Contemporary music :: theoretical and philosophical perspectives /
This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, phil...
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| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Burlington, VT :
Ashgate,
©2009.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Contributions with a theoretical emphasis consider the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake. |
| Physical Description: | 1 online resource (xx, 386 pages) : illustrations, music |
| ISBN: | 9781409404163 1409404161 0754604977 9780754604976 1317160681 9781317160687 1282743821 9781282743823 9786612743825 6612743824 |
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| 245 | 0 | 0 | |a Contemporary music : |b theoretical and philosophical perspectives / |c edited by Max Paddison and Irène Deliège. |
| 260 | |a Burlington, VT : |b Ashgate, |c ©2009. | ||
| 300 | |a 1 online resource (xx, 386 pages) : |b illustrations, music | ||
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| 505 | 0 | 0 | |g pt. 1. Theoretical perspectives and retrospectives. |t The principles of music and the rationalization of theory / |r Hugues Dufourt. |t Atonal harmony : from set to scale / |r Célestin Deliège. |t In search of lost harmony / |r Rudolf Frisius. |t Against a theory of musical (new) complexity / |r Richard Toop. |t Heterogeneity, or, On the choice of being omnivorous / |r Pascal Decroupet. |t Varèse, serialism and the acoustic metaphor / |r Pascal Decroupet. |t "I open and close"? / |r Richard Toop. |t A period of confrontation : the post-Webern years / |r Célestin Deliège -- |g pt. 2. Philosophical critiques and speculations after Adorno. |t A philosophy of totality / |r Herman Sabbe. |t Possibilities for a work-immanent contemporary musical logic / |r François Nicolas. |t Postmodernism and the survival of the avant-garde / |r Max Paddison. |t Material constraints : Adorno, Benjamin, Arendt / |r Anne Boissière. |t Towards an aesthetics of risk / |r Marc Jimenez. |t Music and social relations : towards a theory of modulation / |r Max Paddison -- |g pt. 3. Creative orientations. |t Music, ambiguity, Buddhism : a composer's perspective / |r Jonathan Harvey. |t Artistic orientations, aesthetic concepts, and the limits of explanation : an interview with Pierre Boulez / |r David Walters. |t Failed time, successful time, shadowtime : an interview with Brian Ferneyhough / |r Lois Fitch and John Halls. |t Sound structures, transformations, and broken magic : an interview with Helmut Lachenmann / |r Abigail Heathcote. |t Hunting and forms : an interview with Wolfgang Rihm / |r Richard McGregor. |t Postlude : Helmut Lachenmann, Wolfgang Rihm and the Austro-German tradition / |r Alastair Williams. |
| 588 | 0 | |a Print version record. | |
| 520 | |a This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Contributions with a theoretical emphasis consider the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Music |y 20th century |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2001000180 | |
| 650 | 0 | |a Music |y 20th century |x Philosophy and aesthetics. | |
| 650 | 0 | |a Music |y 21st century |x History and criticism. | |
| 650 | 0 | |a Music |y 21st century |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |y 20e siècle |x Philosophie et esthétique. | |
| 650 | 6 | |a Musique |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 21e siècle |x Philosophie et esthétique. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Paddison, Max. |0 http://id.loc.gov/authorities/names/n92119460 | |
| 700 | 1 | |a Deliège, Irène. |0 http://id.loc.gov/authorities/names/nb2003060857 | |
| 776 | 0 | 8 | |i Print version: |t Contemporary music. |d Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2010 |z 9780754604976 |w (DLC) 2009050043 |w (OCoLC)144529708 |
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Record in the Search Index
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn680618837 |
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| adam_text | |
| any_adam_object | |
| author2 | Paddison, Max Deliège, Irène |
| author2_role | |
| author2_variant | m p mp i d id |
| author_GND | http://id.loc.gov/authorities/names/n92119460 http://id.loc.gov/authorities/names/nb2003060857 |
