Two-dimensional sonata form :: form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky /
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leuven :
Leuven University Press,
©2009.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in- |
| Beschreibung: | 1 online resource (vii, 220 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references (pages 207-215) and index. |
| ISBN: | 9789461660145 9461660146 |
Internformat
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn715171716 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 091110s2009 be ag ob 001 0 eng d | ||
| 010 | |z 2009515203 | ||
| 040 | |a E7B |b eng |e pn |c E7B |d YDXCP |d OCLCQ |d N$T |d OCLCQ |d IAI |d OCLCF |d OCLCQ |d OCLCO |d JSTOR |d OCLCQ |d OCLCO |d OCLCQ |d AZK |d YDX |d LOA |d JBG |d COCUF |d AGLDB |d MOR |d PIFAG |d OCLCQ |d COO |d OCLCQ |d IOG |d U3W |d STF |d WRM |d OCLCQ |d VTS |d EZ9 |d INT |d AU@ |d OCLCQ |d LVT |d UKCRE |d AJS |d OCLCO |d OCLCQ |d OCLCO | ||
| 019 | |a 764555418 |a 957135659 |a 961505447 |a 962572937 |a 968282649 |a 988455213 |a 992071710 |a 1037789461 |a 1038684142 |a 1058139607 |a 1153454598 | ||
| 020 | |a 9789461660145 |q (electronic bk.) | ||
| 020 | |a 9461660146 |q (electronic bk.) | ||
| 020 | |z 9789058677518 | ||
| 020 | |z 9058677516 | ||
| 035 | |a (OCoLC)715171716 |z (OCoLC)764555418 |z (OCoLC)957135659 |z (OCoLC)961505447 |z (OCoLC)962572937 |z (OCoLC)968282649 |z (OCoLC)988455213 |z (OCoLC)992071710 |z (OCoLC)1037789461 |z (OCoLC)1038684142 |z (OCoLC)1058139607 |z (OCoLC)1153454598 | ||
| 037 | |a 22573/ctt8xn3dx |b JSTOR | ||
| 050 | 4 | |a MT62 |b .V36 2009eb | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 072 | 7 | |a MUS000000 |2 bisacsh | |
| 082 | 7 | |a 781.52 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Vande Moortele, Steven. |0 http://id.loc.gov/authorities/names/n2010000477 | |
| 245 | 1 | 0 | |a Two-dimensional sonata form : |b form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / |c Steven Vande Moortele. |
| 260 | |a Leuven : |b Leuven University Press, |c ©2009. | ||
| 300 | |a 1 online resource (vii, 220 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 207-215) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement. | |
| 505 | 8 | |a Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music. | |
| 505 | 8 | |a Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works. | |
| 520 | |a Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in- | ||
| 650 | 0 | |a Sonata form. |0 http://id.loc.gov/authorities/subjects/sh90005159 | |
| 650 | 0 | |a Instrumental music |x Analysis, appreciation. | |
| 650 | 6 | |a Forme sonate. | |
| 650 | 6 | |a Musique instrumentale |x Analyse et appréciation. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Instrumental music |x Analysis, appreciation |2 fast | |
| 650 | 7 | |a Sonata form |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Vande Moortele, Steven. |t Two-dimensional sonata form. |d Leuven : Leuven University Press, ©2009 |z 9789058677518 |w (DLC) 2009515203 |w (OCoLC)401145640 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=437098 |3 Volltext |
| 938 | |a ebrary |b EBRY |n ebr10452819 | ||
| 938 | |a EBSCOhost |b EBSC |n 437098 | ||
| 938 | |a YBP Library Services |b YANK |n 4372472 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn715171716 |
|---|---|
| _version_ | 1816881757414227970 |
| adam_text | |
| any_adam_object | |
| author | Vande Moortele, Steven |
| author_GND | http://id.loc.gov/authorities/names/n2010000477 |
| author_facet | Vande Moortele, Steven |
| author_role | |
| author_sort | Vande Moortele, Steven |
| author_variant | m s v ms msv |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | MT62 |
| callnumber-raw | MT62 .V36 2009eb |
| callnumber-search | MT62 .V36 2009eb |
| callnumber-sort | MT 262 V36 42009EB |
| callnumber-subject | MT - Instruction and Study |
| collection | ZDB-4-EBA |
| contents | Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement. Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music. Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works. |
| ctrlnum | (OCoLC)715171716 |
| dewey-full | 781.52 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.52 |
| dewey-search | 781.52 |
| dewey-sort | 3781.52 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05050cam a2200589Ma 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn715171716</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">091110s2009 be ag ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2009515203</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">E7B</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">E7B</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IAI</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AZK</subfield><subfield code="d">YDX</subfield><subfield code="d">LOA</subfield><subfield code="d">JBG</subfield><subfield code="d">COCUF</subfield><subfield code="d">AGLDB</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">COO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">U3W</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">EZ9</subfield><subfield code="d">INT</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LVT</subfield><subfield code="d">UKCRE</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">764555418</subfield><subfield code="a">957135659</subfield><subfield code="a">961505447</subfield><subfield code="a">962572937</subfield><subfield code="a">968282649</subfield><subfield code="a">988455213</subfield><subfield code="a">992071710</subfield><subfield code="a">1037789461</subfield><subfield code="a">1038684142</subfield><subfield code="a">1058139607</subfield><subfield code="a">1153454598</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789461660145</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9461660146</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789058677518</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9058677516</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)715171716</subfield><subfield code="z">(OCoLC)764555418</subfield><subfield code="z">(OCoLC)957135659</subfield><subfield code="z">(OCoLC)961505447</subfield><subfield code="z">(OCoLC)962572937</subfield><subfield code="z">(OCoLC)968282649</subfield><subfield code="z">(OCoLC)988455213</subfield><subfield code="z">(OCoLC)992071710</subfield><subfield code="z">(OCoLC)1037789461</subfield><subfield code="z">(OCoLC)1038684142</subfield><subfield code="z">(OCoLC)1058139607</subfield><subfield code="z">(OCoLC)1153454598</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt8xn3dx</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">MT62</subfield><subfield code="b">.V36 2009eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.52</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Vande Moortele, Steven.