Avant-garde film /:
"This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theor...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; New York, NY :
Rodopi,
2007.
|
| Schriftenreihe: | Avant garde critical studies ;
23. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the 'classical' avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as 'film', at the same time as reconsidering the applicability of the label 'avant-garde', to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines"-- |
| Beschreibung: | 1 online resource (xi, 405 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789401200035 9401200033 9781435613416 1435613414 |
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| 245 | 0 | 0 | |a Avant-garde film / |c edited by Alexander Graf and Dietrich Scheunemann. |
| 264 | 1 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2007. | |
| 300 | |a 1 online resource (xi, 405 pages) : |b illustrations. | ||
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| 490 | 1 | |a Avant garde critical studies ; |v 23 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the 'classical' avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as 'film', at the same time as reconsidering the applicability of the label 'avant-garde', to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines"-- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Preliminary material / |r Editors Avant-Garde Film -- |t Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / |r R. Bruce Elder -- |t Frames and Windows: Visual Space in Abstract Cinema / |r A.L. Rees -- |t Paris -- Berlin -- Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / |r Alexander Graf -- |t Man Ray's Films: From Dada to Surrealism / |r Rudolf E. Kuenzli -- |t On Mário Peixoto's Limite / |r Michael Korfmann -- |t Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / |r Tami M. Williams -- |t Mayakovsky: Film: Futurism / |r Marina Burke -- |t The Interiority of Space: Desire and Maya Deren / |r Maureen Turim -- |t Stan Brakhage's Film Testament: The Four Faust Films / |r Inez Hedges -- |t Light-Play and the Aesthetics of Avant-Garde Film / |r William C. Wees -- |t Paul Sharits: from Cinematic Movement to Nondirectional Motion / |r Yvonne Spielmann -- |t Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / |r Pierre Sorlin -- |t It's a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / |r Bart Keunen and Sascha Bru -- |t Peter Kubelka's Arnulf Rainer / |r Nicky Hamlyn -- |t Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / |r Tania Ørum -- |t French Experimental Cinema: the Figural and the Formless -- Nicolas Rey's Terminus for you (1996) and Pip Chodorov's Charlemagne 2: Piltzer (2002) / |r Martine Beugnet -- |t The Stammering Frame: on recent French and Austrian Film Experiments / |r Frédérique Devaux -- |t Inscriptions of Light and The 'Calligraphy of Decay': Volatile Representation in Bill Morrison's Decasia / |r Ursula Böser -- |t From Video Art to Video Performance: The Work of Ulrike Rosenbach / |r Günter Berghaus -- |t New Media and Feminist Interventions: Valie Export's Medial Anagrams / |r Margit Grieb -- |t The Paracinema of Anthony McCall and Tony Conrad / |r Jonathan Walley -- |t List of Illustrations / |r Editors Avant-Garde Film -- |t Contributors to this volume / |r Editors Avant-Garde Film -- |t Index / |r Editors Avant-Garde Film. |
| 650 | 0 | |a Experimental films |x History and criticism |y 20th century. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |0 http://id.loc.gov/authorities/subjects/sh85010494 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Experimental films |2 fast | |
| 650 | 1 | 7 | |a Avant-garde. |2 gtt |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 7 | |a Experimental films |x History and criticism |y 20th century. |2 nli | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Graf, Alexander, |d 1968- |e editor. |0 http://id.loc.gov/authorities/names/no2008051057 | |
| 700 | 1 | |a Scheunemann, Dietrich, |e editor. |0 http://id.loc.gov/authorities/names/n90682984 | |
| 776 | 0 | 8 | |i Print version: |t Avant-garde film. |d Amsterdam ; New York : Rodopi, 2007 |z 9042023058 |w (DLC) 2008374448 |w (OCoLC)181068805 |
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| author2 | Graf, Alexander, 1968- Scheunemann, Dietrich |
| author2_role | edt edt |
| author2_variant | a g ag d s ds |
| author_GND | http://id.loc.gov/authorities/names/no2008051057 http://id.loc.gov/authorities/names/n90682984 |
| author_additional | Editors Avant-Garde Film -- R. Bruce Elder -- A.L. Rees -- Alexander Graf -- Rudolf E. Kuenzli -- Michael Korfmann -- Tami M. Williams -- Marina Burke -- Maureen Turim -- Inez Hedges -- William C. Wees -- Yvonne Spielmann -- Pierre Sorlin -- Bart Keunen and Sascha Bru -- Nicky Hamlyn -- Tania Ørum -- Martine Beugnet -- Frédérique Devaux -- Ursula Böser -- Günter Berghaus -- Margit Grieb -- Jonathan Walley -- Editors Avant-Garde Film. |
