Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Smith, Anne, 1951-
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	New York : Oxford University Press, ©2011.
Schlagworte:	1500-1599 Performance practice (Music) > History > 16th century. Pratique de l'exécution (Musique) > Histoire > 16e siècle. MUSIC > Instruction & Study > Techniques. Performance practice (Music) Electronic books. History
Online-Zugang:	Volltext
Zusammenfassung:	Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge.
Beschreibung:	1 online resource (x, 244 pages) : illustrations, music
Bibliographie:	Includes bibliographical references and index.
ISBN:	9780199792542 0199792542 1283098148 9781283098144 9786613098146 6613098140