Solo performances :: staging the early modern self in England /
In this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England. Drawing on theories of performativity and performance, some contributors revisit monological speech and the solioquy - that quintessential solo performance - o...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; New York, NY :
Rodopi,
2010.
|
| Schriftenreihe: | Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
132. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England. Drawing on theories of performativity and performance, some contributors revisit monological speech and the solioquy - that quintessential solo performance - on the stage of Marlowe, Shakespeare and Jonson. Other authors move beyond the theatre as they investigate solo performances in different cultural locations, from the public stage of the pillory to the mental stage of the writing self. All contributors analyse corporeality, speech, writing and even silence as interrelated modes of self-enactment, whether they read solo performances as a way of inventing, authorizing or even pathologizing the self, or as a mode of fashioning sovereignty. The contributions trace how the performers appropriate specific discourses, whether religious, medical or political, and how they negotiate hierarchies of gender, rank or cultural difference. The articles. Cut across a variety of genres including plays and masques, religious tracts, diaries and journals, poems and even signatures. The collection links research on the inward and self-reflexive dimension of solo-performances with studies foregrounding the public and interactive dimension of performative self-fashioning. --Book Jacket. |
| Beschreibung: | 1 online resource (272 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789042029538 9042029536 |
| ISSN: | 0929-6999 ; |
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| 245 | 0 | 0 | |a Solo performances : |b staging the early modern self in England / |c edited by Ute Berns. |
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| 490 | 1 | |a Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, |x 0929-6999 ; |v 132 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a In this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England. Drawing on theories of performativity and performance, some contributors revisit monological speech and the solioquy - that quintessential solo performance - on the stage of Marlowe, Shakespeare and Jonson. Other authors move beyond the theatre as they investigate solo performances in different cultural locations, from the public stage of the pillory to the mental stage of the writing self. All contributors analyse corporeality, speech, writing and even silence as interrelated modes of self-enactment, whether they read solo performances as a way of inventing, authorizing or even pathologizing the self, or as a mode of fashioning sovereignty. The contributions trace how the performers appropriate specific discourses, whether religious, medical or political, and how they negotiate hierarchies of gender, rank or cultural difference. The articles. | ||
| 520 | |a Cut across a variety of genres including plays and masques, religious tracts, diaries and journals, poems and even signatures. The collection links research on the inward and self-reflexive dimension of solo-performances with studies foregrounding the public and interactive dimension of performative self-fashioning. --Book Jacket. | ||
| 505 | 0 | 0 | |t Preliminary Material -- |t Foreword / |r Manfred Pfister -- |t Solo Performances -- an Introduction / |r Ute Berns -- |t The Theatre in the Head Performances of the Self for the Self by the Self / |r Ina Schabert -- |t Subjectivity and the Ekphrastic Prerogative Emilia's Soliloquy in The Two Noble Kinsmen / |r Andrew James Johnston -- |t Our Good Will Shakespeare's Cameo Performance / |r Richard Wilson -- |t Spiritual Self-Fashioning John Lilburne at the Pillory / |r Werner von Koppenfels -- |t Auto-Dialogues Performative Creation of Selves / |r Jürgen Schlaeger -- |t The Life and Strange and Surprising Adventures of Hamlet, of Denmark / |r Günter Walch -- |t A Spider in the Eye/I The Hallucinatory Staging of the Self in Shakespeare's The Winter's Tale / |r Maria Del Sapio Garbero -- |t Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson's Satire / |r Rui Carvalho Homem -- |t The Poem as Performance Self-Definition and Self-Exhibition in John Donne's Songs and Sonets / |r Wolfgang G. Müller -- |t Plays of Self Theatrical Performativity in Donne / |r Margret Fetzer -- |t Stating the Sovereign Self Polity, Policy, and Politics on the Early Modern Stage / |r Roger Lüdeke and Andreas Mahler -- |t The Monarch as the Solo Performer in Stuart Masque / |r Jerzy Limon -- |t Turkish Brags and Winning Words Solo Performances in Christopher Marlowe's Tamburlaine the Great / |r Ralf Hertel -- |t Notes on Contributors. |
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a Self in literature. |0 http://id.loc.gov/authorities/subjects/sh94009300 | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Moi (Psychologie) dans la littérature. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan |2 fast | |
| 650 | 7 | |a Self in literature |2 fast | |
| 648 | 7 | |a 1500-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Berns, Ute. |0 http://id.loc.gov/authorities/names/n2007033814 | |
