The dialect of modernism :: race, language, and twentieth-century literature /
The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language and literature written in it, modernists such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Oxford University Press,
1994.
|
Schriftenreihe: | Race and American culture.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language and literature written in it, modernists such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language. At the same time, however, another movement identified with Harlem was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself, and its appropriation served to reinforce the subordinate status of the dialect. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other. The Dialect of Modernism is the second volume in Oxford's new Race and American Culture series. |
Beschreibung: | 1 online resource (252 pages) : illustrations |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Bibliographie: | Includes bibliographical references (pages 197-244) and index. |
ISBN: | 1429405767 9781429405768 128052703X 9781280527036 9780195359107 0195359100 9786610527038 6610527032 |
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100 | 1 | |a North, Michael, |d 1951- |1 https://id.oclc.org/worldcat/entity/E39PBJgCKRxkgkQ3pvWRgr4H4q |0 http://id.loc.gov/authorities/names/n82252274 | |
245 | 1 | 4 | |a The dialect of modernism : |b race, language, and twentieth-century literature / |c Michael North. |
260 | |a New York : |b Oxford University Press, |c 1994. | ||
300 | |a 1 online resource (252 pages) : |b illustrations | ||
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504 | |a Includes bibliographical references (pages 197-244) and index. | ||
505 | 0 | |a Against the standard : linguistic imitation, racial masquerade, and the modernist rebellion -- The nigger of the "Narcissus" as a preface to modernism -- Modernism's African mask : the Stein-Picasso collaboration -- Old Possum and Brer Rabbit : Pound and Eliot's racial masquerade -- Quashie to Buccra : the linguistic expatriation of Claude McKay -- Race, the American language, and the Americanist avant-garde -- Two strangers in the American language : William Carlos Williams and Jean Toomer -- "Characteristics of Negro expression" : Zora Neale Hurston and the Negro anthology. | |
520 | |a The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language and literature written in it, modernists such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language. | ||
520 | 8 | |a At the same time, however, another movement identified with Harlem was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself, and its appropriation served to reinforce the subordinate status of the dialect. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other. | |
520 | 8 | |a The Dialect of Modernism is the second volume in Oxford's new Race and American Culture series. | |
506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn657954414 |
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adam_text | |
any_adam_object | |
author | North, Michael, 1951- |
author_GND | http://id.loc.gov/authorities/names/n82252274 |
author_facet | North, Michael, 1951- |
author_role | |
author_sort | North, Michael, 1951- |
author_variant | m n mn |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PS153 |
callnumber-raw | PS153.N5 N67 1994 |
callnumber-search | PS153.N5 N67 1994 |
callnumber-sort | PS 3153 N5 N67 41994 |
callnumber-subject | PS - American Literature |
classification_rvk | HU 1982 HU 1380 HU 1728 |
collection | ZDB-4-EBA |
contents | Against the standard : linguistic imitation, racial masquerade, and the modernist rebellion -- The nigger of the "Narcissus" as a preface to modernism -- Modernism's African mask : the Stein-Picasso collaboration -- Old Possum and Brer Rabbit : Pound and Eliot's racial masquerade -- Quashie to Buccra : the linguistic expatriation of Claude McKay -- Race, the American language, and the Americanist avant-garde -- Two strangers in the American language : William Carlos Williams and Jean Toomer -- "Characteristics of Negro expression" : Zora Neale Hurston and the Negro anthology. |
ctrlnum | (OCoLC)657954414 |
dewey-full | 810.9/896073 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 810 - American literature in English |
dewey-raw | 810.9/896073 |
dewey-search | 810.9/896073 |
dewey-sort | 3810.9 6896073 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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code="a">Includes bibliographical references (pages 197-244) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Against the standard : linguistic imitation, racial masquerade, and the modernist rebellion -- The nigger of the "Narcissus" as a preface to modernism -- Modernism's African mask : the Stein-Picasso collaboration -- Old Possum and Brer Rabbit : Pound and Eliot's racial masquerade -- Quashie to Buccra : the linguistic expatriation of Claude McKay -- Race, the American language, and the Americanist avant-garde -- Two strangers in the American language : William Carlos Williams and Jean Toomer -- "Characteristics of Negro expression" : Zora Neale Hurston and the Negro anthology.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language and literature written in it, modernists such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">At the same time, however, another movement identified with Harlem was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself, and its appropriation served to reinforce the subordinate status of the dialect. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. 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id | ZDB-4-EBA-ocn657954414 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:17:28Z |
