Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Becke...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Uhlmann, Anthony
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge, UK ; New York : Cambridge University Press, 2006.
Schlagworte:	Beckett, Samuel, > 1906-1989 > Criticism and interpretation. Beckett, Samuel, > 1906-1989 Image (Philosophy) Image (Philosophie) LITERARY CRITICISM > European > English, Irish, Scottish, Welsh. Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.
Beschreibung:	1 online resource (viii, 191 pages) : illustrations
Bibliographie:	Includes bibliographical references (pages 150-188) and index.
ISBN:	9780511257582 0511257589 0511257104 9780511257100