Reframing 9/11 :: film, popular culture and the "war on terror" /
""Looking well beyond the most obvious and familiar tales of contemporary terrorism and counter-terrorism to survey a twenty-first century America burdened and buoyed by a decade-long War on Terror, Reframing 9/11 offers an ambitious collection of theoretically savvy commentaries focusing...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Continuum,
2010.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | ""Looking well beyond the most obvious and familiar tales of contemporary terrorism and counter-terrorism to survey a twenty-first century America burdened and buoyed by a decade-long War on Terror, Reframing 9/11 offers an ambitious collection of theoretically savvy commentaries focusing on a wide array of popular texts, from zombie movies and video games to the Left Behind bestsellers and Bruce Springsteen's The Rising. Together, these essays explore the multivocal, disturbing, and tangled legacy of 9/11 as it reverberates culturally, politically, and socially through a globally stretched and strained America." Gregory A. Waller, Department of Communication and Culture, Indiana University" "September 11th, 2001, remains a focal point of American consciousness, a site demanding ongoing excavation, a site at which to mark before and after "everything" changed. In ways both real and intangible the entire sequence of events of that day continues to resonate in an endlessly proliferating aftermath of meanings. Presenting a collection of analyses by an international body of scholars that examines America's recent history, this book focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events in order to contextualize them into a historically grounded series of narratives that recognizes the complex relations of a globalized world." "Essays in Reframing 9/11 share a collective drive to encourage new and original approaches for understanding the issues both within and beyond the official political rhetoric of the events of the "The Global War on Terror" and issues of national security."--Jacket |
| Beschreibung: | Jeff Birkenstein is an Associate Professor of English at Saint Martin's University in Lacey, Washington. Birkenstein's major interests lie in American Literature post-1865, American and world short story, the short story sequence, and cultural and food criticism. An edited collection of essays, Cultural Representation in the International Short Story Sequence (co-edited with Robert M. Luscher, University of Nebraska at Kearney) has just been accepted for publication. He has published several papers in academic journals as well as book reviews, commentaries, essays and a short story. He teaches a range of classes, from Freshman Seminar and Composition to African American Literature, The Short Story, Food & Fiction, and Narratives from the Aftermath of 9/11. Birkenstein received his Ph. D. from the University of Kentucky in 2003; he has a second MA in Teaching English as a Second/Other Language. Anna Froula is an Assistant Professor of film studies at East Carolina University. Froula teaches courses on war literature and film, American outlaws, national mythology, and film history, theory, and fundamentals. She has published and presented on on representations of military women, masculinity, and World War II, Vietnam, and the "War on Terror." She is currently working on a manuscript that explores popular representations of American military women from World War II to the present. Karen Randell is a Principal Lecturer in Film at Southampton Solent University, UK where she is Programme Leader for Film and Television. She teaches contemporary cinema and film history and her research interests include: war genre, trauma, masculinity and early cinema. She is published on trauma in film in Art in the Age of Terrorism (London: Holberton Publication: 2005) and in SCREEN. She is co-editor (with Sean Redmond) of The War Body on Screen (Continuum, NY: 2008) and Screen Methods: Comparative Readings in Film Studies (Wallflower Press: 2005) with Jacqueline Furby. |
| Beschreibung: | 1 online resource (xiii, 242 pages :) |
| Bibliographie: | Includes bibliographical references (pages 217-238) and index. |
| ISBN: | 9781441141958 1441141952 9781628928280 162892828X 1441119906 9781441119902 1282821792 9781282821798 9786612821790 6612821795 |
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| 245 | 0 | 0 | |a Reframing 9/11 : |b film, popular culture and the "war on terror" / |c edited by Jeff Birkenstein, Anna Froula and Karen Randell. |
