The Shakespearean stage space /:
"How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problemati...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities"-- "The Shakespearean Stage Space How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139840200 1139840207 9781139097192 1139097199 9781139844949 1139844946 |
Internformat
MARC
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| 100 | 1 | |a Ichikawa, Mariko. | |
| 245 | 1 | 4 | |a The Shakespearean stage space / |c Mariko Ichikawa. |
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| 520 | |a "How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities"-- |c Provided by publisher | ||
| 520 | |a "The Shakespearean Stage Space How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities"-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; Figures and Table; Acknowledgements; Note on texts and old spelling; system of dating; System of dating; Editorial abbreviations; Chapter 1 Playhouses, play texts and the theatrical language; Playhouses; Play texts; The theatrical language; Stage directions; Speeches; The use of the stage space; Chapter 2 'Maluolio within'; Audibility; Visibility; Actually onstage?; Echo scenes and prison scenes; 'Maluolio within'; Chapter 3 'Music within' and 'Music above'; The received theory; 'Above within'; 'Unseen above'; Post-1609 'music within' directions; Early public-theatre plays. | |
| 504 | |a Includes bibliographical references and index. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |y To 1625. |0 http://id.loc.gov/authorities/subjects/sh85121042 |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |z England |z London. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 650 | 0 | |a Theaters |x Stage-setting and scenery |z England |x History |y 16th century. | |
| 650 | 0 | |a Theaters |x Stage-setting and scenery |z England |x History |y 17th century. | |
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| 650 | 0 | |a Theater |z England |z London |x History |y 17th century. | |
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 6 | |a Théâtre |z Angleterre |z Londres |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théâtre |z Angleterre |z Londres |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
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| 648 | 7 | |a To 1699 |2 fast | |
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| 655 | 7 | |a History |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Ichikawa, Mariko. |t Shakespearean stage space. |d Cambridge : Cambridge University Press, 2012 |z 9781107020351 |w (DLC) 2012018845 |w (OCoLC)794556051 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn820719936 |
|---|---|
| _version_ | 1816882215994261504 |
| adam_text | |
| any_adam_object | |
| author | Ichikawa, Mariko |
| author_facet | Ichikawa, Mariko |
| author_role | |
| author_sort | Ichikawa, Mariko |
| author_variant | m i mi |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3095 |
| callnumber-raw | PR3095 .I28 2012eb |
| callnumber-search | PR3095 .I28 2012eb |
| callnumber-sort | PR 43095 I28 42012EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; Figures and Table; Acknowledgements; Note on texts and old spelling; system of dating; System of dating; Editorial abbreviations; Chapter 1 Playhouses, play texts and the theatrical language; Playhouses; Play texts; The theatrical language; Stage directions; Speeches; The use of the stage space; Chapter 2 'Maluolio within'; Audibility; Visibility; Actually onstage?; Echo scenes and prison scenes; 'Maluolio within'; Chapter 3 'Music within' and 'Music above'; The received theory; 'Above within'; 'Unseen above'; Post-1609 'music within' directions; Early public-theatre plays. |
| ctrlnum | (OCoLC)820719936 |
| dewey-full | 792.0942/09031 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0942/09031 |
| dewey-search | 792.0942/09031 |
| dewey-sort | 3792.0942 49031 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | To 1699 fast |
| era_facet | To 1699 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C England London fast https://id.oclc.org/worldcat/entity/E39PBJp68ckpMtKGHPFWQrwDMP |
| geographic_facet | England England London |
| id | ZDB-4-EBA-ocn820719936 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:05Z |
| institution | BVB |
| isbn | 9781139840200 1139840207 9781139097192 1139097199 9781139844949 1139844946 |
| language | English |
| oclc_num | 820719936 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Ichikawa, Mariko. The Shakespearean stage space / Mariko Ichikawa. Cambridge : Cambridge University Press, 2012. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities"-- Provided by publisher "The Shakespearean Stage Space How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities"-- Provided by publisher Print version record. Cover; Contents; Figures and Table; Acknowledgements; Note on texts and old spelling; system of dating; System of dating; Editorial abbreviations; Chapter 1 Playhouses, play texts and the theatrical language; Playhouses; Play texts; The theatrical language; Stage directions; Speeches; The use of the stage space; Chapter 2 'Maluolio within'; Audibility; Visibility; Actually onstage?; Echo scenes and prison scenes; 'Maluolio within'; Chapter 3 'Music within' and 'Music above'; The received theory; 'Above within'; 'Unseen above'; Post-1609 'music within' directions; Early public-theatre plays. Includes bibliographical references and index. Shakespeare, William, 1564-1616 Stage history To 1625. http://id.loc.gov/authorities/subjects/sh85121042 Shakespeare, William, 1564-1616 Stage history England London. