Sayonara Amerika, sayonara Nippon :: a geopolitical prehistory of J-pop /
"From the beginning of the American occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations over an ever-shifting geopolitical reality into a pleasurable and fluid ar...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Columbia University Press,
2012.
|
Schriftenreihe: | Asia perspectives.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "From the beginning of the American occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations over an ever-shifting geopolitical reality into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony. Michael Bourdaghs composes the first English-language study of this phenomenon, considering genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s New Music, folk, and technopop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces a range of readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of Japanese pop production and consumption, Bourdaghs interprets a country as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres across the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture"--Provided by publisher. |
Beschreibung: | 1 online resource (xii, 285 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780231530262 0231530269 |
Internformat
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a The music will set you free : Kurosawa Akira, Kasagi Shizuko, and the road to freedom in Occupied Japan -- Mapping Misora Hibari : where have all the Asians gone? -- Mystery plane : Sakamoto Kyu and the translations of rockabilly -- Working within the system : group sounds and the commercial and revolutionary potential of noise -- New music and the negation of the negation : Happy End, Arai Yumi, and Yellow Magic Orchestra -- The Japan that can "say yes" : bubblegum music in a postbubble economy. | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn787844864 |
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adam_text | |
any_adam_object | |
author | Bourdaghs, Michael K. |
author_facet | Bourdaghs, Michael K. |
author_role | aut |
author_sort | Bourdaghs, Michael K. |
author_variant | m k b mk mkb |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3501 |
callnumber-raw | ML3501 .B69 2012eb |
callnumber-search | ML3501 .B69 2012eb |
callnumber-sort | ML 43501 B69 42012EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | The music will set you free : Kurosawa Akira, Kasagi Shizuko, and the road to freedom in Occupied Japan -- Mapping Misora Hibari : where have all the Asians gone? -- Mystery plane : Sakamoto Kyu and the translations of rockabilly -- Working within the system : group sounds and the commercial and revolutionary potential of noise -- New music and the negation of the negation : Happy End, Arai Yumi, and Yellow Magic Orchestra -- The Japan that can "say yes" : bubblegum music in a postbubble economy. |
ctrlnum | (OCoLC)787844864 |
dewey-full | 781.630952 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.630952 |
dewey-search | 781.630952 |
dewey-sort | 3781.630952 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq |
geographic_facet | Japan |
id | ZDB-4-EBA-ocn787844864 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:18:21Z |
institution | BVB |
isbn | 9780231530262 0231530269 |
language | English |
oclc_num | 787844864 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xii, 285 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Columbia University Press, |
record_format | marc |
series | Asia perspectives. |
series2 | Asia perspectives : history, society, and culture |
spelling | Bourdaghs, Michael K., author. Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / Michael K. Bourdaghs. New York : Columbia University Press, 2012. ©2012 1 online resource (xii, 285 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Asia perspectives : history, society, and culture "From the beginning of the American occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations over an ever-shifting geopolitical reality into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony. Michael Bourdaghs composes the first English-language study of this phenomenon, considering genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s New Music, folk, and technopop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces a range of readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of Japanese pop production and consumption, Bourdaghs interprets a country as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres across the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture"--Provided by publisher. Includes bibliographical references and index. The music will set you free : Kurosawa Akira, Kasagi Shizuko, and the road to freedom in Occupied Japan -- Mapping Misora Hibari : where have all the Asians gone? -- Mystery plane : Sakamoto Kyu and the translations of rockabilly -- Working within the system : group sounds and the commercial and revolutionary potential of noise -- New music and the negation of the negation : Happy End, Arai Yumi, and Yellow Magic Orchestra -- The Japan that can "say yes" : bubblegum music in a postbubble economy. Print version record. Popular music Japan History and criticism. Musique populaire Japon Histoire et critique. HISTORY Asia Central Asia. bisacsh MUSIC Instruction & Study Theory. bisacsh Popular music fast Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq Criticism, interpretation, etc. fast has work: Sayonara Amerika, sayonara Nippon (Text) https://id.oclc.org/worldcat/entity/E39PCGBfdcqHW4hMtj64QrW4bd https://id.oclc.org/worldcat/ontology/hasWork Print version: Bourdaghs, Michael K. Sayonara Amerika, sayonara Nippon. New York : Columbia University Press, ©2012 9780231158749 (DLC) 2011029162 (OCoLC)730413618 Asia perspectives. http://id.loc.gov/authorities/names/n00046389 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=953995 Volltext |
spellingShingle | Bourdaghs, Michael K. Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / Asia perspectives. The music will set you free : Kurosawa Akira, Kasagi Shizuko, and the road to freedom in Occupied Japan -- Mapping Misora Hibari : where have all the Asians gone? -- Mystery plane : Sakamoto Kyu and the translations of rockabilly -- Working within the system : group sounds and the commercial and revolutionary potential of noise -- New music and the negation of the negation : Happy End, Arai Yumi, and Yellow Magic Orchestra -- The Japan that can "say yes" : bubblegum music in a postbubble economy. Popular music Japan History and criticism. Musique populaire Japon Histoire et critique. HISTORY Asia Central Asia. bisacsh MUSIC Instruction & Study Theory. bisacsh Popular music fast |
title | Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / |
title_auth | Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / |
title_exact_search | Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / |
title_full | Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / Michael K. Bourdaghs. |
title_fullStr | Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / Michael K. Bourdaghs. |
title_full_unstemmed | Sayonara Amerika, sayonara Nippon : a geopolitical prehistory of J-pop / Michael K. Bourdaghs. |
title_short | Sayonara Amerika, sayonara Nippon : |
title_sort | sayonara amerika sayonara nippon a geopolitical prehistory of j pop |
title_sub | a geopolitical prehistory of J-pop / |
topic | Popular music Japan History and criticism. Musique populaire Japon Histoire et critique. HISTORY Asia Central Asia. bisacsh MUSIC Instruction & Study Theory. bisacsh Popular music fast |
topic_facet | Popular music Japan History and criticism. Musique populaire Japon Histoire et critique. HISTORY Asia Central Asia. MUSIC Instruction & Study Theory. Popular music Japan Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=953995 |
work_keys_str_mv | AT bourdaghsmichaelk sayonaraamerikasayonaranipponageopoliticalprehistoryofjpop |