Integral drama :: culture, consciousness and identity /
"Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the exte...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam ; New York, NY :
Rodopi,
2008.
|
Schriftenreihe: | Consciousness, literature & the arts ;
15. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K.C. Forman, Jonathan Shear, Daniel Meyer-Dinkgrafe, Ralph Yarrow and others." "Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama, moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies."--Jacket |
Beschreibung: | 1 online resource (184 pages) |
Bibliographie: | Includes bibliographical references (pages 177-182) and index. |
ISBN: | 9781435641105 1435641108 9042023899 9789042023895 9789401205788 9401205787 |
ISSN: | 1573-2193 ; |
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245 | 1 | 0 | |a Integral drama : |b culture, consciousness and identity / |c William S. Haney II. |
260 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2008. | ||
300 | |a 1 online resource (184 pages) | ||
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490 | 1 | |a Consciousness, literature & the arts, |x 1573-2193 ; |v 15 | |
504 | |a Includes bibliographical references (pages 177-182) and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Introduction -- The fall of private man in Harold Pinter's The birthday party -- Eugene Ionesco's Rhinoceros: defiance vs. conformity -- Tom Stoppard's Arcadia: orderly disorder -- Discovering happiness in Harold Pinter's The homecoming -- Luigi Pirandello's Six characters in search of an author: being vs. having form -- The reality of illusion in Jean Genet's The balcony -- Soyinka's integral drama: unity and the mistake of the intellect -- Bibliography -- Index of names. | |
520 | 8 | |a "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K.C. Forman, Jonathan Shear, Daniel Meyer-Dinkgrafe, Ralph Yarrow and others." "Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama, moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies."--Jacket | |
546 | |a English. | ||
650 | 0 | |a Drama |y 20th century |x History and criticism |x Theory, etc. | |
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650 | 0 | |a Culture in literature. |0 http://id.loc.gov/authorities/subjects/sh94004506 | |
650 | 6 | |a Théâtre (Genre littéraire) |y 20e siècle |x Histoire et critique |x Théorie, etc. | |
650 | 6 | |a Conscience dans la littérature. | |
650 | 6 | |a Culture dans la littérature. | |
650 | 7 | |a TRAVEL |x Special Interest |x Literary. |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
650 | 7 | |a Consciousness in literature |2 fast | |
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758 | |i has work: |a Integral drama (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGc67jwWTKhjPHxDFt3cMX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Haney, William S. |t Integral drama. |d Amsterdam ; New York, NY : Rodopi, 2008 |z 9042023899 |z 9789042023895 |w (OCoLC)226166561 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn226308382 |
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adam_text | |
any_adam_object | |
author | Haney, William S. |
author_GND | http://id.loc.gov/authorities/names/n93081733 |
author_facet | Haney, William S. |
author_role | |
author_sort | Haney, William S. |
author_variant | w s h ws wsh |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1861 |
callnumber-raw | PN1861 .H36 2008eb |
callnumber-search | PN1861 .H36 2008eb |
callnumber-sort | PN 41861 H36 42008EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction -- The fall of private man in Harold Pinter's The birthday party -- Eugene Ionesco's Rhinoceros: defiance vs. conformity -- Tom Stoppard's Arcadia: orderly disorder -- Discovering happiness in Harold Pinter's The homecoming -- Luigi Pirandello's Six characters in search of an author: being vs. having form -- The reality of illusion in Jean Genet's The balcony -- Soyinka's integral drama: unity and the mistake of the intellect -- Bibliography -- Index of names. |
ctrlnum | (OCoLC)226308382 |
dewey-full | 809.2/04 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809.2/04 |
dewey-search | 809.2/04 |
dewey-sort | 3809.2 14 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn226308382 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:16:19Z |
institution | BVB |
isbn | 9781435641105 1435641108 9042023899 9789042023895 9789401205788 9401205787 |
issn | 1573-2193 ; |
language | English |
oclc_num | 226308382 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (184 pages) |
psigel | ZDB-4-EBA |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Rodopi, |
record_format | marc |
series | Consciousness, literature & the arts ; |
series2 | Consciousness, literature & the arts, |
