A reader in animation studies /:
Cartoons-both from the classic Hollywood era and from more contemporary feature films and television series-offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
John Libbey,
©1997.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Cartoons-both from the classic Hollywood era and from more contemporary feature films and television series-offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies. |
| Beschreibung: | 1 online resource (xviii, 283 pages :) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 219-220). |
| ISBN: | 9780861969005 0861969006 |
Internformat
MARC
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| 300 | |a 1 online resource (xviii, 283 pages :) | ||
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| 504 | |a Includes bibliographical references (pages 219-220). | ||
| 505 | 0 | |a New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli. | |
| 505 | 0 | |a Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy / Mark Langer -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Lindvall and J. Matthew Melton. | |
| 505 | 0 | |a (Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J.B. Kaufman. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Cartoons-both from the classic Hollywood era and from more contemporary feature films and television series-offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies. | ||
| 650 | 0 | |a Animation (Cinematography) |v Congresses. | |
| 650 | 0 | |a Computer animation |v Congresses. | |
| 650 | 6 | |a Animation (Cinéma) |v Congrès. | |
| 650 | 6 | |a Animation par ordinateur |v Congrès. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Animation (Cinematography) |2 fast | |
| 650 | 7 | |a Computer animation |2 fast | |
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| 710 | 2 | |a Society of Animation Studies. |0 http://id.loc.gov/authorities/names/n98082219 | |
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| _version_ | 1813903360713031680 |
| adam_text | |
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| author2 | Pilling, Jayne |
| author2_role | edt |
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| author_GND | http://id.loc.gov/authorities/names/no94009556 |
| author_corporate | Society of Animation Studies |
| author_corporate_role | |
| author_facet | Pilling, Jayne Society of Animation Studies |
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| bvnumber | localFWS |
| callnumber-first | T - Technology |
| callnumber-label | TR897 |
| callnumber-raw | TR897.5 .R43 1997eb |
| callnumber-search | TR897.5 .R43 1997eb |
| callnumber-sort | TR 3897.5 R43 41997EB |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 48600 |
| collection | ZDB-4-EBA |
| contents | New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli. Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy / Mark Langer -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Lindvall and J. Matthew Melton. (Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J.B. Kaufman. |
| ctrlnum | (OCoLC)607774640 |
| dewey-full | 791.43/3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/3 |
| dewey-search | 791.43/3 |
| dewey-sort | 3791.43 13 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Conference papers and proceedings fast |
| genre_facet | Conference papers and proceedings |
| id | ZDB-4-EBA-ocn607774640 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:17:27Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n98082219 |
| isbn | 9780861969005 0861969006 |
| language | English |
| oclc_num | 607774640 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (xviii, 283 pages :) |
| psigel | ZDB-4-EBA |
| publishDate | 1997 |
| publishDateSearch | 1997 |
| publishDateSort | 1997 |
| publisher | John Libbey, |
| record_format | marc |
| spelling | A reader in animation studies / edited by Jayne Pilling. London : John Libbey, ©1997. 1 online resource (xviii, 283 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 219-220). New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli. Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy / Mark Langer -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Lindvall and J. Matthew Melton. (Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J.B. Kaufman. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. Cartoons-both from the classic Hollywood era and from more contemporary feature films and television series-offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies. Animation (Cinematography) Congresses. Computer animation Congresses. Animation (Cinéma) Congrès. Animation par ordinateur Congrès. PERFORMING ARTS Reference. bisacsh Animation (Cinematography) fast Computer animation fast Filmtechnik gnd http://d-nb.info/gnd/4017144-9 Filmanalyse gnd http://d-nb.info/gnd/4140882-2 Zeichentrickfilm gnd http://d-nb.info/gnd/4190578-7 Conference papers and proceedings fast Pilling, Jayne, editor. http://id.loc.gov/authorities/names/no94009556 Society of Animation Studies. http://id.loc.gov/authorities/names/n98082219 has work: A reader in animation studies (Text) https://id.oclc.org/worldcat/entity/E39PCGgCXmWgR3d7fy6wXKWRXb https://id.oclc.org/worldcat/ontology/hasWork Print version: Reader in animation studies. London : J. Libbey, ©1997 1864620005 (DLC) 98166815 (OCoLC)38113062 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=959463 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=959463 Volltext |
| spellingShingle | A reader in animation studies / New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli. Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy / Mark Langer -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Lindvall and J. Matthew Melton. (Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J.B. Kaufman. Animation (Cinematography) Congresses. Computer animation Congresses. Animation (Cinéma) Congrès. Animation par ordinateur Congrès. PERFORMING ARTS Reference. bisacsh Animation (Cinematography) fast Computer animation fast Filmtechnik gnd http://d-nb.info/gnd/4017144-9 Filmanalyse gnd http://d-nb.info/gnd/4140882-2 Zeichentrickfilm gnd http://d-nb.info/gnd/4190578-7 |
| subject_GND | http://d-nb.info/gnd/4017144-9 http://d-nb.info/gnd/4140882-2 http://d-nb.info/gnd/4190578-7 |
| title | A reader in animation studies / |
| title_auth | A reader in animation studies / |
| title_exact_search | A reader in animation studies / |
| title_full | A reader in animation studies / edited by Jayne Pilling. |
| title_fullStr | A reader in animation studies / edited by Jayne Pilling. |
| title_full_unstemmed | A reader in animation studies / edited by Jayne Pilling. |
| title_short | A reader in animation studies / |
| title_sort | reader in animation studies |
| topic | Animation (Cinematography) Congresses. Computer animation Congresses. Animation (Cinéma) Congrès. Animation par ordinateur Congrès. PERFORMING ARTS Reference. bisacsh Animation (Cinematography) fast Computer animation fast Filmtechnik gnd http://d-nb.info/gnd/4017144-9 Filmanalyse gnd http://d-nb.info/gnd/4140882-2 Zeichentrickfilm gnd http://d-nb.info/gnd/4190578-7 |
| topic_facet | Animation (Cinematography) Congresses. Computer animation Congresses. Animation (Cinéma) Congrès. Animation par ordinateur Congrès. PERFORMING ARTS Reference. Animation (Cinematography) Computer animation Filmtechnik Filmanalyse Zeichentrickfilm Conference papers and proceedings |
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