| 246 | 3 | |a Reframing nine/eleven | |
| 260 | |a New York : |b Continuum, |c 2010. | ||
| 300 | |a 1 online resource (xiii, 242 pages :) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 217-238) and index. | ||
| 505 | 0 | 0 | |g Introduction / |r Jeff Birkenstein, Anna Froula, and Karen Randell -- |t (Re)creating language. Fear, terrorism and popular culture / |r David L. Altheide -- |t The aesthetics of destruction : contemporary US cinema and TV culture / |r Mathias Nilges -- |t 9/11, British Muslims, and popular literary fiction / |r Sara Upstone -- |t Left behind in America : the army of one at the end of history / |r Jonathan Vincent -- |t 9/11, manhood, mourning, and the American romance / |r John Mead -- |t An early broadside : the far right raids Master and commander : the far side of the world / |r Jeff Birkenstein -- |t The sound of the "war on terror" / |r Corey K. Creekmur -- |t Visions of war and terror. Avatars of destruction : cheerleading and deconstructing the "war on terror" in video games / |r David Annandale -- |t The land of the dead and the home of the brave : Romero's vision of a post 9/11 America / |r Terence McSweeney -- |t Superman is the faultline : fissures in the monomythic Man of steel / |r Alex Evans -- |t The tools and toys of (the) war (on terror) : consumer desire, military fetish and regime change in Batman begins / |r Justine Toh -- |t "It was like a movie" : the impossibility of representation in Oliver Stone's World Trade Center / |r Karen Randell -- |t The contemporary politics of the western form : Bush, Saving Jessica Lynch, and Deadwood / |r Stacy Takacs -- |t Prophetic Narratives. Governing fear in the Iron cage of rationalism : Terry Gilliam's Brazil through the 9/11 looking glass / |r David H. Price -- |t -- |t Cultural anxiety, moral clarity and willful amnesia : filming Philip K. Dick after 9/11 / |r Lance Rubin -- |t Prolepsis and the "war on terror" : zombie pathology and the culture of fear in 28 days later / |r Anna Froula -- |g Afterword / |r John G. Cawelti. |
| 520 | 1 | |a ""Looking well beyond the most obvious and familiar tales of contemporary terrorism and counter-terrorism to survey a twenty-first century America burdened and buoyed by a decade-long War on Terror, Reframing 9/11 offers an ambitious collection of theoretically savvy commentaries focusing on a wide array of popular texts, from zombie movies and video games to the Left Behind bestsellers and Bruce Springsteen's The Rising. Together, these essays explore the multivocal, disturbing, and tangled legacy of 9/11 as it reverberates culturally, politically, and socially through a globally stretched and strained America." Gregory A. Waller, Department of Communication and Culture, Indiana University" "September 11th, 2001, remains a focal point of American consciousness, a site demanding ongoing excavation, a site at which to mark before and after "everything" changed. In ways both real and intangible the entire sequence of events of that day continues to resonate in an endlessly proliferating aftermath of meanings. Presenting a collection of analyses by an international body of scholars that examines America's recent history, this book focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events in order to contextualize them into a historically grounded series of narratives that recognizes the complex relations of a globalized world." "Essays in Reframing 9/11 share a collective drive to encourage new and original approaches for understanding the issues both within and beyond the official political rhetoric of the events of the "The Global War on Terror" and issues of national security."--Jacket | |
| 500 | |a Jeff Birkenstein is an Associate Professor of English at Saint Martin's University in Lacey, Washington. Birkenstein's major interests lie in American Literature post-1865, American and world short story, the short story sequence, and cultural and food criticism. An edited collection of essays, Cultural Representation in the International Short Story Sequence (co-edited with Robert M. Luscher, University of Nebraska at Kearney) has just been accepted for publication. He has published several papers in academic journals as well as book reviews, commentaries, essays and a short story. He teaches a range of classes, from Freshman Seminar and Composition to African American Literature, The Short Story, Food & Fiction, and Narratives from the Aftermath of 9/11. Birkenstein received his Ph. D. from the University of Kentucky in 2003; he has a second MA in Teaching English as a Second/Other Language. | ||
