Shakespeare and the power of performance :: stage and page in the Elizabethan theatre /
Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare respon...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, UK ; New York :
Cambridge University Press,
2008.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself. |
| Beschreibung: | 1 online resource (x, 266 pages) |
| Bibliographie: | Includes bibliographical references (pages 224-255) and index. |
| ISBN: | 9780511424083 0511424086 0511423608 9780511423604 9780511481437 0511481438 9780521895323 0521895324 |
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| 245 | 1 | 0 | |a Shakespeare and the power of performance : |b stage and page in the Elizabethan theatre / |c Robert Weimann and Douglas Bruster. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2008. | ||
| 300 | |a 1 online resource (x, 266 pages) | ||
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| 505 | 0 | |a "Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page. | |
| 504 | |a Includes bibliographical references (pages 224-255) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself. | ||
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| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
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| 650 | 7 | |a English drama. |2 fast |0 (OCoLC)fst00910737 | |
| 650 | 7 | |a Technique. |2 fast |0 (OCoLC)fst01355129 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 648 | 7 | |a 1600-1699 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Bruster, Douglas. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn289117346 |
|---|---|
| _version_ | 1816881682134859777 |
| adam_text | |
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| author | Weimann, Robert |
| author2 | Bruster, Douglas |
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| author_facet | Weimann, Robert Bruster, Douglas |
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| callnumber-search | PR2995 .W45 2008eb |
| callnumber-sort | PR 42995 W45 42008EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | "Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page. |
| ctrlnum | (OCoLC)289117346 |
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| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1600-1699 fast |
| era_facet | 1600-1699 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast (OCoLC)fst01411635 |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn289117346 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:36Z |
| institution | BVB |
| isbn | 9780511424083 0511424086 0511423608 9780511423604 9780511481437 0511481438 9780521895323 0521895324 |
| language | English |
| oclc_num | 289117346 |
| open_access_boolean | |
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| physical | 1 online resource (x, 266 pages) |
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| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Weimann, Robert. Shakespeare and the power of performance : stage and page in the Elizabethan theatre / Robert Weimann and Douglas Bruster. Cambridge, UK ; New York : Cambridge University Press, 2008. 1 online resource (x, 266 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier "Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page. Includes bibliographical references (pages 224-255) and index. Print version record. Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself. Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 Characters. http://id.loc.gov/authorities/subjects/sh85120865 Shakespeare, William, 1564-1616. fast (OCoLC)fst00029048 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama 17th century History and criticism. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Characters and characteristics. fast (OCoLC)fst00852293 English drama. fast (OCoLC)fst00910737 Technique. fast (OCoLC)fst01355129 Theater. fast (OCoLC)fst01149217 1600-1699 fast Criticism, interpretation, etc. fast (OCoLC)fst01411635 Bruster, Douglas. has work: Shakespeare and the power of performance (Text) https://id.oclc.org/worldcat/entity/E39PCFWdGQRmF3KYWt3jQDvTH3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Weimann, Robert. Shakespeare and the power of performance. Cambridge, UK ; New York : Cambridge University Press, 2008 9780521895323 0521895324 (OCoLC)212858836 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=244504 Volltext |
| spellingShingle | Weimann, Robert Shakespeare and the power of performance : stage and page in the Elizabethan theatre / "Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page. Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 Characters. http://id.loc.gov/authorities/subjects/sh85120865 Shakespeare, William, 1564-1616. fast (OCoLC)fst00029048 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama 17th century History and criticism. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Characters and characteristics. fast (OCoLC)fst00852293 English drama. fast (OCoLC)fst00910737 Technique. fast (OCoLC)fst01355129 Theater. fast (OCoLC)fst01149217 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85121051 http://id.loc.gov/authorities/subjects/sh85120938 http://id.loc.gov/authorities/subjects/sh85120865 (OCoLC)fst00029048 (OCoLC)fst00852293 (OCoLC)fst00910737 (OCoLC)fst01355129 (OCoLC)fst01149217 (OCoLC)fst01411635 |
| title | Shakespeare and the power of performance : stage and page in the Elizabethan theatre / |
| title_auth | Shakespeare and the power of performance : stage and page in the Elizabethan theatre / |
| title_exact_search | Shakespeare and the power of performance : stage and page in the Elizabethan theatre / |
| title_full | Shakespeare and the power of performance : stage and page in the Elizabethan theatre / Robert Weimann and Douglas Bruster. |
| title_fullStr | Shakespeare and the power of performance : stage and page in the Elizabethan theatre / Robert Weimann and Douglas Bruster. |
| title_full_unstemmed | Shakespeare and the power of performance : stage and page in the Elizabethan theatre / Robert Weimann and Douglas Bruster. |
| title_short | Shakespeare and the power of performance : |
| title_sort | shakespeare and the power of performance stage and page in the elizabethan theatre |
| title_sub | stage and page in the Elizabethan theatre / |
| topic | Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 Characters. http://id.loc.gov/authorities/subjects/sh85120865 Shakespeare, William, 1564-1616. fast (OCoLC)fst00029048 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama 17th century History and criticism. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Characters and characteristics. fast (OCoLC)fst00852293 English drama. fast (OCoLC)fst00910737 Technique. fast (OCoLC)fst01355129 Theater. fast (OCoLC)fst01149217 |
| topic_facet | Shakespeare, William, 1564-1616 Technique. Shakespeare, William, 1564-1616 Dramatic production. Shakespeare, William, 1564-1616 Characters. Shakespeare, William, 1564-1616. English drama 17th century History and criticism. Théâtre anglais 17e siècle Histoire et critique. LITERARY CRITICISM Shakespeare. DRAMA Shakespeare. Characters and characteristics. English drama. Technique. Theater. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=244504 |
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