Lost and Othered Children in Contemporary Cinema.:
Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, is an edited collection that challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a...
Gespeichert in:
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| Weitere Verfasser: | , , , , , , , , , , , , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lanham :
Lexington Books,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, is an edited collection that challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts. |
| Beschreibung: | 1 online resource (359 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780739170267 0739170260 1280684259 9781280684258 9786613661197 6613661198 |
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| 100 | 1 | |a Olson, Debbie C. | |
| 245 | 1 | 0 | |a Lost and Othered Children in Contemporary Cinema. |
| 260 | |a Lanham : |b Lexington Books, |c 2012. | ||
| 300 | |a 1 online resource (359 pages) | ||
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| 505 | 0 | |a INTRODUCTION; Chapter 1. "I SEE DEAD PEOPLE": Ghost-Seeing Children as Mediums and Mediators of Communication in Contemporary Horror Cinema; Chapter 2. "I CAN'T GO ON, I MUST GO ON": How Jeliza-Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland; Chapter 3. WEDNESDAY'S CHILD: Adolescent Outsiders in Contemporary British Cinema; Chapter 4. WONKA, FREUD, AND THE CHILD WITHIN: (Re)constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory; Chapter 5. "IT'S ALL FOR YOU, DAMIEN!": Oedipal Horror and Racial Privilege in The Omen Series. | |
| 505 | 8 | |a Chapter 6. WRITTEN ON THE CHILD: Race, Class, Gender, and Sexuality in GummoChapter 7. THE IDEAL IMMIGRANT IS A CHILD: Michou d'Auber and the Politics of Immigration in France; Chapter 8. REPRESENTATIONS OF AFRICAN CHILDHOOD IN CONFLICT AND POST-CONFLICT CONTEXTS: Johnny Mad Dog, Ezra, and Sleepwalking Land; Chapter 9. DISPLACING RED CHILDHOOD: Representation of Childhood during Mao's Era in Little Red Flowers; Chapter 10. BATTERIES ARE RUNNING DOWN: Ken Loach's Sweet Sixteen; Chapter 11. A KRANK'S DREAM: Epistemology, Aesthetics, and Ideology in The City of Lost Children. | |
| 505 | 8 | |a Chapter 12. CHILDHOOD, GHOST IMAGES, AND THE HETEROTOPIAN SPACES OF CINEMA: The Child as Medium in The OthersChapter 13. THE HITCHCOCK IMP: Children and the Hyperreal in Alfred Hitchcock's The Birds; Chapter 14. EXPERIENCING HÜZÜN/POOCH THROUGH THE LOSS OF LIFE, LIMB, AND LOVE IN TURTLES CAN FLY; INDEX; ABOUT THE CONTRIBUTORS. | |
| 520 | |a Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, is an edited collection that challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Children in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85023535 | |
| 650 | 0 | |a Motion pictures |x Social aspects. |0 http://id.loc.gov/authorities/subjects/sh85088108 | |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 650 | 6 | |a Enfants au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect social. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 6 | |a Cinéma |x Aspect politique. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Children in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 4 | |a Electronic books. | |
| 700 | 1 | |a Scahill, Andrew. | |
| 700 | 1 | |a Leslie-McCarthy, Sage. | |
| 700 | 1 | |a Steel, Jayne. | |
| 700 | 1 | |a Hockenhull, Stella M. | |
| 700 | 1 | |a Schober, Adrian. | |
| 700 | 1 | |a Sinwell, Sarah E. S. | |
| 700 | 1 | |a Wallenbrock, Nicole Beth. | |
| 700 | 1 | |a Singer, Christine. | |
| 700 | 1 | |a Dovey, Lindiwe. | |
| 700 | 1 | |a Chu, Kiu-wai. | |
| 700 | 1 | |a Chamerois, Gilles. | |
| 700 | 1 | |a Salvi, Carolyn. | |
| 700 | 1 | |a Stewen, Christian. | |