| 500 | |a Anna Froula is an Assistant Professor of film studies at East Carolina University. Froula teaches courses on war literature and film, American outlaws, national mythology, and film history, theory, and fundamentals. She has published and presented on on representations of military women, masculinity, and World War II, Vietnam, and the "War on Terror." She is currently working on a manuscript that explores popular representations of American military women from World War II to the present. | ||
| 500 | |a Karen Randell is a Principal Lecturer in Film at Southampton Solent University, UK where she is Programme Leader for Film and Television. She teaches contemporary cinema and film history and her research interests include: war genre, trauma, masculinity and early cinema. She is published on trauma in film in Art in the Age of Terrorism (London: Holberton Publication: 2005) and in SCREEN. She is co-editor (with Sean Redmond) of The War Body on Screen (Continuum, NY: 2008) and Screen Methods: Comparative Readings in Film Studies (Wallflower Press: 2005) with Jacqueline Furby. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Terrorism in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2001005250 | |
| 650 | 0 | |a Psychic trauma in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2004007750 | |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001 |x Influence. |0 http://id.loc.gov/authorities/subjects/sh2004005513 | |
| 650 | 0 | |a War on Terrorism, 2001-2009 |x Influence. | |
| 650 | 0 | |a Popular culture |x Political aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |x Political aspects |z United States. | |
| 650 | 0 | |a Terrorism and mass media |z United States. | |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001, in mass media. |0 http://id.loc.gov/authorities/subjects/sh2007003819 | |
| 650 | 0 | |a War on Terrorism, 2001-2009, in mass media. |0 http://id.loc.gov/authorities/subjects/sh2008001089 | |
| 650 | 6 | |a Terrorisme au cinéma. | |
| 650 | 6 | |a Traumatisme psychique au cinéma. | |
| 650 | 6 | |a Guerre contre le terrorisme, 2001-2009 |x Influence. | |
| 650 | 6 | |a Culture populaire |x Aspect politique |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Terrorisme et médias |z États-Unis. | |
| 650 | 6 | |a Attentats du 11 septembre 2001, États-Unis dans les médias. | |
| 650 | 6 | |a Guerre contre le terrorisme, 2001-2009, dans les médias. | |
| 650 | 6 | |a Cinéma |x Aspect politique |z États-Unis. | |
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| author_additional | Jeff Birkenstein, Anna Froula, and Karen Randell -- David L. Altheide -- Mathias Nilges -- Sara Upstone -- Jonathan Vincent -- John Mead -- Jeff Birkenstein -- Corey K. Creekmur -- David Annandale -- Terence McSweeney -- Alex Evans -- Justine Toh -- Karen Randell -- Stacy Takacs -- David H. Price -- Lance Rubin -- Anna Froula -- John G. Cawelti. |
| author_facet | Birkenstein, Jeff Froula, Anna Randell, Karen |
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| contents | (Re)creating language. Fear, terrorism and popular culture / The aesthetics of destruction : contemporary US cinema and TV culture / 9/11, British Muslims, and popular literary fiction / Left behind in America : the army of one at the end of history / 9/11, manhood, mourning, and the American romance / An early broadside : the far right raids Master and commander : the far side of the world / The sound of the "war on terror" / Visions of war and terror. Avatars of destruction : cheerleading and deconstructing the "war on terror" in video games / The land of the dead and the home of the brave : Romero's vision of a post 9/11 America / Superman is the faultline : fissures in the monomythic Man of steel / The tools and toys of (the) war (on terror) : consumer desire, military fetish and regime change in Batman begins / "It was like a movie" : the impossibility of representation in Oliver Stone's World Trade Center / The contemporary politics of the western form : Bush, Saving Jessica Lynch, and Deadwood / Prophetic Narratives. Governing fear in the Iron cage of rationalism : Terry Gilliam's Brazil through the 9/11 looking glass / -- Cultural anxiety, moral clarity and willful amnesia : filming Philip K. Dick after 9/11 / Prolepsis and the "war on terror" : zombie pathology and the culture of fear in 28 days later / |
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| discipline | Allgemeines |
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| era_facet | 1900-2009 |
