Ezra Pound's early verse and lyric tradition :: a jargoner's apprenticeship /
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that h...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
©2012.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions. Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as FranÃʹois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity. Features:. Marries two discrete strands in Pound scholarship: his fastidious obsession with poetic craft and his furious pursuit of erudition Describes a simple, but revolutionary, approach to poetic form, taking account of the total organization of sound in a poem without dwelling on arcane scholarly terminology Examines Pound's famous style in a pre-modern context where we can better gauge what was at stake in the author's trailblazing invention of Modernism Provides detailed, practical assistance to Pound's readers, especially in its detailed close reading of almost totally neglected early poems by this notoriously difficult writer Key Words:. Ezra Pound, Lyricism, Modernism, Literary Tradition, Song, Poetry |
Beschreibung: | 1 online resource (vii, 230 pages) |
Bibliographie: | Includes bibliographical references (pages 219-226) and index. |
ISBN: | 9780748646180 0748646183 0748674594 9780748674596 9780748674602 0748674608 1283902974 9781283902977 |
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588 | 0 | |a Print version record. | |
520 | |a Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions. Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as FranÃʹois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity. Features:. Marries two discrete strands in Pound scholarship: his fastidious obsession with poetic craft and his furious pursuit of erudition Describes a simple, but revolutionary, approach to poetic form, taking account of the total organization of sound in a poem without dwelling on arcane scholarly terminology Examines Pound's famous style in a pre-modern context where we can better gauge what was at stake in the author's trailblazing invention of Modernism Provides detailed, practical assistance to Pound's readers, especially in its detailed close reading of almost totally neglected early poems by this notoriously difficult writer Key Words:. Ezra Pound, Lyricism, Modernism, Literary Tradition, Song, Poetry | ||
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600 | 1 | 0 | |a Pound, Ezra, |d 1885-1972 |x Criticism and interpretation. |
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author | Stark, Robert (Lecturer) |
author_GND | http://id.loc.gov/authorities/names/nb2012028552 |
author_facet | Stark, Robert (Lecturer) |
author_role | |
author_sort | Stark, Robert (Lecturer) |
author_variant | r s rs |
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callnumber-first | P - Language and Literature |
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callnumber-raw | PS3531.O82 Z89 2012eb |
callnumber-search | PS3531.O82 Z89 2012eb |
callnumber-sort | PS 43531 O82 Z89 42012EB |
callnumber-subject | PS - American Literature |
collection | ZDB-4-EBA |
contents | Poetic jargon -- Toils obscure, an' a' that : romantic and Celtic influences in Hilda's book -- Opacity is not an American quality -- Caliban casts out Ariel : Ezra Pound's Victorian barbarian -- The seafarer and a living tongue -- Pound among the nightingales : from the troubadours to a cantabile modernism -- Beyond/formulated language : the function of intensity in Cathay and Lustra -- Envoi : not of one bird but of many -- Appendix : barbarians and dark words of God : poetic jargon in Greek drama. |
ctrlnum | (OCoLC)822566743 |
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dewey-raw | 811.52 |
dewey-search | 811.52 |
dewey-sort | 3811.52 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | 1900-1999 fast |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn822566743 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:25:06Z |
institution | BVB |
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language | English |
oclc_num | 822566743 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (vii, 230 pages) |
psigel | ZDB-4-EBA |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Edinburgh University Press, |
record_format | marc |