| 700 | 1 | |a Hassencahl, Fran. | |
| 776 | 0 | 8 | |i Print version: |a Olson, Debbie C. |t Lost and Othered Children in Contemporary Cinema. |d Lanham : Lexington Books, ©2012 |z 9780739170250 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn854519904 |
|---|---|
| _version_ | 1816882239294668800 |
| adam_text | |
| any_adam_object | |
| author | Olson, Debbie C. |
| author2 | Scahill, Andrew Leslie-McCarthy, Sage Steel, Jayne Hockenhull, Stella M. Schober, Adrian Sinwell, Sarah E. S. Wallenbrock, Nicole Beth Singer, Christine Dovey, Lindiwe Chu, Kiu-wai Chamerois, Gilles Salvi, Carolyn Stewen, Christian Hassencahl, Fran |
| author2_role | |
| author2_variant | a s as s l m slm j s js s m h sm smh a s as s e s s ses sess n b w nb nbw c s cs l d ld k w c kwc g c gc c s cs c s cs f h fh |
| author_facet | Olson, Debbie C. Scahill, Andrew Leslie-McCarthy, Sage Steel, Jayne Hockenhull, Stella M. Schober, Adrian Sinwell, Sarah E. S. Wallenbrock, Nicole Beth Singer, Christine Dovey, Lindiwe Chu, Kiu-wai Chamerois, Gilles Salvi, Carolyn Stewen, Christian Hassencahl, Fran |
| author_role | |
| author_sort | Olson, Debbie C. |
| author_variant | d c o dc dco |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.C45 L67 2012 |
| callnumber-search | PN1995.9.C45 L67 2012 |
| callnumber-sort | PN 41995.9 C45 L67 42012 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | INTRODUCTION; Chapter 1. "I SEE DEAD PEOPLE": Ghost-Seeing Children as Mediums and Mediators of Communication in Contemporary Horror Cinema; Chapter 2. "I CAN'T GO ON, I MUST GO ON": How Jeliza-Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland; Chapter 3. WEDNESDAY'S CHILD: Adolescent Outsiders in Contemporary British Cinema; Chapter 4. WONKA, FREUD, AND THE CHILD WITHIN: (Re)constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory; Chapter 5. "IT'S ALL FOR YOU, DAMIEN!": Oedipal Horror and Racial Privilege in The Omen Series. Chapter 6. WRITTEN ON THE CHILD: Race, Class, Gender, and Sexuality in GummoChapter 7. THE IDEAL IMMIGRANT IS A CHILD: Michou d'Auber and the Politics of Immigration in France; Chapter 8. REPRESENTATIONS OF AFRICAN CHILDHOOD IN CONFLICT AND POST-CONFLICT CONTEXTS: Johnny Mad Dog, Ezra, and Sleepwalking Land; Chapter 9. DISPLACING RED CHILDHOOD: Representation of Childhood during Mao's Era in Little Red Flowers; Chapter 10. BATTERIES ARE RUNNING DOWN: Ken Loach's Sweet Sixteen; Chapter 11. A KRANK'S DREAM: Epistemology, Aesthetics, and Ideology in The City of Lost Children. Chapter 12. CHILDHOOD, GHOST IMAGES, AND THE HETEROTOPIAN SPACES OF CINEMA: The Child as Medium in The OthersChapter 13. THE HITCHCOCK IMP: Children and the Hyperreal in Alfred Hitchcock's The Birds; Chapter 14. EXPERIENCING HÜZÜN/POOCH THROUGH THE LOSS OF LIFE, LIMB, AND LOVE IN TURTLES CAN FLY; INDEX; ABOUT THE CONTRIBUTORS. |
| ctrlnum | (OCoLC)854519904 |
| dewey-full | 791.436523 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436523 |
| dewey-search | 791.436523 |
| dewey-sort | 3791.436523 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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"I SEE DEAD PEOPLE": Ghost-Seeing Children as Mediums and Mediators of Communication in Contemporary Horror Cinema; Chapter 2. "I CAN'T GO ON, I MUST GO ON": How Jeliza-Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland; Chapter 3. WEDNESDAY'S CHILD: Adolescent Outsiders in Contemporary British Cinema; Chapter 4. WONKA, FREUD, AND THE CHILD WITHIN: (Re)constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory; Chapter 5. "IT'S ALL FOR YOU, DAMIEN!": Oedipal Horror and Racial Privilege in The Omen Series.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 6. WRITTEN ON THE CHILD: Race, Class, Gender, and Sexuality in GummoChapter 7. THE IDEAL IMMIGRANT IS A CHILD: Michou d'Auber and the Politics of Immigration in France; Chapter 8. REPRESENTATIONS OF AFRICAN CHILDHOOD IN CONFLICT AND POST-CONFLICT CONTEXTS: Johnny Mad Dog, Ezra, and Sleepwalking Land; Chapter 9. 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| genre | Electronic books. |
