The ghosts of the avant-garde(s) :: exorcising experimental theater and performance /
Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Ann Arbor :
University of Michigan Press,
[2013]
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. This book offers a striking perspective not only on key controversies and debates within avant-garde studies, but also on contemporary forms of avant-garde expression within a global political economy. -- |
| Physical Description: | 1 online resource |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9780472029082 0472029088 9780472036103 0472036106 |
Staff View
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| 520 | |a Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. This book offers a striking perspective not only on key controversies and debates within avant-garde studies, but also on contemporary forms of avant-garde expression within a global political economy. -- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : avant-garde pluralities, an introduction -- Avant-garde rhetoric : show trials and collapsing discourse at the birth of surrealism -- From anti-culture to counter-culture : the emergence of the American hybrid vanguardism -- Critique of the artist as (re)producer : Warhol, The Living Theatre, and Frankenstein -- Brechtian aesthetics and the death of the director in Peter Brook's The Mahabharata -- From cutting edge to rough edges : on the transnational foundations of avant-garde performance -- Performing the vanquished vanguards : nostalgia, globalization, and the possibility of avant-gardes -- Victims of history and the ghosts of the avant-gardes : a plausibly deniable conclusion. | |
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| author | Harding, James Martin, 1958- |
| author_facet | Harding, James Martin, 1958- |
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| contents | Introduction : avant-garde pluralities, an introduction -- Avant-garde rhetoric : show trials and collapsing discourse at the birth of surrealism -- From anti-culture to counter-culture : the emergence of the American hybrid vanguardism -- Critique of the artist as (re)producer : Warhol, The Living Theatre, and Frankenstein -- Brechtian aesthetics and the death of the director in Peter Brook's The Mahabharata -- From cutting edge to rough edges : on the transnational foundations of avant-garde performance -- Performing the vanquished vanguards : nostalgia, globalization, and the possibility of avant-gardes -- Victims of history and the ghosts of the avant-gardes : a plausibly deniable conclusion. |
| ctrlnum | (OCoLC)848902290 |
| dewey-full | 792.02/23 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/23 |
| dewey-search | 792.02/23 |
| dewey-sort | 3792.02 223 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn848902290 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:41:27Z |
| institution | BVB |
| isbn | 9780472029082 0472029088 9780472036103 0472036106 |
| language | English |
| oclc_num | 848902290 |
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| publisher | University of Michigan Press, |
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| spelling | Harding, James Martin, 1958- https://id.oclc.org/worldcat/entity/E39PCjxvkqDtKwJ8WqJ9hJtCXq The ghosts of the avant-garde(s) : exorcising experimental theater and performance / James M. Harding. Ann Arbor : University of Michigan Press, [2013] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. This book offers a striking perspective not only on key controversies and debates within avant-garde studies, but also on contemporary forms of avant-garde expression within a global political economy. -- Provided by publisher. Print version record. Includes bibliographical references and index. Introduction : avant-garde pluralities, an introduction -- Avant-garde rhetoric : show trials and collapsing discourse at the birth of surrealism -- From anti-culture to counter-culture : the emergence of the American hybrid vanguardism -- Critique of the artist as (re)producer : Warhol, The Living Theatre, and Frankenstein -- Brechtian aesthetics and the death of the director in Peter Brook's The Mahabharata -- From cutting edge to rough edges : on the transnational foundations of avant-garde performance -- Performing the vanquished vanguards : nostalgia, globalization, and the possibility of avant-gardes -- Victims of history and the ghosts of the avant-gardes : a plausibly deniable conclusion. English. Experimental theater History and criticism. Experimental drama History and criticism. Théâtre expérimental Histoire et critique. PERFORMING ARTS Theater History & Criticism. bisacsh ART History Modern (late 19th Century to 1945) bisacsh PERFORMING ARTS Theater Stagecraft. bisacsh Experimental drama fast Experimental theater fast Experimentelles Theater gnd http://d-nb.info/gnd/4124890-9 Performance. gnd Avantgarde gnd http://d-nb.info/gnd/4133965-4 Electronic books. Criticism, interpretation, etc. fast has work: The ghosts of the avant-garde(s) (Text) https://id.oclc.org/worldcat/entity/E39PCFCPq8DkWYdgwBWCCjpc6C https://id.oclc.org/worldcat/ontology/hasWork Print version: Harding, James Martin, 1958- Ghosts of the avant-garde(s). Ann Arbor : University of Michigan Press, [2013] 9780472118748 (DLC) 2012042609 (OCoLC)820119245 |
| spellingShingle | Harding, James Martin, 1958- The ghosts of the avant-garde(s) : exorcising experimental theater and performance / Introduction : avant-garde pluralities, an introduction -- Avant-garde rhetoric : show trials and collapsing discourse at the birth of surrealism -- From anti-culture to counter-culture : the emergence of the American hybrid vanguardism -- Critique of the artist as (re)producer : Warhol, The Living Theatre, and Frankenstein -- Brechtian aesthetics and the death of the director in Peter Brook's The Mahabharata -- From cutting edge to rough edges : on the transnational foundations of avant-garde performance -- Performing the vanquished vanguards : nostalgia, globalization, and the possibility of avant-gardes -- Victims of history and the ghosts of the avant-gardes : a plausibly deniable conclusion. Experimental theater History and criticism. Experimental drama History and criticism. Théâtre expérimental Histoire et critique. PERFORMING ARTS Theater History & Criticism. bisacsh ART History Modern (late 19th Century to 1945) bisacsh PERFORMING ARTS Theater Stagecraft. bisacsh Experimental drama fast Experimental theater fast Experimentelles Theater gnd http://d-nb.info/gnd/4124890-9 Performance. gnd Avantgarde gnd http://d-nb.info/gnd/4133965-4 |
| subject_GND | http://d-nb.info/gnd/4124890-9 http://d-nb.info/gnd/4133965-4 |
| title | The ghosts of the avant-garde(s) : exorcising experimental theater and performance / |
| title_auth | The ghosts of the avant-garde(s) : exorcising experimental theater and performance / |
| title_exact_search | The ghosts of the avant-garde(s) : exorcising experimental theater and performance / |
| title_full | The ghosts of the avant-garde(s) : exorcising experimental theater and performance / James M. Harding. |
| title_fullStr | The ghosts of the avant-garde(s) : exorcising experimental theater and performance / James M. Harding. |
| title_full_unstemmed | The ghosts of the avant-garde(s) : exorcising experimental theater and performance / James M. Harding. |
| title_short | The ghosts of the avant-garde(s) : |
| title_sort | ghosts of the avant garde s exorcising experimental theater and performance |
| title_sub | exorcising experimental theater and performance / |
| topic | Experimental theater History and criticism. Experimental drama History and criticism. Théâtre expérimental Histoire et critique. PERFORMING ARTS Theater History & Criticism. bisacsh ART History Modern (late 19th Century to 1945) bisacsh PERFORMING ARTS Theater Stagecraft. bisacsh Experimental drama fast Experimental theater fast Experimentelles Theater gnd http://d-nb.info/gnd/4124890-9 Performance. gnd Avantgarde gnd http://d-nb.info/gnd/4133965-4 |
| topic_facet | Experimental theater History and criticism. Experimental drama History and criticism. Théâtre expérimental Histoire et critique. PERFORMING ARTS Theater History & Criticism. ART History Modern (late 19th Century to 1945) PERFORMING ARTS Theater Stagecraft. Experimental drama Experimental theater Experimentelles Theater Performance. Avantgarde Electronic books. Criticism, interpretation, etc. |
| work_keys_str_mv | AT hardingjamesmartin theghostsoftheavantgardesexorcisingexperimentaltheaterandperformance AT hardingjamesmartin ghostsoftheavantgardesexorcisingexperimentaltheaterandperformance |