The American musical and the performance of personal identity /:
The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J. :
Princeton University Press,
2009.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. --From publisher's description. |
| Beschreibung: | 1 online resource (xv, 470 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 433-447) and index. |
| ISBN: | 9781400832682 1400832683 |
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| 100 | 1 | |a Knapp, Raymond. |0 http://id.loc.gov/authorities/names/n97001006 | |
| 245 | 1 | 4 | |a The American musical and the performance of personal identity / |c Raymond Knapp. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c 2009. | ||
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| 504 | |a Includes bibliographical references (pages 433-447) and index. | ||
| 520 | |a The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. --From publisher's description. | ||
| 505 | 0 | |a Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973)) -- The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)). | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Musicals |z United States |x History and criticism. | |
| 650 | 0 | |a Musicals |x Social aspects |z United States. | |
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| 650 | 0 | |a Musical films |z United States |x History and criticism. | |
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| 776 | 0 | 8 | |i Print version: |a Knapp, Raymond. |t American musical and the performance of personal identity. |d Princeton, N.J. ; Woodstock : Princeton University Press, 2009 |z 9780691141053 |w (OCoLC)276340707 |
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| contents | Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973)) -- The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)). |
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| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.140973 |
| dewey-search | 782.140973 |
| dewey-sort | 3782.140973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn650540514 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:24Z |
| institution | BVB |
| isbn | 9781400832682 1400832683 |
| language | English |
| oclc_num | 650540514 |
| open_access_boolean | |
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| physical | 1 online resource (xv, 470 pages) : illustrations |
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| publisher | Princeton University Press, |
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| spelling | Knapp, Raymond. http://id.loc.gov/authorities/names/n97001006 The American musical and the performance of personal identity / Raymond Knapp. Princeton, N.J. : Princeton University Press, 2009. 1 online resource (xv, 470 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages 433-447) and index. The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. --From publisher's description. Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973)) -- The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)). Print version record. Musicals United States History and criticism. Musicals Social aspects United States. Personality and culture. http://id.loc.gov/authorities/subjects/sh85100122 Musical films United States History and criticism. Comédies musicales États-Unis Histoire et critique. Personnalité et culture. Films musicaux États-Unis Histoire et critique. MUSIC Genres & Styles Musicals. bisacsh Musical films fast Motion pictures fast Musicals fast Personality and culture fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast History fast has work: The American musical and the performance of personal identity (Text) https://id.oclc.org/worldcat/entity/E39PCFvXYM9cgjDQ9Vt4WDhwVK https://id.oclc.org/worldcat/ontology/hasWork Print version: Knapp, Raymond. American musical and the performance of personal identity. Princeton, N.J. ; Woodstock : Princeton University Press, 2009 9780691141053 (OCoLC)276340707 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=329815 Volltext |
| spellingShingle | Knapp, Raymond The American musical and the performance of personal identity / Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973)) -- The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)). Musicals United States History and criticism. Musicals Social aspects United States. Personality and culture. http://id.loc.gov/authorities/subjects/sh85100122 Musical films United States History and criticism. Comédies musicales États-Unis Histoire et critique. Personnalité et culture. Films musicaux États-Unis Histoire et critique. MUSIC Genres & Styles Musicals. bisacsh Musical films fast Motion pictures fast Musicals fast Personality and culture fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85100122 |
| title | The American musical and the performance of personal identity / |
| title_auth | The American musical and the performance of personal identity / |
| title_exact_search | The American musical and the performance of personal identity / |
| title_full | The American musical and the performance of personal identity / Raymond Knapp. |
| title_fullStr | The American musical and the performance of personal identity / Raymond Knapp. |
| title_full_unstemmed | The American musical and the performance of personal identity / Raymond Knapp. |
| title_short | The American musical and the performance of personal identity / |
| title_sort | american musical and the performance of personal identity |
| topic | Musicals United States History and criticism. Musicals Social aspects United States. Personality and culture. http://id.loc.gov/authorities/subjects/sh85100122 Musical films United States History and criticism. Comédies musicales États-Unis Histoire et critique. Personnalité et culture. Films musicaux États-Unis Histoire et critique. MUSIC Genres & Styles Musicals. bisacsh Musical films fast Motion pictures fast Musicals fast Personality and culture fast |
| topic_facet | Musicals United States History and criticism. Musicals Social aspects United States. Personality and culture. Musical films United States History and criticism. Comédies musicales États-Unis Histoire et critique. Personnalité et culture. Films musicaux États-Unis Histoire et critique. MUSIC Genres & Styles Musicals. Musical films Motion pictures Musicals Personality and culture United States Criticism, interpretation, etc. History |
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