| genre_facet | Electronic books. |
| id | ZDB-4-EBA-ocn854519904 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:27Z |
| institution | BVB |
| isbn | 9780739170267 0739170260 1280684259 9781280684258 9786613661197 6613661198 |
| language | English |
| lccn | 2012009403 |
| oclc_num | 854519904 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (359 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Lexington Books, |
| record_format | marc |
| spelling | Olson, Debbie C. Lost and Othered Children in Contemporary Cinema. Lanham : Lexington Books, 2012. 1 online resource (359 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda INTRODUCTION; Chapter 1. "I SEE DEAD PEOPLE": Ghost-Seeing Children as Mediums and Mediators of Communication in Contemporary Horror Cinema; Chapter 2. "I CAN'T GO ON, I MUST GO ON": How Jeliza-Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland; Chapter 3. WEDNESDAY'S CHILD: Adolescent Outsiders in Contemporary British Cinema; Chapter 4. WONKA, FREUD, AND THE CHILD WITHIN: (Re)constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory; Chapter 5. "IT'S ALL FOR YOU, DAMIEN!": Oedipal Horror and Racial Privilege in The Omen Series. Chapter 6. WRITTEN ON THE CHILD: Race, Class, Gender, and Sexuality in GummoChapter 7. THE IDEAL IMMIGRANT IS A CHILD: Michou d'Auber and the Politics of Immigration in France; Chapter 8. REPRESENTATIONS OF AFRICAN CHILDHOOD IN CONFLICT AND POST-CONFLICT CONTEXTS: Johnny Mad Dog, Ezra, and Sleepwalking Land; Chapter 9. DISPLACING RED CHILDHOOD: Representation of Childhood during Mao's Era in Little Red Flowers; Chapter 10. BATTERIES ARE RUNNING DOWN: Ken Loach's Sweet Sixteen; Chapter 11. A KRANK'S DREAM: Epistemology, Aesthetics, and Ideology in The City of Lost Children. Chapter 12. CHILDHOOD, GHOST IMAGES, AND THE HETEROTOPIAN SPACES OF CINEMA: The Child as Medium in The OthersChapter 13. THE HITCHCOCK IMP: Children and the Hyperreal in Alfred Hitchcock's The Birds; Chapter 14. EXPERIENCING HÜZÜN/POOCH THROUGH THE LOSS OF LIFE, LIMB, AND LOVE IN TURTLES CAN FLY; INDEX; ABOUT THE CONTRIBUTORS. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, is an edited collection that challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts. Print version record. Includes bibliographical references and index. English. Children in motion pictures. http://id.loc.gov/authorities/subjects/sh85023535 Motion pictures Social aspects. http://id.loc.gov/authorities/subjects/sh85088108 Motion pictures Psychological aspects. Motion pictures Political aspects. Enfants au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Cinéma Aspect politique. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Children in motion pictures fast Motion pictures Political aspects fast Motion pictures Psychological aspects fast Motion pictures Social aspects fast Electronic books. Scahill, Andrew. Leslie-McCarthy, Sage. Steel, Jayne. Hockenhull, Stella M. Schober, Adrian. Sinwell, Sarah E. S. Wallenbrock, Nicole Beth. Singer, Christine. Dovey, Lindiwe. Chu, Kiu-wai. Chamerois, Gilles. Salvi, Carolyn. Stewen, Christian. Hassencahl, Fran. Print version: Olson, Debbie C. Lost and Othered Children in Contemporary Cinema. Lanham : Lexington Books, ©2012 9780739170250 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=463670 Volltext |
