Gender meets genre in postwar cinemas /:
This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays mov...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana :
University of Illinois Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. _x000B__x000B_Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, this volume includes essays that explore the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences. _x000B__x000B_Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen. |
| Beschreibung: | 1 online resource (274 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780252093661 0252093666 |
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| 245 | 0 | 0 | |a Gender meets genre in postwar cinemas / |c edited by Christine Gledhill. |
| 260 | |a Urbana : |b University of Illinois Press, |c 2012. | ||
| 300 | |a 1 online resource (274 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. | |
| 520 | |a This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. _x000B__x000B_Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, this volume includes essays that explore the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences. _x000B__x000B_Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Sex role in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh89005585 | |
| 650 | 0 | |a Motion pictures and women. |0 http://id.loc.gov/authorities/subjects/sh97002393 | |
| 650 | 0 | |a Feminism and motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85047748 | |
| 650 | 0 | |a Film genres. |0 http://id.loc.gov/authorities/subjects/sh86003119 | |
| 650 | 0 | |a Women in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85147593 | |
| 650 | 0 | |a Men in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85083529 | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 6 | |a Cinéma et femmes. | |
| 650 | 6 | |a Féminisme et cinéma. | |
| 650 | 6 | |a Genres cinématographiques. | |
| 650 | 6 | |a Femmes au cinéma. | |
| 650 | 6 | |a Hommes au cinéma. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Performing Arts. |2 eflch | |
| 650 | 7 | |a Feminism and motion pictures |2 fast | |
| 650 | 7 | |a Film genres |2 fast | |
| 650 | 7 | |a Men in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures and women |2 fast | |
| 650 | 7 | |a Sex role in motion pictures |2 fast | |
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| 650 | 7 | |a Identité sexuelle |x Au cinéma. |2 ram | |
| 650 | 7 | |a Rôle selon le sexe |x Au cinéma. |2 ram | |
| 650 | 7 | |a Féminisme et cinéma. |2 ram | |
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| collection | ZDB-4-EBA |
| contents | Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. |
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| discipline | Allgemeines Soziologie |
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Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. 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| id | ZDB-4-EBA-ocn809032437 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:24:55Z |
| institution | BVB |
| isbn | 9780252093661 0252093666 |
| language | English |
| lccn | 2011046230 |
| oclc_num | 809032437 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (274 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | University of Illinois Press, |
| record_format | marc |
| spelling | Gender meets genre in postwar cinemas / edited by Christine Gledhill. Urbana : University of Illinois Press, 2012. 1 online resource (274 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. _x000B__x000B_Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, this volume includes essays that explore the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences. _x000B__x000B_Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen. Print version record. Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Motion pictures and women. http://id.loc.gov/authorities/subjects/sh97002393 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Film genres. http://id.loc.gov/authorities/subjects/sh86003119 Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Men in motion pictures. http://id.loc.gov/authorities/subjects/sh85083529 Rôle selon le sexe au cinéma. Cinéma et femmes. Féminisme et cinéma. Genres cinématographiques. Femmes au cinéma. Hommes au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Performing Arts. eflch Feminism and motion pictures fast Film genres fast Men in motion pictures fast Motion pictures and women fast Sex role in motion pictures fast Women in motion pictures fast Filmgenre gnd Geschlecht Motiv gnd http://d-nb.info/gnd/4308421-7 Film gnd http://d-nb.info/gnd/4017102-4 Geschlechterrolle gnd http://d-nb.info/gnd/4071776-8 Identité sexuelle Au cinéma. ram Rôle selon le sexe Au cinéma. ram Féminisme et cinéma. ram Homosexualité Au cinéma. ram Transsexualisme Au cinéma. ram Genres cinématographiques. ram Gledhill, Christine, editor. http://id.loc.gov/authorities/names/n87831904 has work: Gender meets genre in postwar cinemas (Text) https://id.oclc.org/worldcat/entity/E39PCG9QpJF6btvkqMr6ddgf9C https://id.oclc.org/worldcat/ontology/hasWork Print version: Gender meets genre in postwar cinemas. Urbana : University of Illinois Press, ©2012 9780252036613 (DLC) 2011046230 (OCoLC)719427890 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569522 Volltext |