| author_additional | Hugues Dufourt. Célestin Deliège. Rudolf Frisius. Richard Toop. Pascal Decroupet. Célestin Deliège -- Herman Sabbe. François Nicolas. Max Paddison. Anne Boissière. Marc Jimenez. Max Paddison -- Jonathan Harvey. David Walters. Lois Fitch and John Halls. Abigail Heathcote. Richard McGregor. Alastair Williams. |
| author_facet | Paddison, Max Deliège, Irène |
| author_sort | Paddison, Max |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML197 |
| callnumber-raw | ML197 .C75126 2009eb |
| callnumber-search | ML197 .C75126 2009eb |
| callnumber-sort | ML 3197 C75126 42009EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | The principles of music and the rationalization of theory / Atonal harmony : from set to scale / In search of lost harmony / Against a theory of musical (new) complexity / Heterogeneity, or, On the choice of being omnivorous / Varèse, serialism and the acoustic metaphor / "I open and close"? / A period of confrontation : the post-Webern years / A philosophy of totality / Possibilities for a work-immanent contemporary musical logic / Postmodernism and the survival of the avant-garde / Material constraints : Adorno, Benjamin, Arendt / Towards an aesthetics of risk / Music and social relations : towards a theory of modulation / Music, ambiguity, Buddhism : a composer's perspective / Artistic orientations, aesthetic concepts, and the limits of explanation : an interview with Pierre Boulez / Failed time, successful time, shadowtime : an interview with Brian Ferneyhough / Sound structures, transformations, and broken magic : an interview with Helmut Lachenmann / Hunting and forms : an interview with Wolfgang Rihm / Postlude : Helmut Lachenmann, Wolfgang Rihm and the Austro-German tradition / |
| ctrlnum | (OCoLC)680618837 |
| dewey-full | 780.9/04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/04 |
| dewey-search | 780.9/04 |
| dewey-sort | 3780.9 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-2099 fast |
| era_facet | 1900-2099 |
| format | Electronic eBook |
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Theoretical perspectives and retrospectives.</subfield><subfield code="t">The principles of music and the rationalization of theory /</subfield><subfield code="r">Hugues Dufourt.</subfield><subfield code="t">Atonal harmony : from set to scale /</subfield><subfield code="r">Célestin Deliège.</subfield><subfield code="t">In search of lost harmony /</subfield><subfield code="r">Rudolf Frisius.</subfield><subfield code="t">Against a theory of musical (new) complexity /</subfield><subfield code="r">Richard Toop.</subfield><subfield code="t">Heterogeneity, or, On the choice of being omnivorous /</subfield><subfield code="r">Pascal Decroupet.</subfield><subfield code="t">Varèse, serialism and the acoustic metaphor /</subfield><subfield code="r">Pascal Decroupet.</subfield><subfield code="t">"I open and close"? /</subfield><subfield code="r">Richard Toop.</subfield><subfield code="t">A period of confrontation : the post-Webern years /</subfield><subfield code="r">Célestin Deliège --</subfield><subfield code="g">pt. 2. Philosophical critiques and speculations after Adorno.</subfield><subfield code="t">A philosophy of totality /</subfield><subfield code="r">Herman Sabbe.</subfield><subfield code="t">Possibilities for a work-immanent contemporary musical logic /</subfield><subfield code="r">François Nicolas.</subfield><subfield code="t">Postmodernism and the survival of the avant-garde /</subfield><subfield code="r">Max Paddison.</subfield><subfield code="t">Material constraints : Adorno, Benjamin, Arendt /</subfield><subfield code="r">Anne Boissière.</subfield><subfield code="t">Towards an aesthetics of risk /</subfield><subfield code="r">Marc Jimenez.</subfield><subfield code="t">Music and social relations : towards a theory of modulation /</subfield><subfield code="r">Max Paddison --</subfield><subfield code="g">pt. 3. Creative orientations.</subfield><subfield code="t">Music, ambiguity, Buddhism : a composer's perspective /</subfield><subfield code="r">Jonathan Harvey.</subfield><subfield code="t">Artistic orientations, aesthetic concepts, and the limits of explanation : an interview with Pierre Boulez /</subfield><subfield code="r">David Walters.