| spellingShingle | Olson, Debbie C. Lost and Othered Children in Contemporary Cinema. INTRODUCTION; Chapter 1. "I SEE DEAD PEOPLE": Ghost-Seeing Children as Mediums and Mediators of Communication in Contemporary Horror Cinema; Chapter 2. "I CAN'T GO ON, I MUST GO ON": How Jeliza-Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland; Chapter 3. WEDNESDAY'S CHILD: Adolescent Outsiders in Contemporary British Cinema; Chapter 4. WONKA, FREUD, AND THE CHILD WITHIN: (Re)constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory; Chapter 5. "IT'S ALL FOR YOU, DAMIEN!": Oedipal Horror and Racial Privilege in The Omen Series. Chapter 6. WRITTEN ON THE CHILD: Race, Class, Gender, and Sexuality in GummoChapter 7. THE IDEAL IMMIGRANT IS A CHILD: Michou d'Auber and the Politics of Immigration in France; Chapter 8. REPRESENTATIONS OF AFRICAN CHILDHOOD IN CONFLICT AND POST-CONFLICT CONTEXTS: Johnny Mad Dog, Ezra, and Sleepwalking Land; Chapter 9. DISPLACING RED CHILDHOOD: Representation of Childhood during Mao's Era in Little Red Flowers; Chapter 10. BATTERIES ARE RUNNING DOWN: Ken Loach's Sweet Sixteen; Chapter 11. A KRANK'S DREAM: Epistemology, Aesthetics, and Ideology in The City of Lost Children. Chapter 12. CHILDHOOD, GHOST IMAGES, AND THE HETEROTOPIAN SPACES OF CINEMA: The Child as Medium in The OthersChapter 13. THE HITCHCOCK IMP: Children and the Hyperreal in Alfred Hitchcock's The Birds; Chapter 14. EXPERIENCING HÜZÜN/POOCH THROUGH THE LOSS OF LIFE, LIMB, AND LOVE IN TURTLES CAN FLY; INDEX; ABOUT THE CONTRIBUTORS. Children in motion pictures. http://id.loc.gov/authorities/subjects/sh85023535 Motion pictures Social aspects. http://id.loc.gov/authorities/subjects/sh85088108 Motion pictures Psychological aspects. Motion pictures Political aspects. Enfants au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Cinéma Aspect politique. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Children in motion pictures fast Motion pictures Political aspects fast Motion pictures Psychological aspects fast Motion pictures Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85023535 http://id.loc.gov/authorities/subjects/sh85088108 |
| title | Lost and Othered Children in Contemporary Cinema. |
| title_auth | Lost and Othered Children in Contemporary Cinema. |
| title_exact_search | Lost and Othered Children in Contemporary Cinema. |
| title_full | Lost and Othered Children in Contemporary Cinema. |
| title_fullStr | Lost and Othered Children in Contemporary Cinema. |
| title_full_unstemmed | Lost and Othered Children in Contemporary Cinema. |
| title_short | Lost and Othered Children in Contemporary Cinema. |
| title_sort | lost and othered children in contemporary cinema |
| topic | Children in motion pictures. http://id.loc.gov/authorities/subjects/sh85023535 Motion pictures Social aspects. http://id.loc.gov/authorities/subjects/sh85088108 Motion pictures Psychological aspects. Motion pictures Political aspects. Enfants au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Cinéma Aspect politique. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Children in motion pictures fast Motion pictures Political aspects fast Motion pictures Psychological aspects fast Motion pictures Social aspects fast |
| topic_facet | Children in motion pictures. Motion pictures Social aspects. Motion pictures Psychological aspects. Motion pictures Political aspects. Enfants au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Cinéma Aspect politique. ART Film & Video. PERFORMING ARTS Film & Video Reference. Children in motion pictures Motion pictures Political aspects Motion pictures Psychological aspects Motion pictures Social aspects Electronic books. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=463670 |
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