| format | Electronic eBook |
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Fear, terrorism and popular culture /</subfield><subfield code="r">David L. Altheide --</subfield><subfield code="t">The aesthetics of destruction : contemporary US cinema and TV culture /</subfield><subfield code="r">Mathias Nilges --</subfield><subfield code="t">9/11, British Muslims, and popular literary fiction /</subfield><subfield code="r">Sara Upstone --</subfield><subfield code="t">Left behind in America : the army of one at the end of history /</subfield><subfield code="r">Jonathan Vincent --</subfield><subfield code="t">9/11, manhood, mourning, and the American romance /</subfield><subfield code="r">John Mead --</subfield><subfield code="t">An early broadside : the far right raids Master and commander : the far side of the world /</subfield><subfield code="r">Jeff Birkenstein --</subfield><subfield code="t">The sound of the "war on terror" /</subfield><subfield code="r">Corey K. Creekmur --</subfield><subfield code="t">Visions of war and terror. Avatars of destruction : cheerleading and deconstructing the "war on terror" in video games /</subfield><subfield code="r">David Annandale --</subfield><subfield code="t">The land of the dead and the home of the brave : Romero's vision of a post 9/11 America /</subfield><subfield code="r">Terence McSweeney --</subfield><subfield code="t">Superman is the faultline : fissures in the monomythic Man of steel /</subfield><subfield code="r">Alex Evans --</subfield><subfield code="t">The tools and toys of (the) war (on terror) : consumer desire, military fetish and regime change in Batman begins /</subfield><subfield code="r">Justine Toh --</subfield><subfield code="t">"It was like a movie" : the impossibility of representation in Oliver Stone's World Trade Center /</subfield><subfield code="r">Karen Randell --</subfield><subfield code="t">The contemporary politics of the western form : Bush, Saving Jessica Lynch, and Deadwood /</subfield><subfield code="r">Stacy Takacs --</subfield><subfield code="t">Prophetic Narratives. Governing fear in the Iron cage of rationalism : Terry Gilliam's Brazil through the 9/11 looking glass /</subfield><subfield code="r">David H. Price --</subfield><subfield code="t">--</subfield><subfield code="t">Cultural anxiety, moral clarity and willful amnesia : filming Philip K. Dick after 9/11 /</subfield><subfield code="r">Lance Rubin --</subfield><subfield code="t">Prolepsis and the "war on terror" : zombie pathology and the culture of fear in 28 days later /</subfield><subfield code="r">Anna Froula --</subfield><subfield code="g">Afterword /</subfield><subfield code="r">John G. Cawelti.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">""Looking well beyond the most obvious and familiar tales of contemporary terrorism and counter-terrorism to survey a twenty-first century America burdened and buoyed by a decade-long War on Terror, Reframing 9/11 offers an ambitious collection of theoretically savvy commentaries focusing on a wide array of popular texts, from zombie movies and video games to the Left Behind bestsellers and Bruce Springsteen's The Rising. Together, these essays explore the multivocal, disturbing, and tangled legacy of 9/11 as it reverberates culturally, politically, and socially through a globally stretched and strained America." Gregory A. Waller, Department of Communication and Culture, Indiana University" "September 11th, 2001, remains a focal point of American consciousness, a site demanding ongoing excavation, a site at which to mark before and after "everything" changed. In ways both real and intangible the entire sequence of events of that day continues to resonate in an endlessly proliferating aftermath of meanings. Presenting a collection of analyses by an international body of scholars that examines America's recent history, this book focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events in order to contextualize them into a historically grounded series of narratives that recognizes the complex relations of a globalized world." "Essays in Reframing 9/11 share a collective drive to encourage new and original approaches for understanding the issues both within and beyond the official political rhetoric of the events of the "The Global War on Terror" and issues of national security."