Film, Lacan and the subject of religion :: a psychoanalytic approach to religious film analysis /
In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Continuum,
©2009.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented 'other' which joins them into a narrative where they become participants in an ideological 'reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, M. |
| Beschreibung: | 1 online resource (xii, 219 pages) |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9781441116338 1441116338 9780826427601 082642760X 9781472549020 1472549023 9781441166876 1441166874 1441133151 9781441133151 1282319531 9781282319530 9786612319532 6612319534 |
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| 100 | 1 | |a Nolan, Steve. |0 http://id.loc.gov/authorities/names/n2008077358 | |
| 245 | 1 | 0 | |a Film, Lacan and the subject of religion : |b a psychoanalytic approach to religious film analysis / |c Steve Nolan. |
| 260 | |a London ; |a New York : |b Continuum, |c ©2009. | ||
| 300 | |a 1 online resource (xii, 219 pages) | ||
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| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a Introduction -- An overview -- With thanks -- Part one. Current approaches to religious film analysis -- Introduction to Part one -- 1 Phenomenological interpretations : film as sacrament -- André Bazin : the parameters of cinematic Protestantism -- Paul Schrader : 'Protestant cinematic sacramentalism' -- Other cinematic sacramentalists : Cunneen, Bird and Fraser -- Critique of cinematic style as sacarment -- Two other phenomenological interpretations : Martin and Thompson -- Literary interpretations : film as visual story -- The auteur in theological film criticism : Kreitzer -- The missed point of the emerging orthodoxy : Deacy -- Anthropological interpretations : film as religion -- Lyden : 'film itself functions as a religion' -- Marsh : 'the religion-like function of film' -- Part two. Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998). | |
| 505 | 0 | |a Part three. What can film theory offer liturgy? -- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj Žižek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'. | |
| 520 | |a In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented 'other' which joins them into a narrative where they become participants in an ideological 'reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, M. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Lacan, Jacques, |d 1901-1981. |0 http://id.loc.gov/authorities/names/n80022983 |
| 600 | 1 | 7 | |a Lacan, Jacques, |d 1901-1981 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC |
| 650 | 0 | |a Motion pictures |x Religious aspects. |0 http://id.loc.gov/authorities/subjects/sh85112574 | |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 0 | |a Motion pictures |x Moral and ethical aspects. |0 http://id.loc.gov/authorities/subjects/sh85088101 | |
| 650 | 0 | |a Religion in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85112594 | |
| 650 | 6 | |a Cinéma |x Aspect religieux. | |
| 650 | 6 | |a Religion au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect moral. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 7 | |a RELIGION |x Christianity |x General. |2 bisacsh | |
| 650 | 7 | |a RELIGION |x Ethics. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Moral and ethical aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Religious aspects |2 fast | |
| 650 | 7 | |a Religion in motion pictures |2 fast | |
| 758 | |i has work: |a Film, Lacan and the subject of religion (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH8DBQFfYfDXYxQxfvRR8C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 880 | |6 260-00/(S |a London ; |a New York : |b Continuum, |c γ̐ư2009. | ||
| 880 | 0 | |6 505-00/(S |a Introduction -- An overview -- With thanks -- Part one. Current approaches to religious film analysis -- Introduction to Part one -- 1 Phenomenological interpretations : film as sacrament -- Andrγ̐ưe Bazin : the parameters of cinematic Protestantism -- Paul Schrader : 'Protestant cinematic sacramentalism' -- Other cinematic sacramentalists : Cunneen, Bird and Fraser -- Critique of cinematic style as sacarment -- Two other phenomenological interpretations : Martin and Thompson -- Literary interpretations : film as visual story -- The auteur in theological film criticism : Kreitzer -- The missed point of the emerging orthodoxy : Deacy -- Anthropological interpretations : film as religion -- Lyden : 'film itself functions as a religion' -- Marsh : 'the religion-like function of film' -- Part two. Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998). | |
| 880 | 0 | |6 505-00/(S |a Part three. What can film theory offer liturgy-- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj γ̐ưZiγ̐ưzek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'. | |
| 880 | 0 | 8 | |6 776-01/(S |i Print version: |a Nolan, Steve. |t Film, Lacan and the subject of religion. |d London ; New York : Continuum, γ̐ư2009 |z 9780826427601 |w (DLC) 2008048872 |w (OCoLC)272306242 |
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| adam_text | |
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| author | Nolan, Steve |
