The modern portrait poem :: from Dante Gabriel Rossetti to Ezra Pound /
"In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J.M. Whistler transformed the genre of portraiture in both painting an...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Charlottesville :
University of Virginia Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J.M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T.S. Eliot, William Carlos Williams, Amy Lowell, E.E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet's realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts."--Project Muse |
| Beschreibung: | 1 online resource (viii, 260 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 245-251) and index. |
| ISBN: | 9780813932699 0813932696 1282138650 9781282138650 9786613808035 6613808032 |
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| 245 | 1 | 4 | |a The modern portrait poem : |b from Dante Gabriel Rossetti to Ezra Pound / |c Frances Dickey. |
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| 505 | 0 | |a Portraiture in the Rossetti circle: window, object, or mirror -- Ezra Pound: portraiture and originality -- T.S. Eliot: getting out of the picture -- Contraction: from picture sonnet to epigram -- Expansion: Ezra Pound and avant-garde portraiture -- Pastoral mode: William Carlos Williams and nativist portraiture -- Coda: Rossetti and E.E. Cummings. | |
| 520 | |a "In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J.M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T.S. Eliot, William Carlos Williams, Amy Lowell, E.E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet's realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts."--Project Muse | ||
| 504 | |a Includes bibliographical references (pages 245-251) and index. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Poetry, Modern |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2008109422 | |
| 650 | 0 | |a Portraits |x History. | |
| 650 | 0 | |a Art, Modern |x Influence. | |
| 650 | 6 | |a Portraits |x Histoire. | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Literary. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Art, Modern |x Influence |2 fast | |
| 650 | 7 | |a Poetry, Modern |2 fast | |
| 650 | 7 | |a Portraits |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Dickey, Frances, 1970- |t Modern portrait poem. |d Charlottesville : University of Virginia Press, 2012 |z 9780813932637 |w (DLC) 2011044937 |w (OCoLC)762372379 |
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| author | Dickey, Frances, 1970- |
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| author_facet | Dickey, Frances, 1970- |
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| author_sort | Dickey, Frances, 1970- |
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| contents | Portraiture in the Rossetti circle: window, object, or mirror -- Ezra Pound: portraiture and originality -- T.S. Eliot: getting out of the picture -- Contraction: from picture sonnet to epigram -- Expansion: Ezra Pound and avant-garde portraiture -- Pastoral mode: William Carlos Williams and nativist portraiture -- Coda: Rossetti and E.E. Cummings. |
| ctrlnum | (OCoLC)802271203 |
| dewey-full | 809.1/03 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.1/03 |
| dewey-search | 809.1/03 |
| dewey-sort | 3809.1 13 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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Eliot: getting out of the picture -- Contraction: from picture sonnet to epigram -- Expansion: Ezra Pound and avant-garde portraiture -- Pastoral mode: William Carlos Williams and nativist portraiture -- Coda: Rossetti and E.E. Cummings.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J.M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T.S. Eliot, William Carlos Williams, Amy Lowell, E.E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet's realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. 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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn802271203 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:24:52Z |
| institution | BVB |
| isbn | 9780813932699 0813932696 1282138650 9781282138650 9786613808035 6613808032 |
| language | English |
| oclc_num | 802271203 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 260 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | University of Virginia Press, |
| record_format | marc |
| spelling | Dickey, Frances, 1970- https://id.oclc.org/worldcat/entity/E39PCjBdcXgTkKXBPJgXdG34v3 http://id.loc.gov/authorities/names/no2011110301 The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / Frances Dickey. Charlottesville : University of Virginia Press, 2012. 1 online resource (viii, 260 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier polychorme rdacc illustration rdaill text file rdaft Portraiture in the Rossetti circle: window, object, or mirror -- Ezra Pound: portraiture and originality -- T.S. Eliot: getting out of the picture -- Contraction: from picture sonnet to epigram -- Expansion: Ezra Pound and avant-garde portraiture -- Pastoral mode: William Carlos Williams and nativist portraiture -- Coda: Rossetti and E.E. Cummings. "In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J.M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T.S. Eliot, William Carlos Williams, Amy Lowell, E.E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet's realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts."--Project Muse Includes bibliographical references (pages 245-251) and index. Print version record. English. Poetry, Modern History and criticism. http://id.loc.gov/authorities/subjects/sh2008109422 Portraits History. Art, Modern Influence. Portraits Histoire. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Art, Modern Influence fast Poetry, Modern fast Portraits fast Criticism, interpretation, etc. fast History fast has work: The modern portrait poem (Text) https://id.oclc.org/worldcat/entity/E39PCFxQkVHXXW89Hv8GYgTcxC https://id.oclc.org/worldcat/ontology/hasWork Print version: Dickey, Frances, 1970- Modern portrait poem. Charlottesville : University of Virginia Press, 2012 9780813932637 (DLC) 2011044937 (OCoLC)762372379 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=470737 Volltext |
| spellingShingle | Dickey, Frances, 1970- The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / Portraiture in the Rossetti circle: window, object, or mirror -- Ezra Pound: portraiture and originality -- T.S. Eliot: getting out of the picture -- Contraction: from picture sonnet to epigram -- Expansion: Ezra Pound and avant-garde portraiture -- Pastoral mode: William Carlos Williams and nativist portraiture -- Coda: Rossetti and E.E. Cummings. Poetry, Modern History and criticism. http://id.loc.gov/authorities/subjects/sh2008109422 Portraits History. Art, Modern Influence. Portraits Histoire. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Art, Modern Influence fast Poetry, Modern fast Portraits fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2008109422 |
| title | The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / |
| title_auth | The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / |
| title_exact_search | The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / |
| title_full | The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / Frances Dickey. |
| title_fullStr | The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / Frances Dickey. |
| title_full_unstemmed | The modern portrait poem : from Dante Gabriel Rossetti to Ezra Pound / Frances Dickey. |
| title_short | The modern portrait poem : |
| title_sort | modern portrait poem from dante gabriel rossetti to ezra pound |
| title_sub | from Dante Gabriel Rossetti to Ezra Pound / |
| topic | Poetry, Modern History and criticism. http://id.loc.gov/authorities/subjects/sh2008109422 Portraits History. Art, Modern Influence. Portraits Histoire. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Art, Modern Influence fast Poetry, Modern fast Portraits fast |
| topic_facet | Poetry, Modern History and criticism. Portraits History. Art, Modern Influence. Portraits Histoire. BIOGRAPHY & AUTOBIOGRAPHY Literary. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Art, Modern Influence Poetry, Modern Portraits Criticism, interpretation, etc. History |
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