| 758 | |i has work: |a Solo performances (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGRVVF8hBQPpQPfJb4r6rq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Solo performances. |d Amsterdam ; New York, NY : Rodopi, 2010 |z 9789042029521 |w (OCoLC)646518868 |
| 830 | 0 | |a Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; |v 132. |0 http://id.loc.gov/authorities/names/n94094826 | |
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| adam_text | |
| any_adam_object | |
| author2 | Berns, Ute |
| author2_role | |
| author2_variant | u b ub |
| author_GND | http://id.loc.gov/authorities/names/n2007033814 |
| author_additional | Manfred Pfister -- Ute Berns -- Ina Schabert -- Andrew James Johnston -- Richard Wilson -- Werner von Koppenfels -- Jürgen Schlaeger -- Günter Walch -- Maria Del Sapio Garbero -- Rui Carvalho Homem -- Wolfgang G. Müller -- Margret Fetzer -- Roger Lüdeke and Andreas Mahler -- Jerzy Limon -- Ralf Hertel -- |
| author_facet | Berns, Ute |
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| collection | ZDB-4-EBA |
| contents | Preliminary Material -- Foreword / Solo Performances -- an Introduction / The Theatre in the Head Performances of the Self for the Self by the Self / Subjectivity and the Ekphrastic Prerogative Emilia's Soliloquy in The Two Noble Kinsmen / Our Good Will Shakespeare's Cameo Performance / Spiritual Self-Fashioning John Lilburne at the Pillory / Auto-Dialogues Performative Creation of Selves / The Life and Strange and Surprising Adventures of Hamlet, of Denmark / A Spider in the Eye/I The Hallucinatory Staging of the Self in Shakespeare's The Winter's Tale / Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson's Satire / The Poem as Performance Self-Definition and Self-Exhibition in John Donne's Songs and Sonets / Plays of Self Theatrical Performativity in Donne / Stating the Sovereign Self Polity, Policy, and Politics on the Early Modern Stage / The Monarch as the Solo Performer in Stuart Masque / Turkish Brags and Winning Words Solo Performances in Christopher Marlowe's Tamburlaine the Great / Notes on Contributors. |
| ctrlnum | (OCoLC)648242564 |
| dewey-full | 822/.309 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| dewey-search | 822/.309 |
| dewey-sort | 3822 3309 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1500-1600 fast |
| era_facet | 1500-1600 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn648242564 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:21Z |
| institution | BVB |
| isbn | 9789042029538 9042029536 |
| issn | 0929-6999 ; |
| language | English |
| oclc_num | 648242564 |
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| physical | 1 online resource (272 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
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| publisher | Rodopi, |
| record_format | marc |
| series | Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; |
| series2 | Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, |
| spelling | Solo performances : staging the early modern self in England / edited by Ute Berns. Amsterdam ; New York, NY : Rodopi, 2010. 1 online resource (272 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 0929-6999 ; 132 Includes bibliographical references and index. Print version record. In this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England. Drawing on theories of performativity and performance, some contributors revisit monological speech and the solioquy - that quintessential solo performance - on the stage of Marlowe, Shakespeare and Jonson. Other authors move beyond the theatre as they investigate solo performances in different cultural locations, from the public stage of the pillory to the mental stage of the writing self. All contributors analyse corporeality, speech, writing and even silence as interrelated modes of self-enactment, whether they read solo performances as a way of inventing, authorizing or even pathologizing the self, or as a mode of fashioning sovereignty. The contributions trace how the performers appropriate specific discourses, whether religious, medical or political, and how they negotiate hierarchies of gender, rank or cultural difference. The articles. Cut across a variety of genres including plays and masques, religious tracts, diaries and journals, poems and even signatures. The collection links research on the inward and self-reflexive dimension of solo-performances with studies foregrounding the public and interactive dimension of performative self-fashioning. --Book Jacket. Preliminary Material -- Foreword / Manfred Pfister -- Solo Performances -- an Introduction / Ute Berns -- The Theatre in the Head Performances of the Self for the Self by the Self / Ina Schabert -- Subjectivity and the Ekphrastic Prerogative Emilia's Soliloquy in The Two Noble Kinsmen / Andrew James Johnston -- Our Good Will Shakespeare's Cameo Performance / Richard Wilson -- Spiritual Self-Fashioning John Lilburne at the Pillory / Werner von Koppenfels -- Auto-Dialogues Performative Creation of Selves / Jürgen Schlaeger -- The Life and Strange and Surprising Adventures of Hamlet, of Denmark / Günter Walch -- A Spider in the Eye/I The Hallucinatory Staging of the Self in Shakespeare's The Winter's Tale / Maria Del Sapio Garbero -- Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson's Satire / Rui Carvalho Homem -- The Poem as Performance Self-Definition and Self-Exhibition in John Donne's Songs and Sonets / Wolfgang G. Müller -- Plays of Self Theatrical Performativity in Donne / Margret Fetzer -- Stating the Sovereign Self Polity, Policy, and Politics on the Early Modern Stage / Roger Lüdeke and Andreas Mahler -- The Monarch as the Solo Performer in Stuart Masque / Jerzy Limon -- Turkish Brags and Winning Words Solo Performances in Christopher Marlowe's Tamburlaine the Great / Ralf Hertel -- Notes on Contributors. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Self in literature. http://id.loc.gov/authorities/subjects/sh94009300 Théâtre anglais 16e siècle Histoire et critique. Moi (Psychologie) dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh English drama Early modern and Elizabethan fast Self in literature fast 1500-1600 fast Criticism, interpretation, etc. fast Berns, Ute. http://id.loc.gov/authorities/names/n2007033814 has work: Solo performances (Text) https://id.oclc.org/worldcat/entity/E39PCGRVVF8hBQPpQPfJb4r6rq https://id.oclc.org/worldcat/ontology/hasWork Print version: Solo performances. Amsterdam ; New York, NY : Rodopi, 2010 9789042029521 (OCoLC)646518868 Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 132. http://id.loc.gov/authorities/names/n94094826 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=318580 Volltext |
| spellingShingle | Solo performances : staging the early modern self in England / Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; Preliminary Material -- Foreword / Solo Performances -- an Introduction / The Theatre in the Head Performances of the Self for the Self by the Self / Subjectivity and the Ekphrastic Prerogative Emilia's Soliloquy in The Two Noble Kinsmen / Our Good Will Shakespeare's Cameo Performance / Spiritual Self-Fashioning John Lilburne at the Pillory / Auto-Dialogues Performative Creation of Selves / The Life and Strange and Surprising Adventures of Hamlet, of Denmark / A Spider in the Eye/I The Hallucinatory Staging of the Self in Shakespeare's The Winter's Tale / Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson's Satire / The Poem as Performance Self-Definition and Self-Exhibition in John Donne's Songs and Sonets / Plays of Self Theatrical Performativity in Donne / Stating the Sovereign Self Polity, Policy, and Politics on the Early Modern Stage / The Monarch as the Solo Performer in Stuart Masque / Turkish Brags and Winning Words Solo Performances in Christopher Marlowe's Tamburlaine the Great / Notes on Contributors. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Self in literature. http://id.loc.gov/authorities/subjects/sh94009300 Théâtre anglais 16e siècle Histoire et critique. Moi (Psychologie) dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh English drama Early modern and Elizabethan fast Self in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94009300 |
| title | Solo performances : staging the early modern self in England / |
| title_alt | Preliminary Material -- Foreword / Solo Performances -- an Introduction / The Theatre in the Head Performances of the Self for the Self by the Self / Subjectivity and the Ekphrastic Prerogative Emilia's Soliloquy in The Two Noble Kinsmen / Our Good Will Shakespeare's Cameo Performance / Spiritual Self-Fashioning John Lilburne at the Pillory / Auto-Dialogues Performative Creation of Selves / The Life and Strange and Surprising Adventures of Hamlet, of Denmark / A Spider in the Eye/I The Hallucinatory Staging of the Self in Shakespeare's The Winter's Tale / Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson's Satire / The Poem as Performance Self-Definition and Self-Exhibition in John Donne's Songs and Sonets / Plays of Self Theatrical Performativity in Donne / Stating the Sovereign Self Polity, Policy, and Politics on the Early Modern Stage / The Monarch as the Solo Performer in Stuart Masque / Turkish Brags and Winning Words Solo Performances in Christopher Marlowe's Tamburlaine the Great / Notes on Contributors. |
| title_auth | Solo performances : staging the early modern self in England / |
| title_exact_search | Solo performances : staging the early modern self in England / |
| title_full | Solo performances : staging the early modern self in England / edited by Ute Berns. |
| title_fullStr | Solo performances : staging the early modern self in England / edited by Ute Berns. |
| title_full_unstemmed | Solo performances : staging the early modern self in England / edited by Ute Berns. |
| title_short | Solo performances : |
| title_sort | solo performances staging the early modern self in england |
| title_sub | staging the early modern self in England / |
| topic | English drama Early modern and Elizabethan, 1500-1600 History and criticism. Self in literature. http://id.loc.gov/authorities/subjects/sh94009300 Théâtre anglais 16e siècle Histoire et critique. Moi (Psychologie) dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh English drama Early modern and Elizabethan fast Self in literature fast |
| topic_facet | English drama Early modern and Elizabethan, 1500-1600 History and criticism. Self in literature. Théâtre anglais 16e siècle Histoire et critique. Moi (Psychologie) dans la littérature. DRAMA English, Irish, Scottish, Welsh. English drama Early modern and Elizabethan Self in literature Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=318580 |
| work_keys_str_mv | AT bernsute soloperformancesstagingtheearlymodernselfinengland |