institution | BVB |
isbn | 1429405767 9781429405768 128052703X 9781280527036 9780195359107 0195359100 9786610527038 6610527032 |
language | English |
lccn | 93036288 |
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publisher | Oxford University Press, |
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spelling | North, Michael, 1951- https://id.oclc.org/worldcat/entity/E39PBJgCKRxkgkQ3pvWRgr4H4q http://id.loc.gov/authorities/names/n82252274 The dialect of modernism : race, language, and twentieth-century literature / Michael North. New York : Oxford University Press, 1994. 1 online resource (252 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier polychrome. rdacc http://rdaregistry.info/termList/RDAColourContent/1003 data file Race and American culture Includes bibliographical references (pages 197-244) and index. Against the standard : linguistic imitation, racial masquerade, and the modernist rebellion -- The nigger of the "Narcissus" as a preface to modernism -- Modernism's African mask : the Stein-Picasso collaboration -- Old Possum and Brer Rabbit : Pound and Eliot's racial masquerade -- Quashie to Buccra : the linguistic expatriation of Claude McKay -- Race, the American language, and the Americanist avant-garde -- Two strangers in the American language : William Carlos Williams and Jean Toomer -- "Characteristics of Negro expression" : Zora Neale Hurston and the Negro anthology. The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language and literature written in it, modernists such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language. At the same time, however, another movement identified with Harlem was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself, and its appropriation served to reinforce the subordinate status of the dialect. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other. The Dialect of Modernism is the second volume in Oxford's new Race and American Culture series. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. Conrad, Joseph, 1857-1924. Nigger of the Narcissus. Nigger of the "Narcissus" (Conrad, Joseph) fast Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld gnd Conrad, Joseph, 1857-1924. Nigger of the 'Narcissus'. ram American literature African American authors History and criticism. American literature 20th century History and criticism. African Americans Intellectual life 20th century. Dialect literature, American History and criticism. Modernism (Literature) English-speaking countries. African Americans in literature. http://id.loc.gov/authorities/subjects/sh85002009 Black English in literature. http://id.loc.gov/authorities/subjects/sh94000694 Language and culture. http://id.loc.gov/authorities/subjects/sh85074514 Race in literature. http://id.loc.gov/authorities/subjects/sh94008443 Modernism (Literature) United States. Littérature américaine Auteurs noirs américains Histoire et critique. Littérature américaine 20e siècle Histoire et critique. Littérature dialectale américaine Histoire et critique. Modernisme (Littérature) États-Unis. Noirs américains dans la littérature. Black English (Dialecte) dans la littérature. Langage et culture. Race dans la littérature. Noirs américains Vie intellectuelle 20e siècle. Modernisme (Littérature) Anglophonie. 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New York : Oxford University Press, 1994 (DLC) 93036288 (OCoLC)28848366 Race and American culture. http://id.loc.gov/authorities/names/n92111216 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=169727 Volltext |
spellingShingle | North, Michael, 1951- The dialect of modernism : race, language, and twentieth-century literature / Race and American culture. Against the standard : linguistic imitation, racial masquerade, and the modernist rebellion -- The nigger of the "Narcissus" as a preface to modernism -- Modernism's African mask : the Stein-Picasso collaboration -- Old Possum and Brer Rabbit : Pound and Eliot's racial masquerade -- Quashie to Buccra : the linguistic expatriation of Claude McKay -- Race, the American language, and the Americanist avant-garde -- Two strangers in the American language : William Carlos Williams and Jean Toomer -- "Characteristics of Negro expression" : Zora Neale Hurston and the Negro anthology. Conrad, Joseph, 1857-1924. Nigger of the Narcissus. Nigger of the "Narcissus" (Conrad, Joseph) fast Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld gnd Conrad, Joseph, 1857-1924. Nigger of the 'Narcissus'. ram American literature African American authors History and criticism. American literature 20th century History and criticism. African Americans Intellectual life 20th century. Dialect literature, American History and criticism. Modernism (Literature) English-speaking countries. African Americans in literature. http://id.loc.gov/authorities/subjects/sh85002009 Black English in literature. http://id.loc.gov/authorities/subjects/sh94000694 Language and culture. http://id.loc.gov/authorities/subjects/sh85074514 Race in literature. http://id.loc.gov/authorities/subjects/sh94008443 Modernism (Literature) United States. Littérature américaine Auteurs noirs américains Histoire et critique. Littérature américaine 20e siècle Histoire et critique. Littérature dialectale américaine Histoire et critique. Modernisme (Littérature) États-Unis. Noirs américains dans la littérature. Black English (Dialecte) dans la littérature. Langage et culture. Race dans la littérature. Noirs américains Vie intellectuelle 20e siècle. Modernisme (Littérature) Anglophonie. LITERARY CRITICISM American General. bisacsh African Americans in literature fast African Americans Intellectual life fast American literature fast American literature African American authors fast Black English in literature fast Dialect literature, American fast Language and culture fast Modernism (Literature) fast Race in literature fast Englisch gnd http://d-nb.info/gnd/4014777-0 Schwarze gnd http://d-nb.info/gnd/4116433-7 Literatur gnd Rasse Motiv gnd http://d-nb.info/gnd/4254018-5 Sprache Motiv gnd http://d-nb.info/gnd/4232002-1 Kultur gnd Moderne gnd http://d-nb.info/gnd/4039827-4 Mundart gnd Rassismus Motiv gnd http://d-nb.info/gnd/4306688-4 Amerikaans. gtt Dialecten. gtt Letterkunde. gtt Modernisme (cultuur) gtt Littérature américaine Auteurs noirs américains Histoire et critique. ram Littérature américaine 20e siècle Histoire et critique. ram Modernisme (littérature) États-Unis. ram Langage et culture. ram Black English (dialecte) Dans la littérature. ram Race Dans la littérature. ram Noirs américains Dans la littérature. ram |
