The ethics of literary communication :: genuineness, directness, indirectness /
Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonom...
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Weitere Verfasser: | , , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam :
John Benjamins Publishing Company,
©2013.
|
Schriftenreihe: | Dialogue studies ;
v. 19. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is "Yes!", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible with communicational directness and communicational indirectness. Is there. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9789027271686 9027271682 1299865240 9781299865242 |
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520 | |a Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is "Yes!", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible with communicational directness and communicational indirectness. Is there. | ||
505 | 0 | |a The Ethics of Literary Communication; Editorial page ; Title page ; LCC data ; Dedication page ; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about." | |
505 | 8 | |a 6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature. | |
505 | 8 | |a 3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance. | |
505 | 8 | |a 5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem." | |
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650 | 0 | |a Literature |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh85077524 | |
650 | 6 | |a Discours littéraire. | |
650 | 6 | |a Communication dans la littérature. | |
650 | 6 | |a Langage et morale. | |
650 | 7 | |a literary criticism. |2 aat | |
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author2 | Sell, Roger D. Borch, Adam Lindgren, Inna |
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author_GND | http://id.loc.gov/authorities/names/n83142510 http://id.loc.gov/authorities/names/n2013027045 http://id.loc.gov/authorities/names/n2013027046 |
author_facet | Sell, Roger D. Borch, Adam Lindgren, Inna |
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callnumber-subject | P - Philology and Linguistics |
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contents | The Ethics of Literary Communication; Editorial page ; Title page ; LCC data ; Dedication page ; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about." 6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature. 3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance. 5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem." |
ctrlnum | (OCoLC)858654030 |
dewey-full | 808.001/4 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 808 - Rhetoric & collections of literature |
dewey-raw | 808.001/4 |
dewey-search | 808.001/4 |
dewey-sort | 3808.001 14 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Electronic eBook |
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genre | Electronic book. |
genre_facet | Electronic book. |
id | ZDB-4-EBA-ocn858654030 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:25:32Z |
institution | BVB |
isbn | 9789027271686 9027271682 1299865240 9781299865242 |
language | English |
oclc_num | 858654030 |
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physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2013 |
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publishDateSort | 2013 |
publisher | John Benjamins Publishing Company, |
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series | Dialogue studies ; |
series2 | Dialogue studies ; |
spelling | The ethics of literary communication : genuineness, directness, indirectness / edited by Roger D. Sell, Adam Borch, Inna Lindgren. Amsterdam : John Benjamins Publishing Company, ©2013. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Dialogue studies ; v. 19 Includes bibliographical references and index. Print version record. Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is "Yes!", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible with communicational directness and communicational indirectness. Is there. The Ethics of Literary Communication; Editorial page ; Title page ; LCC data ; Dedication page ; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about." 6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature. 3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance. 5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem." English. Discourse analysis, Literary. Communication in literature. http://id.loc.gov/authorities/subjects/sh94003648 Language and ethics. http://id.loc.gov/authorities/subjects/sh85074516 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Discours littéraire. Communication dans la littérature. Langage et morale. literary criticism. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Communication in literature fast Discourse analysis, Literary fast Language and ethics fast Literature Philosophy fast Electronic book. Sell, Roger D. http://id.loc.gov/authorities/names/n83142510 Borch, Adam. http://id.loc.gov/authorities/names/n2013027045 Lindgren, Inna. http://id.loc.gov/authorities/names/n2013027046 has work: The ethics of literary communication (Text) https://id.oclc.org/worldcat/entity/E39PCFMCDkqX4kT8VXdT3QfF83 https://id.oclc.org/worldcat/ontology/hasWork Print version: Sell, Roger D. Ethics of Literary Communication. John Benjamins Publishing Company 2013 9789027210364 Dialogue studies ; v. 19. http://id.loc.gov/authorities/names/no2008000590 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=641331 Volltext |
spellingShingle | The ethics of literary communication : genuineness, directness, indirectness / Dialogue studies ; The Ethics of Literary Communication; Editorial page ; Title page ; LCC data ; Dedication page ; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about." 6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature. 3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance. 5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem." Discourse analysis, Literary. Communication in literature. http://id.loc.gov/authorities/subjects/sh94003648 Language and ethics. http://id.loc.gov/authorities/subjects/sh85074516 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Discours littéraire. Communication dans la littérature. Langage et morale. literary criticism. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Communication in literature fast Discourse analysis, Literary fast Language and ethics fast Literature Philosophy fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh94003648 http://id.loc.gov/authorities/subjects/sh85074516 http://id.loc.gov/authorities/subjects/sh85077524 |
title | The ethics of literary communication : genuineness, directness, indirectness / |
title_auth | The ethics of literary communication : genuineness, directness, indirectness / |
title_exact_search | The ethics of literary communication : genuineness, directness, indirectness / |
title_full | The ethics of literary communication : genuineness, directness, indirectness / edited by Roger D. Sell, Adam Borch, Inna Lindgren. |
title_fullStr | The ethics of literary communication : genuineness, directness, indirectness / edited by Roger D. Sell, Adam Borch, Inna Lindgren. |
title_full_unstemmed | The ethics of literary communication : genuineness, directness, indirectness / edited by Roger D. Sell, Adam Borch, Inna Lindgren. |
title_short | The ethics of literary communication : |
title_sort | ethics of literary communication genuineness directness indirectness |
title_sub | genuineness, directness, indirectness / |
topic | Discourse analysis, Literary. Communication in literature. http://id.loc.gov/authorities/subjects/sh94003648 Language and ethics. http://id.loc.gov/authorities/subjects/sh85074516 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Discours littéraire. Communication dans la littérature. Langage et morale. literary criticism. aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Communication in literature fast Discourse analysis, Literary fast Language and ethics fast Literature Philosophy fast |
topic_facet | Discourse analysis, Literary. Communication in literature. Language and ethics. Literature Philosophy. Discours littéraire. Communication dans la littérature. Langage et morale. literary criticism. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. Communication in literature Discourse analysis, Literary Language and ethics Literature Philosophy Electronic book. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=641331 |
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