--Jacket</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Jeff Birkenstein is an Associate Professor of English at Saint Martin's University in Lacey, Washington. Birkenstein's major interests lie in American Literature post-1865, American and world short story, the short story sequence, and cultural and food criticism. An edited collection of essays, Cultural Representation in the International Short Story Sequence (co-edited with Robert M. Luscher, University of Nebraska at Kearney) has just been accepted for publication. He has published several papers in academic journals as well as book reviews, commentaries, essays and a short story. He teaches a range of classes, from Freshman Seminar and Composition to African American Literature, The Short Story, Food & Fiction, and Narratives from the Aftermath of 9/11. Birkenstein received his Ph. D. from the University of Kentucky in 2003; he has a second MA in Teaching English as a Second/Other Language.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Anna Froula is an Assistant Professor of film studies at East Carolina University. Froula teaches courses on war literature and film, American outlaws, national mythology, and film history, theory, and fundamentals. She has published and presented on on representations of military women, masculinity, and World War II, Vietnam, and the "War on Terror." She is currently working on a manuscript that explores popular representations of American military women from World War II to the present.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Karen Randell is a Principal Lecturer in Film at Southampton Solent University, UK where she is Programme Leader for Film and Television. She teaches contemporary cinema and film history and her research interests include: war genre, trauma, masculinity and early cinema. She is published on trauma in film in Art in the Age of Terrorism (London: Holberton Publication: 2005) and in SCREEN. 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| indexdate | 2024-10-25T16:17:51Z |
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| isbn | 9781441141958 1441141952 9781628928280 162892828X 1441119906 9781441119902 1282821792 9781282821798 9786612821790 6612821795 |
| language | English |
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| physical | 1 online resource (xiii, 242 pages :) |
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| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Continuum, |
| record_format | marc |
| spelling | Reframing 9/11 : film, popular culture and the "war on terror" / edited by Jeff Birkenstein, Anna Froula and Karen Randell. Reframing nine/eleven New York : Continuum, 2010. 1 online resource (xiii, 242 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 217-238) and index. Introduction / Jeff Birkenstein, Anna Froula, and Karen Randell -- (Re)creating language. Fear, terrorism and popular culture / David L. Altheide -- The aesthetics of destruction : contemporary US cinema and TV culture / Mathias Nilges -- 9/11, British Muslims, and popular literary fiction / Sara Upstone -- Left behind in America : the army of one at the end of history / Jonathan Vincent -- 9/11, manhood, mourning, and the American romance / John Mead -- An early broadside : the far right raids Master and commander : the far side of the world / Jeff Birkenstein -- The sound of the "war on terror" / Corey K. Creekmur -- Visions of war and terror. Avatars of destruction : cheerleading and deconstructing the "war on terror" in video games / David Annandale -- The land of the dead and the home of the brave : Romero's vision of a post 9/11 America / Terence McSweeney -- Superman is the faultline : fissures in the monomythic Man of steel / Alex Evans -- The tools and toys of (the) war (on terror) : consumer desire, military fetish and regime change in Batman begins / Justine Toh -- "It was like a movie" : the impossibility of representation in Oliver Stone's World Trade Center / Karen Randell -- The contemporary politics of the western form : Bush, Saving Jessica Lynch, and Deadwood / Stacy Takacs -- Prophetic Narratives. Governing fear in the Iron cage of rationalism : Terry Gilliam's Brazil through the 9/11 looking glass / David H. Price -- -- Cultural anxiety, moral clarity and willful amnesia : filming Philip K. Dick after 9/11 / Lance Rubin -- Prolepsis and the "war on terror" : zombie pathology and the culture of fear in 28 days later / Anna Froula -- Afterword / John G. Cawelti. ""Looking well beyond the most obvious and familiar tales of contemporary terrorism and counter-terrorism to survey a twenty-first century America burdened and buoyed by a decade-long War on Terror, Reframing 9/11 offers an ambitious collection of theoretically savvy commentaries focusing on a wide array of popular