Verfügbarkeit: Algorithmic composition :

Algorithmic composition :: a guide to composing music with Nyquist /

Composers have used formalized procedures to create music throughout history. With the advent of the computer, algorithmic composition allows composers not only to create and experiment with different formalisms, but to hear and evaluate results quickly. Often in algorithmic composition, the compose...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Simoni, Mary Hope
Weitere Verfasser:	Dannenberg, Roger B.
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Ann Arbor : University of Michigan Press, ©2013.
Schlagworte:	1900-1999 Computer composition (Music) Composition (Music) Music theory > Mathematics. Musical analysis. Pattern formation (Physical sciences) Algorithms. Soft computing. Music > 20th century > Philosophy and aesthetics. Music > 20th century > History and criticism. Algorithms Composition (Musique) par ordinateur. Composition (Musique) Théorie musicale > Mathématiques. Analyse musicale. Formation des structures (Sciences physiques) Algorithmes. Informatique douce. Musique > 20e siècle > Philosophie et esthétique. algorithms. MUSIC > Instruction & Study > Appreciation. MUSIC > General. Music Music > Philosophy and aesthetics Music theory > Mathematics Musical analysis Soft computing Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	Composers have used formalized procedures to create music throughout history. With the advent of the computer, algorithmic composition allows composers not only to create and experiment with different formalisms, but to hear and evaluate results quickly. Often in algorithmic composition, the composer has only a vague idea how the output will sound, but because the input is highly automated, the composer can make adjustments to take advantage of happy accidents, program bugs, and other creative sources of sound. This book provides an overview of procedural approaches to music generation. It introduces programming concepts through many examples written using the Nyquist system for music composition and sound synthesis.
Beschreibung:	1 online resource (xii, 249 pages) : illustrations
Bibliographie:	Includes bibliographical references (pages 236-242), discography and index.
ISBN:	9780472029051 0472029053

Internformat

MARC


LEADER	00000cam a2200000 a 4500
001	ZDB-4-EBA-ocn829713909
003	OCoLC
005	20241004212047.0
006	m o d
007	cr cnu---unuuu
008	130311s2013 miua obk 001 0 eng d
040			\|a N$T \|b eng \|e pn \|c N$T \|d AZU \|d OCLCO \|d YDXCP \|d IDEBK \|d KMS \|d E7B \|d P@U \|d OCLCF \|d COO \|d OCLCO \|d OCLCQ \|d EBLCP \|d OCLCO \|d OCL \|d OCLCO \|d JSTOR \|d OCLCO \|d OCL \|d OCLCQ \|d OCLCO \|d COCUF \|d MOR \|d CCO \|d PIFPO \|d MERUC \|d OCLCQ \|d ZCU \|d IOG \|d U3W \|d OCLCA \|d EZ9 \|d CUY \|d OCL \|d STF \|d WRM \|d NRAMU \|d ICG \|d TXC \|d INT \|d VT2 \|d AU@ \|d OCLCQ \|d LVT \|d TKN \|d DKC \|d OCLCQ \|d UNOMP \|d KMS \|d K6U \|d OCLCQ \|d OCLCO \|d LUU \|d OCLCQ \|d OCLCO \|d OCLCL \|d OCLCQ
019			\|a 827682737 \|a 923504825 \|a 958865740 \|a 959427775 \|a 961576848 \|a 962656087 \|a 1058699923
020			\|a 9780472029051 \|q (electronic bk.)
020			\|a 0472029053 \|q (electronic bk.)
020			\|z 9781283941594
020			\|z 1283941597
020			\|z 0472118684
020			\|z 9780472118687
020			\|z 9780472035236
020			\|z 0472035231
035			\|a (OCoLC)829713909 \|z (OCoLC)827682737 \|z (OCoLC)923504825 \|z (OCoLC)958865740 \|z (OCoLC)959427775 \|z (OCoLC)961576848 \|z (OCoLC)962656087 \|z (OCoLC)1058699923
037			\|a 22573/ctt1d614fd \|b JSTOR
050		4	\|a MT56 \|b .S599 2013eb
072		7	\|a MUS \|x 001000 \|2 bisacsh
072		7	\|a MUS000000 \|2 bisacsh
072		7	\|a MUS007000 \|2 bisacsh
082	7		\|a 781.1 \|2 22
049			\|a MAIN
100	1		\|a Simoni, Mary Hope.