spelling | Haney, William S. http://id.loc.gov/authorities/names/n93081733 Integral drama : culture, consciousness and identity / William S. Haney II. Amsterdam ; New York, NY : Rodopi, 2008. 1 online resource (184 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Consciousness, literature & the arts, 1573-2193 ; 15 Includes bibliographical references (pages 177-182) and index. Print version record. Introduction -- The fall of private man in Harold Pinter's The birthday party -- Eugene Ionesco's Rhinoceros: defiance vs. conformity -- Tom Stoppard's Arcadia: orderly disorder -- Discovering happiness in Harold Pinter's The homecoming -- Luigi Pirandello's Six characters in search of an author: being vs. having form -- The reality of illusion in Jean Genet's The balcony -- Soyinka's integral drama: unity and the mistake of the intellect -- Bibliography -- Index of names. "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K.C. Forman, Jonathan Shear, Daniel Meyer-Dinkgrafe, Ralph Yarrow and others." "Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama, moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies."--Jacket English. Drama 20th century History and criticism Theory, etc. Consciousness in literature. http://id.loc.gov/authorities/subjects/sh94003664 Culture in literature. http://id.loc.gov/authorities/subjects/sh94004506 Théâtre (Genre littéraire) 20e siècle Histoire et critique Théorie, etc. Conscience dans la littérature. Culture dans la littérature. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Consciousness in literature fast Culture in literature fast 1900-1999 fast Criticism, interpretation, etc. fast has work: Integral drama (Text) https://id.oclc.org/worldcat/entity/E39PCGc67jwWTKhjPHxDFt3cMX https://id.oclc.org/worldcat/ontology/hasWork Print version: Haney, William S. Integral drama. Amsterdam ; New York, NY : Rodopi, 2008 9042023899 9789042023895 (OCoLC)226166561 Consciousness, literature & the arts ; 15. 1573-2193 http://id.loc.gov/authorities/names/no2005068696 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=222719 Volltext |
spellingShingle | Haney, William S. Integral drama : culture, consciousness and identity / Consciousness, literature & the arts ; Introduction -- The fall of private man in Harold Pinter's The birthday party -- Eugene Ionesco's Rhinoceros: defiance vs. conformity -- Tom Stoppard's Arcadia: orderly disorder -- Discovering happiness in Harold Pinter's The homecoming -- Luigi Pirandello's Six characters in search of an author: being vs. having form -- The reality of illusion in Jean Genet's The balcony -- Soyinka's integral drama: unity and the mistake of the intellect -- Bibliography -- Index of names. Drama 20th century History and criticism Theory, etc. Consciousness in literature. http://id.loc.gov/authorities/subjects/sh94003664 Culture in literature. http://id.loc.gov/authorities/subjects/sh94004506 Théâtre (Genre littéraire) 20e siècle Histoire et critique Théorie, etc. Conscience dans la littérature. Culture dans la littérature. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Consciousness in literature fast Culture in literature fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh94003664 http://id.loc.gov/authorities/subjects/sh94004506 |
title | Integral drama : culture, consciousness and identity / |
title_auth | Integral drama : culture, consciousness and identity / |
title_exact_search | Integral drama : culture, consciousness and identity / |
title_full | Integral drama : culture, consciousness and identity / William S. Haney II. |
title_fullStr | Integral drama : culture, consciousness and identity / William S. Haney II. |
title_full_unstemmed | Integral drama : culture, consciousness and identity / William S. Haney II. |
title_short | Integral drama : |
title_sort | integral drama culture consciousness and identity |
title_sub | culture, consciousness and identity / |
topic | Drama 20th century History and criticism Theory, etc. Consciousness in literature. http://id.loc.gov/authorities/subjects/sh94003664 Culture in literature. http://id.loc.gov/authorities/subjects/sh94004506 Théâtre (Genre littéraire) 20e siècle Histoire et critique Théorie, etc. Conscience dans la littérature. Culture dans la littérature. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Consciousness in literature fast Culture in literature fast |
topic_facet | Drama 20th century History and criticism Theory, etc. Consciousness in literature. Culture in literature. Théâtre (Genre littéraire) 20e siècle Histoire et critique Théorie, etc. Conscience dans la littérature. Culture dans la littérature. TRAVEL Special Interest Literary. LITERARY CRITICISM General. Consciousness in literature Culture in literature Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=222719 |
work_keys_str_mv | AT haneywilliams integraldramacultureconsciousnessandidentity |