texts, from zombie movies and video games to the Left Behind bestsellers and Bruce Springsteen's The Rising. Together, these essays explore the multivocal, disturbing, and tangled legacy of 9/11 as it reverberates culturally, politically, and socially through a globally stretched and strained America." Gregory A. Waller, Department of Communication and Culture, Indiana University" "September 11th, 2001, remains a focal point of American consciousness, a site demanding ongoing excavation, a site at which to mark before and after "everything" changed. In ways both real and intangible the entire sequence of events of that day continues to resonate in an endlessly proliferating aftermath of meanings. Presenting a collection of analyses by an international body of scholars that examines America's recent history, this book focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events in order to contextualize them into a historically grounded series of narratives that recognizes the complex relations of a globalized world." "Essays in Reframing 9/11 share a collective drive to encourage new and original approaches for understanding the issues both within and beyond the official political rhetoric of the events of the "The Global War on Terror" and issues of national security."--Jacket Jeff Birkenstein is an Associate Professor of English at Saint Martin's University in Lacey, Washington. Birkenstein's major interests lie in American Literature post-1865, American and world short story, the short story sequence, and cultural and food criticism. An edited collection of essays, Cultural Representation in the International Short Story Sequence (co-edited with Robert M. Luscher, University of Nebraska at Kearney) has just been accepted for publication. He has published several papers in academic journals as well as book reviews, commentaries, essays and a short story. He teaches a range of classes, from Freshman Seminar and Composition to African American Literature, The Short Story, Food & Fiction, and Narratives from the Aftermath of 9/11. Birkenstein received his Ph. D. from the University of Kentucky in 2003; he has a second MA in Teaching English as a Second/Other Language. Anna Froula is an Assistant Professor of film studies at East Carolina University. Froula teaches courses on war literature and film, American outlaws, national mythology, and film history, theory, and fundamentals. She has published and presented on on representations of military women, masculinity, and World War II, Vietnam, and the "War on Terror." She is currently working on a manuscript that explores popular representations of American military women from World War II to the present. Karen Randell is a Principal Lecturer in Film at Southampton Solent University, UK where she is Programme Leader for Film and Television. She teaches contemporary cinema and film history and her research interests include: war genre, trauma, masculinity and early cinema. She is published on trauma in film in Art in the Age of Terrorism (London: Holberton Publication: 2005) and in SCREEN. She is co-editor (with Sean Redmond) of The War Body on Screen (Continuum, NY: 2008) and Screen Methods: Comparative Readings in Film Studies (Wallflower Press: 2005) with Jacqueline Furby. Print version record. English. Terrorism in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005250 Psychic trauma in motion pictures. http://id.loc.gov/authorities/subjects/sh2004007750 September 11 Terrorist Attacks, 2001 Influence. http://id.loc.gov/authorities/subjects/sh2004005513 War on Terrorism, 2001-2009 Influence. Popular culture Political aspects United States History 20th century. Motion pictures Political aspects United States. Terrorism and mass media United States. September 11 Terrorist Attacks, 2001, in mass media. http://id.loc.gov/authorities/subjects/sh2007003819 War on Terrorism, 2001-2009, in mass media. http://id.loc.gov/authorities/subjects/sh2008001089 Terrorisme au cinéma. Traumatisme psychique au cinéma. Guerre contre le terrorisme, 2001-2009 Influence. Culture populaire Aspect politique États-Unis Histoire 20e siècle. Terrorisme et médias États-Unis. Attentats du 11 septembre 2001, États-Unis dans les médias. Guerre contre le terrorisme, 2001-2009, dans les médias. Cinéma Aspect politique États-Unis. PERFORMING ARTS Film & Video Reference. bisacsh Influence (Literary, artistic, etc.) fast Motion pictures Political aspects fast Popular culture Political aspects fast Psychic trauma in motion pictures fast September 11 Terrorist Attacks (2001) in mass media