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2010000477</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Two-dimensional sonata form :</subfield><subfield code="b">form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky /</subfield><subfield code="c">Steven Vande Moortele.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Leuven :</subfield><subfield code="b">Leuven University Press,</subfield><subfield code="c">©2009.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (vii, 220 pages) :</subfield><subfield code="b">illustrations, music</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 207-215) and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sonata form.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh90005159</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Instrumental music</subfield><subfield code="x">Analysis, appreciation.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Forme sonate.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique instrumentale</subfield><subfield code="x">Analyse et appréciation.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Instrumental music</subfield><subfield code="x">Analysis, appreciation</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sonata form</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Vande Moortele, Steven.</subfield><subfield code="t">Two-dimensional sonata form.</subfield><subfield code="d">Leuven : Leuven University Press, ©2009</subfield><subfield code="z">9789058677518</subfield><subfield code="w">(DLC) 2009515203</subfield><subfield code="w">(OCoLC)401145640</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=437098</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10452819</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">437098</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">4372472</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocn715171716 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:47Z |
| institution | BVB |
| isbn | 9789461660145 9461660146 |
| language | English |
| oclc_num | 715171716 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vii, 220 pages) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Leuven University Press, |
| record_format | marc |
| spelling | Vande Moortele, Steven. http://id.loc.gov/authorities/names/n2010000477 Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / Steven Vande Moortele. Leuven : Leuven University Press, ©2009. 1 online resource (vii, 220 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 207-215) and index. Print version record. Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement. Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music. Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works. Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in- Sonata form. http://id.loc.gov/authorities/subjects/sh90005159 Instrumental music Analysis, appreciation. Forme sonate. Musique instrumentale Analyse et appréciation. MUSIC Instruction & Study Theory. bisacsh MUSIC General. bisacsh Instrumental music Analysis, appreciation fast Sonata form fast Print version: Vande Moortele, Steven. Two-dimensional sonata form. Leuven : Leuven University Press, ©2009 9789058677518 (DLC) 2009515203 (OCoLC)401145640 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=437098 Volltext |
| spellingShingle | Vande Moortele, Steven Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement. Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music. Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works. Sonata form. http://id.loc.gov/authorities/subjects/sh90005159 Instrumental music Analysis, appreciation. Forme sonate. Musique instrumentale Analyse et appréciation. MUSIC Instruction & Study Theory. bisacsh MUSIC General. bisacsh Instrumental music Analysis, appreciation fast Sonata form fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh90005159 |
| title | Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / |
| title_auth | Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / |
| title_exact_search | Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / |
| title_full | Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / Steven Vande Moortele. |
| title_fullStr | Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / Steven Vande Moortele. |
| title_full_unstemmed | Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / Steven Vande Moortele. |
| title_short | Two-dimensional sonata form : |
| title_sort | two dimensional sonata form form and cycle in single movement instrumental works by liszt strauss schoenberg and zemlinsky |
| title_sub | form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky / |
| topic | Sonata form. http://id.loc.gov/authorities/subjects/sh90005159 Instrumental music Analysis, appreciation. Forme sonate. Musique instrumentale Analyse et appréciation. MUSIC Instruction & Study Theory. bisacsh MUSIC General. bisacsh Instrumental music Analysis, appreciation fast Sonata form fast |
| topic_facet | Sonata form. Instrumental music Analysis, appreciation. Forme sonate. Musique instrumentale Analyse et appréciation. MUSIC Instruction & Study Theory. MUSIC General. Instrumental music Analysis, appreciation Sonata form |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=437098 |
| work_keys_str_mv | AT vandemoortelesteven twodimensionalsonataformformandcycleinsinglemovementinstrumentalworksbylisztstraussschoenbergandzemlinsky |