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title | The dialect of modernism : race, language, and twentieth-century literature / |
title_auth | The dialect of modernism : race, language, and twentieth-century literature / |
title_exact_search | The dialect of modernism : race, language, and twentieth-century literature / |
title_full | The dialect of modernism : race, language, and twentieth-century literature / Michael North. |
title_fullStr | The dialect of modernism : race, language, and twentieth-century literature / Michael North. |
title_full_unstemmed | The dialect of modernism : race, language, and twentieth-century literature / Michael North. |
title_short | The dialect of modernism : |
title_sort | dialect of modernism race language and twentieth century literature |
title_sub | race, language, and twentieth-century literature / |
topic | Conrad, Joseph, 1857-1924. Nigger of the Narcissus. Nigger of the "Narcissus" (Conrad, Joseph) fast Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld gnd Conrad, Joseph, 1857-1924. Nigger of the 'Narcissus'. ram American literature African American authors History and criticism. American literature 20th century History and criticism. African Americans Intellectual life 20th century. Dialect literature, American History and criticism. Modernism (Literature) English-speaking countries. African Americans in literature. http://id.loc.gov/authorities/subjects/sh85002009 Black English in literature. http://id.loc.gov/authorities/subjects/sh94000694 Language and culture. http://id.loc.gov/authorities/subjects/sh85074514 Race in literature. http://id.loc.gov/authorities/subjects/sh94008443 Modernism (Literature) United States. Littérature américaine Auteurs noirs américains Histoire et critique. Littérature américaine 20e siècle Histoire et critique. Littérature dialectale américaine Histoire et critique. Modernisme (Littérature) États-Unis. Noirs américains dans la littérature. Black English (Dialecte) dans la littérature. Langage et culture. Race dans la littérature. Noirs américains Vie intellectuelle 20e siècle. Modernisme (Littérature) Anglophonie. LITERARY CRITICISM American General. bisacsh African Americans in literature fast African Americans Intellectual life fast American literature fast American literature African American authors fast Black English in literature fast Dialect literature, American fast Language and culture fast Modernism (Literature) fast Race in literature fast Englisch gnd http://d-nb.info/gnd/4014777-0 Schwarze gnd http://d-nb.info/gnd/4116433-7 Literatur gnd Rasse Motiv gnd http://d-nb.info/gnd/4254018-5 Sprache Motiv gnd http://d-nb.info/gnd/4232002-1 Kultur gnd Moderne gnd http://d-nb.info/gnd/4039827-4 Mundart gnd Rassismus Motiv gnd http://d-nb.info/gnd/4306688-4 Amerikaans. gtt Dialecten. gtt Letterkunde. gtt Modernisme (cultuur) gtt Littérature américaine Auteurs noirs américains Histoire et critique. ram Littérature américaine 20e siècle Histoire et critique. ram Modernisme (littérature) États-Unis. ram Langage et culture. ram Black English (dialecte) Dans la littérature. ram Race Dans la littérature. ram Noirs américains Dans la littérature. ram |
topic_facet | Conrad, Joseph, 1857-1924. Nigger of the Narcissus. Nigger of the "Narcissus" (Conrad, Joseph) Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld Conrad, Joseph, 1857-1924. Nigger of the 'Narcissus'. American literature African American authors History and criticism. American literature 20th century History and criticism. African Americans Intellectual life 20th century. Dialect literature, American History and criticism. Modernism (Literature) English-speaking countries. African Americans in literature. Black English in literature. Language and culture. Race in literature. Modernism (Literature) United States. Littérature américaine Auteurs noirs américains Histoire et critique. Littérature américaine 20e siècle Histoire et critique. Littérature dialectale américaine Histoire et critique. Modernisme (Littérature) États-Unis. Noirs américains dans la littérature. Black English (Dialecte) dans la littérature. Langage et culture. Race dans la littérature. Noirs américains Vie intellectuelle 20e siècle. Modernisme (Littérature) Anglophonie. LITERARY CRITICISM American General. African Americans in literature African Americans Intellectual life American literature American literature African American authors Black English in literature Dialect literature, American Language and culture Modernism (Literature) Race in literature United States English-speaking countries Englisch Schwarze Literatur Rasse Motiv Sprache Motiv Kultur Moderne Mundart Rassismus Motiv USA Amerikaans. Dialecten. Letterkunde. Modernisme (cultuur) Modernisme (littérature) États-Unis. Black English (dialecte) Dans la littérature. Race Dans la littérature. Noirs américains Dans la littérature. Criticism, interpretation, etc. |
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