Horror film and psychoanalysis :: Freud's worst nightmare /
In recent years, psychoanalytic theory has been the subject of attacks from philosophers, cultural critics, and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2004.
|
| Schriftenreihe: | Cambridge studies in film.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In recent years, psychoanalytic theory has been the subject of attacks from philosophers, cultural critics, and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility, and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.--Publisher description. |
| Beschreibung: | 1 online resource (xviii, 299 pages) |
| Bibliographie: | Includes bibliographical references (pages 275-292) and index. |
| ISBN: | 9780511211638 0511211635 9780521825214 0521825210 0511208057 9780511208058 0511215215 9780511215216 0511217005 9780511217005 9780511497742 0511497741 9780521107853 0521107857 1107146631 9781107146631 1280541121 9781280541124 0511309368 9780511309366 0511213409 9780511213403 |
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| 245 | 0 | 0 | |a Horror film and psychoanalysis : |b Freud's worst nightmare / |c edited by Steven Hay Schneider. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2004. | ||
| 300 | |a 1 online resource (xviii, 299 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Cambridge studies in film | |
| 504 | |a Includes bibliographical references (pages 275-292) and index. | ||
| 505 | 0 | |6 880-01 |a What lies beneath? / Robin Wood -- Introduction: Psychoanalysis in/and/of the horror film / Steven Jay Schneider -- The Question of Horror-Pleasure -- 'What's the matter with Melanie?': reflections on the merits of psychoanalytic approaches to modern horror cinema / Cosimo Urbano -- A fun night out: horror and other pleasures of the cinema / Michael Levine -- Excerpt from 'Why Horror? The New Pleasures of a Popular Genre' (with a new afterward by the author) / Andrew Tudor -- Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film / Malcolm Turvey -- Theorizing the Uncanny -- Explaining the uncanny in The Double Life of Véronique / Cynthia Freeland -- Manifestations of the literary double in modern horror cinema / Steven Jay Schneider -- Heimlich maneuvers: on a certain tendency of horror and speculative cinema / Harvey Roy Greenberg -- 'It was a dark and stormy night ... ': horror films and the problem of irony / Jonathan L. Crane -- Representing Psychoanalysis -- 'What does Dr. Judd want?': transformation, transference and divided selves in Cat People / William Paul -- 'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant -- Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed -- New Directions -- Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills -- The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley -- Violence and psychophysiology in horror cinema / Stephen Price -- Afterword: psychoanalysis and the horror film / Noël Carroll. | |
| 520 | |a In recent years, psychoanalytic theory has been the subject of attacks from philosophers, cultural critics, and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility, and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.--Publisher description. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 0 | |a Horror films |x Psychological aspects. | |
| 650 | 6 | |a Films d'horreur |x Aspect psychologique. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Horror films |x Psychological aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 700 | 1 | |a Schneider, Steven Jay, |d 1974- |1 https://id.oclc.org/worldcat/entity/E39PBJrcmbW6BHVpHkd4vTCCwC |0 http://id.loc.gov/authorities/names/n2003036519 | |
| 758 | |i has work: |a Horror film and psychoanalysis (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGV4KFm4X8xRvgHDmTm4xC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Horror film and psychoanalysis. |d Cambridge ; New York : Cambridge University Press, 2004 |w (DLC) 2003060604 |
| 830 | 0 | |a Cambridge studies in film. |0 http://id.loc.gov/authorities/names/n86744061 | |
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| 880 | 0 | |6 505-01/(Q |a What lies beneath/ Robin Wood -- Introduction: Psychoanalysis in/and/of the horror film / Steven Jay Schneider -- The Question of Horror-Pleasure -- 'What's the matter with Melanie': reflections on the merits of psychoanalytic approaches to modern horror cinema / Cosimo Urbano -- A fun night out: horror and other pleasures of the cinema / Michael Levine -- Excerpt from 'Why HorrorThe New Pleasures of a Popular Genre' (with a new afterward by the author) / Andrew Tudor -- Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film / Malcolm Turvey -- Theorizing the Uncanny -- Explaining the uncanny in The Double Life of Ve⁺ѓronique / Cynthia Freeland -- Manifestations of the literary double in modern horror cinema / Steven Jay Schneider -- Heimlich maneuvers: on a certain tendency of horror and speculative cinema / Harvey Roy Greenberg -- 'It was a dark and stormy night ... ': horror films and the problem of irony / Jonathan L. Crane -- Representing Psychoanalysis -- 'What does Dr. Judd want': transformation, transference and divided selves in Cat People / William Paul -- 'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant -- Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed -- New Directions -- Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills -- The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley -- Violence and psychophysiology in horror cinema / Stephen Price -- Afterword: psychoanalysis and the horror film / Noël Carroll. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn560236020 |
