Languages Within Language :: an evolutive approach /
There is little hope of reconstructing by means of comparative or typological studies a lingua adamica essentially different from present-day languages. The distant preverbal past is however still present in live speech. Phonetic, syntactic and semantic rule transgressions, far from being products o...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam/Philadelphia :
John Benjamins Pub. Co.,
2001.
|
| Schriftenreihe: | Foundations of semiotics ;
v. 13. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | There is little hope of reconstructing by means of comparative or typological studies a lingua adamica essentially different from present-day languages. The distant preverbal past is however still present in live speech. Phonetic, syntactic and semantic rule transgressions, far from being products of a deficient output, are governed by a universal iconic apparatus, a sort of 'anti-grammar' or 'proto-grammar' which enables the speaker and the poet to express preconscious and subconscious mental contents that could not be conveyed by means of the grammar of any language. Secondary messages, gene. |
| Beschreibung: | 16. Between acts and words. |
| Beschreibung: | 1 online resource (841 pages). |
| Bibliographie: | Includes bibliographical references (pages 699-784) and indexes. |
| ISBN: | 9789027275059 902727505X 128332766X 9781283327664 6613327662 9786613327666 |
| ISSN: | 0168-2555 ; |
Internformat
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| 100 | 1 | |a Fónagy, Ivan. | |
| 245 | 1 | 0 | |a Languages Within Language : |b an evolutive approach / |c Ivan Fónagy. |
| 260 | |a Amsterdam/Philadelphia : |b John Benjamins Pub. Co., |c 2001. | ||
| 300 | |a 1 online resource (841 pages). | ||
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| 490 | 1 | |a Foundations of semiotics, |x 0168-2555 ; |v v. 13 | |
| 505 | 0 | |a LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. | |
| 505 | 8 | |a 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances. | |
| 505 | 8 | |a 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. | |
| 505 | 8 | |a 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form. | |
| 505 | 8 | |a 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes. | |
| 500 | |a 16. Between acts and words. | ||
| 520 | |a There is little hope of reconstructing by means of comparative or typological studies a lingua adamica essentially different from present-day languages. The distant preverbal past is however still present in live speech. Phonetic, syntactic and semantic rule transgressions, far from being products of a deficient output, are governed by a universal iconic apparatus, a sort of 'anti-grammar' or 'proto-grammar' which enables the speaker and the poet to express preconscious and subconscious mental contents that could not be conveyed by means of the grammar of any language. Secondary messages, gene. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 699-784) and indexes. | ||
| 650 | 0 | |a Linguistic change. |0 http://id.loc.gov/authorities/subjects/sh85077214 | |
| 650 | 0 | |a Psycholinguistics. |0 http://id.loc.gov/authorities/subjects/sh85108432 | |
| 650 | 6 | |a Changement linguistique. | |
| 650 | 6 | |a Psycholinguistique. | |
| 650 | 7 | |a psycholinguistics. |2 aat | |
| 650 | 7 | |a FOREIGN LANGUAGE STUDY |x Ancient Languages. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Linguistics |x Historical & Comparative. |2 bisacsh | |
| 650 | 7 | |a Linguistic change |2 fast | |
| 650 | 7 | |a Psycholinguistics |2 fast | |
| 758 | |i has work: |a Languages within language (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFtgRjfxtWvwYgJyGCh8RX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Fónagy, Ivan. |t Languages Within Language : An evolutive approach. |d Amsterdam/Philadelphia : John Benjamins Publishing Company, ©2001 |z 9789027232830 |
| 830 | 0 | |a Foundations of semiotics ; |v v. 13. |x 0168-2555 |0 http://id.loc.gov/authorities/names/n84711140 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn769341975 |
|---|---|
| _version_ | 1816881780985167872 |
| adam_text | |
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| author | Fónagy, Ivan |
| author_facet | Fónagy, Ivan |
| author_role | |
| author_sort | Fónagy, Ivan |
| author_variant | i f if |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | P142 |
| callnumber-raw | P142 |
| callnumber-search | P142 |
| callnumber-sort | P 3142 |
| callnumber-subject | P - Philology and Linguistics |
| collection | ZDB-4-EBA |
| contents | LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances. 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form. 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes. |
| ctrlnum | (OCoLC)769341975 |
| dewey-full | 417.7 417/.7 |
| dewey-hundreds | 400 - Language |