| author_GND | http://id.loc.gov/authorities/names/n2008077358 |
| author_facet | Nolan, Steve |
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| contents | Introduction -- An overview -- With thanks -- Part one. Current approaches to religious film analysis -- Introduction to Part one -- 1 Phenomenological interpretations : film as sacrament -- André Bazin : the parameters of cinematic Protestantism -- Paul Schrader : 'Protestant cinematic sacramentalism' -- Other cinematic sacramentalists : Cunneen, Bird and Fraser -- Critique of cinematic style as sacarment -- Two other phenomenological interpretations : Martin and Thompson -- Literary interpretations : film as visual story -- The auteur in theological film criticism : Kreitzer -- The missed point of the emerging orthodoxy : Deacy -- Anthropological interpretations : film as religion -- Lyden : 'film itself functions as a religion' -- Marsh : 'the religion-like function of film' -- Part two. Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998). Part three. What can film theory offer liturgy? -- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj Žižek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'. |
| ctrlnum | (OCoLC)471494625 |
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| dewey-ones | 205 - Religious ethics |
| dewey-raw | 205/.65 |
| dewey-search | 205/.65 |
| dewey-sort | 3205 265 |
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| discipline | Theologie / Religionswissenschaften |
| format | Electronic eBook |
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tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nolan, Steve.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2008077358</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Film, Lacan and the subject of religion :</subfield><subfield code="b">a psychoanalytic approach to religious film analysis /</subfield><subfield code="c">Steve Nolan.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">London ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Continuum,</subfield><subfield code="c">©2009.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xii, 219 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and indexes.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- An overview -- With thanks -- Part one. Current approaches to religious film analysis -- Introduction to Part one -- 1 Phenomenological interpretations : film as sacrament -- André Bazin : the parameters of cinematic Protestantism -- Paul Schrader : 'Protestant cinematic sacramentalism' -- Other cinematic sacramentalists : Cunneen, Bird and Fraser -- Critique of cinematic style as sacarment -- Two other phenomenological interpretations : Martin and Thompson -- Literary interpretations : film as visual story -- The auteur in theological film criticism : Kreitzer -- The missed point of the emerging orthodoxy : Deacy -- Anthropological interpretations : film as religion -- Lyden : 'film itself functions as a religion' -- Marsh : 'the religion-like function of film' -- Part two. Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998).</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Part three. What can film theory offer liturgy? -- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj Žižek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In their study of religion and film, religious film analysts have tended to privilege religion. 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Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998).</subfield></datafield><datafield tag="880" ind1="0" ind2=" "><subfield code="6">505-00/(S</subfield><subfield code="a">Part three. 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| id | ZDB-4-EBA-ocn471494625 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:54Z |
| institution | BVB |
| isbn | 9781441116338 1441116338 9780826427601 082642760X 9781472549020 1472549023 9781441166876 1441166874 1441133151 9781441133151 1282319531 9781282319530 9786612319532 6612319534 |
| language | English |
| oclc_num | 471494625 |
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| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 219 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Continuum, |
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| spelling | Nolan, Steve. http://id.loc.gov/authorities/names/n2008077358 Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / Steve Nolan. London ; New York : Continuum, ©2009. 1 online resource (xii, 219 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and indexes. Introduction -- An overview -- With thanks -- Part one. Current approaches to religious film analysis -- Introduction to Part one -- 1 Phenomenological interpretations : film as sacrament -- André Bazin : the parameters of cinematic Protestantism -- Paul Schrader : 'Protestant cinematic sacramentalism' -- Other cinematic sacramentalists : Cunneen, Bird and Fraser -- Critique of cinematic style as sacarment -- Two other phenomenological interpretations : Martin and Thompson -- Literary interpretations : film as visual story -- The auteur in theological film criticism : Kreitzer -- The missed point of the emerging orthodoxy : Deacy -- Anthropological interpretations : film as religion -- Lyden : 'film itself functions as a religion' -- Marsh : 'the religion-like function of film' -- Part two. Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998). Part three. What can film theory offer liturgy? -- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj Žižek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'. In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented 'other' which joins them into a narrative where they become participants in an ideological 'reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, M. Print version record. English. Lacan, Jacques, 1901-1981. http://id.loc.gov/authorities/names/n80022983 Lacan, Jacques, 1901-1981 fast https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC Motion pictures Religious aspects. http://id.loc.gov/authorities/subjects/sh85112574 Motion pictures Psychological aspects. Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Religion in motion pictures. http://id.loc.gov/authorities/subjects/sh85112594 Cinéma Aspect religieux. Religion au cinéma. Cinéma Aspect moral. Cinéma Aspect psychologique. RELIGION Christianity General. bisacsh RELIGION Ethics. bisacsh Motion pictures Moral and ethical aspects fast Motion pictures Psychological aspects fast Motion pictures Religious aspects fast Religion in motion pictures fast has work: Film, Lacan and the subject of religion (Text) https://id.oclc.org/worldcat/entity/E39PCH8DBQFfYfDXYxQxfvRR8C https://id.oclc.org/worldcat/ontology/hasWork 880-01 Print version: Nolan, Steve. Film, Lacan and the subject of religion. London ; New York : Continuum, ©2009 9780826427601 (DLC) 2008048872 (OCoLC)272306242 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=296007 Volltext 260-00/(S London ; New York : Continuum, γ̐ư2009. 505-00/(S Introduction -- An overview -- With thanks -- Part one. Current approaches to religious film analysis -- Introduction to Part one -- 1 Phenomenological interpretations : film as sacrament -- Andrγ̐ưe Bazin : the parameters of cinematic Protestantism -- Paul Schrader : 'Protestant cinematic sacramentalism' -- Other cinematic sacramentalists : Cunneen, Bird and Fraser -- Critique of cinematic style as sacarment -- Two other phenomenological interpretations : Martin and Thompson -- Literary interpretations : film as visual story -- The auteur in theological film criticism : Kreitzer -- The missed point of the emerging orthodoxy : Deacy -- Anthropological interpretations : film as religion -- Lyden : 'film itself functions as a religion' -- Marsh : 'the religion-like function of film' -- Part two. Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998). 505-00/(S Part three. What can film theory offer liturgy-- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj γ̐ưZiγ̐ưzek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'. 776-01/(S Print version: Nolan, Steve. Film, Lacan and the subject of religion. London ; New York : Continuum, γ̐ư2009 9780826427601 (DLC) 2008048872 (OCoLC)272306242 |
| spellingShingle | Nolan, Steve Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / Introduction -- An overview -- With thanks -- Part one. Current approaches to religious film analysis -- Introduction to Part one -- 1 Phenomenological interpretations : film as sacrament -- André Bazin : the parameters of cinematic Protestantism -- Paul Schrader : 'Protestant cinematic sacramentalism' -- Other cinematic sacramentalists : Cunneen, Bird and Fraser -- Critique of cinematic style as sacarment -- Two other phenomenological interpretations : Martin and Thompson -- Literary interpretations : film as visual story -- The auteur in theological film criticism : Kreitzer -- The missed point of the emerging orthodoxy : Deacy -- Anthropological interpretations : film as religion -- Lyden : 'film itself functions as a religion' -- Marsh : 'the religion-like function of film' -- Part two. Representation in liturgy and film -- Introduction to Part two -- Liturgical representation : 'others', narratives and ideological 'realities' -- The liturgical 'other' : priestly representation -- Sacramental narrative of the cross -- Participation in the ideological 'reality' of episcopal/ecclesial authority -- Cinematic representation : 'others', Narratives and ideological 'realities' -- The cinematic 'other' : the film star/hero -- 'Ordinary guy/extraordinary situation' : the overcoming-the-other narrative -- Soviet satellites -- Islamist militants -- Participation in the ideological 'reality' of Hollywood realism -- The siege (1998). Part three. What can film theory offer liturgy? -- Introduction to Part three -- Cinematic identification : suture and narrative space -- Cinematic perspective and narrative space -- Jean-Pierre Oudart and Stephen Heath : suturing the subject in cinematic discourse -- Slavoj Žižek : when suture fails -- Critique of the subject sutured in cinematic discourse -- Suturing suture : joining the theory together -- Cinematic impression of reality as unconscious effect -- Symbolic reality, imaginary reality and the real of the subject's truth -- Imagos and the representational nature of the complex -- Anamnesis : the subject's participation