The Collected Essays of Milton Babbitt.:
Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of musi...
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| Weitere Verfasser: | , , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton :
Princeton University Press,
2011.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are. |
| Beschreibung: | 1 online resource (532 pages) |
| ISBN: | 9781400841226 1400841224 1283290979 9781283290975 9780691155401 0691155402 |
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| 245 | 1 | 4 | |a The Collected Essays of Milton Babbitt. |
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| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960). | |
| 505 | 8 | |a Past and Present Concepts of the Nature and Limits of Music (1961)Set Structure as a Compositional Determinant (1961); Twelve-Tone Rhythmic Structure and the Electronic Medium (1962); Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963); Remarks on the Recent Stravinsky (1964); The Synthesis, Perception, and Specification of Musical Time (1964); An Introduction to the R.C.A. Synthesizer (1964); The Structure and Function of Musical Theory (1965); The Use of Computers in Musicological Research (1965); Edgard Varèse: A Few Observations of His Music (1966). | |
| 505 | 8 | |a Three Essays on Schoenberg (1968)On Relata I (1970); Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970); Memorial for Mátyás Seiber (1970); Stravinsky Memorial (1971); Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972); Memorial for Stefan Wolpe (1972); Since Schoenberg (1974); Celebrative Speech for the Schoenberg Centennial (1976); Responses: A First Approximation (1976); Introduction to Marion Bauer, Twentieth Century Music (1978); Foreword to David Epstein, Beyond Orpheus (1979); Memorial for Ben Weber (1979). | |
| 505 | 8 | |a Memorial for Robert Miller (1981)The More than the Sounds of Music (1984); I Remember Roger (1985); "All the Things They Are": Comments on Kern (1985); Memorial for Hans Keller (1986); Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987); On Having Been and Still Being an American Composer (1989); A Life of Learning (1991); Brave New Worlds (1994); My Vienna Triangle (1999); Index. | |
| 520 | |a Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are. | ||
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| 700 | 1 | |a Peles, Stephen. | |
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| contents | Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960). Past and Present Concepts of the Nature and Limits of Music (1961)Set Structure as a Compositional Determinant (1961); Twelve-Tone Rhythmic Structure and the Electronic Medium (1962); Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963); Remarks on the Recent Stravinsky (1964); The Synthesis, Perception, and Specification of Musical Time (1964); An Introduction to the R.C.A. Synthesizer (1964); The Structure and Function of Musical Theory (1965); The Use of Computers in Musicological Research (1965); Edgard Varèse: A Few Observations of His Music (1966). Three Essays on Schoenberg (1968)On Relata I (1970); Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970); Memorial for Mátyás Seiber (1970); Stravinsky Memorial (1971); Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972); Memorial for Stefan Wolpe (1972); Since Schoenberg (1974); Celebrative Speech for the Schoenberg Centennial (1976); Responses: A First Approximation (1976); Introduction to Marion Bauer, Twentieth Century Music (1978); Foreword to David Epstein, Beyond Orpheus (1979); Memorial for Ben Weber (1979). Memorial for Robert Miller (1981)The More than the Sounds of Music (1984); I Remember Roger (1985); "All the Things They Are": Comments on Kern (1985); Memorial for Hans Keller (1986); Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987); On Having Been and Still Being an American Composer (1989); A Life of Learning (1991); Brave New Worlds (1994); My Vienna Triangle (1999); Index. |
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| dewey-ones | 780 - Music |
| dewey-raw | 780 |
| dewey-search | 780 |
| dewey-sort | 3780 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:03Z |
| institution | BVB |
| isbn | 9781400841226 1400841224 1283290979 9781283290975 9780691155401 0691155402 |
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| publisher | Princeton University Press, |
| record_format | marc |