245	1	0	\|a Algorithmic composition : \|b a guide to composing music with Nyquist / \|c Mary Simoni and Roger B. Dannenberg.
260			\|a Ann Arbor : \|b University of Michigan Press, \|c ©2013.
300			\|a 1 online resource (xii, 249 pages) : \|b illustrations
336			\|a text \|b txt \|2 rdacontent
337			\|a computer \|b c \|2 rdamedia
338			\|a online resource \|b cr \|2 rdacarrier
347			\|a data file
380			\|a Discography
504			\|a Includes bibliographical references (pages 236-242), discography and index.
588	0		\|a Print version record.
505	0		\|a Introduction -- The History and Philosophy of Algorithmic Composition -- Introduction to SAL -- Programming and Nyquist -- Introduction to Algorithmic Composition -- Printing, Reading, and Debugging -- Variable Assignment and Scoping -- Conditionals -- Sets and Tables -- Functional Programming -- Recursion -- Iteration -- Algorithmic Composition Using Probabilistic Methods -- Hierarchical and Recursive Musical Structure -- Composing Sonic Microstructure and Macrostructure -- Extended Examples -- Epilogue -- Appendix. SAL Commands and Functions.
520			\|a Composers have used formalized procedures to create music throughout history. With the advent of the computer, algorithmic composition allows composers not only to create and experiment with different formalisms, but to hear and evaluate results quickly. Often in algorithmic composition, the composer has only a vague idea how the output will sound, but because the input is highly automated, the composer can make adjustments to take advantage of happy accidents, program bugs, and other creative sources of sound. This book provides an overview of procedural approaches to music generation. It introduces programming concepts through many examples written using the Nyquist system for music composition and sound synthesis.
546			\|a English.
650		0	\|a Computer composition (Music)
650		0	\|a Composition (Music) \|0 http://id.loc.gov/authorities/subjects/sh85029403
650		0	\|a Music theory \|x Mathematics.
650		0	\|a Musical analysis. \|0 http://id.loc.gov/authorities/subjects/sh85088952
650		0	\|a Pattern formation (Physical sciences) \|0 http://id.loc.gov/authorities/subjects/sh99003331
650		0	\|a Algorithms. \|0 http://id.loc.gov/authorities/subjects/sh85003487
650		0	\|a Soft computing. \|0 http://id.loc.gov/authorities/subjects/sh96004789
650		0	\|a Music \|y 20th century \|x Philosophy and aesthetics.
650		0	\|a Music \|y 20th century \|x History and criticism. \|0 http://id.loc.gov/authorities/subjects/sh2001000180
650		2	\|a Algorithms \|0 https://id.nlm.nih.gov/mesh/D000465
650		6	\|a Composition (Musique) par ordinateur.
650		6	\|a Composition (Musique)
650		6	\|a Théorie musicale \|x Mathématiques.
650		6	\|a Analyse musicale.
650		6	\|a Formation des structures (Sciences physiques)
650		6	\|a Algorithmes.
650		6	\|a Informatique douce.
650		6	\|a Musique \|y 20e siècle \|x Philosophie et esthétique.
650		7	\|a algorithms. \|2 aat
650		7	\|a MUSIC \|x Instruction & Study \|x Appreciation. \|2 bisacsh
650		7	\|a MUSIC \|x General. \|2 bisacsh
650		7	\|a Algorithms \|2 fast
650		7	\|a Composition (Music) \|2 fast
650		7	\|a Computer composition (Music) \|2 fast
650		7	\|a Music \|2 fast
650		7	\|a Music \|x Philosophy and aesthetics \|2 fast
650		7	\|a Music theory \|x Mathematics \|2 fast
650		7	\|a Musical analysis \|2 fast
650		7	\|a Pattern formation (Physical sciences) \|2 fast
650		7	\|a Soft computing \|2 fast
648		7	\|a 1900-1999 \|2 fast
655		7	\|a Criticism, interpretation, etc. \|2 fast
700	1		\|a Dannenberg, Roger B.