| author_facet | Graf, Alexander, 1968- Scheunemann, Dietrich |
| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.E96 A93 2007eb |
| callnumber-search | PN1995.9.E96 A93 2007eb |
| callnumber-sort | PN 41995.9 E96 A93 42007EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Preliminary material / Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / Frames and Windows: Visual Space in Abstract Cinema / Paris -- Berlin -- Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / Man Ray's Films: From Dada to Surrealism / On Mário Peixoto's Limite / Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / Mayakovsky: Film: Futurism / The Interiority of Space: Desire and Maya Deren / Stan Brakhage's Film Testament: The Four Faust Films / Light-Play and the Aesthetics of Avant-Garde Film / Paul Sharits: from Cinematic Movement to Nondirectional Motion / Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / It's a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / Peter Kubelka's Arnulf Rainer / Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / French Experimental Cinema: the Figural and the Formless -- Nicolas Rey's Terminus for you (1996) and Pip Chodorov's Charlemagne 2: Piltzer (2002) / The Stammering Frame: on recent French and Austrian Film Experiments / Inscriptions of Light and The 'Calligraphy of Decay': Volatile Representation in Bill Morrison's Decasia / From Video Art to Video Performance: The Work of Ulrike Rosenbach / New Media and Feminist Interventions: Valie Export's Medial Anagrams / The Paracinema of Anthony McCall and Tony Conrad / List of Illustrations / Contributors to this volume / Index / |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn183317290 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:13Z |
| institution | BVB |
| isbn | 9789401200035 9401200033 9781435613416 1435613414 |
| language | English |
| oclc_num | 183317290 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 405 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Rodopi, |
| record_format | marc |
| series | Avant garde critical studies ; |
| series2 | Avant garde critical studies ; |
| spelling | Avant-garde film / edited by Alexander Graf and Dietrich Scheunemann. Amsterdam ; New York, NY : Rodopi, 2007. 1 online resource (xi, 405 pages) : illustrations. text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier data file Avant garde critical studies ; 23 Includes bibliographical references and index. "This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the 'classical' avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as 'film', at the same time as reconsidering the applicability of the label 'avant-garde', to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines"-- Provided by publisher. Print version record. Preliminary material / Editors Avant-Garde Film -- Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / R. Bruce Elder -- Frames and Windows: Visual Space in Abstract Cinema / A.L. Rees -- Paris -- Berlin -- Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / Alexander Graf -- Man Ray's Films: From Dada to Surrealism / Rudolf E. Kuenzli -- On Mário Peixoto's Limite / Michael Korfmann -- Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / Tami M. Williams -- Mayakovsky: Film: Futurism / Marina Burke -- The Interiority of Space: Desire and Maya Deren / Maureen Turim -- Stan Brakhage's Film Testament: The Four Faust Films / Inez Hedges -- Light-Play and the Aesthetics of Avant-Garde Film / William C. Wees -- Paul Sharits: from Cinematic Movement to Nondirectional Motion / Yvonne Spielmann -- Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / Pierre Sorlin -- It's a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / Bart Keunen and Sascha Bru -- Peter Kubelka's Arnulf Rainer / Nicky Hamlyn -- Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / Tania Ørum -- French Experimental Cinema: the Figural and the Formless -- Nicolas Rey's Terminus for you (1996) and Pip Chodorov's Charlemagne 2: Piltzer (2002) / Martine Beugnet -- The Stammering Frame: on recent French and Austrian Film Experiments / Frédérique Devaux -- Inscriptions of Light and The 'Calligraphy of Decay': Volatile Representation in Bill Morrison's Decasia / Ursula Böser -- From Video Art to Video Performance: The Work of Ulrike Rosenbach / Günter Berghaus -- New Media and Feminist Interventions: Valie Export's Medial Anagrams / Margit Grieb -- The Paracinema of Anthony McCall and Tony Conrad / Jonathan Walley -- List of Illustrations / Editors Avant-Garde Film -- Contributors to this volume / Editors Avant-Garde Film -- Index / Editors Avant-Garde Film. Experimental films History and criticism 20th century. Avant-garde (Aesthetics) http://id.loc.gov/authorities/subjects/sh85010494 PERFORMING ARTS Film & Video Reference. bisacsh Experimental films fast Avant-garde. gtt Filmkunst. gtt Experimental films History and criticism 20th century. nli 1900-1999 fast Criticism, interpretation, etc. fast Graf, Alexander, 1968- editor. http://id.loc.gov/authorities/names/no2008051057 Scheunemann, Dietrich, editor. http://id.loc.gov/authorities/names/n90682984 Print version: Avant-garde film. Amsterdam ; New York : Rodopi, 2007 9042023058 (DLC) 2008374448 (OCoLC)181068805 Avant garde critical studies ; 23. http://id.loc.gov/authorities/names/no94041099 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=213812 Volltext |