| spelling | Babbitt, Milton, 1916-2011, author. https://id.oclc.org/worldcat/entity/E39PBJdcy7HRDmBbqV3Wfykbh3 http://id.loc.gov/authorities/names/n81144515 The Collected Essays of Milton Babbitt. Princeton : Princeton University Press, 2011. 1 online resource (532 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960). Past and Present Concepts of the Nature and Limits of Music (1961)Set Structure as a Compositional Determinant (1961); Twelve-Tone Rhythmic Structure and the Electronic Medium (1962); Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963); Remarks on the Recent Stravinsky (1964); The Synthesis, Perception, and Specification of Musical Time (1964); An Introduction to the R.C.A. Synthesizer (1964); The Structure and Function of Musical Theory (1965); The Use of Computers in Musicological Research (1965); Edgard Varèse: A Few Observations of His Music (1966). Three Essays on Schoenberg (1968)On Relata I (1970); Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970); Memorial for Mátyás Seiber (1970); Stravinsky Memorial (1971); Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972); Memorial for Stefan Wolpe (1972); Since Schoenberg (1974); Celebrative Speech for the Schoenberg Centennial (1976); Responses: A First Approximation (1976); Introduction to Marion Bauer, Twentieth Century Music (1978); Foreword to David Epstein, Beyond Orpheus (1979); Memorial for Ben Weber (1979). Memorial for Robert Miller (1981)The More than the Sounds of Music (1984); I Remember Roger (1985); "All the Things They Are": Comments on Kern (1985); Memorial for Hans Keller (1986); Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987); On Having Been and Still Being an American Composer (1989); A Life of Learning (1991); Brave New Worlds (1994); My Vienna Triangle (1999); Index. Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are. Print version record. Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC History & Criticism. bisacsh Music fast Criticism, interpretation, etc. fast Peles, Stephen. Dembski, Stephen. Mead, Andrew. Straus, Joseph Nathan. has work: Essays (Text) https://id.oclc.org/worldcat/entity/E39PCFMxtX9m8TcXCrCVxKhMWC https://id.oclc.org/worldcat/ontology/hasWork Print version: Babbitt, Milton. Collected Essays of Milton Babbitt. Princeton : Princeton University Press, ©2011 9780691089669 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=396363 Volltext |
| spellingShingle | Babbitt, Milton, 1916-2011 The Collected Essays of Milton Babbitt. Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960). Past and Present Concepts of the Nature and Limits of Music (1961)Set Structure as a Compositional Determinant (1961); Twelve-Tone Rhythmic Structure and the Electronic Medium (1962); Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963); Remarks on the Recent Stravinsky (1964); The Synthesis, Perception, and Specification of Musical Time (1964); An Introduction to the R.C.A. Synthesizer (1964); The Structure and Function of Musical Theory (1965); The Use of Computers in Musicological Research (1965); Edgard Varèse: A Few Observations of His Music (1966). Three Essays on Schoenberg (1968)On Relata I (1970); Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970); Memorial for Mátyás Seiber (1970); Stravinsky Memorial (1971); Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972); Memorial for Stefan Wolpe (1972); Since Schoenberg (1974); Celebrative Speech for the Schoenberg Centennial (1976); Responses: A First Approximation (1976); Introduction to Marion Bauer, Twentieth Century Music (1978); Foreword to David Epstein, Beyond Orpheus (1979); Memorial for Ben Weber (1979). Memorial for Robert Miller (1981)The More than the Sounds of Music (1984); I Remember Roger (1985); "All the Things They Are": Comments on Kern (1985); Memorial for Hans Keller (1986); Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987); On Having Been and Still Being an American Composer (1989); A Life of Learning (1991); Brave New Worlds (1994); My Vienna Triangle (1999); Index. Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC History & Criticism. bisacsh Music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088794 |
| title | The Collected Essays of Milton Babbitt. |
| title_auth | The Collected Essays of Milton Babbitt. |
| title_exact_search | The Collected Essays of Milton Babbitt. |
| title_full | The Collected Essays of Milton Babbitt. |
| title_fullStr | The Collected Essays of Milton Babbitt. |
| title_full_unstemmed | The Collected Essays of Milton Babbitt. |
| title_short | The Collected Essays of Milton Babbitt. |
| title_sort | collected essays of milton babbitt |
| topic | Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC History & Criticism. bisacsh Music fast |
| topic_facet | Music History and criticism. Musique Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. MUSIC History & Criticism. Music Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=396363 |
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