fast Terrorism and mass media fast Terrorism in motion pictures fast War on Terrorism (2001-2009) in mass media fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Massenkultur gnd Terrorismus Motiv gnd Trauma Motiv gnd Film gnd http://d-nb.info/gnd/4017102-4 War on Terrorism (2001-2009) fast (OCoLC)fst01754980 https://id.oclc.org/worldcat/entity/E39Qhp4vB9HVBC9J8MqvQ8QwjK September 11 Terrorist Attacks (2001) fast (OCoLC)fst01112794 https://id.oclc.org/worldcat/entity/E39Qhp4vBbhpXFv9XtDc43JFHK 1900-2009 fast History fast Birkenstein, Jeff. Froula, Anna. Randell, Karen. has work: Reframing 9/11 (Text) https://id.oclc.org/worldcat/entity/E39PCYc7wW4CMqygyDMhdRW6mm https://id.oclc.org/worldcat/ontology/hasWork Print version: Reframing 9/11. New York : Continuum, 2010 9781441111326 (DLC) 2009037173 (OCoLC)437186705 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=341755 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=341755 Volltext |
| spellingShingle | Reframing 9/11 : film, popular culture and the "war on terror" / (Re)creating language. Fear, terrorism and popular culture / The aesthetics of destruction : contemporary US cinema and TV culture / 9/11, British Muslims, and popular literary fiction / Left behind in America : the army of one at the end of history / 9/11, manhood, mourning, and the American romance / An early broadside : the far right raids Master and commander : the far side of the world / The sound of the "war on terror" / Visions of war and terror. Avatars of destruction : cheerleading and deconstructing the "war on terror" in video games / The land of the dead and the home of the brave : Romero's vision of a post 9/11 America / Superman is the faultline : fissures in the monomythic Man of steel / The tools and toys of (the) war (on terror) : consumer desire, military fetish and regime change in Batman begins / "It was like a movie" : the impossibility of representation in Oliver Stone's World Trade Center / The contemporary politics of the western form : Bush, Saving Jessica Lynch, and Deadwood / Prophetic Narratives. Governing fear in the Iron cage of rationalism : Terry Gilliam's Brazil through the 9/11 looking glass / -- Cultural anxiety, moral clarity and willful amnesia : filming Philip K. Dick after 9/11 / Prolepsis and the "war on terror" : zombie pathology and the culture of fear in 28 days later / Terrorism in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005250 Psychic trauma in motion pictures. http://id.loc.gov/authorities/subjects/sh2004007750 September 11 Terrorist Attacks, 2001 Influence. http://id.loc.gov/authorities/subjects/sh2004005513 War on Terrorism, 2001-2009 Influence. Popular culture Political aspects United States History 20th century. Motion pictures Political aspects United States. Terrorism and mass media United States. September 11 Terrorist Attacks, 2001, in mass media. http://id.loc.gov/authorities/subjects/sh2007003819 War on Terrorism, 2001-2009, in mass media. http://id.loc.gov/authorities/subjects/sh2008001089 Terrorisme au cinéma. Traumatisme psychique au cinéma. Guerre contre le terrorisme, 2001-2009 Influence. Culture populaire Aspect politique États-Unis Histoire 20e siècle. Terrorisme et médias États-Unis. Attentats du 11 septembre 2001, États-Unis dans les médias. Guerre contre le terrorisme, 2001-2009, dans les médias. Cinéma Aspect politique États-Unis. PERFORMING ARTS Film & Video Reference. bisacsh Influence (Literary, artistic, etc.) fast Motion pictures Political aspects fast Popular culture Political aspects fast Psychic trauma in motion pictures fast September 11 Terrorist Attacks (2001) in mass media fast Terrorism and mass media fast Terrorism in motion pictures fast War on Terrorism (2001-2009) in mass media fast Massenkultur gnd Terrorismus Motiv gnd Trauma Motiv gnd Film gnd http://d-nb.info/gnd/4017102-4 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001005250 http://id.loc.gov/authorities/subjects/sh2004007750 http://id.loc.gov/authorities/subjects/sh2004005513 http://id.loc.gov/authorities/subjects/sh2007003819 http://id.loc.gov/authorities/subjects/sh2008001089 http://d-nb.info/gnd/4017102-4 (OCoLC)fst01754980 (OCoLC)fst01112794 |
| title | Reframing 9/11 : film, popular culture and the "war on terror" / |
