Speaking in tongues :: language at play in the theatre /
Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in par...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor :
University of Michigan Press,
2009, ©2006.
|
| Ausgabe: | 1st pbk. ed. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction ; T heories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present ; and The Haunted Stage: The Theatre as Memory Machine, among many other books. |
| Beschreibung: | 1 online resource (257 pages) |
| Bibliographie: | Includes bibliographical references (pages 233-244) and indexes. |
| ISBN: | 9780472026555 0472026550 0472033921 9780472033928 |
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| 245 | 1 | 0 | |a Speaking in tongues : |b language at play in the theatre / |c Marvin Carlson. |
| 250 | |a 1st pbk. ed. | ||
| 260 | |a Ann Arbor : |b University of Michigan Press, |c 2009, ©2006. | ||
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| 505 | 0 | |a The macaronic stage -- Dialect theatre : the case of Italy -- Postcolonial heteroglossia -- Postmodern language play -- The heteroglossia of side texts. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction ; T heories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present ; and The Haunted Stage: The Theatre as Memory Machine, among many other books. | |
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| 776 | 0 | 8 | |i Print version: |a Carlson, Marvin A., 1935- |t Speaking in tongues. |b 1st pbk. ed. |d Ann Arbor : University of Michigan Press, 2009, ©2006 |z 9780472033928 |w (OCoLC)521099553 |
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| author | Carlson, Marvin, 1935- |
| author_GND | http://id.loc.gov/authorities/names/n80019634 |
| author_facet | Carlson, Marvin, 1935- |
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| contents | The macaronic stage -- Dialect theatre : the case of Italy -- Postcolonial heteroglossia -- Postmodern language play -- The heteroglossia of side texts. |
| ctrlnum | (OCoLC)649832643 |
| dewey-full | 809.2 |
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| discipline | Literaturwissenschaft |
| edition | 1st pbk. ed. |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | Developing countries fast |
| geographic_facet | Developing countries |
| id | ZDB-4-EBA-ocn649832643 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:22Z |
| institution | BVB |
| isbn | 9780472026555 0472026550 0472033921 9780472033928 |
| language | English |
| oclc_num | 649832643 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (257 pages) |
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| publishDate | 2009 |
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| publisher | University of Michigan Press, |
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| spelling | Carlson, Marvin, 1935- https://id.oclc.org/worldcat/entity/E39PBJxMmcXDWc96C4b3b48KVC http://id.loc.gov/authorities/names/n80019634 Speaking in tongues : language at play in the theatre / Marvin Carlson. 1st pbk. ed. Ann Arbor : University of Michigan Press, 2009, ©2006. 1 online resource (257 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 233-244) and indexes. The macaronic stage -- Dialect theatre : the case of Italy -- Postcolonial heteroglossia -- Postmodern language play -- The heteroglossia of side texts. Print version record. Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction ; T heories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present ; and The Haunted Stage: The Theatre as Memory Machine, among many other books. Drama History and criticism. http://id.loc.gov/authorities/subjects/sh85039329 Language and languages in literature. http://id.loc.gov/authorities/subjects/sh94006062 Dialect drama History and criticism. Dialect drama, Italian History and criticism. Experimental theater History 20th century. Experimental drama History and criticism. Theater Developing countries History 20th century. Interpreters for deaf people. Théâtre (Genre littéraire) Histoire et critique. Langage et langues dans la littérature. Théâtre dialectal Histoire et critique. Théâtre expérimental Histoire et critique. PERFORMING ARTS. bisac Theater / History & Criticism. bisac TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Dialect drama fast Dialect drama, Italian fast Drama fast Experimental drama fast Experimental theater fast Interpreters for the deaf fast Language and languages in literature fast Theater fast Developing countries fast Music, Dance, Drama & Film. hilcc Drama. hilcc 1900-1999 fast Criticism, interpretation, etc. fast History fast Print version: Carlson, Marvin A., 1935- Speaking in tongues. 1st pbk. ed. Ann Arbor : University of Michigan Press, 2009, ©2006 9780472033928 (OCoLC)521099553 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=322566 Volltext |
| spellingShingle | Carlson, Marvin, 1935- Speaking in tongues : language at play in the theatre / The macaronic stage -- Dialect theatre : the case of Italy -- Postcolonial heteroglossia -- Postmodern language play -- The heteroglossia of side texts. Drama History and criticism. http://id.loc.gov/authorities/subjects/sh85039329 Language and languages in literature. http://id.loc.gov/authorities/subjects/sh94006062 Dialect drama History and criticism. Dialect drama, Italian History and criticism. Experimental theater History 20th century. Experimental drama History and criticism. Theater Developing countries History 20th century. Interpreters for deaf people. Théâtre (Genre littéraire) Histoire et critique. Langage et langues dans la littérature. Théâtre dialectal Histoire et critique. Théâtre expérimental Histoire et critique. PERFORMING ARTS. bisac Theater / History & Criticism. bisac TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Dialect drama fast Dialect drama, Italian fast Drama fast Experimental drama fast Experimental theater fast Interpreters for the deaf fast Language and languages in literature fast Theater fast Music, Dance, Drama & Film. hilcc Drama. hilcc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85039329 http://id.loc.gov/authorities/subjects/sh94006062 |
| title | Speaking in tongues : language at play in the theatre / |
| title_auth | Speaking in tongues : language at play in the theatre / |
| title_exact_search | Speaking in tongues : language at play in the theatre / |
| title_full | Speaking in tongues : language at play in the theatre / Marvin Carlson. |
| title_fullStr | Speaking in tongues : language at play in the theatre / Marvin Carlson. |
| title_full_unstemmed | Speaking in tongues : language at play in the theatre / Marvin Carlson. |
| title_short | Speaking in tongues : |
| title_sort | speaking in tongues language at play in the theatre |
| title_sub | language at play in the theatre / |
| topic | Drama History and criticism. http://id.loc.gov/authorities/subjects/sh85039329 Language and languages in literature. http://id.loc.gov/authorities/subjects/sh94006062 Dialect drama History and criticism. Dialect drama, Italian History and criticism. Experimental theater History 20th century. Experimental drama History and criticism. Theater Developing countries History 20th century. Interpreters for deaf people. Théâtre (Genre littéraire) Histoire et critique. Langage et langues dans la littérature. Théâtre dialectal Histoire et critique. Théâtre expérimental Histoire et critique. PERFORMING ARTS. bisac Theater / History & Criticism. bisac TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Dialect drama fast Dialect drama, Italian fast Drama fast Experimental drama fast Experimental theater fast Interpreters for the deaf fast Language and languages in literature fast Theater fast Music, Dance, Drama & Film. hilcc Drama. hilcc |
| topic_facet | Drama History and criticism. Language and languages in literature. Dialect drama History and criticism. Dialect drama, Italian History and criticism. Experimental theater History 20th century. Experimental drama History and criticism. Theater Developing countries History 20th century. Interpreters for deaf people. Théâtre (Genre littéraire) Histoire et critique. Langage et langues dans la littérature. Théâtre dialectal Histoire et critique. Théâtre expérimental Histoire et critique. PERFORMING ARTS. Theater / History & Criticism. TRAVEL Special Interest Literary. LITERARY CRITICISM General. PERFORMING ARTS Theater History & Criticism. Dialect drama Dialect drama, Italian Drama Experimental drama Experimental theater Interpreters for the deaf Language and languages in literature Theater Developing countries Music, Dance, Drama & Film. Drama. Criticism, interpretation, etc. History |
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