Béla Balázs :: early film theory : Visible man and the spirit of film /
Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film s...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English German |
| Veröffentlicht: |
New York :
Berghahn Books,
2011.
|
| Schriftenreihe: | Film Europa ;
v. 10. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs's detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - alongside such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the 'golden age' of the Weimar silents. |
| Beschreibung: | 1 online resource (xlvi, 258 pages, 10 unnumbered pages of plates) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781845457969 184545796X |
Internformat
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| 490 | 1 | |a Film Europa : German cinema in an international context ; |v [10] | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Glossary Editorial; Erica Carter Visible Man or the Culture of Film Three Addresses by Way of a Preface I. May We Come In? II. To Directors and Other Fellow Practitioners III. On Creative Enjoyment Visible Man Sketches For a Theory of Film The Substance of Film Type and Physiognomy The Play of Facial Expressions The Close-Up The Face of Things Nature and Naturalness Visual Linkage Supplementary Fragments World View Two Portraits Chaplin, the Ordinary American Asta Nielsen: How She Loves and How She Grows Old The Spirit of Film Seven Years The Productive Camera The Close-Up Set-Up Montage Montage Without Cutting Flight From the Story The Absolute Film Colour Film and Other Possibilities Sound Film Ideological Remarks Appendix: Reviews I: Siegfried Kracauer, 'A new film book ' (1930); Reviews II: Rudolf Arnheim, The Spirit of Film (1930). | |
| 520 | |a Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs's detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - alongside such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the 'golden age' of the Weimar silents. | ||
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| adam_text | |
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| author | Balázs, Béla, 1884-1949 |
| author2 | Carter, Erica Livingstone, Rodney Balázs, Béla, 1884-1949 |
| author2_role | edt trl |
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| author_GND | http://id.loc.gov/authorities/names/n81055682 |
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| collection | ZDB-4-EBA |
| contents | Glossary Editorial; Erica Carter Visible Man or the Culture of Film Three Addresses by Way of a Preface I. May We Come In? II. To Directors and Other Fellow Practitioners III. On Creative Enjoyment Visible Man Sketches For a Theory of Film The Substance of Film Type and Physiognomy The Play of Facial Expressions The Close-Up The Face of Things Nature and Naturalness Visual Linkage Supplementary Fragments World View Two Portraits Chaplin, the Ordinary American Asta Nielsen: How She Loves and How She Grows Old The Spirit of Film Seven Years The Productive Camera The Close-Up Set-Up Montage Montage Without Cutting Flight From the Story The Absolute Film Colour Film and Other Possibilities Sound Film Ideological Remarks Appendix: Reviews I: Siegfried Kracauer, 'A new film book ' (1930); Reviews II: Rudolf Arnheim, The Spirit of Film (1930). |
| ctrlnum | (OCoLC)859158086 |
| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn859158086 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:33Z |
| institution | BVB |
| isbn | 9781845457969 184545796X |
| language | English German |
| oclc_num | 859158086 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xlvi, 258 pages, 10 unnumbered pages of plates) : illustrations. |
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| publisher | Berghahn Books, |
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| series | Film Europa ; |
| series2 | Film Europa : German cinema in an international context ; |
| spelling | Balázs, Béla, 1884-1949, author. http://id.loc.gov/authorities/names/n81055682 Sichtbare mensch. English Béla Balázs : early film theory : Visible man and the spirit of film / Béla Balázs ; edited by Erica Carter ; translated by Rodney Livingstone. New York : Berghahn Books, 2011. 1 online resource (xlvi, 258 pages, 10 unnumbered pages of plates) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Hungarians lcdgt Film Europa : German cinema in an international context ; [10] Includes bibliographical references and index. Glossary Editorial; Erica Carter Visible Man or the Culture of Film Three Addresses by Way of a Preface I. May We Come In? II. To Directors and Other Fellow Practitioners III. On Creative Enjoyment Visible Man Sketches For a Theory of Film The Substance of Film Type and Physiognomy The Play of Facial Expressions The Close-Up The Face of Things Nature and Naturalness Visual Linkage Supplementary Fragments World View Two Portraits Chaplin, the Ordinary American Asta Nielsen: How She Loves and How She Grows Old The Spirit of Film Seven Years The Productive Camera The Close-Up Set-Up Montage Montage Without Cutting Flight From the Story The Absolute Film Colour Film and Other Possibilities Sound Film Ideological Remarks Appendix: Reviews I: Siegfried Kracauer, 'A new film book ' (1930); Reviews II: Rudolf Arnheim, The Spirit of Film (1930). Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs's detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - alongside such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the 'golden age' of the Weimar silents. Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast Carter, Erica, editor. Livingstone, Rodney, translator. Balázs, Béla, 1884-1949. Geist des Films. English. Print version: Balázs, Béla, 1884-1949. Sichtbare mensch. English. Béla Balázs. New York : Berghahn Books, 2011 (DLC) 2009047674 Film Europa ; v. 10. http://id.loc.gov/authorities/names/no2005046361 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=630189 Volltext |
| spellingShingle | Balázs, Béla, 1884-1949 Béla Balázs : early film theory : Visible man and the spirit of film / Film Europa ; Glossary Editorial; Erica Carter Visible Man or the Culture of Film Three Addresses by Way of a Preface I. May We Come In? II. To Directors and Other Fellow Practitioners III. On Creative Enjoyment Visible Man Sketches For a Theory of Film The Substance of Film Type and Physiognomy The Play of Facial Expressions The Close-Up The Face of Things Nature and Naturalness Visual Linkage Supplementary Fragments World View Two Portraits Chaplin, the Ordinary American Asta Nielsen: How She Loves and How She Grows Old The Spirit of Film Seven Years The Productive Camera The Close-Up Set-Up Montage Montage Without Cutting Flight From the Story The Absolute Film Colour Film and Other Possibilities Sound Film Ideological Remarks Appendix: Reviews I: Siegfried Kracauer, 'A new film book ' (1930); Reviews II: Rudolf Arnheim, The Spirit of Film (1930). Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088084 |
| title | Béla Balázs : early film theory : Visible man and the spirit of film / |
| title_alt | Sichtbare mensch. Geist des Films. |
| title_auth | Béla Balázs : early film theory : Visible man and the spirit of film / |
| title_exact_search | Béla Balázs : early film theory : Visible man and the spirit of film / |
| title_full | Béla Balázs : early film theory : Visible man and the spirit of film / Béla Balázs ; edited by Erica Carter ; translated by Rodney Livingstone. |
| title_fullStr | Béla Balázs : early film theory : Visible man and the spirit of film / Béla Balázs ; edited by Erica Carter ; translated by Rodney Livingstone. |
| title_full_unstemmed | Béla Balázs : early film theory : Visible man and the spirit of film / Béla Balázs ; edited by Erica Carter ; translated by Rodney Livingstone. |
| title_short | Béla Balázs : |
| title_sort | bela balazs early film theory visible man and the spirit of film |
| title_sub | early film theory : Visible man and the spirit of film / |
| topic | Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast |
| topic_facet | Motion pictures. Cinéma. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Motion pictures |
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