| title_alt | Reframing nine/eleven (Re)creating language. Fear, terrorism and popular culture / The aesthetics of destruction : contemporary US cinema and TV culture / 9/11, British Muslims, and popular literary fiction / Left behind in America : the army of one at the end of history / 9/11, manhood, mourning, and the American romance / An early broadside : the far right raids Master and commander : the far side of the world / The sound of the "war on terror" / Visions of war and terror. Avatars of destruction : cheerleading and deconstructing the "war on terror" in video games / The land of the dead and the home of the brave : Romero's vision of a post 9/11 America / Superman is the faultline : fissures in the monomythic Man of steel / The tools and toys of (the) war (on terror) : consumer desire, military fetish and regime change in Batman begins / "It was like a movie" : the impossibility of representation in Oliver Stone's World Trade Center / The contemporary politics of the western form : Bush, Saving Jessica Lynch, and Deadwood / Prophetic Narratives. Governing fear in the Iron cage of rationalism : Terry Gilliam's Brazil through the 9/11 looking glass / -- Cultural anxiety, moral clarity and willful amnesia : filming Philip K. Dick after 9/11 / Prolepsis and the "war on terror" : zombie pathology and the culture of fear in 28 days later / |
| title_auth | Reframing 9/11 : film, popular culture and the "war on terror" / |
| title_exact_search | Reframing 9/11 : film, popular culture and the "war on terror" / |
| title_full | Reframing 9/11 : film, popular culture and the "war on terror" / edited by Jeff Birkenstein, Anna Froula and Karen Randell. |
| title_fullStr | Reframing 9/11 : film, popular culture and the "war on terror" / edited by Jeff Birkenstein, Anna Froula and Karen Randell. |
| title_full_unstemmed | Reframing 9/11 : film, popular culture and the "war on terror" / edited by Jeff Birkenstein, Anna Froula and Karen Randell. |
| title_short | Reframing 9/11 : |
| title_sort | reframing 9 11 film popular culture and the war on terror |
| title_sub | film, popular culture and the "war on terror" / |
| topic | Terrorism in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005250 Psychic trauma in motion pictures. http://id.loc.gov/authorities/subjects/sh2004007750 September 11 Terrorist Attacks, 2001 Influence. http://id.loc.gov/authorities/subjects/sh2004005513 War on Terrorism, 2001-2009 Influence. Popular culture Political aspects United States History 20th century. Motion pictures Political aspects United States. Terrorism and mass media United States. September 11 Terrorist Attacks, 2001, in mass media. http://id.loc.gov/authorities/subjects/sh2007003819 War on Terrorism, 2001-2009, in mass media. http://id.loc.gov/authorities/subjects/sh2008001089 Terrorisme au cinéma. Traumatisme psychique au cinéma. Guerre contre le terrorisme, 2001-2009 Influence. Culture populaire Aspect politique États-Unis Histoire 20e siècle. Terrorisme et médias États-Unis. Attentats du 11 septembre 2001, États-Unis dans les médias. Guerre contre le terrorisme, 2001-2009, dans les médias. Cinéma Aspect politique États-Unis. PERFORMING ARTS Film & Video Reference. bisacsh Influence (Literary, artistic, etc.) fast Motion pictures Political aspects fast Popular culture Political aspects fast Psychic trauma in motion pictures fast September 11 Terrorist Attacks (2001) in mass media fast Terrorism and mass media fast Terrorism in motion pictures fast War on Terrorism (2001-2009) in mass media fast Massenkultur gnd Terrorismus Motiv gnd Trauma Motiv gnd Film gnd http://d-nb.info/gnd/4017102-4 |
| topic_facet | Terrorism in motion pictures. Psychic trauma in motion pictures. September 11 Terrorist Attacks, 2001 Influence. War on Terrorism, 2001-2009 Influence. Popular culture Political aspects United States History 20th century. Motion pictures Political aspects United States. Terrorism and mass media United States. September 11 Terrorist Attacks, 2001, in mass media. War on Terrorism, 2001-2009, in mass media. Terrorisme au cinéma. Traumatisme psychique au cinéma. Guerre contre le terrorisme, 2001-2009 Influence. Culture populaire Aspect politique États-Unis Histoire 20e siècle. Terrorisme et médias États-Unis. Attentats du 11 septembre 2001, États-Unis dans les médias. Guerre contre le terrorisme, 2001-2009, dans les médias. Cinéma Aspect politique États-Unis. PERFORMING ARTS Film & Video Reference. Influence (Literary, artistic, etc.) Motion pictures Political aspects Popular culture Political aspects Psychic trauma in motion pictures September 11 Terrorist Attacks (2001) in mass media Terrorism and mass media Terrorism in motion pictures War on Terrorism (2001-2009) in mass media United States Massenkultur Terrorismus Motiv Trauma Motiv Film History |
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