Rancière and film /:
The first collection of critical essays on the film work of the philosopher Jacques Ranci÷re. Jacques Ranci÷re rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing con...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2013]
|
| Schriftenreihe: | Critical connections.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The first collection of critical essays on the film work of the philosopher Jacques Ranci÷re. Jacques Ranci÷re rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Ranci÷re himself. Contributors include. Nico Baumbach, Columbia University Rey Chow, Duke University Bram Ieven, Utrecht University MÃđnica Lopez Lerma, Helsinki University Patricia MacCormack, University of East Anglia Richard Stamp, Bath Spa University James Steintrager, University of California, Irvine |
| Beschreibung: | 1 online resource (vii, 214 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780748647378 0748647376 9780748684748 0748684743 0748647368 9780748647361 9780748647354 074864735X |
Internformat
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| 245 | 0 | 0 | |a Rancière and film / |c edited by Paul Bowman. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2013] | |
| 300 | |a 1 online resource (vii, 214 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo. | |
| 505 | 8 | |a Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index. | |
| 520 | |a The first collection of critical essays on the film work of the philosopher Jacques Ranci÷re. Jacques Ranci÷re rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Ranci÷re himself. Contributors include. Nico Baumbach, Columbia University Rey Chow, Duke University Bram Ieven, Utrecht University MÃđnica Lopez Lerma, Helsinki University Patricia MacCormack, University of East Anglia Richard Stamp, Bath Spa University James Steintrager, University of California, Irvine | ||
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| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 700 | 1 | |a Bowman, Paul, |d 1971- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJpdKymTy4QGVDXJBHpQMP |0 http://id.loc.gov/authorities/names/n2002092853 | |
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Datensatz im Suchindex
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| _version_ | 1813903622535118849 |
| adam_text | |
| any_adam_object | |
| author | Bowman, Paul, 1971- |
| author_GND | http://id.loc.gov/authorities/names/n2002092853 |
| author_facet | Bowman, Paul, 1971- |
| author_role | aut |
| author_sort | Bowman, Paul, 1971- |
| author_variant | p b pb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 .R36 2013eb |
| callnumber-search | PN1995 .R36 2013eb |
| callnumber-sort | PN 41995 R36 42013EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo. Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index. |
| ctrlnum | (OCoLC)859160924 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn859160924 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T16:21:37Z |
| institution | BVB |
| isbn | 9780748647378 0748647376 9780748684748 0748684743 0748647368 9780748647361 9780748647354 074864735X |
| language | English |
| lccn | 2013409731 |
| oclc_num | 859160924 |
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| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (vii, 214 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Critical connections. |
| series2 | Critical connections |
| spelling | Rancière and film / edited by Paul Bowman. Edinburgh : Edinburgh University Press, [2013] 1 online resource (vii, 214 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Critical connections Includes bibliographical references and index. Online resource; title from PDF title page (Jstor, viewed April 16, 2018). Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo. Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index. The first collection of critical essays on the film work of the philosopher Jacques Ranci÷re. Jacques Ranci÷re rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Ranci÷re himself. Contributors include. Nico Baumbach, Columbia University Rey Chow, Duke University Bram Ieven, Utrecht University MÃđnica Lopez Lerma, Helsinki University Patricia MacCormack, University of East Anglia Richard Stamp, Bath Spa University James Steintrager, University of California, Irvine Rancière, Jacques. http://id.loc.gov/authorities/names/n81053868 Rancière, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJbH3TKQbwF7jyB4V4XyBP Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast Bowman, Paul, 1971- author. https://id.oclc.org/worldcat/entity/E39PBJpdKymTy4QGVDXJBHpQMP http://id.loc.gov/authorities/names/n2002092853 has work: Rancière and film (Text) https://id.oclc.org/worldcat/entity/E39PCH3y8ycQyMRkXwwgkCkjyd https://id.oclc.org/worldcat/ontology/hasWork Print version: Rancière and film. Edinburgh : Edinburgh University Press, [2013] 9780748647361 (DLC) 2013409731 (OCoLC)825735291 Critical connections. http://id.loc.gov/authorities/names/no2007063752 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=632683 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=632683 Volltext |
| spellingShingle | Bowman, Paul, 1971- Rancière and film / Critical connections. Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo. Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index. Rancière, Jacques. http://id.loc.gov/authorities/names/n81053868 Rancière, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJbH3TKQbwF7jyB4V4XyBP Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/names/n81053868 |
| title | Rancière and film / |
| title_auth | Rancière and film / |
| title_exact_search | Rancière and film / |
| title_full | Rancière and film / edited by Paul Bowman. |
| title_fullStr | Rancière and film / edited by Paul Bowman. |
| title_full_unstemmed | Rancière and film / edited by Paul Bowman. |
| title_short | Rancière and film / |
| title_sort | ranciere and film |
| topic | Rancière, Jacques. http://id.loc.gov/authorities/names/n81053868 Rancière, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJbH3TKQbwF7jyB4V4XyBP Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures Philosophy fast |
| topic_facet | Rancière, Jacques. Rancière, Jacques Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Motion pictures Philosophy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=632683 |
| work_keys_str_mv | AT bowmanpaul ranciereandfilm |