in the impression of reality -- Mapping imaginary reality to cinema's impression of reality -- Cinematic discourse and Lacan's linguistic theory of dreams -- The (overdetermined) 'thing' : 'dumb reality' and (forbidden) objet petit a -- Lacan's linguistic theory of dreams -- The signifier as representative not significant -- The repeated real, the real as missed encounter -- Mapping unconscious desire to cinematic discourse -- Suturing identity with a cinematic other, suturing subjectivity -- Identification with represented desire : a 'genetic theory of the ego' -- Libidinal investment, narcissistic identification : 'dialectic of identification' -- The confusion of identity : jealousy, paranoiac knowledge and transitivism -- Procuring subjectivity : circulating the 'rim' and superimposing the lack -- Procuring subjectivity : the double operation of the 'rim' -- Representation and the fading of the subject -- Procuring subjectivity : the superimposition of the two lacks -- Modes of subject identification : the ideal-I and the ego-ideal -- Symmetrical identifications : imaginary projection and symbolic introjection -- Mapping suture to identification with a cinematic other -- Suturing religious identity in the sacramental narrative -- Identification with the priest as a liturgical representation -- Constructing the priest as a liturgical representation -- Priestly representation (i) : a fiction sustained by erotic attraction -- The mission (1986) -- Priestly representation (ii) : a fiction sustained by negation/disavowal -- Father John McNeill -- The worshipper's solipsistic identification with priestly representation -- Joining the narrative and participating in its 'reality' -- Signifying for : the reinscription of desire into the sacramental narrative -- The exorcist (1973) -- On the waterfront (1954) -- The fugitive (1947) -- The worshipper's participation as a subject of episcopal/ecclesial 'reality' -- By way of analysis -- Batman begins (Christopher Nolan) -- Bewitched (Nora Ephron) -- Charlie and the chocolate factory (Tim Burton) -- Conclusion : a third task -- moving beyond the 'so what!'. Lacan, Jacques, 1901-1981. http://id.loc.gov/authorities/names/n80022983 Lacan, Jacques, 1901-1981 fast https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC Motion pictures Religious aspects. http://id.loc.gov/authorities/subjects/sh85112574 Motion pictures Psychological aspects. Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Religion in motion pictures. http://id.loc.gov/authorities/subjects/sh85112594 Cinéma Aspect religieux. Religion au cinéma. Cinéma Aspect moral. Cinéma Aspect psychologique. RELIGION Christianity General. bisacsh RELIGION Ethics. bisacsh Motion pictures Moral and ethical aspects fast Motion pictures Psychological aspects fast Motion pictures Religious aspects fast Religion in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/names/n80022983 http://id.loc.gov/authorities/subjects/sh85112574 http://id.loc.gov/authorities/subjects/sh85088101 http://id.loc.gov/authorities/subjects/sh85112594 |
| title | Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / |
| title_auth | Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / |
| title_exact_search | Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / |
| title_full | Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / Steve Nolan. |
| title_fullStr | Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / Steve Nolan. |
| title_full_unstemmed | Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis / Steve Nolan. |
| title_short | Film, Lacan and the subject of religion : |
| title_sort | film lacan and the subject of religion a psychoanalytic approach to religious film analysis |
| title_sub | a psychoanalytic approach to religious film analysis / |
| topic | Lacan, Jacques, 1901-1981. http://id.loc.gov/authorities/names/n80022983 Lacan, Jacques, 1901-1981 fast https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC Motion pictures Religious aspects. http://id.loc.gov/authorities/subjects/sh85112574 Motion pictures Psychological aspects. Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Religion in motion pictures. http://id.loc.gov/authorities/subjects/sh85112594 Cinéma Aspect religieux. Religion au cinéma. Cinéma Aspect moral. Cinéma Aspect psychologique. RELIGION Christianity General. bisacsh RELIGION Ethics. bisacsh Motion pictures Moral and ethical aspects fast Motion pictures Psychological aspects fast Motion pictures Religious aspects fast Religion in motion pictures fast |
| topic_facet | Lacan, Jacques, 1901-1981. Lacan, Jacques, 1901-1981 Motion pictures Religious aspects. Motion pictures Psychological aspects. Motion pictures Moral and ethical aspects. Religion in motion pictures. Cinéma Aspect religieux. Religion au cinéma. Cinéma Aspect moral. Cinéma Aspect psychologique. RELIGION Christianity General. RELIGION Ethics. Motion pictures Moral and ethical aspects Motion pictures Psychological aspects Motion pictures Religious aspects Religion in motion pictures |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=296007 |
| work_keys_str_mv | AT nolansteve filmlacanandthesubjectofreligionapsychoanalyticapproachtoreligiousfilmanalysis |