</subfield><subfield code="t">Failed time, successful time, shadowtime : an interview with Brian Ferneyhough /</subfield><subfield code="r">Lois Fitch and John Halls.</subfield><subfield code="t">Sound structures, transformations, and broken magic : an interview with Helmut Lachenmann /</subfield><subfield code="r">Abigail Heathcote.</subfield><subfield code="t">Hunting and forms : an interview with Wolfgang Rihm /</subfield><subfield code="r">Richard McGregor.</subfield><subfield code="t">Postlude : Helmut Lachenmann, Wolfgang Rihm and the Austro-German tradition /</subfield><subfield code="r">Alastair Williams.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. 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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn680618837 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:37:03Z |
| institution | BVB |
| isbn | 9781409404163 1409404161 0754604977 9780754604976 1317160681 9781317160687 1282743821 9781282743823 9786612743825 6612743824 |
| language | English |
| oclc_num | 680618837 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xx, 386 pages) : illustrations, music |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Ashgate, |
| record_format | marc |
| spelling | Contemporary music : theoretical and philosophical perspectives / edited by Max Paddison and Irène Deliège. Burlington, VT : Ashgate, ©2009. 1 online resource (xx, 386 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda pt. 1. Theoretical perspectives and retrospectives. The principles of music and the rationalization of theory / Hugues Dufourt. Atonal harmony : from set to scale / Célestin Deliège. In search of lost harmony / Rudolf Frisius. Against a theory of musical (new) complexity / Richard Toop. Heterogeneity, or, On the choice of being omnivorous / Pascal Decroupet. Varèse, serialism and the acoustic metaphor / Pascal Decroupet. "I open and close"? / Richard Toop. A period of confrontation : the post-Webern years / Célestin Deliège -- pt. 2. Philosophical critiques and speculations after Adorno. A philosophy of totality / Herman Sabbe. Possibilities for a work-immanent contemporary musical logic / François Nicolas. Postmodernism and the survival of the avant-garde / Max Paddison. Material constraints : Adorno, Benjamin, Arendt / Anne Boissière. Towards an aesthetics of risk / Marc Jimenez. Music and social relations : towards a theory of modulation / Max Paddison -- pt. 3. Creative orientations. Music, ambiguity, Buddhism : a composer's perspective / Jonathan Harvey. Artistic orientations, aesthetic concepts, and the limits of explanation : an interview with Pierre Boulez / David Walters. Failed time, successful time, shadowtime : an interview with Brian Ferneyhough / Lois Fitch and John Halls. Sound structures, transformations, and broken magic : an interview with Helmut Lachenmann / Abigail Heathcote. Hunting and forms : an interview with Wolfgang Rihm / Richard McGregor. Postlude : Helmut Lachenmann, Wolfgang Rihm and the Austro-German tradition / Alastair Williams. Print version record. This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Contributions with a theoretical emphasis consider the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake. English. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music 20th century Philosophy and aesthetics. Music 21st century History and criticism. Music 21st century Philosophy and aesthetics. Musique 20e siècle Philosophie et esthétique. Musique 21e siècle Histoire et critique. Musique 21e siècle Philosophie et esthétique. MUSIC History & Criticism. bisacsh Music fast Music Philosophy and aesthetics fast 1900-2099 fast Electronic books. Criticism, interpretation, etc. fast Paddison, Max. http://id.loc.gov/authorities/names/n92119460 Deliège, Irène. http://id.loc.gov/authorities/names/nb2003060857 Print version: Contemporary music. Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2010 9780754604976 (DLC) 2009050043 (OCoLC)144529708 |