| dewey-ones | 417 - Dialectology and historical linguistics |
| dewey-raw | 417.7 417/.7 |
| dewey-search | 417.7 417/.7 |
| dewey-sort | 3417.7 |
| dewey-tens | 410 - Linguistics |
| discipline | Sprachwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn769341975 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:10Z |
| institution | BVB |
| isbn | 9789027275059 902727505X 128332766X 9781283327664 6613327662 9786613327666 |
| issn | 0168-2555 ; |
| language | English |
| oclc_num | 769341975 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (841 pages). |
| psigel | ZDB-4-EBA |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | John Benjamins Pub. Co., |
| record_format | marc |
| series | Foundations of semiotics ; |
| series2 | Foundations of semiotics, |
| spelling | Fónagy, Ivan. Languages Within Language : an evolutive approach / Ivan Fónagy. Amsterdam/Philadelphia : John Benjamins Pub. Co., 2001. 1 online resource (841 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Foundations of semiotics, 0168-2555 ; v. 13 LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances. 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form. 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes. 16. Between acts and words. There is little hope of reconstructing by means of comparative or typological studies a lingua adamica essentially different from present-day languages. The distant preverbal past is however still present in live speech. Phonetic, syntactic and semantic rule transgressions, far from being products of a deficient output, are governed by a universal iconic apparatus, a sort of 'anti-grammar' or 'proto-grammar' which enables the speaker and the poet to express preconscious and subconscious mental contents that could not be conveyed by means of the grammar of any language. Secondary messages, gene. Print version record. Includes bibliographical references (pages 699-784) and indexes. Linguistic change. http://id.loc.gov/authorities/subjects/sh85077214 Psycholinguistics. http://id.loc.gov/authorities/subjects/sh85108432 Changement linguistique. Psycholinguistique. psycholinguistics. aat FOREIGN LANGUAGE STUDY Ancient Languages. bisacsh LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Linguistic change fast Psycholinguistics fast has work: Languages within language (Text) https://id.oclc.org/worldcat/entity/E39PCFtgRjfxtWvwYgJyGCh8RX https://id.oclc.org/worldcat/ontology/hasWork Print version: Fónagy, Ivan. Languages Within Language : An evolutive approach. Amsterdam/Philadelphia : John Benjamins Publishing Company, ©2001 9789027232830 Foundations of semiotics ; v. 13. 0168-2555 http://id.loc.gov/authorities/names/n84711140 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=407377 Volltext |
| spellingShingle | Fónagy, Ivan Languages Within Language : an evolutive approach / Foundations of semiotics ; LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances. 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form. 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes. Linguistic change. http://id.loc.gov/authorities/subjects/sh85077214 Psycholinguistics. http://id.loc.gov/authorities/subjects/sh85108432 Changement linguistique. Psycholinguistique. psycholinguistics. aat FOREIGN LANGUAGE STUDY Ancient Languages. bisacsh LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Linguistic change fast Psycholinguistics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85077214 http://id.loc.gov/authorities/subjects/sh85108432 |
| title | Languages Within Language : an evolutive approach / |
| title_auth | Languages Within Language : an evolutive approach / |
| title_exact_search | Languages Within Language : an evolutive approach / |
| title_full | Languages Within Language : an evolutive approach / Ivan Fónagy. |
| title_fullStr | Languages Within Language : an evolutive approach / Ivan Fónagy. |
| title_full_unstemmed | Languages Within Language : an evolutive approach / Ivan Fónagy. |
| title_short | Languages Within Language : |
| title_sort | languages within language an evolutive approach |
| title_sub | an evolutive approach / |
| topic | Linguistic change. http://id.loc.gov/authorities/subjects/sh85077214 Psycholinguistics. http://id.loc.gov/authorities/subjects/sh85108432 Changement linguistique. Psycholinguistique. psycholinguistics. aat FOREIGN LANGUAGE STUDY Ancient Languages. bisacsh LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. bisacsh Linguistic change fast Psycholinguistics fast |
| topic_facet | Linguistic change. Psycholinguistics. Changement linguistique. Psycholinguistique. psycholinguistics. FOREIGN LANGUAGE STUDY Ancient Languages. LANGUAGE ARTS & DISCIPLINES Linguistics Historical & Comparative. Linguistic change Psycholinguistics |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=407377 |
| work_keys_str_mv | AT fonagyivan languageswithinlanguageanevolutiveapproach |