The real gaze :: film theory after Lacan /
The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical pot...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
©2007.
|
| Schriftenreihe: | SUNY series in psychoanalysis and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze. |
| Beschreibung: | 1 online resource (xii, 254 pages) |
| Bibliographie: | Includes bibliographical references (pages 211-245) and index. |
| ISBN: | 9781429471435 1429471433 0791470393 9780791470398 9780791480366 0791480364 |
Internformat
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| 100 | 1 | |a McGowan, Todd. |0 http://id.loc.gov/authorities/names/n00038476 | |
| 245 | 1 | 4 | |a The real gaze : |b film theory after Lacan / |c Todd McGowan. |
| 260 | |a Albany : |b State University of New York Press, |c ©2007. | ||
| 300 | |a 1 online resource (xii, 254 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a SUNY series in psychoanalysis and culture | |
| 504 | |a Includes bibliographical references (pages 211-245) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Fantasy and showing too much -- Theoretical fantasizing -- The politics of cinematic fantasy -- Early explorations of fantasy -- The coldness of Kubrick -- Spike Lee's fantasmatic explostions -- Michael Mann and the ethics of excess -- The bankruptcy of fantasy in Fellini -- Desire and not showing enough -- Theoretical desiring -- The politics of cinematic desire -- The impossible object of the Nouvelle Vague -- The banality of Orson Welles -- Claire Denis and the other's failure to enjoy -- Political desire in Italian neorealism -- The intermixing of desire and fantasy -- The theoretical opposition -- The politics of the cinema of integration -- The ordinary cinema of Ron Howard -- Steven Spielberg's search for the father -- D.W. Griffith's suspense -- Films that separate -- The separation of desire and fantasy -- Theorizing the real -- The politics of the cinema of intersection -- The overlapping worlds of Andrei Tarkovsky -- Alain Resnais between the present and the past -- Wim Wnders and the ethics of fantasizing -- The sexual relationship with David Lynch. | |
| 520 | 8 | |a The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze. | |
| 546 | |a English. | ||
| 600 | 1 | 7 | |a Lacan, Jacques |d 1901-1981 |2 gnd |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Film criticism. |0 http://id.loc.gov/authorities/subjects/sh85088039 | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Film criticism |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 650 | 7 | |a Filmtheorie |2 gnd |0 http://d-nb.info/gnd/4071216-3 | |
| 650 | 7 | |a Lacan, Jacques |x Film. |2 idsbb | |
| 650 | 7 | |a Filmtheorie |y Geschichte. |2 idsbb | |
| 650 | 7 | |a Film |x Ästhetik |x Geschichte. |2 idszbz | |
| 650 | 7 | |a Film |x Philosophie. |2 idszbz | |
| 758 | |i has work: |a The real gaze (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFXqckgTKFhfQBT6WvwP73 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a McGowan, Todd. |t Real gaze. |d Albany : State University of New York Press, ©2007 |z 0791470393 |z 9780791470398 |w (DLC) 2006013426 |w (OCoLC)67405640 |
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Datensatz im Suchindex
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| _version_ | 1816881648468230145 |
| adam_text | |
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| author | McGowan, Todd |
| author_GND | http://id.loc.gov/authorities/names/n00038476 |
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| author_sort | McGowan, Todd |
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| building | Verbundindex |
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| contents | Fantasy and showing too much -- Theoretical fantasizing -- The politics of cinematic fantasy -- Early explorations of fantasy -- The coldness of Kubrick -- Spike Lee's fantasmatic explostions -- Michael Mann and the ethics of excess -- The bankruptcy of fantasy in Fellini -- Desire and not showing enough -- Theoretical desiring -- The politics of cinematic desire -- The impossible object of the Nouvelle Vague -- The banality of Orson Welles -- Claire Denis and the other's failure to enjoy -- Political desire in Italian neorealism -- The intermixing of desire and fantasy -- The theoretical opposition -- The politics of the cinema of integration -- The ordinary cinema of Ron Howard -- Steven Spielberg's search for the father -- D.W. Griffith's suspense -- Films that separate -- The separation of desire and fantasy -- Theorizing the real -- The politics of the cinema of intersection -- The overlapping worlds of Andrei Tarkovsky -- Alain Resnais between the present and the past -- Wim Wnders and the ethics of fantasizing -- The sexual relationship with David Lynch. |
| ctrlnum | (OCoLC)140253224 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn140253224 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:04Z |
| institution | BVB |
| isbn | 9781429471435 1429471433 0791470393 9780791470398 9780791480366 0791480364 |
| language | English |
| oclc_num | 140253224 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 254 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | State University of New York Press, |
| record_format | marc |
| series | SUNY series in psychoanalysis and culture. |
| series2 | SUNY series in psychoanalysis and culture |