spelling | Stark, Robert (Lecturer) https://id.oclc.org/worldcat/entity/E39PCjw77XyVVFdk97BFKrQCV3 http://id.loc.gov/authorities/names/nb2012028552 Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / Robert Stark. Edinburgh : Edinburgh University Press, ©2012. 1 online resource (vii, 230 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 219-226) and index. Poetic jargon -- Toils obscure, an' a' that : romantic and Celtic influences in Hilda's book -- Opacity is not an American quality -- Caliban casts out Ariel : Ezra Pound's Victorian barbarian -- The seafarer and a living tongue -- Pound among the nightingales : from the troubadours to a cantabile modernism -- Beyond/formulated language : the function of intensity in Cathay and Lustra -- Envoi : not of one bird but of many -- Appendix : barbarians and dark words of God : poetic jargon in Greek drama. Print version record. Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions. Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as FranÃʹois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity. Features:. Marries two discrete strands in Pound scholarship: his fastidious obsession with poetic craft and his furious pursuit of erudition Describes a simple, but revolutionary, approach to poetic form, taking account of the total organization of sound in a poem without dwelling on arcane scholarly terminology Examines Pound's famous style in a pre-modern context where we can better gauge what was at stake in the author's trailblazing invention of Modernism Provides detailed, practical assistance to Pound's readers, especially in its detailed close reading of almost totally neglected early poems by this notoriously difficult writer Key Words:. Ezra Pound, Lyricism, Modernism, Literary Tradition, Song, Poetry English. Pound, Ezra, 1885-1972 Criticism and interpretation. Pound, Ezra, 1885-1972 fast https://id.oclc.org/worldcat/entity/E39PBJbtvycCHtygrDpmvGJdQq American poetry 20th century History and criticism. Poésie américaine 20e siècle Histoire et critique. POETRY American General. bisacsh LITERARY CRITICISM Poetry. bisacsh American poetry fast 1900-1999 fast Criticism, interpretation, etc. fast has work: Ezra Pound's early verse and lyric tradition (Text) https://id.oclc.org/worldcat/entity/E39PCFQRgh8c44YdWCQVxkMr4q https://id.oclc.org/worldcat/ontology/hasWork Print version: Stark, Robert (Lecturer). Ezra Pound's early verse and lyric tradition. Edinburgh : Edinburgh University Press, ©2012 9780748646173 (OCoLC)818449257 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=513658 Volltext |
spellingShingle | Stark, Robert (Lecturer) Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / Poetic jargon -- Toils obscure, an' a' that : romantic and Celtic influences in Hilda's book -- Opacity is not an American quality -- Caliban casts out Ariel : Ezra Pound's Victorian barbarian -- The seafarer and a living tongue -- Pound among the nightingales : from the troubadours to a cantabile modernism -- Beyond/formulated language : the function of intensity in Cathay and Lustra -- Envoi : not of one bird but of many -- Appendix : barbarians and dark words of God : poetic jargon in Greek drama. Pound, Ezra, 1885-1972 Criticism and interpretation. Pound, Ezra, 1885-1972 fast https://id.oclc.org/worldcat/entity/E39PBJbtvycCHtygrDpmvGJdQq American poetry 20th century History and criticism. Poésie américaine 20e siècle Histoire et critique. POETRY American General. bisacsh LITERARY CRITICISM Poetry. bisacsh American poetry fast |
title | Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / |
title_auth | Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / |
title_exact_search | Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / |
title_full | Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / Robert Stark. |
title_fullStr | Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / Robert Stark. |
title_full_unstemmed | Ezra Pound's early verse and lyric tradition : a jargoner's apprenticeship / Robert Stark. |
title_short | Ezra Pound's early verse and lyric tradition : |
title_sort | ezra pound s early verse and lyric tradition a jargoner s apprenticeship |
title_sub | a jargoner's apprenticeship / |
topic | Pound, Ezra, 1885-1972 Criticism and interpretation. Pound, Ezra, 1885-1972 fast https://id.oclc.org/worldcat/entity/E39PBJbtvycCHtygrDpmvGJdQq American poetry 20th century History and criticism. Poésie américaine 20e siècle Histoire et critique. POETRY American General. bisacsh LITERARY CRITICISM Poetry. bisacsh American poetry fast |
topic_facet | Pound, Ezra, 1885-1972 Criticism and interpretation. Pound, Ezra, 1885-1972 American poetry 20th century History and criticism. Poésie américaine 20e siècle Histoire et critique. POETRY American General. LITERARY CRITICISM Poetry. American poetry Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=513658 |
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