -- Univers : About Univers ; Historical background ; Univers diagrams ; Static grotesque Antique Presse and Univad ; Non-latin typefaces ; Univers extensions ; Linotype Univers ; Univers original versus digital ; Univers adaptations ; Frutiger's thoughts on the new Linotype Univers ; Typeface comparison -- Egyptienne F ; Opéra ; Alphabet Orly ; Apollo ; Alphabet Entreprise Francis Bouygues ; Concorde ; Serifen-Grotesk/Gespannte Grotesk ; Alphabet Algol ; OCR-8 -- Univers-IBM Composer ; Alphabet EDF-GDF ; Katalog ; Devanagari/Tamil ; Alpha BP ; Documents ; Alphabet Roissy ; Alphabet Brancher ; Iridium ; Alphabet Métro ; Alphabet Centre Georges Pompidou -- Frutiger : A signage type becomes a text type ; Frutiger for phototypesetting ; Comparison between Concorde, Roissy, Frutiger ; Frutiger LT PostScript ; Frutiger for form and the Post Office ; A true cursive in addition to the grotesque ; Is Frutiger Next really a Frutiger? ; The digital versions ; Imitations of Frutiger ; The colour of a typeface ; Typeface comparison ; Back to signage type: Astra Frutiger -- Glypha ; Icone ; Breughel ; Dolmen ; Tiemann ; Versailles ; Linotype Centennial ; Avenir ; Westside ; Vectora ; Linotype Didot ; Herculanum ; Shiseido ; Frutiger capitals ; Rusticana ; Frutiger stones / Frutiger symbols ; Frutiger neonscript ; Nami -- Synopsis of Frutiger-typefaces ; Production of type: Handsetting ; Lumitype photosetting ; Machine setting: single-letter casting ; Monophoto photosetting ; Machine setting: line-casting ; OCR technology ; Strike-on composition ; Transfer type ; Linofilm photosetting ; CRT setting ; Lasersetting ; Digital typesetting -- Logos and wordmarks. |
| ctrlnum | (OCoLC)860586274 |
| dewey-full | 686.224092 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 686 - Printing and related activities |
| dewey-raw | 686.224092 |
| dewey-search | 686.224092 |
| dewey-sort | 3686.224092 |
| dewey-tens | 680 - Manufacture of products for specific uses |
| discipline | Handwerk und Gewerbe / Verschiedene Technologien |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie jenen der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora.Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. For the first time, all of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. 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| genre | Biographies fast History fast Specimens fast |
| genre_facet | Biographies History Specimens |
| id | ZDB-4-EBA-ocn860586274 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:34Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/no2009129380 |
| isbn | 3034609906 9783034609906 |
| language | English German |
| oclc_num | 860586274 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (456 pages (4 folded)) : illustrations (some color), portraits |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | London : Birkhũser ; |
| record_format | marc |
| spelling | Frutiger, Adrian, 1928-2015. https://id.oclc.org/worldcat/entity/E39PBJjhD9fJm69kQVcHpKDXh3 Adrian Frutiger - typefaces : the complete works / edited by Heidrun Osterer and Philipp Stamm. Basel : London : Birkhũser ; Springer [distributor], ©2009. 1 online resource (456 pages (4 folded)) : illustrations (some color), portraits text txt rdacontent computer c rdamedia online resource cr rdacarrier At head of title: Swiss Foundation Type and Typography. Includes bibliographical references (pages 444-447) and index. Filmography: (page 445). Translated from the German. Adrian Frutiger: the standard-setter / Kurt Weidemann -- A typeface is a tool / Adrian Frutiger -- How we made this book -- How to use this book -- Adrian's teachers and mentors -- [Typefaces] : Président ; Delta ; Phoebus ; Element-Grotesk ; Federduktus ; Ondine ; Méridian ; Caractères Lumitype -- Univers : About Univers ; Historical background ; Univers diagrams ; Static grotesque Antique Presse and Univad ; Non-latin typefaces ; Univers extensions ; Linotype Univers ; Univers original versus digital ; Univers adaptations ; Frutiger's thoughts on the new Linotype Univers ; Typeface comparison -- Egyptienne F ; Opéra ; Alphabet Orly ; Apollo ; Alphabet Entreprise Francis Bouygues ; Concorde ; Serifen-Grotesk/Gespannte Grotesk ; Alphabet Algol ; OCR-8 -- Univers-IBM Composer ; Alphabet EDF-GDF ; Katalog ; Devanagari/Tamil ; Alpha BP ; Documents ; Alphabet Roissy ; Alphabet Brancher ; Iridium ; Alphabet Métro ; Alphabet Centre Georges Pompidou -- Frutiger : A signage type becomes a text type ; Frutiger for phototypesetting ; Comparison between Concorde, Roissy, Frutiger ; Frutiger LT PostScript ; Frutiger for form and the Post Office ; A true cursive in addition to the grotesque ; Is Frutiger Next really a Frutiger? ; The digital versions ; Imitations of Frutiger ; The colour of a typeface ; Typeface comparison ; Back to signage type: Astra Frutiger -- Glypha ; Icone ; Breughel ; Dolmen ; Tiemann ; Versailles ; Linotype Centennial ; Avenir ; Westside ; Vectora ; Linotype Didot ; Herculanum ; Shiseido ; Frutiger capitals ; Rusticana ; Frutiger stones / Frutiger symbols ; Frutiger neonscript ; Nami -- Synopsis of Frutiger-typefaces ; Production of type: Handsetting ; Lumitype photosetting ; Machine setting: single-letter casting ; Monophoto photosetting ; Machine setting: line-casting ; OCR technology ; Strike-on composition ; Transfer type ; Linofilm photosetting ; CRT setting ; Lasersetting ; Digital typesetting -- Logos and wordmarks. Das internationale Schriftschaffen nach 1950 wurde massgeblich geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie jenen der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora.Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. For the first time, all of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. Frutiger, Adrian, 1928-2015. Frutiger, Adrian, 1928-2015 fast https://id.oclc.org/worldcat/entity/E39PBJjhD9fJm69kQVcHpKDXh3 Type and type-founding. http://id.loc.gov/authorities/subjects/sh85139094 Type and type-founding History 20th century. DESIGN Graphic Arts Typography. bisacsh Type and type-founding fast 1900-1999 fast Biographies fast History fast Specimens fast Osterer, Heidrun. Stamm, Philipp. Schweizerische Stiftung Schrift und Typographie. http://id.loc.gov/authorities/names/no2009129380 has work: Adrian Frutiger--typefaces (Text) https://id.oclc.org/worldcat/entity/E39PCFR4Jcdb4XFXphRhbwtVG3 https://id.oclc.org/worldcat/ontology/hasWork Hardback 9783764385811 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=525679 Volltext |
| spellingShingle | Frutiger, Adrian, 1928-2015 Adrian Frutiger - typefaces : the complete works / Adrian Frutiger: the standard-setter / Kurt Weidemann -- A typeface is a tool / Adrian Frutiger -- How we made this book -- How to use this book -- Adrian's teachers and mentors -- [Typefaces] : Président ; Delta ; Phoebus ; Element-Grotesk ; Federduktus ; Ondine ; Méridian ; Caractères Lumitype -- Univers : About Univers ; Historical background ; Univers diagrams ; Static grotesque Antique Presse and Univad ; Non-latin typefaces ; Univers extensions ; Linotype Univers ; Univers original versus digital ; Univers adaptations ; Frutiger's thoughts on the new Linotype Univers ; Typeface comparison -- Egyptienne F ; Opéra ; Alphabet Orly ; Apollo ; Alphabet Entreprise Francis Bouygues ; Concorde ; Serifen-Grotesk/Gespannte Grotesk ; Alphabet Algol ; OCR-8 -- Univers-IBM Composer ; Alphabet EDF-GDF ; Katalog ; Devanagari/Tamil ; Alpha BP ; Documents ; Alphabet Roissy ; Alphabet Brancher ; Iridium ; Alphabet Métro ; Alphabet Centre Georges Pompidou -- Frutiger : A signage type becomes a text type ; Frutiger for phototypesetting ; Comparison between Concorde, Roissy, Frutiger ; Frutiger LT PostScript ; Frutiger for form and the Post Office ; A true cursive in addition to the grotesque ; Is Frutiger Next really a Frutiger? ; The digital versions ; Imitations of Frutiger ; The colour of a typeface ; Typeface comparison ; Back to signage type: Astra Frutiger -- Glypha ; Icone ; Breughel ; Dolmen ; Tiemann ; Versailles ; Linotype Centennial ; Avenir ; Westside ; Vectora ; Linotype Didot ; Herculanum ; Shiseido ; Frutiger capitals ; Rusticana ; Frutiger stones / Frutiger symbols ; Frutiger neonscript ; Nami -- Synopsis of Frutiger-typefaces ; Production of type: Handsetting ; Lumitype photosetting ; Machine setting: single-letter casting ; Monophoto photosetting ; Machine setting: line-casting ; OCR technology ; Strike-on composition ; Transfer type ; Linofilm photosetting ; CRT setting ; Lasersetting ; Digital typesetting -- Logos and wordmarks. Frutiger, Adrian, 1928-2015. Frutiger, Adrian, 1928-2015 fast https://id.oclc.org/worldcat/entity/E39PBJjhD9fJm69kQVcHpKDXh3 Type and type-founding. http://id.loc.gov/authorities/subjects/sh85139094 Type and type-founding History 20th century. DESIGN Graphic Arts Typography. bisacsh Type and type-founding fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85139094 |
| title | Adrian Frutiger - typefaces : the complete works / |
| title_auth | Adrian Frutiger - typefaces : the complete works / |
| title_exact_search | Adrian Frutiger - typefaces : the complete works / |
| title_full | Adrian Frutiger - typefaces : the complete works / edited by Heidrun Osterer and Philipp Stamm. |
| title_fullStr | Adrian Frutiger - typefaces : the complete works / edited by Heidrun Osterer and Philipp Stamm. |
| title_full_unstemmed | Adrian Frutiger - typefaces : the complete works / edited by Heidrun Osterer and Philipp Stamm. |
| title_short | Adrian Frutiger - typefaces : |
| title_sort | adrian frutiger typefaces the complete works |
| title_sub | the complete works / |
| topic | Frutiger, Adrian, 1928-2015. Frutiger, Adrian, 1928-2015 fast https://id.oclc.org/worldcat/entity/E39PBJjhD9fJm69kQVcHpKDXh3 Type and type-founding. http://id.loc.gov/authorities/subjects/sh85139094 Type and type-founding History 20th century. DESIGN Graphic Arts Typography. bisacsh Type and type-founding fast |
| topic_facet | Frutiger, Adrian, 1928-2015. Frutiger, Adrian, 1928-2015 Type and type-founding. Type and type-founding History 20th century. DESIGN Graphic Arts Typography. Type and type-founding Biographies History Specimens |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=525679 |
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