| spellingShingle | Gender meets genre in postwar cinemas / Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Motion pictures and women. http://id.loc.gov/authorities/subjects/sh97002393 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Film genres. http://id.loc.gov/authorities/subjects/sh86003119 Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Men in motion pictures. http://id.loc.gov/authorities/subjects/sh85083529 Rôle selon le sexe au cinéma. Cinéma et femmes. Féminisme et cinéma. Genres cinématographiques. Femmes au cinéma. Hommes au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Performing Arts. eflch Feminism and motion pictures fast Film genres fast Men in motion pictures fast Motion pictures and women fast Sex role in motion pictures fast Women in motion pictures fast Filmgenre gnd Geschlecht Motiv gnd http://d-nb.info/gnd/4308421-7 Film gnd http://d-nb.info/gnd/4017102-4 Geschlechterrolle gnd http://d-nb.info/gnd/4071776-8 Identité sexuelle Au cinéma. ram Rôle selon le sexe Au cinéma. ram Féminisme et cinéma. ram Homosexualité Au cinéma. ram Transsexualisme Au cinéma. ram Genres cinématographiques. ram |
| subject_GND | http://id.loc.gov/authorities/subjects/sh89005585 http://id.loc.gov/authorities/subjects/sh97002393 http://id.loc.gov/authorities/subjects/sh85047748 http://id.loc.gov/authorities/subjects/sh86003119 http://id.loc.gov/authorities/subjects/sh85147593 http://id.loc.gov/authorities/subjects/sh85083529 http://d-nb.info/gnd/4308421-7 http://d-nb.info/gnd/4017102-4 http://d-nb.info/gnd/4071776-8 |
| title | Gender meets genre in postwar cinemas / |
| title_auth | Gender meets genre in postwar cinemas / |
| title_exact_search | Gender meets genre in postwar cinemas / |
| title_full | Gender meets genre in postwar cinemas / edited by Christine Gledhill. |
| title_fullStr | Gender meets genre in postwar cinemas / edited by Christine Gledhill. |
| title_full_unstemmed | Gender meets genre in postwar cinemas / edited by Christine Gledhill. |
| title_short | Gender meets genre in postwar cinemas / |
| title_sort | gender meets genre in postwar cinemas |
| topic | Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Motion pictures and women. http://id.loc.gov/authorities/subjects/sh97002393 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Film genres. http://id.loc.gov/authorities/subjects/sh86003119 Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Men in motion pictures. http://id.loc.gov/authorities/subjects/sh85083529 Rôle selon le sexe au cinéma. Cinéma et femmes. Féminisme et cinéma. Genres cinématographiques. Femmes au cinéma. Hommes au cinéma. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Performing Arts. eflch Feminism and motion pictures fast Film genres fast Men in motion pictures fast Motion pictures and women fast Sex role in motion pictures fast Women in motion pictures fast Filmgenre gnd Geschlecht Motiv gnd http://d-nb.info/gnd/4308421-7 Film gnd http://d-nb.info/gnd/4017102-4 Geschlechterrolle gnd http://d-nb.info/gnd/4071776-8 Identité sexuelle Au cinéma. ram Rôle selon le sexe Au cinéma. ram Féminisme et cinéma. ram Homosexualité Au cinéma. ram Transsexualisme Au cinéma. ram Genres cinématographiques. ram |
| topic_facet | Sex role in motion pictures. Motion pictures and women. Feminism and motion pictures. Film genres. Women in motion pictures. Men in motion pictures. Rôle selon le sexe au cinéma. Cinéma et femmes. Féminisme et cinéma. Genres cinématographiques. Femmes au cinéma. Hommes au cinéma. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video History & Criticism. Performing Arts. Feminism and motion pictures Film genres Men in motion pictures Motion pictures and women Sex role in motion pictures Women in motion pictures Filmgenre Geschlecht Motiv Film Geschlechterrolle Identité sexuelle Au cinéma. Rôle selon le sexe Au cinéma. Homosexualité Au cinéma. Transsexualisme Au cinéma. |
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| work_keys_str_mv | AT gledhillchristine gendermeetsgenreinpostwarcinemas |