| spellingShingle | Avant-garde film / Avant garde critical studies ; Preliminary material / Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / Frames and Windows: Visual Space in Abstract Cinema / Paris -- Berlin -- Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / Man Ray's Films: From Dada to Surrealism / On Mário Peixoto's Limite / Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / Mayakovsky: Film: Futurism / The Interiority of Space: Desire and Maya Deren / Stan Brakhage's Film Testament: The Four Faust Films / Light-Play and the Aesthetics of Avant-Garde Film / Paul Sharits: from Cinematic Movement to Nondirectional Motion / Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / It's a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / Peter Kubelka's Arnulf Rainer / Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / French Experimental Cinema: the Figural and the Formless -- Nicolas Rey's Terminus for you (1996) and Pip Chodorov's Charlemagne 2: Piltzer (2002) / The Stammering Frame: on recent French and Austrian Film Experiments / Inscriptions of Light and The 'Calligraphy of Decay': Volatile Representation in Bill Morrison's Decasia / From Video Art to Video Performance: The Work of Ulrike Rosenbach / New Media and Feminist Interventions: Valie Export's Medial Anagrams / The Paracinema of Anthony McCall and Tony Conrad / List of Illustrations / Contributors to this volume / Index / Experimental films History and criticism 20th century. Avant-garde (Aesthetics) http://id.loc.gov/authorities/subjects/sh85010494 PERFORMING ARTS Film & Video Reference. bisacsh Experimental films fast Avant-garde. gtt Filmkunst. gtt Experimental films History and criticism 20th century. nli |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85010494 |
| title | Avant-garde film / |
| title_alt | Preliminary material / Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / Frames and Windows: Visual Space in Abstract Cinema / Paris -- Berlin -- Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / Man Ray's Films: From Dada to Surrealism / On Mário Peixoto's Limite / Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / Mayakovsky: Film: Futurism / The Interiority of Space: Desire and Maya Deren / Stan Brakhage's Film Testament: The Four Faust Films / Light-Play and the Aesthetics of Avant-Garde Film / Paul Sharits: from Cinematic Movement to Nondirectional Motion / Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / It's a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / Peter Kubelka's Arnulf Rainer / Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / French Experimental Cinema: the Figural and the Formless -- Nicolas Rey's Terminus for you (1996) and Pip Chodorov's Charlemagne 2: Piltzer (2002) / The Stammering Frame: on recent French and Austrian Film Experiments / Inscriptions of Light and The 'Calligraphy of Decay': Volatile Representation in Bill Morrison's Decasia / From Video Art to Video Performance: The Work of Ulrike Rosenbach / New Media and Feminist Interventions: Valie Export's Medial Anagrams / The Paracinema of Anthony McCall and Tony Conrad / List of Illustrations / Contributors to this volume / Index / |
| title_auth | Avant-garde film / |
| title_exact_search | Avant-garde film / |
| title_full | Avant-garde film / edited by Alexander Graf and Dietrich Scheunemann. |
| title_fullStr | Avant-garde film / edited by Alexander Graf and Dietrich Scheunemann. |
| title_full_unstemmed | Avant-garde film / edited by Alexander Graf and Dietrich Scheunemann. |
| title_short | Avant-garde film / |
| title_sort | avant garde film |
| topic | Experimental films History and criticism 20th century. Avant-garde (Aesthetics) http://id.loc.gov/authorities/subjects/sh85010494 PERFORMING ARTS Film & Video Reference. bisacsh Experimental films fast Avant-garde. gtt Filmkunst. gtt Experimental films History and criticism 20th century. nli |
| topic_facet | Experimental films History and criticism 20th century. Avant-garde (Aesthetics) PERFORMING ARTS Film & Video Reference. Experimental films Avant-garde. Filmkunst. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=213812 |
| work_keys_str_mv | AT grafalexander avantgardefilm AT scheunemanndietrich avantgardefilm |