|---|---|
| _version_ | 1816881707218894849 |
| adam_text | |
| any_adam_object | |
| author2 | Schneider, Steven Jay, 1974- |
| author2_role | |
| author2_variant | s j s sj sjs |
| author_GND | http://id.loc.gov/authorities/names/n2003036519 |
| author_facet | Schneider, Steven Jay, 1974- |
| author_sort | Schneider, Steven Jay, 1974- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| callnumber-raw | PN1995.9.H6 H675 2004eb |
| callnumber-search | PN1995.9.H6 H675 2004eb |
| callnumber-sort | PN 41995.9 H6 H675 42004EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | What lies beneath? / Robin Wood -- Introduction: Psychoanalysis in/and/of the horror film / Steven Jay Schneider -- The Question of Horror-Pleasure -- 'What's the matter with Melanie?': reflections on the merits of psychoanalytic approaches to modern horror cinema / Cosimo Urbano -- A fun night out: horror and other pleasures of the cinema / Michael Levine -- Excerpt from 'Why Horror? The New Pleasures of a Popular Genre' (with a new afterward by the author) / Andrew Tudor -- Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film / Malcolm Turvey -- Theorizing the Uncanny -- Explaining the uncanny in The Double Life of Véronique / Cynthia Freeland -- Manifestations of the literary double in modern horror cinema / Steven Jay Schneider -- Heimlich maneuvers: on a certain tendency of horror and speculative cinema / Harvey Roy Greenberg -- 'It was a dark and stormy night ... ': horror films and the problem of irony / Jonathan L. Crane -- Representing Psychoanalysis -- 'What does Dr. Judd want?': transformation, transference and divided selves in Cat People / William Paul -- 'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant -- Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed -- New Directions -- Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills -- The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley -- Violence and psychophysiology in horror cinema / Stephen Price -- Afterword: psychoanalysis and the horror film / Noël Carroll. |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6164 |
| dewey-search | 791.43/6164 |
| dewey-sort | 3791.43 46164 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Crane -- Representing Psychoanalysis -- 'What does Dr. Judd want?': transformation, transference and divided selves in Cat People / William Paul -- 'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant -- Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed -- New Directions -- Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills -- The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley -- Violence and psychophysiology in horror cinema / Stephen Price -- Afterword: psychoanalysis and the horror film / Noël Carroll.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In recent years, psychoanalytic theory has been the subject of attacks from philosophers, cultural critics, and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. 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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:00Z |
| institution | BVB |
| isbn | 9780511211638 0511211635 9780521825214 0521825210 0511208057 9780511208058 0511215215 9780511215216 0511217005 9780511217005 9780511497742 0511497741 9780521107853 0521107857 1107146631 9781107146631 1280541121 9781280541124 0511309368 9780511309366 0511213409 9780511213403 |
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| series | Cambridge studies in film. |
| series2 | Cambridge studies in film |
| spelling | Horror film and psychoanalysis : Freud's worst nightmare / edited by Steven Hay Schneider. Cambridge ; New York : Cambridge University Press, 2004. 1 online resource (xviii, 299 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Cambridge studies in film Includes bibliographical references (pages 275-292) and index. 880-01 What lies beneath? / Robin Wood -- Introduction: Psychoanalysis in/and/of the horror film / Steven Jay Schneider -- The Question of Horror-Pleasure -- 'What's the matter with Melanie?': reflections on the merits of psychoanalytic approaches to modern horror cinema / Cosimo Urbano -- A fun night out: horror and other pleasures of the cinema / Michael Levine -- Excerpt from 'Why Horror? The New Pleasures of a Popular Genre' (with a new afterward by the author) / Andrew Tudor -- Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film / Malcolm Turvey -- Theorizing the Uncanny -- Explaining the uncanny in The Double Life of Véronique / Cynthia Freeland -- Manifestations of the literary double in modern horror cinema / Steven Jay Schneider -- Heimlich maneuvers: on a certain tendency of horror and speculative cinema / Harvey Roy Greenberg -- 'It was a dark and stormy night ... ': horror films and the problem of irony / Jonathan L. Crane -- Representing Psychoanalysis -- 'What does Dr. Judd want?': transformation, transference and divided selves in Cat People / William Paul -- 'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant -- Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed -- New Directions -- Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills -- The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley -- Violence and psychophysiology in horror cinema / Stephen Price -- Afterword: psychoanalysis and the horror film / Noël Carroll. In recent years, psychoanalytic theory has been the subject of attacks from philosophers, cultural critics, and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility, and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.