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Theaters Stage-setting and scenery England History 16th century. Theaters Stage-setting and scenery England History 17th century. Theater England London History 16th century. Theater England London History 17th century. English drama Early modern and Elizabethan, 1500-1600 History and criticism. English drama 17th century History and criticism. Théâtre Angleterre Londres Histoire 16e siècle. Théâtre Angleterre Londres Histoire 17e siècle. Théâtre anglais 16e siècle Histoire et critique. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh English drama fast English drama Early modern and Elizabethan fast Theater fast Theaters Stage-setting and scenery fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C England London fast https://id.oclc.org/worldcat/entity/E39PBJp68ckpMtKGHPFWQrwDMP To 1699 fast Criticism, interpretation, etc. fast History fast has work: The Shakespearean stage space (Text) https://id.oclc.org/worldcat/entity/E39PCGyHXKRPHxJ4r96YpmgmHP https://id.oclc.org/worldcat/ontology/hasWork Print version: Ichikawa, Mariko. Shakespearean stage space. Cambridge : Cambridge University Press, 2012 9781107020351 (DLC) 2012018845 (OCoLC)794556051 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=498386 Volltext |
| spellingShingle | Ichikawa, Mariko The Shakespearean stage space / Cover; Contents; Figures and Table; Acknowledgements; Note on texts and old spelling; system of dating; System of dating; Editorial abbreviations; Chapter 1 Playhouses, play texts and the theatrical language; Playhouses; Play texts; The theatrical language; Stage directions; Speeches; The use of the stage space; Chapter 2 'Maluolio within'; Audibility; Visibility; Actually onstage?; Echo scenes and prison scenes; 'Maluolio within'; Chapter 3 'Music within' and 'Music above'; The received theory; 'Above within'; 'Unseen above'; Post-1609 'music within' directions; Early public-theatre plays. Shakespeare, William, 1564-1616 Stage history To 1625. http://id.loc.gov/authorities/subjects/sh85121042 Shakespeare, William, 1564-1616 Stage history England London. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Theaters Stage-setting and scenery England History 16th century. Theaters Stage-setting and scenery England History 17th century. Theater England London History 16th century. Theater England London History 17th century. English drama Early modern and Elizabethan, 1500-1600 History and criticism. English drama 17th century History and criticism. Théâtre Angleterre Londres Histoire 16e siècle. Théâtre Angleterre Londres Histoire 17e siècle. Théâtre anglais 16e siècle Histoire et critique. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh English drama fast English drama Early modern and Elizabethan fast Theater fast Theaters Stage-setting and scenery fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85121042 |
| title | The Shakespearean stage space / |
| title_auth | The Shakespearean stage space / |
| title_exact_search | The Shakespearean stage space / |
| title_full | The Shakespearean stage space / Mariko Ichikawa. |
| title_fullStr | The Shakespearean stage space / Mariko Ichikawa. |
| title_full_unstemmed | The Shakespearean stage space / Mariko Ichikawa. |
| title_short | The Shakespearean stage space / |
| title_sort | shakespearean stage space |
| topic | Shakespeare, William, 1564-1616 Stage history To 1625. http://id.loc.gov/authorities/subjects/sh85121042 Shakespeare, William, 1564-1616 Stage history England London. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Theaters Stage-setting and scenery England History 16th century. Theaters Stage-setting and scenery England History 17th century. Theater England London History 16th century. Theater England London History 17th century. English drama Early modern and Elizabethan, 1500-1600 History and criticism. English drama 17th century History and criticism. Théâtre Angleterre Londres Histoire 16e siècle. Théâtre Angleterre Londres Histoire 17e siècle. Théâtre anglais 16e siècle Histoire et critique. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh English drama fast English drama Early modern and Elizabethan fast Theater fast Theaters Stage-setting and scenery fast |
| topic_facet | Shakespeare, William, 1564-1616 Stage history To 1625. Shakespeare, William, 1564-1616 Stage history England London. Shakespeare, William, 1564-1616 Theaters Stage-setting and scenery England History 16th century. Theaters Stage-setting and scenery England History 17th century. Theater England London History 16th century. Theater England London History 17th century. English drama Early modern and Elizabethan, 1500-1600 History and criticism. English drama 17th century History and criticism. Théâtre Angleterre Londres Histoire 16e siècle. Théâtre Angleterre Londres Histoire 17e siècle. Théâtre anglais 16e siècle Histoire et critique. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. PERFORMING ARTS Theater History & Criticism. English drama English drama Early modern and Elizabethan Theater Theaters Stage-setting and scenery England England London Criticism, interpretation, etc. History |
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| work_keys_str_mv | AT ichikawamariko theshakespeareanstagespace AT ichikawamariko shakespeareanstagespace |