| spelling | McGowan, Todd. http://id.loc.gov/authorities/names/n00038476 The real gaze : film theory after Lacan / Todd McGowan. Albany : State University of New York Press, ©2007. 1 online resource (xii, 254 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series in psychoanalysis and culture Includes bibliographical references (pages 211-245) and index. Print version record. Fantasy and showing too much -- Theoretical fantasizing -- The politics of cinematic fantasy -- Early explorations of fantasy -- The coldness of Kubrick -- Spike Lee's fantasmatic explostions -- Michael Mann and the ethics of excess -- The bankruptcy of fantasy in Fellini -- Desire and not showing enough -- Theoretical desiring -- The politics of cinematic desire -- The impossible object of the Nouvelle Vague -- The banality of Orson Welles -- Claire Denis and the other's failure to enjoy -- Political desire in Italian neorealism -- The intermixing of desire and fantasy -- The theoretical opposition -- The politics of the cinema of integration -- The ordinary cinema of Ron Howard -- Steven Spielberg's search for the father -- D.W. Griffith's suspense -- Films that separate -- The separation of desire and fantasy -- Theorizing the real -- The politics of the cinema of intersection -- The overlapping worlds of Andrei Tarkovsky -- Alain Resnais between the present and the past -- Wim Wnders and the ethics of fantasizing -- The sexual relationship with David Lynch. The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze. English. Lacan, Jacques 1901-1981 gnd Bibel Philemonbrief gnd Film criticism. http://id.loc.gov/authorities/subjects/sh85088039 Motion pictures Philosophy. Critique cinématographique. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. bisacsh Film criticism fast Motion pictures Philosophy fast Filmtheorie gnd http://d-nb.info/gnd/4071216-3 Lacan, Jacques Film. idsbb Filmtheorie Geschichte. idsbb Film Ästhetik Geschichte. idszbz Film Philosophie. idszbz has work: The real gaze (Text) https://id.oclc.org/worldcat/entity/E39PCFXqckgTKFhfQBT6WvwP73 https://id.oclc.org/worldcat/ontology/hasWork Print version: McGowan, Todd. Real gaze. Albany : State University of New York Press, ©2007 0791470393 9780791470398 (DLC) 2006013426 (OCoLC)67405640 SUNY series in psychoanalysis and culture. http://id.loc.gov/authorities/names/n92082125 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=193037 Volltext |
| spellingShingle | McGowan, Todd The real gaze : film theory after Lacan / SUNY series in psychoanalysis and culture. Fantasy and showing too much -- Theoretical fantasizing -- The politics of cinematic fantasy -- Early explorations of fantasy -- The coldness of Kubrick -- Spike Lee's fantasmatic explostions -- Michael Mann and the ethics of excess -- The bankruptcy of fantasy in Fellini -- Desire and not showing enough -- Theoretical desiring -- The politics of cinematic desire -- The impossible object of the Nouvelle Vague -- The banality of Orson Welles -- Claire Denis and the other's failure to enjoy -- Political desire in Italian neorealism -- The intermixing of desire and fantasy -- The theoretical opposition -- The politics of the cinema of integration -- The ordinary cinema of Ron Howard -- Steven Spielberg's search for the father -- D.W. Griffith's suspense -- Films that separate -- The separation of desire and fantasy -- Theorizing the real -- The politics of the cinema of intersection -- The overlapping worlds of Andrei Tarkovsky -- Alain Resnais between the present and the past -- Wim Wnders and the ethics of fantasizing -- The sexual relationship with David Lynch. Lacan, Jacques 1901-1981 gnd Bibel Philemonbrief gnd Film criticism. http://id.loc.gov/authorities/subjects/sh85088039 Motion pictures Philosophy. Critique cinématographique. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. bisacsh Film criticism fast Motion pictures Philosophy fast Filmtheorie gnd http://d-nb.info/gnd/4071216-3 Lacan, Jacques Film. idsbb Filmtheorie Geschichte. idsbb Film Ästhetik Geschichte. idszbz Film Philosophie. idszbz |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088039 http://d-nb.info/gnd/4071216-3 |
| title | The real gaze : film theory after Lacan / |
| title_auth | The real gaze : film theory after Lacan / |
| title_exact_search | The real gaze : film theory after Lacan / |
| title_full | The real gaze : film theory after Lacan / Todd McGowan. |
| title_fullStr | The real gaze : film theory after Lacan / Todd McGowan. |
| title_full_unstemmed | The real gaze : film theory after Lacan / Todd McGowan. |
| title_short | The real gaze : |
| title_sort | real gaze film theory after lacan |
| title_sub | film theory after Lacan / |
| topic | Lacan, Jacques 1901-1981 gnd Bibel Philemonbrief gnd Film criticism. http://id.loc.gov/authorities/subjects/sh85088039 Motion pictures Philosophy. Critique cinématographique. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. bisacsh Film criticism fast Motion pictures Philosophy fast Filmtheorie gnd http://d-nb.info/gnd/4071216-3 Lacan, Jacques Film. idsbb Filmtheorie Geschichte. idsbb Film Ästhetik Geschichte. idszbz Film Philosophie. idszbz |
| topic_facet | Lacan, Jacques 1901-1981 Bibel Philemonbrief Film criticism. Motion pictures Philosophy. Critique cinématographique. Cinéma Philosophie. PERFORMING ARTS Film & Video History & Criticism. Film criticism Motion pictures Philosophy Filmtheorie Lacan, Jacques Film. Filmtheorie Geschichte. Film Ästhetik Geschichte. Film Philosophie. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=193037 |
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