--Publisher description. Print version record. English. Motion pictures Psychological aspects. Horror films Psychological aspects. Films d'horreur Aspect psychologique. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video Reference. bisacsh Horror films Psychological aspects fast Motion pictures Psychological aspects fast Schneider, Steven Jay, 1974- https://id.oclc.org/worldcat/entity/E39PBJrcmbW6BHVpHkd4vTCCwC http://id.loc.gov/authorities/names/n2003036519 has work: Horror film and psychoanalysis (Text) https://id.oclc.org/worldcat/entity/E39PCGV4KFm4X8xRvgHDmTm4xC https://id.oclc.org/worldcat/ontology/hasWork Print version: Horror film and psychoanalysis. Cambridge ; New York : Cambridge University Press, 2004 (DLC) 2003060604 Cambridge studies in film. http://id.loc.gov/authorities/names/n86744061 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=164349 Volltext 505-01/(Q What lies beneath/ Robin Wood -- Introduction: Psychoanalysis in/and/of the horror film / Steven Jay Schneider -- The Question of Horror-Pleasure -- 'What's the matter with Melanie': reflections on the merits of psychoanalytic approaches to modern horror cinema / Cosimo Urbano -- A fun night out: horror and other pleasures of the cinema / Michael Levine -- Excerpt from 'Why HorrorThe New Pleasures of a Popular Genre' (with a new afterward by the author) / Andrew Tudor -- Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film / Malcolm Turvey -- Theorizing the Uncanny -- Explaining the uncanny in The Double Life of Ve⁺ѓronique / Cynthia Freeland -- Manifestations of the literary double in modern horror cinema / Steven Jay Schneider -- Heimlich maneuvers: on a certain tendency of horror and speculative cinema / Harvey Roy Greenberg -- 'It was a dark and stormy night ... ': horror films and the problem of irony / Jonathan L. Crane -- Representing Psychoanalysis -- 'What does Dr. Judd want': transformation, transference and divided selves in Cat People / William Paul -- 'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant -- Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed -- New Directions -- Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills -- The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley -- Violence and psychophysiology in horror cinema / Stephen Price -- Afterword: psychoanalysis and the horror film / Noël Carroll. |
| spellingShingle | Horror film and psychoanalysis : Freud's worst nightmare / Cambridge studies in film. What lies beneath? / Robin Wood -- Introduction: Psychoanalysis in/and/of the horror film / Steven Jay Schneider -- The Question of Horror-Pleasure -- 'What's the matter with Melanie?': reflections on the merits of psychoanalytic approaches to modern horror cinema / Cosimo Urbano -- A fun night out: horror and other pleasures of the cinema / Michael Levine -- Excerpt from 'Why Horror? The New Pleasures of a Popular Genre' (with a new afterward by the author) / Andrew Tudor -- Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film / Malcolm Turvey -- Theorizing the Uncanny -- Explaining the uncanny in The Double Life of Véronique / Cynthia Freeland -- Manifestations of the literary double in modern horror cinema / Steven Jay Schneider -- Heimlich maneuvers: on a certain tendency of horror and speculative cinema / Harvey Roy Greenberg -- 'It was a dark and stormy night ... ': horror films and the problem of irony / Jonathan L. Crane -- Representing Psychoanalysis -- 'What does Dr. Judd want?': transformation, transference and divided selves in Cat People / William Paul -- 'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant -- Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed -- New Directions -- Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills -- The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley -- Violence and psychophysiology in horror cinema / Stephen Price -- Afterword: psychoanalysis and the horror film / Noël Carroll. Motion pictures Psychological aspects. Horror films Psychological aspects. Films d'horreur Aspect psychologique. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video Reference. bisacsh Horror films Psychological aspects fast Motion pictures Psychological aspects fast |
| title | Horror film and psychoanalysis : Freud's worst nightmare / |
| title_auth | Horror film and psychoanalysis : Freud's worst nightmare / |
| title_exact_search | Horror film and psychoanalysis : Freud's worst nightmare / |
| title_full | Horror film and psychoanalysis : Freud's worst nightmare / edited by Steven Hay Schneider. |
| title_fullStr | Horror film and psychoanalysis : Freud's worst nightmare / edited by Steven Hay Schneider. |
| title_full_unstemmed | Horror film and psychoanalysis : Freud's worst nightmare / edited by Steven Hay Schneider. |
| title_short | Horror film and psychoanalysis : |
| title_sort | horror film and psychoanalysis freud s worst nightmare |
| title_sub | Freud's worst nightmare / |
| topic | Motion pictures Psychological aspects. Horror films Psychological aspects. Films d'horreur Aspect psychologique. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video Reference. bisacsh Horror films Psychological aspects fast Motion pictures Psychological aspects fast |
| topic_facet | Motion pictures Psychological aspects. Horror films Psychological aspects. Films d'horreur Aspect psychologique. Cinéma Aspect psychologique. PERFORMING ARTS Film & Video Reference. Horror films Psychological aspects Motion pictures Psychological aspects |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=164349 |
| work_keys_str_mv | AT schneiderstevenjay horrorfilmandpsychoanalysisfreudsworstnightmare |