| spellingShingle | Contemporary music : theoretical and philosophical perspectives / The principles of music and the rationalization of theory / Atonal harmony : from set to scale / In search of lost harmony / Against a theory of musical (new) complexity / Heterogeneity, or, On the choice of being omnivorous / Varèse, serialism and the acoustic metaphor / "I open and close"? / A period of confrontation : the post-Webern years / A philosophy of totality / Possibilities for a work-immanent contemporary musical logic / Postmodernism and the survival of the avant-garde / Material constraints : Adorno, Benjamin, Arendt / Towards an aesthetics of risk / Music and social relations : towards a theory of modulation / Music, ambiguity, Buddhism : a composer's perspective / Artistic orientations, aesthetic concepts, and the limits of explanation : an interview with Pierre Boulez / Failed time, successful time, shadowtime : an interview with Brian Ferneyhough / Sound structures, transformations, and broken magic : an interview with Helmut Lachenmann / Hunting and forms : an interview with Wolfgang Rihm / Postlude : Helmut Lachenmann, Wolfgang Rihm and the Austro-German tradition / Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music 20th century Philosophy and aesthetics. Music 21st century History and criticism. Music 21st century Philosophy and aesthetics. Musique 20e siècle Philosophie et esthétique. Musique 21e siècle Histoire et critique. Musique 21e siècle Philosophie et esthétique. MUSIC History & Criticism. bisacsh Music fast Music Philosophy and aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001000180 |
| title | Contemporary music : theoretical and philosophical perspectives / |
| title_alt | The principles of music and the rationalization of theory / Atonal harmony : from set to scale / In search of lost harmony / Against a theory of musical (new) complexity / Heterogeneity, or, On the choice of being omnivorous / Varèse, serialism and the acoustic metaphor / "I open and close"? / A period of confrontation : the post-Webern years / A philosophy of totality / Possibilities for a work-immanent contemporary musical logic / Postmodernism and the survival of the avant-garde / Material constraints : Adorno, Benjamin, Arendt / Towards an aesthetics of risk / Music and social relations : towards a theory of modulation / Music, ambiguity, Buddhism : a composer's perspective / Artistic orientations, aesthetic concepts, and the limits of explanation : an interview with Pierre Boulez / Failed time, successful time, shadowtime : an interview with Brian Ferneyhough / Sound structures, transformations, and broken magic : an interview with Helmut Lachenmann / Hunting and forms : an interview with Wolfgang Rihm / Postlude : Helmut Lachenmann, Wolfgang Rihm and the Austro-German tradition / |
| title_auth | Contemporary music : theoretical and philosophical perspectives / |
| title_exact_search | Contemporary music : theoretical and philosophical perspectives / |
| title_full | Contemporary music : theoretical and philosophical perspectives / edited by Max Paddison and Irène Deliège. |
| title_fullStr | Contemporary music : theoretical and philosophical perspectives / edited by Max Paddison and Irène Deliège. |
| title_full_unstemmed | Contemporary music : theoretical and philosophical perspectives / edited by Max Paddison and Irène Deliège. |
| title_short | Contemporary music : |
| title_sort | contemporary music theoretical and philosophical perspectives |
| title_sub | theoretical and philosophical perspectives / |
| topic | Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music 20th century Philosophy and aesthetics. Music 21st century History and criticism. Music 21st century Philosophy and aesthetics. Musique 20e siècle Philosophie et esthétique. Musique 21e siècle Histoire et critique. Musique 21e siècle Philosophie et esthétique. MUSIC History & Criticism. bisacsh Music fast Music Philosophy and aesthetics fast |
| topic_facet | Music 20th century History and criticism. Music 20th century Philosophy and aesthetics. Music 21st century History and criticism. Music 21st century Philosophy and aesthetics. Musique 20e siècle Philosophie et esthétique. Musique 21e siècle Histoire et critique. Musique 21e siècle Philosophie et esthétique. MUSIC History & Criticism. Music Music Philosophy and aesthetics Electronic books. Criticism, interpretation, etc. |
| work_keys_str_mv | AT paddisonmax contemporarymusictheoreticalandphilosophicalperspectives AT deliegeirene contemporarymusictheoreticalandphilosophicalperspectives |