776	0	8	\|i Print version: \|a Simoni, Mary Hope. \|t Algorithmic composition. \|d Ann Arbor : University of Michigan Press, ©2013 \|z 0472118684 \|w (OCoLC)824353524
856	4	0	\|l FWS01 \|p ZDB-4-EBA \|q FWS_PDA_EBA \|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=520820 \|3 Volltext
938			\|a EBL - Ebook Library \|b EBLB \|n EBL3415114
938			\|a ebrary \|b EBRY \|n ebr10643969
938			\|a EBSCOhost \|b EBSC \|n 520820
938			\|a ProQuest MyiLibrary Digital eBook Collection \|b IDEB \|n cis24514405
938			\|a Project MUSE \|b MUSE \|n muse25641
938			\|a University of Michigan press \|b UOMP \|n 10.3998/mpub.3702280
938			\|a YBP Library Services \|b YANK \|n 9727436
994			\|a 92 \|b GEBAY
912			\|a ZDB-4-EBA
049			\|a DE-863

Datensatz im Suchindex

DE-BY-FWS_katkey	ZDB-4-EBA-ocn829713909
_version_	1816882224704782336
adam_text
any_adam_object
author	Simoni, Mary Hope
author2	Dannenberg, Roger B.
author2_role
author2_variant	r b d rb rbd
author_facet	Simoni, Mary Hope Dannenberg, Roger B.
author_role
author_sort	Simoni, Mary Hope
author_variant	m h s mh mhs
building	Verbundindex
bvnumber	localFWS
callnumber-first	M - Music
callnumber-label	MT56
callnumber-raw	MT56 .S599 2013eb
callnumber-search	MT56 .S599 2013eb
callnumber-sort	MT 256 S599 42013EB
callnumber-subject	MT - Instruction and Study
collection	ZDB-4-EBA
contents	Introduction -- The History and Philosophy of Algorithmic Composition -- Introduction to SAL -- Programming and Nyquist -- Introduction to Algorithmic Composition -- Printing, Reading, and Debugging -- Variable Assignment and Scoping -- Conditionals -- Sets and Tables -- Functional Programming -- Recursion -- Iteration -- Algorithmic Composition Using Probabilistic Methods -- Hierarchical and Recursive Musical Structure -- Composing Sonic Microstructure and Macrostructure -- Extended Examples -- Epilogue -- Appendix. SAL Commands and Functions.
ctrlnum	(OCoLC)829713909
dewey-full	781.1
dewey-hundreds	700 - The arts
dewey-ones	781 - General principles and musical forms
dewey-raw	781.1
dewey-search	781.1
dewey-sort	3781.1
dewey-tens	780 - Music
discipline	Musikwissenschaft
era	1900-1999 fast
era_facet	1900-1999
format	Electronic eBook
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05729cam a2200997 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn829713909</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">130311s2013 miua obk 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">AZU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDXCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">KMS</subfield><subfield code="d">E7B</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCF</subfield><subfield code="d">COO</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">COCUF</subfield><subfield code="d">MOR</subfield><subfield code="d">CCO</subfield><subfield code="d">PIFPO</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ZCU</subfield><subfield code="d">IOG</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCA</subfield><subfield code="d">EZ9</subfield><subfield code="d">CUY</subfield><subfield code="d">OCL</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">NRAMU</subfield><subfield code="d">ICG</subfield><subfield code="d">TXC</subfield><subfield code="d">INT</subfield><subfield code="d">VT2</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LVT</subfield><subfield code="d">TKN</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UNOMP</subfield><subfield code="d">KMS</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">LUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">827682737</subfield><subfield code="a">923504825</subfield><subfield code="a">958865740</subfield><subfield code="a">959427775</subfield><subfield code="a">961576848</subfield><subfield code="a">962656087</subfield><subfield code="a">1058699923</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472029051</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0472029053</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781283941594</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1283941597</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0472118684</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780472118687</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780472035236</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0472035231</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)829713909</subfield><subfield code="z">(OCoLC)827682737</subfield><subfield code="z">(OCoLC)923504825</subfield><subfield code="z">(OCoLC)958865740</subfield><subfield code="z">(OCoLC)959427775</subfield><subfield code="z">(OCoLC)961576848</subfield><subfield code="z">(OCoLC)962656087</subfield><subfield code="z">(OCoLC)1058699923</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1d614fd</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">MT56</subfield><subfield code="b">.S599 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">001000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS007000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.1</subfield><subfield code="2">22</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Simoni, Mary Hope.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Algorithmic composition :</subfield><subfield code="b">a guide to composing music with Nyquist /</subfield><subfield code="c">Mary Simoni and Roger B. Dannenberg.