Modern American drama in screen /:
From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theate...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike. |
| Beschreibung: | 1 online resource (xiv, 300 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. Includes filmography (pages 289-292). |
| ISBN: | 9781107416390 1107416396 9780511843709 0511843704 9781107420373 1107420377 9781299842069 1299842062 |
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| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2013. | |
| 300 | |a 1 online resource (xiv, 300 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a Includes filmography (pages 289-292). | ||
| 505 | 0 | |a Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike. | ||
| 650 | 0 | |a American drama |v Film adaptations. | |
| 650 | 0 | |a Film adaptations |x History and criticism. | |
| 650 | 0 | |a Motion pictures and literature |z United States. | |
| 650 | 6 | |a Théâtre américain |v Adaptations cinématographiques. | |
| 650 | 6 | |a Adaptations cinématographiques |x Histoire et critique. | |
| 650 | 6 | |a Cinéma et littérature |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a American drama |2 fast | |
| 650 | 7 | |a Film adaptations |2 fast | |
| 650 | 7 | |a Motion pictures and literature |2 fast | |
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| 655 | 7 | |a Film adaptations |2 fast | |
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| contents | Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh. |
| ctrlnum | (OCoLC)857463335 |
| dewey-full | 791.430973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430973 |
| dewey-search | 791.430973 |
| dewey-sort | 3791.430973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:25:31Z |
| institution | BVB |
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| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Modern American drama in screen / edited by William Robert Bray and R. Barton Palmer. Cambridge ; New York : Cambridge University Press, 2013. 1 online resource (xiv, 300 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references and index. Includes filmography (pages 289-292). Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh. Print version record. From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike. American drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature United States. Théâtre américain Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature États-Unis. PERFORMING ARTS Reference. bisacsh American drama fast Film adaptations fast Motion pictures and literature fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Film adaptations. lcgft http://id.loc.gov/authorities/genreForms/gf2011026254 Adaptations cinématographiques. rvmgf Bray, William Robert, 1951- editor. http://id.loc.gov/authorities/names/n87812277 Palmer, R. Barton, 1946- editor. http://id.loc.gov/authorities/names/n83059978 has work: Modern American drama in screen (Text) https://id.oclc.org/worldcat/entity/E39PCGXbmr9B7Rv33GQfF3TGVy https://id.oclc.org/worldcat/ontology/hasWork Print version: Modern American drama in screen 9781107000650 (DLC) 2013003980 (OCoLC)835101687 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=622100 Volltext |
| spellingShingle | Modern American drama in screen / Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh. American drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature United States. Théâtre américain Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature États-Unis. PERFORMING ARTS Reference. bisacsh American drama fast Film adaptations fast Motion pictures and literature fast |
| subject_GND | http://id.loc.gov/authorities/genreForms/gf2011026254 |
| title | Modern American drama in screen / |
| title_auth | Modern American drama in screen / |
| title_exact_search | Modern American drama in screen / |
| title_full | Modern American drama in screen / edited by William Robert Bray and R. Barton Palmer. |
| title_fullStr | Modern American drama in screen / edited by William Robert Bray and R. Barton Palmer. |
| title_full_unstemmed | Modern American drama in screen / edited by William Robert Bray and R. Barton Palmer. |
| title_short | Modern American drama in screen / |
| title_sort | modern american drama in screen |
| topic | American drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature United States. Théâtre américain Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature États-Unis. PERFORMING ARTS Reference. bisacsh American drama fast Film adaptations fast Motion pictures and literature fast |
| topic_facet | American drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature United States. Théâtre américain Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature États-Unis. PERFORMING ARTS Reference. American drama Film adaptations Motion pictures and literature United States Criticism, interpretation, etc. Film adaptations. Adaptations cinématographiques. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=622100 |
| work_keys_str_mv | AT braywilliamrobert modernamericandramainscreen AT palmerrbarton modernamericandramainscreen |