Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) =: The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) /
This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | French |
| Veröffentlicht: |
Lewiston :
Edwin Mellen Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject. |
| Beschreibung: | 1 online resource (282 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773411388 0773411380 |
Internformat
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn796384762 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 120625s2012 nyu ob 001 0 fre d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d N$T |d MERUC |d OCLCQ |d YDXCP |d OCLCQ |d OCLCA |d OCLCF |d OCLCQ |d AGLDB |d OCLCQ |d VTS |d STF |d OCLCQ |d UKSSU |d LDP |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 879242293 |a 1154933009 |a 1156868460 |a 1162503580 |a 1241756733 | ||
| 020 | |a 9780773411388 |q (electronic bk.) | ||
| 020 | |a 0773411380 |q (electronic bk.) | ||
| 020 | |z 9780773426306 | ||
| 020 | |z 0773426302 | ||
| 035 | |a (OCoLC)796384762 |z (OCoLC)879242293 |z (OCoLC)1154933009 |z (OCoLC)1156868460 |z (OCoLC)1162503580 |z (OCoLC)1241756733 | ||
| 050 | 4 | |a PN1998.3.R48 |b W36 2012eb | |
| 072 | 7 | |a PER |x 004010 |2 bisacsh | |
| 082 | 7 | |a 791.4302/33092 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Walker-Morrison, Deborah. |0 http://id.loc.gov/authorities/names/nb2009023859 | |
| 245 | 1 | 3 | |a Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = |b The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / |c Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas. |
| 246 | 3 | 1 | |a Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| 260 | |a Lewiston : |b Edwin Mellen Press, |c 2012. | ||
| 300 | |a 1 online resource (282 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject. | ||
| 505 | 0 | |a Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention. | |
| 546 | |a French. | ||
| 600 | 1 | 0 | |a Resnais, Alain, |d 1922-2014 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Resnais, Alain, |d 1922-2014 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkXBD4kBmqWMPhJGMqG73 |
| 650 | 4 | |a Fine Arts. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 650 | 7 | |a Film. |2 hilcc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 758 | |i has work: |a Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) (Work) |1 https://id.oclc.org/worldcat/entity/E39PCXVm6GqPxFxBDDyyYtBMKb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Walker-Morrison, Deborah. |t Style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009). |d Lewiston : Edwin Mellen Press, ©2012 |z 9780773426306 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462499 |3 Volltext |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL943515 | ||
| 938 | |a EBSCOhost |b EBSC |n 462499 | ||
| 938 | |a YBP Library Services |b YANK |n 8855410 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn796384762 |
|---|---|
| _version_ | 1816881799672889344 |
| adam_text | |
| any_adam_object | |
| author | Walker-Morrison, Deborah |
| author_GND | http://id.loc.gov/authorities/names/nb2009023859 |
| author_facet | Walker-Morrison, Deborah |
| author_role | |
| author_sort | Walker-Morrison, Deborah |
| author_variant | d w m dwm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.R48 W36 2012eb |
| callnumber-search | PN1998.3.R48 W36 2012eb |
| callnumber-sort | PN 41998.3 R48 W36 42012EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention. |
| ctrlnum | (OCoLC)796384762 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03913cam a2200553Ma 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn796384762</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">120625s2012 nyu ob 001 0 fre d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKSSU</subfield><subfield code="d">LDP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">879242293</subfield><subfield code="a">1154933009</subfield><subfield code="a">1156868460</subfield><subfield code="a">1162503580</subfield><subfield code="a">1241756733</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780773411388</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0773411380</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780773426306</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0773426302</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)796384762</subfield><subfield code="z">(OCoLC)879242293</subfield><subfield code="z">(OCoLC)1154933009</subfield><subfield code="z">(OCoLC)1156868460</subfield><subfield code="z">(OCoLC)1162503580</subfield><subfield code="z">(OCoLC)1241756733</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.R48</subfield><subfield code="b">W36 2012eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.4302/33092</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Walker-Morrison, Deborah.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nb2009023859</subfield></datafield><datafield tag="245" ind1="1" ind2="3"><subfield code="a">Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) =</subfield><subfield code="b">The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) /</subfield><subfield code="c">Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas.</subfield></datafield><datafield tag="246" ind1="3" ind2="1"><subfield code="a">Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009)</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Lewiston :</subfield><subfield code="b">Edwin Mellen Press,</subfield><subfield code="c">2012.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (282 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">French.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Resnais, Alain,</subfield><subfield code="d">1922-2014</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Resnais, Alain,</subfield><subfield code="d">1922-2014</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJkXBD4kBmqWMPhJGMqG73</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fine Arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Direction & Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music, Dance, Drama & Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst01411635</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) (Work)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCXVm6GqPxFxBDDyyYtBMKb</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Walker-Morrison, Deborah.</subfield><subfield code="t">Style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009).</subfield><subfield code="d">Lewiston : Edwin Mellen Press, ©2012</subfield><subfield code="z">9780773426306</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462499</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL943515</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">462499</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">8855410</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast (OCoLC)fst01411635 |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn796384762 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:27Z |
| institution | BVB |
| isbn | 9780773411388 0773411380 |
| language | French |
| oclc_num | 796384762 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (282 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Edwin Mellen Press, |
| record_format | marc |
| spelling | Walker-Morrison, Deborah. http://id.loc.gov/authorities/names/nb2009023859 Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas. Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) Lewiston : Edwin Mellen Press, 2012. 1 online resource (282 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject. Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention. French. Resnais, Alain, 1922-2014 Criticism and interpretation. Resnais, Alain, 1922-2014 fast https://id.oclc.org/worldcat/entity/E39PBJkXBD4kBmqWMPhJGMqG73 Fine Arts. PERFORMING ARTS Film & Video Direction & Production. bisacsh Music, Dance, Drama & Film. hilcc Film. hilcc Criticism, interpretation, etc. fast (OCoLC)fst01411635 has work: Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) (Work) https://id.oclc.org/worldcat/entity/E39PCXVm6GqPxFxBDDyyYtBMKb https://id.oclc.org/worldcat/ontology/hasWork Print version: Walker-Morrison, Deborah. Style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009). Lewiston : Edwin Mellen Press, ©2012 9780773426306 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462499 Volltext |
| spellingShingle | Walker-Morrison, Deborah Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention. Resnais, Alain, 1922-2014 Criticism and interpretation. Resnais, Alain, 1922-2014 fast https://id.oclc.org/worldcat/entity/E39PBJkXBD4kBmqWMPhJGMqG73 Fine Arts. PERFORMING ARTS Film & Video Direction & Production. bisacsh Music, Dance, Drama & Film. hilcc Film. hilcc |
| subject_GND | (OCoLC)fst01411635 |
| title | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / |
| title_alt | Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| title_auth | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / |
| title_exact_search | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / |
| title_full | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas. |
| title_fullStr | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas. |
| title_full_unstemmed | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas. |
| title_short | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) = |
| title_sort | style cinematographique d alain resnais de hiroshima mon amour 1959 aux herbes folles 2009 the film style of alain resnais hiroshima mon amour 1959 to wild grass 2009 |
| title_sub | The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) / |
| topic | Resnais, Alain, 1922-2014 Criticism and interpretation. Resnais, Alain, 1922-2014 fast https://id.oclc.org/worldcat/entity/E39PBJkXBD4kBmqWMPhJGMqG73 Fine Arts. PERFORMING ARTS Film & Video Direction & Production. bisacsh Music, Dance, Drama & Film. hilcc Film. hilcc |
| topic_facet | Resnais, Alain, 1922-2014 Criticism and interpretation. Resnais, Alain, 1922-2014 Fine Arts. PERFORMING ARTS Film & Video Direction & Production. Music, Dance, Drama & Film. Film. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=462499 |
| work_keys_str_mv | AT walkermorrisondeborah lestylecinematographiquedalainresnaisdehiroshimamonamour1959auxherbesfolles2009thefilmstyleofalainresnaishiroshimamonamour1959towildgrass2009 AT walkermorrisondeborah filmstyleofalainresnaishiroshimamonamour1959towildgrass2009 AT walkermorrisondeborah stylecinematographiquedalainresnaisdehiroshimamonamour1959auxherbesfolles2009thefilmstyleofalainresnaishiroshimamonamour1959towildgrass2009 |