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Ann Arbor :</subfield><subfield code="b">University of Michigan Press,</subfield><subfield code="c">©2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xii, 249 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="380" ind1=" " ind2=" "><subfield code="a">Discography</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 236-242), discography and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- The History and Philosophy of Algorithmic Composition -- Introduction to SAL -- Programming and Nyquist -- Introduction to Algorithmic Composition -- Printing, Reading, and Debugging -- Variable Assignment and Scoping -- Conditionals -- Sets and Tables -- Functional Programming -- Recursion -- Iteration -- Algorithmic Composition Using Probabilistic Methods -- Hierarchical and Recursive Musical Structure -- Composing Sonic Microstructure and Macrostructure -- Extended Examples -- Epilogue -- Appendix. SAL Commands and Functions.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Composers have used formalized procedures to create music throughout history. With the advent of the computer, algorithmic composition allows composers not only to create and experiment with different formalisms, but to hear and evaluate results quickly. Often in algorithmic composition, the composer has only a vague idea how the output will sound, but because the input is highly automated, the composer can make adjustments to take advantage of happy accidents, program bugs, and other creative sources of sound. This book provides an overview of procedural approaches to music generation. It introduces programming concepts through many examples written using the Nyquist system for music composition and sound synthesis.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Computer composition (Music)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Composition (Music)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85029403</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music theory</subfield><subfield code="x">Mathematics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musical analysis.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088952</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Pattern formation (Physical sciences)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh99003331</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Algorithms.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85003487</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Soft computing.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh96004789</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="y">20th century</subfield><subfield code="x">Philosophy and aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2001000180</subfield></datafield><datafield tag="650" ind1=" " ind2="2"><subfield code="a">Algorithms</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D000465</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Composition (Musique) par ordinateur.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Composition (Musique)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théorie musicale</subfield><subfield code="x">Mathématiques.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Analyse musicale.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Formation des structures (Sciences physiques)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Algorithmes.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Informatique douce.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="y">20e siècle</subfield><subfield code="x">Philosophie et esthétique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">algorithms.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Appreciation.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Algorithms</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Composition (Music)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Computer composition (Music)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music theory</subfield><subfield code="x">Mathematics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musical analysis</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Pattern formation (Physical sciences)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Soft computing</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Dannenberg, Roger B.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Simoni, Mary Hope.</subfield><subfield code="t">Algorithmic composition.</subfield><subfield code="d">Ann Arbor : University of Michigan Press, ©2013</subfield><subfield code="z">0472118684</subfield><subfield code="w">(OCoLC)824353524</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=520820</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL3415114</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10643969</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">520820</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis24514405</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse25641</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">University of Michigan press</subfield><subfield code="b">UOMP</subfield><subfield code="n">10.3998/mpub.3702280</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">9727436</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection>
genre	Criticism, interpretation, etc. fast
genre_facet	Criticism, interpretation, etc.
id	ZDB-4-EBA-ocn829713909
illustrated	Illustrated
indexdate	2024-11-27T13:25:13Z
institution	BVB
isbn	9780472029051 0472029053
language	English
oclc_num	829713909
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (xii, 249 pages) : illustrations
psigel	ZDB-4-EBA
publishDate	2013
publishDateSearch	2013
publishDateSort	2013
publisher	University of Michigan Press,
record_format	marc
spelling	Simoni, Mary Hope. Algorithmic composition : a guide to composing music with Nyquist / Mary Simoni and Roger B. Dannenberg. Ann Arbor : University of Michigan Press, ©2013. 1 online resource (xii, 249 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Discography Includes bibliographical references (pages 236-242), discography and index. Print version record. Introduction -- The History and Philosophy of Algorithmic Composition -- Introduction to SAL -- Programming and Nyquist -- Introduction to Algorithmic Composition -- Printing, Reading, and Debugging -- Variable Assignment and Scoping -- Conditionals -- Sets and Tables -- Functional Programming -- Recursion -- Iteration -- Algorithmic Composition Using Probabilistic Methods -- Hierarchical and Recursive Musical Structure -- Composing Sonic Microstructure and Macrostructure -- Extended Examples -- Epilogue -- Appendix. SAL Commands and Functions. Composers have used formalized procedures to create music throughout history. With the advent of the computer, algorithmic composition allows composers not only to create and experiment with different formalisms, but to hear and evaluate results quickly. Often in algorithmic composition, the composer has only a vague idea how the output will sound, but because the input is highly automated, the composer can make adjustments to take advantage of happy accidents, program bugs, and other creative sources of sound. This book provides an overview of procedural approaches to music generation. It introduces programming concepts through many examples written using the Nyquist system for music composition and sound synthesis. English. Computer composition (Music) Composition (Music) http://id.loc.gov/authorities/subjects/sh85029403 Music theory Mathematics. Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Pattern formation (Physical sciences) http://id.loc.gov/authorities/subjects/sh99003331 Algorithms. http://id.loc.gov/authorities/subjects/sh85003487 Soft computing. http://id.loc.gov/authorities/subjects/sh96004789 Music 20th century Philosophy and aesthetics. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Algorithms https://id.nlm.nih.gov/mesh/D000465 Composition (Musique) par ordinateur. Composition (Musique) Théorie musicale Mathématiques. Analyse musicale. Formation des structures (Sciences physiques) Algorithmes. Informatique douce. Musique 20e siècle Philosophie et esthétique. algorithms. aat MUSIC Instruction & Study Appreciation. bisacsh MUSIC General. bisacsh Algorithms fast Composition (Music) fast Computer composition (Music) fast Music fast Music Philosophy and aesthetics fast Music theory Mathematics fast Musical analysis fast Pattern formation (Physical sciences) fast Soft computing fast 1900-1999 fast Criticism, interpretation, etc. fast Dannenberg, Roger B. Print version: Simoni, Mary Hope. Algorithmic composition. Ann Arbor : University of Michigan Press, ©2013 0472118684 (OCoLC)824353524 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=520820 Volltext
spellingShingle	Simoni, Mary Hope Algorithmic composition : a guide to composing music with Nyquist / Introduction -- The History and Philosophy of Algorithmic Composition -- Introduction to SAL -- Programming and Nyquist -- Introduction to Algorithmic Composition -- Printing, Reading, and Debugging -- Variable Assignment and Scoping -- Conditionals -- Sets and Tables -- Functional Programming -- Recursion -- Iteration -- Algorithmic Composition Using Probabilistic Methods -- Hierarchical and Recursive Musical Structure -- Composing Sonic Microstructure and Macrostructure -- Extended Examples -- Epilogue -- Appendix. SAL Commands and Functions. Computer composition (Music) Composition (Music) http://id.loc.gov/authorities/subjects/sh85029403 Music theory Mathematics. Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Pattern formation (Physical sciences) http://id.loc.gov/authorities/subjects/sh99003331 Algorithms. http://id.loc.gov/authorities/subjects/sh85003487 Soft computing. http://id.loc.gov/authorities/subjects/sh96004789 Music 20th century Philosophy and aesthetics. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Algorithms https://id.nlm.nih.gov/mesh/D000465 Composition (Musique) par ordinateur. Composition (Musique) Théorie musicale Mathématiques. Analyse musicale. Formation des structures (Sciences physiques) Algorithmes. Informatique douce. Musique 20e siècle Philosophie et esthétique. algorithms. aat MUSIC Instruction & Study Appreciation. bisacsh MUSIC General. bisacsh Algorithms fast Composition (Music) fast Computer composition (Music) fast Music fast Music Philosophy and aesthetics fast Music theory Mathematics fast Musical analysis fast Pattern formation (Physical sciences) fast Soft computing fast
subject_GND	http://id.loc.gov/authorities/subjects/sh85029403 http://id.loc.gov/authorities/subjects/sh85088952 http://id.loc.gov/authorities/subjects/sh99003331 http://id.loc.gov/authorities/subjects/sh85003487 http://id.loc.gov/authorities/subjects/sh96004789 http://id.loc.gov/authorities/subjects/sh2001000180 https://id.nlm.nih.gov/mesh/D000465
title	Algorithmic composition : a guide to composing music with Nyquist /
title_auth	Algorithmic composition : a guide to composing music with Nyquist /
title_exact_search	Algorithmic composition : a guide to composing music with Nyquist /
title_full	Algorithmic composition : a guide to composing music with Nyquist / Mary Simoni and Roger B. Dannenberg.
title_fullStr	Algorithmic composition : a guide to composing music with Nyquist / Mary Simoni and Roger B. Dannenberg.
title_full_unstemmed	Algorithmic composition : a guide to composing music with Nyquist / Mary Simoni and Roger B. Dannenberg.
title_short	Algorithmic composition :
title_sort	algorithmic composition a guide to composing music with nyquist
title_sub	a guide to composing music with Nyquist /
topic	Computer composition (Music) Composition (Music) http://id.loc.gov/authorities/subjects/sh85029403 Music theory Mathematics. Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Pattern formation (Physical sciences) http://id.loc.gov/authorities/subjects/sh99003331 Algorithms. http://id.loc.gov/authorities/subjects/sh85003487 Soft computing. http://id.loc.gov/authorities/subjects/sh96004789 Music 20th century Philosophy and aesthetics. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Algorithms https://id.nlm.nih.gov/mesh/D000465 Composition (Musique) par ordinateur. Composition (Musique) Théorie musicale Mathématiques. Analyse musicale. Formation des structures (Sciences physiques) Algorithmes. Informatique douce. Musique 20e siècle Philosophie et esthétique. algorithms. aat MUSIC Instruction & Study Appreciation. bisacsh MUSIC General. bisacsh Algorithms fast Composition (Music) fast Computer composition (Music) fast Music fast Music Philosophy and aesthetics fast Music theory Mathematics fast Musical analysis fast Pattern formation (Physical sciences) fast Soft computing fast
topic_facet	Computer composition (Music) Composition (Music) Music theory Mathematics. Musical analysis. Pattern formation (Physical sciences) Algorithms. Soft computing. Music 20th century Philosophy and aesthetics. Music 20th century History and criticism. Algorithms Composition (Musique) par ordinateur. Composition (Musique) Théorie musicale Mathématiques. Analyse musicale. Formation des structures (Sciences physiques) Algorithmes. Informatique douce. Musique 20e siècle Philosophie et esthétique. algorithms. MUSIC Instruction & Study Appreciation. MUSIC General. Music Music Philosophy and aesthetics Music theory Mathematics Musical analysis Soft computing Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=520820
work_keys_str_mv	AT simonimaryhope algorithmiccompositionaguidetocomposingmusicwithnyquist AT dannenbergrogerb algorithmiccompositionaguidetocomposingmusicwithnyquist

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Volltext öffnen

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge